| My Blood Runs Cold | |
| Director: | William Conrad |
| Producer: | William Conrad |
| Screenplay: | John Mantley[1] |
| Story: | John Meredyth Lucas |
| Starring: | Troy Donahue Joey Heatherton Barry Sullivan |
| Music: | George Duning |
| Cinematography: | Sam Leavitt |
| Editing: | William H. Ziegler |
| Color Process: | Black and white |
| Studio: | William Conrad Productions |
| Distributor: | Warner Bros |
| Runtime: | 104 minutes |
| Country: | United States |
| Language: | English |
My Blood Runs Cold is a 1965 American neo noir dark thriller film starring Troy Donahue, Joey Heatherton and Barry Sullivan. It was directed by William Conrad. It was the second of three thrillers Conrad made for Warner Bros. A young woman falls in love with a man who may be insane.[2]
After a car accident, Julie meets a stranger who tells her he is in love with her. The young man, Ben Gunther, believes he and the young woman, Julie Merriday, are the reincarnations of lovers from an earlier time. Ben calls Julie 'Barbara' and gives her a gold locket with her picture in it. Ben takes her sailing and they swim to a cave where he tells her he found the locket. Aunt Sarah confirms Ben's stories that match the family history. Julie's controlling father and boyfriend distrust Ben. He convinces Julie of his beliefs and encourages her to run off with him to marry. Julie's need for independence leads her to say yes to Ben.
On a stormy night the couple sail away to elope. The father calls the Sheriff who discovers Ben's real name is Arthur Maine, an escaped murderer from an insane asylum. The police search for the sailboat by helicopter. Julie finds a diary of Benjamin H. Gunther dated 1874 on the boat that exposes Ben's fraud. Julie is scared but he still professes his love.
To escape the police, the couple land the boat but are seen running on a beach. There is an extended chase and boyfriend Harry tries to reason with 'Ben'. Julie escapes but the two men climb a high sand plant platform and in the struggle Ben falls to his death.
The movie was a considerable change of pace for Donahue. It was shot on the Monterey Peninsula in late 1964.[3] [4]
The film was profitable.[5]
The Washington Post called the film "woolly" and full of plotholes.[6] The New York Times called it a "wordy, bloodless little Warner chiller."[7] "A blah Troy Donahue and a bad script spoil the show" said the Los Angeles Times.[8]