| NYX | |
| Genre: | Superhero |
| Publisher: | Marvel Comics |
| Sort: | NYX (comics) |
NYX is a limited series of comic books by Marvel Comics, consisting of seven issues, published between 2003 and 2005. It is written by Joe Quesada with art by Joshua Middleton (issues #1 - 4) and Rob Teranishi (issues #5–7).[1] [2] NYX stands for District X, New York City.[3]
The series features homeless teenage mutants in New York City: time-freezing Kiden, shape-shifting Tatiana, body-shifting Bobby, his mysterious brother Lil Bro, the female clone of Wolverine (X-23), and Cameron, a woman with no powers.The third issue of the series featured the first comic book appearance of X-23, a character originally created on the cartoon.[4] Although the series was cancelled in 2005, a sequel 6-issue miniseries titled NYX: No Way Home was released in 2009.
A second volume was released in July 2024 as part of the event which relaunches the X-Men line. The series focuses on former X-Men students and Kamala Khan as they adapt to life in New York City in the post-Krakoan Age when mutants are hated and feared even more due to the actions of Orchis. Laura Kinney (formerly X-23) is the only announced returning character.
In 2001, writer Brian Wood developed a concept of the series for Marvel with artist David Choe that was to launch Marvel's MAX imprint. The ongoing series, focusing on the characters and how their powers affect their lives, friends and family, was to star Gambit, Rogue, and Jubilee, as well as Angie and Purge, two new characters Wood had created for the series. After Marvel aborted the project, deeming it not suitable for their audience, Wood used parts of this concept for his series Demo.[5] [6] [7] [8]
The series ended up being developed and written by Joe Quesada with art by Joshua Middleton (issues #1 - 4) and Rob Teranishi (issues #5–7). Quesada told Dana Jennings of The New York Times that "almost everything you see in NYX is based on something I know or have seen firsthand".[9] Jennings highlighted that Quesada's "idea for NYX came the way lots of New York writers used to get their ideas, outside a saloon":
''I was at the Ace Bar in Alphabet City,'' he says, ''and I saw these 15-year-old squatters eating discarded bread.'' The scene haunted him, and evolved into NYX. ''With comic books, you look at real-life situations and try to find the right metaphor,'' Mr. Quesada says. ''You ask yourself, 'What if we took the world of the X-Men and shrunk it down?' What if your concern was, 'When am I going to eat next,' even if you do have superpowers?''NYX was planned as an ongoing series, but later was shortened to a miniseries. Throughout the entire publication, there were often long delays between issues because Quesada had always been late with scripts.[10] The first five issues of the series were reprinted in two Marvel Must Haves issues in the summer of 2005, before the sixth issue was released in July. The seventh and last issue was released in September 2005.[11]
A second series of NYX was planned for release in 2007, but never materialized.[12]
At the 2008 New York Comic Con, a new NYX series was officially announced to launch in August 2008.[13] [14] NYX: No Way Home is written by Marjorie M. Liu,[15] [16] with art by Kalman Andrasofszky.[17]
Cecilia Reyes makes an appearance in NYX: No Way Home #4.[18]
See also: X-Men: From the Ashes. A second volume of NYX debuted in July 2024 as part of the X-Men line relaunch. It is written by Collin Kelly and Jackson Lanzing with art by Francesco Mortarino. The series centers on Kamala Khan (codename Ms. Marvel), Laura Kinney (codename Wolverine), Anole, Prodigy and Sophie Cuckoo as the mutant community in New York City adapts to the post-Krakoan Age.[19] [20] [21] Lanzing highlighted that the series is "carrying a lot of the characters or plot lines from Academy X forward in this new era. [...] The only other one that I would really point out as an influence on the book was Peter David's latter-day X Factor – the one that played it like a noir in Mutant Town".[22] On picking their ensemble cast, Kelly stated "if you only get one chance to write X-Men, you should write the things that you love and care about" and for the writing pair that meant "not necessarily the classics, but finding those characters that exist in the corners who haven’t had their full story told". Kelly has "always loved" Anole and "his journey of not only discovering how to be a lizard man but how to be queer within that space" and Lanzing commented that they're "longtime fans of" Prodigy who has to discover what's next after becoming "the Cyclops that he always wanted to be" which "didn’t work" out. Lanzing emphasized how Kamala and Sophie contrast each other; Kelly stated that "if Sophie is our bright light, standing to blind everybody, and Kamala is this kind of honest truth, trying to find her way, then Laura knows exactly who she is, or at least she thinks so. She’s living on a knife edge". Lanzing and Kelly also highlighted that the characters in the series are often burden by iconography with Lanzing commenting that "the way we're reflecting that is every issue of NYX is titled by the name of the character that it's about – not their mutant name, their human name, because that's the world they're living in right now, and the world they have to start understanding how to operate inside".
The series starts with a flashback during which Kiden's father is killed during a drive-by shooting while he and Kiden are getting ice cream. Switching to the present, we see Kiden as an emotionally disturbed teenager who gets into an altercation with another student who is a Latin King gangbanger. She manifests her mutant power during a fight and unintentionally breaks the student's arm.[23] He returns with a gun and she freezes time again before the bullet hits her, but it hits her teacher, Mrs. Cameron, instead. Several months later Mrs. Cameron, whose life has fallen apart as a result of the incident, attempts to commit suicide. Kiden shows up and rescues her after receiving a warning from the ghost of her father.[24] A second vision tells them to visit the Hotel Brasil, where they find X-23, who is working as a prostitute, in a compromising position: standing over her john whose suicide she has just witnessed. The three escape together, but X-23's pimp is upset[25] and sends a hit squad to Mrs. Cameron's apartment. Again, the ghost of Kiden's father warns them, just in time, to leave.[26] Later they bump into Tatiana, who has turned into a dog-beast after touching a puppy that was hit by a car. Tatiana is able to scare away a mob after killing a cat and turning into a werecat. The runaways form a crew and live on the streets, begging for money and dumpsterdiving for food.[27] Eventually they decide to return to Mrs. Cameron's apartment to find money and leave town. X-23's pimp, Zebra Daddy, tracks them down with the help of a banger named Felon, but again Kiden's father appears and warns them.[27] During the confrontation at Mrs. Cameron's apartment, X-23 kills most of the pimp's gang before getting gunned down by Zebra Daddy. Mrs. Cameron falls out her apartment window, and Kiden then must decide whether to kill Zebra Daddy (who it turns out was her father's shooter) or save Mrs. Cameron. Remembering how Mrs. Cameron had taken a bullet for her, she opts to save her. Zebra Daddy is about to kill them but X-23 heals from her wounds and executes him. The team leaves together. In the denouement, it turns out Felon's little brother is also a mutant, and it was he who created the apparitions of Kiden's father. Kiden sends a letter to her mother, but the postman just misses her as she is moving out of NYC.[28]
This series starts with Kiden, Tatiana, Bobby, and Lil' Bro living with Mrs. Cameron. Kiden is still looking for her parents. They come home one day to find Mrs. Cameron's apartment empty, ransacked, and covered in blood.[29] They escape before the police arrive, but Kiden returns and finds clues to local gang banger D'Sean. While investigating his apartment, a scuffle breaks out. Tatiana bites D'Sean and shapeshifts into his likeness, then gets shot by D'Sean.[30] Bobby knocks him out, but his gang comes in and starts a shoot-out. Kiden freezes time while holding Bobby, Lil' Bro, and Tatiana, who are able, then, to join her in the time-freeze. They take Tatiana to a hospital. The doctors realize she is a mutant when a blood transfusion makes her change shape into the donor, then call S.H.I.E.L.D. Kiden and Bobby find the gang leader. Bobby is forced to use his power to subdue him, but then loses most of his memories.[31] Kiden, Bobby, and Lil' Bro then return to the hospital to rescue Tatiana. She hasn't fully recovered from her injuries, so they turn to Doc Reyes for help, but run away after they grow suspicious of her. Kiden then decides to track down Mrs. Palmer on her own after confronting a mysterious lady who is immune to Kiden's time-freezing powers. It turns out that Mrs. Palmer was used as bait to trap the team and exploit their mutant powers, assisted by the ghost of Kiden's dead father.[32] As her father died, he saw into the future and realized that there is only one possible future in which Kiden survives, so he comes back to Earth as a ghost. He makes a deal with a mysterious organization to ensure her survival, but their plan is that only Kiden will survive. Tatiana is able to sneak out by drinking the blood of a mysterious "Sniper Chick" and posing as her. Lil' Bro kills her using one of his apparitions. It turns out the mysterious woman is also the daughter of the leader of the secret facility. Mr. Nixon's ghost apologizes for Kiden killing his daughter, and the man seems indifferent to his own daughter's death since he was able to see Lil' Bro's apparitions cause physical harm. He promises not to hurt Kiden, but will continue to monitor the team. The team escapes the facility and drops Mrs. Palmer at a hospital. They then vow to stay together and to "keep surviving".[33]
The series starts with Kamala commuting from her native Jersey City to New York City to attend classes at Empire State University. There, she meets Sophie, who is also taking the same "Examinations of Post-Krakoan Diaspora" class that is being taught by Prodigy. The two later visit Anole at his bartending job in the Lower East Side but are kicked out when Kamala fights several anti-mutant bigots called the Truthseekers when they harass Anole. Donning her Ms. Marvel identity, Kamala attempts to investigate the Truthseekers but Laura - now going as Wolverine - discourages her from doing so, believing that Kamala lacks the experience in dealing with anti-mutant hate crimes. Kamala is forced to save a group of Truthseekers when a masked mutant radical calling himself The Krakoan attacks them; due to Ms. Marvel's actions and for never having lived the "true" mutant experience, the Krakoan accuses Ms. Marvel of being a traitor to mutants before fleeing. The Krakoan, revealed to be Julian Keller, meets up with Empath and the remaining Stepford Cuckoos, who have formed their own version of the Quiet Council of Krakoa and plan to turn New York into a haven for mutants only. Meanwhile, the adolescent mutant Fauna meets the mysterious Mr. Friend in Queens.[34]
Joshua Middleton was nominated for the 2004 "Best Cover Artist" Eisner Award for his work on Marvel's NYX, X-Men Unlimited, and New Mutants.[37] The New York Times reported that the series debut had "strong reviews in the fan press".
The series' initial portrayal of Laura Kinney as an underage prostitute was poorly received by fans and critics, with the character's creator Craig Kyle also criticizing the creative decision.[38] Matthew Peterson, in a 2020 retrospective review of NYX #3 for Major Spoilers, opined that the issue "desperately wants to have the grittiness and reality of 'The Wire', but ended up a poorly-conceived Christi MacNicol after-school special, and no amount of Middleton talent could make this script work, culminating in a disappointing and skeeved-out 1.5 out of 5 stars overall".[39] Peterson commented that "the creative decisions of 2000s Marvel were aimed more at creating controversy and outrage" instead of "storytelling, which is why we see cartoon hero X-23 debuting as an underage prostitute in a skeevy hotel in New York City" where the introduction sequence is "distasteful for a number of reasons, even if you're sex-work-positive, but the most off-putting part of it is how matter-of-fact and dull it is, as though the only point to including the sequence was to create pearl-clutching moments and get people talking".
In 2008, critics from IGN reviewed the series NYX: No Way Home. Daniel Crown gave issue #1 a score of 6.3 out of 10.[40] Jesse Schedeen gave issue #2 a score of 7.8 out of 10[41] and issue 3 a score of 8.5 out of 10.[42] Schedeen commented that the original volume of NYX "is remembered more for dragging X-23 kicking and screaming into the comics than for its hard-hitting glimpse into the lives of mutant outcasts, even if it did the latter reasonably well" and, given the issues with X-Men line, "the time is ripe for a small series like NYX to return and surprise readers. Much to her credit, writer Marjorie Liu has wasted no time in doing just that". Schedeen viewed Liu's greatest "strength" as portraying "the main characters as believable teens without resorting to the Juno treatment" and that "Kalman Adrasofzsky continues to impress, thanks to a style that both hearkens back to Josh Middelton's work while also striking its own tone. [...] NYX may be the only one of the books that I would unequivocally recommend to all readers". Karen M. Walsh, in the book Geek Heroines (2019), highlighted Liu's inclusion of Cecilia Reyes in the series – "within the Marvel universe, the X-Men often represent the struggles marginalized groups face in society. Liu's representation, therefore, of a mutant defined by something other than her mutant powers offers an important perspective".[43] Walsh commented that token characters from marginalized groups often "exist solely as representations of their cultures. By focusing on Reyes' full self, NYX offered a twice-marginalized character—Latinx and Mutant—whose sense of self arose out of her choices rather than how she was born. By giving her agency, Liu's story expanded the way in which marginalized characters are written".
Jenna Anderson, for ComicBook.com, commented that "NYX #1 is a charming, albeit restrained, menagerie of Marvel's mutant adolescence" – "Francesco Mortarino's art exhibits the sense of liveliness that the script of NYX #1 demands, both in the massive superpowered battles and in the smaller sartorial flairs of its characters. [...] Raul Angulo's color work bathes everything in vibrant blues and golds without ever losing a sense of realism. Joe Sabino's lettering is expressive while smushed together just a little bit, as if to convey the exuberance of its protagonists' dialogue".[44] Anderson thought the relaunch could be received "in a number of different ways" by fans of the first volume as "the dark and often-controversial themes of the previous runs are cast aside, in favor of the xenophobia and overall prejudice that the characters feel post-Krakoa. Collin Kelly and Jackson Lanzing's script does deliver some poignant moments in that regard, both with regards to Kamala and to the larger mutant population" but "for better or worse, these moments are only a brief part of the issue's lively storyline – a choice that both conveys the dizziness of being a young adult, and that leaves this particular issue feeling a little shallow". David Brooke of AIPT rated NYX #1 a 9 out of 10. Brooke viewed the first issue as "strong", although a bit focused on Ms. Marvel for a team book, and that the issue "allows its characters to emerge as fully dimensional individuals, serving as an antidote to readers who want more than just action scenes". Brooke opined that "the art by Francesco Mortarino is great, especially the character acting" where "these characters come off the page and feel quite real", and that "for how much dialogue is in this book, Mortarino does not miss". In contrast, Tim Rooney of The Beat gave NYX #1 a "skip" verdict as "structurally, NYX falters out of the gate" and that the book "wastes an exciting character and bogs her down with a cast of mostly nobodies".[45] Rooney viewed the script by Lanzing and Kelly as underwhelming "despite presenting some interesting ideas" and that while "its stated purpose is to explore how a culture finds community amidst diaspora", "the voices this writing pair try to muster up for the hip young minority teens is inauthentic". However, Rooney commented that "Mortarino's art, especially as elevated by colorist Raúl Angulo's bold, vibrant colors, is full of energy. The young characters are stylish and, critically, look like teens" where the only artistic weakness is "that everyone looks young" which "sometimes undermines the script".
| Title | Material collected | Published date | ISBN | |
|---|---|---|---|---|
| NYX: Wannabe | NYX #1-7 | May 2006 | ||
| NYX: No Way Home | NYX: No Way Home #1-6 | June 2009 | ||
| NYX: The Complete Collection | NYX #1-7, NYX: No Way Home #1-6 | July 2016 | ||
| NYX: Gallery Edition | NYX #1-7, NYX: No Way Home #1-6 | September 2024 |