| Nebraska | |
| Type: | studio |
| Artist: | Bruce Springsteen |
| Cover: | Bruce Springsteen - Nebraska.jpg |
| Recorded: | December 17, 1981, to January 3, 1982, in Colts Neck, New Jersey, except "My Father's House", May 25, 1982 |
| Length: | 40:50 |
| Label: | Columbia |
| Producer: | Bruce Springsteen |
| Prev Title: | The River |
| Prev Year: | 1980 |
| Next Title: | Born in the U.S.A. |
| Next Year: | 1984 |
Nebraska is the sixth studio album by the American singer-songwriter Bruce Springsteen, released on September 30, 1982, by Columbia Records. Springsteen recorded the songs as demos on a 4-track recorder, intending to rerecord them with the E Street Band, but decided to release them as they were.[1]
The songs on Nebraska deal with ordinary, down-on-their-luck blue-collar characters who face a challenge or a turning point in their lives. The songs also address the subject of outsiders, criminals and mass murderers with little or no hope for the future. Unlike previous albums, which often exuded energy, youth, optimism and joy, the vocal tones of Nebraska are solemn and thoughtful, with fleeting moments of grace and redemption woven through the lyrics. The album's reverb-laden vocals and mood combined with dark lyrical content have been described by music critic William Ruhlmann as "one of the most challenging albums ever released by a major star on a major record label".
Nebraska met with commercial success, reaching number three in both the United States and Britain, but its stark departure from Springsteen's earlier albums resulted in slower sales and fainter praise from critics initially.[2] Springsteen chose not to tour in support of the album, making it his first major release that was not supported by a tour, and his only such release until 2019's Western Stars.[3] In later decades, Nebraska has attracted widespread acclaim and remains one of the most highly regarded albums in his catalogue,[4] and was ranked number 150 in Rolling Stones 2020 edition of its "The 500 Greatest Albums of All Time" list. A feature film based on the making of Nebraska titled Deliver Me from Nowhere is currently in the works.[5]
See main article: article and Electric Nebraska.
See also: Born in the U.S.A.. Initially, Springsteen recorded demos for the album at home with a 4-track cassette recorder.[6] The demos were sparse, using only acoustic guitar, electric guitar (on "Open All Night"), harmonica, mandolin, glockenspiel, tambourine, organ, synthesizer (on "My Father's House") and Springsteen's voice.[6] The songs also have sparse composition, and many are simple three-chord songs.[7] [8] [9] After completing work on the demos, in April, 1982 Springsteen took the compact audio cassette tape to the studio to work on rock versions of the songs with the E Street Band; these sessions are commonly referred to as "the Electric Nebraska Sessions".[6] Only Springsteen and Jon Landau had any decision-making power in this process. They felt certain songs were too personal, and the raw, haunting folk essence present on the compact cassette tape could not be duplicated or equaled in the band treatments; the tracks about which they felt this way made up the album Nebraska. However, eight of the 12 tracks that went on the 1984 album Born in the U.S.A. were composed of "Electric Nebraska" success stories. They were led by "Born in the U.S.A.", which was completed on May 3, 1982; "Downbound Train", recorded April 28, 1982; "Cover Me", recorded at The Hit Factory, New York on January 25, 1982; "I'm On Fire", recorded at The Power Station on May 11, 1982; "Glory Days", recorded at The Power Station on May 5, 1982; "Darlington County", recorded at The Power Station on May 13, 1982; "Working on the Highway", recorded April 30 and May 6, 1982, and "I'm Going Down", recorded on May 12 or 13, 1982.[10]
The demo recording sessions that produced the album actually covered several days, but January 3, 1982, is credited as the "legendary night" when 15 tracks were recorded. They were "Starkweather" ("Nebraska"), "Atlantic City", "Mansion on the Hill", "Johnny 99", "Highway Patrolman", "State Trooper", "Used Cars", "Wanda" ("Open All Night"), "Reason to Believe", "Born in the U.S.A.", "Downbound Train", "Child Bride", "Losin' Kind", "My Father's House" (May 25, 1982), and "Pink Cadillac", a total of 15 songs; 10 ended up on Nebraska and the demo for "Born in the U.S.A." would appear later on the Tracks compilation.[11] The remaining four unreleased demos circulate among Springsteen fans. Two of these, "Downbound Train" (Born in the U.S.A.) and "Pink Cadillac" (Tracks), were officially released in band format, leaving "Child Bride" and "Losin' Kind" as truly unreleased. There was another demo, "The Big Payback" recorded later in spring 1982, and "Johnny Bye-Bye", which Springsteen confused with a live version recorded July 1981, that was actually never recorded during this period, that brings the total to the often-cited 17.[12] [13]
In an interview with Rolling Stone, Springsteen said, "I was just doing songs for the next rock album, and I decided that what always took me so long in the studio was the writing. I would get in there, and I just wouldn't have the material written, or it wasn't written well enough, and so I'd record for a month, get a couple of things, go home write some more, record for another month—it wasn't very efficient. So this time, I got a little Teac four-track cassette machine, and I said, I'm gonna record these songs, and if they sound good with just me doin' 'em, then I'll teach 'em to the band. I could sing and play the guitar, and then I had two tracks to do somethin' else, like overdub a guitar or add a harmony. It was just gonna be a demo. Then I had a little Echoplex that I mixed through, and that was it. And that was the tape that became the record. It's amazing that it got there, 'cause I was carryin' that cassette around with me in my pocket without a case for a couple of weeks, just draggin' it around. Finally, we realized, 'Uh-oh, that's the album.' Technically, it was difficult to get it on a disc. The stuff was recorded so strangely, the needle would read a lot of distortion and wouldn't track in the wax. We almost had to release it as a cassette."[14] Another problem arose during mastering of the compact cassette tape because of low recording volume, but that was resolved with sophisticated noise reduction techniques.[6]
Springsteen fans have long speculated whether the full-band recordings of the Nebraska session tracks, nicknamed Electric Nebraska, that took place in the last week of April 1982, will ever surface. Of the theoretical 17 tracks, 5 were not recorded with the band ("Losin' Kind", "Child Bride", "The Big Payback", "State Trooper" and "My Father's House"), and "Born in the U.S.A.", "Downbound Train" and "Pink Cadillac" have been released, leaving nine in the vaults.[15] In a 2006 interview, manager Jon Landau said that the release of the remaining tracks is unlikely, and that "the right version of Nebraska came out".[16] But in a 2010 interview with Rolling Stone, E Street Band drummer Max Weinberg praised the full band recording of the album as "killing".[17]
The album begins with "Nebraska", a first-person narrative based on the true story of 19-year-old spree killer Charles Starkweather and his 14-year-old girlfriend, Caril Ann Fugate, and ends with "Reason to Believe", a complex narrative that offers a small amount of hope to counterbalance the otherwise dark nature of the album.[18] The remaining songs are largely of the same bleak tone, including the dark "State Trooper", influenced by the vocal stylings of Alan Vega and Suicide's "Frankie Teardrop".[19] Criminal behavior continues as a theme in the song "Highway Patrolman": even though the protagonist works for the law, he lets his brother escape after he has shot someone.[18] "Open All Night", a Chuck Berry-style lone guitar rave-up, does manage a dose of defiant, humming-towards-the-gallows exuberance.[18]
Springsteen stated that the stories in this album were partly inspired by historian Howard Zinn's book A People's History of the United States.[20] A music video was produced for the song "Atlantic City"; it features stark, black-and-white images of the city, which had not yet undergone its later economic transformation.[21]
In the Village Voices annual Pazz & Jop critics poll, Nebraska was voted the third best album of 1982.[22] In 1989, it was ranked 43rd on Rolling Stones list of the 100 greatest albums of the 1980s.[23] That same year, Richard Williams wrote in Q that "Nebraska would simply have been a vastly better record with the benefit of the E Street Band and a few months in the studio."[24]
In 2003, Nebraska was ranked number 224 on Rolling Stones list of the 500 greatest albums of all time,[23] and 226 in a 2012 revised list,[25] and 150 in a 2020 reboot of the list.[26] Pitchfork listed it as the 60th greatest album of the 1980s.[27] In 2006, Q placed the album at number 13 in its list of "40 Best Albums of the '80s".[28] In 2012, Slant Magazine listed the album at number 57 on its list of "Best Albums of the 1980s".[29] The album was also included in the book 1001 Albums You Must Hear Before You Die.[30]
Being a highly influential album, the songs of Nebraska have been covered numerous times.[31] Notably, country music icon Johnny Cash's 1983 album Johnny 99 featured versions of two of Springsteen's songs from Nebraska: "Johnny 99" and "Highway Patrolman".[32] Cash also contributed to a widely praised tribute album, , which was released on the Sub Pop label in 2000 and produced by Jim Sampas. It featured covers of the Nebraska songs recorded in the stripped-down spirit of the original recordings by a wide-ranging group of artists including Hank Williams III, Los Lobos, Dar Williams, Deana Carter, Ani DiFranco, Son Volt, Ben Harper, Aimee Mann, and Michael Penn. Three additional tracks covered other Springsteen songs in the same vein: Johnny Cash's contribution was "I'm on Fire", a track from Springsteen's best-selling album Born in the U.S.A..
Kelly Clarkson compared her effort to move away from mainstream to edgier and more personal music on her third studio album My December to Springsteen's Nebraska.[33]
On December 7, 2022, singer-songwriter Ryan Adams released a full track-by-track cover of the album.
The song "Highway Patrolman" would provide the inspiration for the motion picture The Indian Runner released in 1991. The film follows the same plot outline as the song, telling the story of a troubled relationship between two brothers; one is a deputy sheriff, the other is a criminal. The Indian Runner was written and directed by Sean Penn, and starred David Morse and Viggo Mortensen.
The Killers frequently cited Nebraska as an influence for their 2021 album Pressure Machine.[34] Brandon Flowers in an interview would describe recording the track "Terrible Thing" on a Tascam microphone as a direct nod to the album's recording process.[35]
In January 2024 it was announced that a film based on the making of Nebraska was being made with Springsteen involved along with Scott Cooper serving as the director and writer.[36]
On March 26, 2024, it was announced that Scott Stuber, former chairman of Netflix Films, would be teaming with Ellen Goldsmith-Vein and Eric Robinson to produce the movie with A24 circling the film. The movie will be based on the 2023 book, Deliver Me from Nowhere: The Making of Bruce Springsteen's Nebraska, which was written by Warren Zanes. Springsteen and his manager Jon Landau will also be involved with the making of the movie, with Jeremy Allen White portraying Springsteen.[37] 20th Century Studios acquired the film in April.[38]
A television special celebrating Nebraska, titled Bruce Springsteen's Nebraska: A Celebration in Words and Music, will air on PBS on August 31, 2024. The special, hosted by Deliver Me from Nowhere author Warren Zanes, was filmed in Nashville on September 19, 2023, and features numerous musicians singing the album's songs, including Emmylou Harris, Noah Kahan, and Lucinda Williams, interspersed with interviews from Zanes about the album's legacy. Zanes stated in a statement announcing the special: "I wrote a book about Nebraska because the recording stayed with me over decades. Every time there was trouble in my life I reached for Nebraska. When I started doing events around the book's publication, I quickly realized the best of them had music. When I went to Nashville, I had a remarkable cast of musicians to help me tell this story."[39] [40]
| Position | ||
| Canadian Albums Chart[52] | 32 | |
|---|---|---|
| UK Albums Chart[53] | 88 |