Natalie Edgar Explained
Natalie Edgar |
Birth Place: | New York City |
Nationality: | American |
Education: | Brooklyn College, Columbia University |
Occupation: | Painter, Art Critic, Art Historian |
Known For: | Painting, Expertise in Abstract Expressionism |
Style: | Abstract Expressionism |
Spouse: | Philip Pavia |
Children: | Luigi (b. 1968; d. 2012), Paul (b. 1971) |
Natalie Edgar (born 1932) is an American abstract expressionist painter,[1] a former critic for ARTnews,[2] and a key writer and historian on the birth and development of abstract expressionism.[3]
Career
As a painter, Edgar has been classified as a "wom[a]n artist who broke the rules,"[4] and her lively, and often large, abstractions typically include a "mass of layered colors—with multiple glazes, opacities, broad areas laid down in washes"[5] while "using dynamic strokes and contrasting tones [that] ... juxtapose[s] color with areas of vacant canvas."[6] Her skill and interests built on early art training at Brooklyn College with Mark Rothko, Ad Reinhardt, Burgoyne Diller, Alfred Russell, Harry Holzman, Martin James, and a degree in art history from Columbia University.[7] That background laid the groundwork for a life-long appreciation for abstraction, which spanned reviews for Isamu Noguchi, Norman Bluhm, Esteban Vicente and Franz Kline as well as a 1965 review on "The Satisfactions of Robert Motherwell" for ARTnews, in which she explained her thinking about abstraction this way:
The almost-star could be a starfish, two ovals suggest anatomy, an egg-shape might be an egg, a blot a cocoon, a rumpled paper bag evokes the many lives it passed through, an almost-arch strains to bend more or straighten out, almost-triangle yearns to be perfect. They assume the capability needed to reach their ideals at one extreme, or, at the other extreme, their freedom in abstract invention. From familiar shapes they are transfigured into dramatic images.[8]
Edgar has written and collaborated on many long-form projects on the early history of Abstract Expressionism. Her book
Club Without Walls documents the movement's birth and development at the 8th Street Club.
[9] Collaborative work with husband and sculptor
Phillip Pavia, also on
The Club, is now archived at
Emory University's research libraries.
[10] [11] Edgar has also served as a source for scholarly research on the movement's origins at MOMA
[12] and in interviews with author
Mary Gabriel for
Ninth Street Women, a book about five women painters who changed modern art.
[13]
Solo exhibitions
- Natalie Edgar: From Above, Woodward Gallery, New York, NY, 2010.
- Watercolor Paper Edgar, Woodward Gallery, New York, NY, 2001.
- Natalie Edgar: New Works, Woodward Gallery, New York, NY, 1999.
- Disclosure, Woodward Gallery, New York, NY, 1997.
- Natalie Edgar, Abstract Paintings, Museo dei Bozzetti, Pietrasanta, Italy, 1993.
Awards
Bibliography of Edgar's writings
- Philip Pavia, overview of career with 50 plates, introduction by Gerald Nordland, John Isaacs Books, 2009.
- Club Without Walls, Edited book of Selections from the Journal of Philip Pavia (Published by MidMarch Arts Press), 2007.
- Archives of the Club and It is Magazine, organized by Natalie Edgar, Woodruff Library, Emory University, Atlanta, GA, 2005.
- ARTnews, 1959–1973, staff writer. Articles on Isamu Noguchi, Norman Bluhm, Esteban Vicente, Robert Motherwell, the Spanish School, Peter Agostini, Louise Bourgois, Frederick Kiesler.
- Art/World, 1979-1980, contributor, articles on George Spaventa, Joseph Beuys, Robert Motherwell, Piero Dorazio, Milton Resnick, Franz Kline, Michael Heizer, Robert Ryman, Mary Miss.
- Fritz Glarner, 1966–1967, exhibition originated in San Francisco Museum of Art and traveled to Philadelphia Museum of Contemporary Art. Curated show and wrote catalogue.
Personal life
Edgar was married to the abstract expressionist sculptor Philip Pavia.[14] The couple had two sons: Their elder son Luigi died in 2012.[15] Their younger son Paul is a sculptor.[16]
References
- Web site: Natalie Edgar Paintings from the Last Decade. Art net.com. Feb 6, 2019.
- News: Natalie Edgar Archives. Edgar. Natalie. Oct 28, 2015. ARTnews. Feb 6, 2019.
- Web site: Natalie Edgar. Wide Walls. Jan 25, 2019.
- News: At Art Miami, Mark Borghi Celebrates Women Artists Who Broke the Rules. Cascone. Sarah. Dec 8, 2017. Artnet News. Jan 25, 2019.
- News: Natalie Edgar: Abstract Journey. Benton. William. Apr 2, 2012. The Brooklyn Rail. Nov 13, 2018.
- Web site: Between Picture and Viewer: The Image in Contemporary Painting. MutualArt.com. Feb 3, 2019.
- Web site: Natalie Edgar. Ask Art. Feb 3, 2019.
- Edgar. Natalie. Oct 1965. Retrospective: The Satisfactions of Robert Motherwell. ARTnews.
- Book: Edgar, Natalie. Club Without Walls. Midmarch Arts Press. 2007. 978-1877675645.
- Web site: Philip Pavia and Natalie Edgar archive of abstract expressionist art, 1913–2005. Emory Libraries and Information Technology. 13 October 2009 . Jan 25, 2019.
- Web site: On Not Becoming Loners and Fading Away: An Overview of the Philip Pavia and Natalie Edgar Archive of Abstract Expressionist Art. Brown. Devin. Aug 15, 2013. Burnaway: The Voice of Art in the South. Jan 25, 2019.
- Web site: Abstract Expressionism's Counterculture: The Club, the Cold War, and the New Sensibility. Hellstein. Valerie. MOMA. Nov 13, 2018.
- Book: Gabriel, Mary. Ninth Street Women: Lee Krasner, Elaine de Kooning, Grace Hartigan, Joan Mitchell, and Helen Frankenthaler: Five Painters and the Movement That Changed Modern Art. Little, Brown and Company. 2017. 978-0316226189. New York.
- News: Philip Pavia, 94, an Avant-Garde Sculptor, Is Dead. Sisario. Ben. Apr 15, 2005. The New York Times. Feb 6, 2019.
- News: Luigi Pavia, 44, 'a Talent for Friendship'. Sep 20, 2012. The East Hampton Star. Jan 25, 2019.
- News: Paul Pavia's Small Sculptures Recall Great Monoliths. Segal. Mark. Jan 19, 2017. The East Hampton Star. Jan 25, 2019.
External links