| Nancy Goes to Rio | |
| Director: | Robert Z. Leonard |
| Screenplay: | Sidney Sheldon |
| Producer: | Joe Pasternak |
| Cinematography: | Ray June |
| Editing: | Adrienne Fazan |
| Music: | Original music: Conrad Salinger (uncredited) George Stoll (uncredited) Musical director: George Stoll |
| Studio: | Metro-Goldwyn-Mayer |
| Distributor: | Loew's, Inc. |
| Runtime: | 100 minutes |
| Country: | United States |
| Language: | English |
| Budget: | $1.7 million[1] |
| Gross: | $2.9 million |
Nancy Goes to Rio is a 1950 American Technicolor musical-comedy film directed by Robert Z. Leonard and produced by Joe Pasternak from a screenplay by Sidney Sheldon, based on a story by Jane Hall, Frederick Kohner, and Ralph Block. The music was directed and supervised by George Stoll and includes compositions by George and Ira Gershwin, Giacomo Puccini, Jack Norworth, and Stoll.
The film stars Jane Powell, Ann Sothern, Barry Sullivan, Carmen Miranda, Louis Calhern, and Scotty Beckett.
On the closing night of a Broadway play, leading actress Frances Elliott (Ann Sothern) hosts a party attended by many guests, including her eccentric father Gregory (Louis Calhern), who is also an actor; her seventeen-year-old daughter, Nancy Barklay (Jane Powell), an aspiring actress; and Brazilian playwright Ricardo Domingos, who is considering starring Frances in his next play.
Frances eagerly pursues the part in Ricardo's play, and though she is virtually assured of the role, Ricardo asks her not publicize the news until a final decision is made. Later, Ricardo privately tells Frances' producer that Frances may not be right for the part and that he had a younger actress in mind. Then, when Ricardo meets Nancy, he instantly knows that he has found the perfect young woman for the role.
The next day, Frances sets sail for Rio de Janeiro, where she intends to vacation and devote herself to studying her lines. Gregory accompanies Frances to Rio, while Nancy, who is about to star in a small stock company play, goes to Connecticut. After observing Nancy's acting abilities, Ricardo offers her the part that he promised Frances. Nancy accepts the role, though she is unaware that Ricardo has already promised it to her mother.
Seeking the quiet she needs to study for the part, Nancy follows her mother and grandfather to Rio. On board the ship, businessman Paul Berten overhears Nancy rehearsing her lines and mistakenly concludes that she is a deserted wife and an expectant mother. Paul takes pity on Nancy and enlists the help of his business partner, Marina Rodrigues (Carmen Miranda), to counsel the young girl.
Nancy does not know that Paul is trying to help her and mistakes his paternal concern for a marriage proposal. She rejects Paul's apparent proposal, and bids him farewell when the ship reaches Rio.
Soon after she is reunited with her mother, Nancy overhears her rehearsing her lines and immediately realizes that they are studying for the same part. The revelation devastates Nancy and prompts her to bow out of the play. She does not tell her mother that she was set to star in Ricardo's play, and instead informs her that she is in an entirely different play.
Confusion abounds when Nancy later visits Paul at his office and tries to accept the marriage proposal she thought he had made. Paul is perplexed by her behavior, and still thinks that Nancy is pregnant and troubled. He sends her home to talk to her mother about her situation, but Nancy misunderstands him and thinks that he meant for her to discuss their impending marriage with her mother. Marina follows Nancy to her mother's house, and privately tells Frances about Nancy's supposed pregnancy. The confusion is heightened when Frances misunderstands her daughter's anguish and concludes that she must be pregnant by Paul.
Frances demands a private meeting with Paul, during which he reveals his romantic attraction to Frances. Frances leaves Paul in disgust, but the situation is soon clarified when Paul tells Gregory that he had only just met Nancy on the boat. Gregory immediately recognizes Nancy's supposed predicament from the story of the play that Frances was reading, and explains the situation to Frances.
When Frances learns the truth about Paul, she changes her impression of him and they embark on a romance. After announcing her engagement to Paul, Frances withdraws from Ricardo's play and suggests Nancy as her replacement. All ends happily when the show opens in New York with Nancy in the starring role.
The working titles of this film were Ambassador to Brazil and His Excellency from Brazil.
The 1940 Universal film It's a Date, produced by Joe Pasternak, directed by William A. Seiter and starring Deanna Durbin and Kay Francis, was also based on Jane Hall, Frederick Kohner and Ralph Block's screen story.[2]
Despite the title and some colorful second-unit footage, the film was mostly filmed on MGM's soundstages.[3] The production makes use of lavish, elegant "New Look" gowns and colorful sets, typical of the top-notch MGM standards.
This was the final film of Ann Sothern's MGM contract; she soon appeared in a series of television sitcoms.
According to MGM records the film earned $1,839,000 in the US and Canada and $1,027,000 elsewhere, resulting in a loss of $52,000.[1] [4]
Variety wrote that "Nancy Goes to Rio is all that the light, musical glittering should be" and "Joe Pasternak has framed his production with nine tunes and a group of production numbers."[5] Dave Kehr of the Chicago Reader wrote "The mother and daughter team gold-digging is a pretty perverse idea for an MGM musical."[6]
The film critic of The New York Times, Bosley Crowther wrote that "A few nice songs, some amiable clowning on the part of Louis Calhern and an eye-filling MGM production are the only ingredients worth mentioning."[7]
The St. Petersburg Times wrote that "Gay music, fetching costumes, laughs aplenty and pretty scenery make Nancy Goes to Rio, a wholly enjoyable film." But "Technicolor isn't kind to Ann Sothern, who looks much older, or to a blonded Carmen Miranda, who loses some of her attractiveness, but it does glorify Louis Calhern, who's not young. It also does things for Jane Powell."[8]
The film was released on DVD along with Two Weeks with Love as part of the Classic Musicals from the Dream Factory, Vol. 3. The set also included several other Powell films, such as Hit the Deck and Deep in My Heart. This DVD was re-released on November 28, 2017 under the Warner Archive Collection on DVD.