| Nancy K. Miller | |
| Birth Date: | 21 February 1941 |
| Birth Place: | New York City |
| Education: | B.A., Barnard College M.A., Middlebury College PhD., Columbia University |
| Thesis Title: | Gender and genre: an analysis of literary femininity in the eighteenth-century novel |
| Thesis Year: | 1974 |
| Notable Students: | Michael Rothberg |
Nancy K. Miller[1] (born 21 February 1941) is an American literary scholar, feminist theorist and memoirist. Currently a Distinguished Professor of English and Comparative Literature at the CUNY Graduate Center, Miller is the author of several books on feminist criticism, women’s writing, and most recently, family memoir, biography, and trauma.[2]
She received her B.A. from Barnard College (1961), her M.A. from Middlebury College, and her Ph.D. in French at Columbia University.
In 1981, Miller became the first full-time tenured member of the Women’s Studies program at Barnard College and was appointed its director, a post she held until her appointment at CUNY in 1988.[3] Prior to that, she taught in the French department at Columbia University.[4]
Miller founded the Gender and Culture Series at Columbia University Press in 1983 along with feminist scholar Carolyn Heilbrun, and continues to co-edit the series.[5] Between 2004 and 2007, she and geographer Cindi Katz co-edited the journal Women’s Studies Quarterly, which received the Phoenix Award for Significant Editorial Achievement from the Council of Editors of Learned Journals under their leadership.[6]
Miller has been a visiting professor at Harvard University, Hebrew University, and Tel Aviv University, and a Phi Beta Kappa Visiting Scholar. She is the winner of numerous fellowships and awards, including the Rockefeller Foundation Humanities Fellowship, the John Simon Guggenheim Memorial Foundation Fellowship, and the NEH Senior Fellowship.[4]
Miller's early contributions to literary theory include that of the “invisible intertext” added by women to a more conventional form of writing, as by blending a quest plot with the romantic plot normatively prescribed to early female authors.[7] She was further notable for her opposition to Roland Barthes's influential theory of The Death of the Author, pointing out how this tended to occlude gender subjectivities in a text through emphasising what she called the web, as opposed to the role of the weaver:[8] the theory serving thereby as a postmodern mask for phallocentrism.[9] Her position gave rise to a famous debate within feminism on the issue with Peggy Kamuf.[10]
Miller also played an influential role in pioneering the unification of personal accounts with theoretical explorations inside the same text, thus making concrete second wave feminism's linking of the personal and public realms.[11]