Native Sense - The New Duets Explained

Native Sense - The New Duets
Type:	Album
Artist:	Chick Corea and Gary Burton
Cover:	Native_Sense_The_New_Duets.jpg
Released:	October 1997
Recorded:	June 1997
Genre:	Jazz
Label:	Stretch
Producer:	Chick Corea, Ron Moss
Chronology:	Chick Corea
Prev Title:	Remembering Bud Powell
Prev Year:	1997
Next Title:	Live at the Blue Note
Next Year:	1998

Native Sense - The New Duets is an album by vibraphonist Gary Burton and the pianist Chick Corea, released in 1997 on the Concord label. The album is the fourth studio recording by the duo following Crystal Silence (1972), Duet (1978) and Lyric Suite for Sextet (1982). The album peaked number 25 in the Billboard Top Jazz Albums chart.^[1]

Reception

The AllMusic review by Richard S. Ginell stated: "This is the product of two mature masters in their mid-fifties from the jazz-rock era who know precisely what they want from their instruments and reject stylistic boundaries".^[2]

Track listing

All compositions by Chick Corea except where noted.

1. Native Sense"  -
2. "Love Castle"  -
3. "Duende"  -
4. "No Mystery"  -
5. "Armando's Rhumba"  -
6. "Bagatelle #6" (Béla Bartók)  -
7. "Post Script "  -
8. "Bagatelle #2" (Béla Bartók)  -
9. "Tango '92"  -
10. "Rhumbata"  -
11. "Four in One" (Thelonious Monk)  -

Personnel

• Chick Corea  - piano
• Gary Burton  - vibraphone, marimba

Other credits

• Gildas Boclé  - photography
• Evelyn Brechtlein  - production coordination
• Jordan d'Alessio  - assistant engineer
• Bernie Kirsh  - engineer, Mixing
• Darren Mora  - assistant engineer
• Ron Moss  - executive producer
• Robert Read  - assistant engineer
• Alan Yoshida  - mastering

Notes and References

1. Web site: Native Sense: The New Duets - Chick Corea | Awards | AllMusic . allmusic.com . Top Jazz Albums . 25 April 2014.
2. Web site: Native Sense: The New Duets - Chick Corea | Songs, Reviews, Credits, Awards | AllMusic . Richard S. . Ginell . allmusic.com . This is the product of two mature masters in their mid-fifties from the jazz-rock era who know precisely what they want from their instruments and reject stylistic boundaries. . 25 April 2014.