Music collections in Prato explained

Beginning with the recognition of musical collections in Prato conducted by the Center of Musical Documentation of Tuscany, it is possible to trace a synthesis of the history of the citizen’s musical production.[1]

Following a chronological path linked to the most important musical subjects in Prato - institutions, composers and interpreters - and studying the handwritten and printed music brought to us, we were able to delineate a historical and cultural itinerary of the pratese musical life.

History

The most antique musical collections of the city of Prato are the “pergamenacei” (made of parchment) liturgical book of the fourteenth century of Chapter origin, which are now preserved at the Museo dell’Opera del Duomo.[2] The fourteenth-century cappella left little trace and merged with the new one, established in 1535. Beginning in 1981, a great deal of musical material of the latter institution belongs to the Archivio Storico Diocesano (Historical Diocesan Archive), in which there are many sources regarding its activities, as in the Archivio del Capitolo della Cattedrale (Archive of the Chapter in the Cathedral).

The cappella saw rotations of Kappellmeister such as Giovanni Francesco Beccatelli (1679-1734), Giuseppe Becherini (1758-1840), Augusto Borgioli (1821-1879), Luigi Borgioli (1864-1939) whose works are conserved in the Historical Archive of the Cappella of the Duomo, together with the works of the most performed artists of the different time periods (Giovan Carlo Maria Clari, Nicola Benvenuti, Giuseppe Gherardeschi).[3] In 1981, The Historical Diocesan Archive also gathered the materials of 61 parishes together, which is preserved today in the Archives of the parishes. There are many chorals and sacred music, manuscripts and printed, that cover a vast period of time, from the fourteenth century to the twentieth century.[4] The activities of the chapel were sided with the production of secular music, which left traces mostly beginning in the eighteenth century.

The Cicognini Boarding School has manuscripts of the performances staged by the boarders from 1780 until 1870, including comic operas and dance music from Mozart to Zandonai.[5] Starting in 1842, the group «Concerto Cittadino Edoardo Chiti», of which the archive conserves a large amount of music of various genres used in their frequent concerts;[6] and at the end of the eighteenth century, the choir «Guido Monaco» was formed, which has a musical archive consisting of a large amount of printed edition vocal music.[7] These institutions represented the musical vocation of the citizens for over a century, offering an example of one of the most important civil musical activities in Tuscany, to which many talented composers contributed. In the 19th century Cesare Ciardi, Attilio Ciardi, Attilio Nuti were active in Prato, and whose autographs are spread throughout the institutions in Prato. The personal archive of Attilio Ciardi is preserved in the Music School «Giuseppe Verdi»,[8] which today inherits the civil musical vocation that had inspired the Chiti Band and the «Guido Monaco» Choir. The 1900s saw the revival of the sacred production with the organist of the Cathedral, Guido Guasti, whose documents (especially those regarding the years between 1939 and 1947) are in the Historic Diocesan Archive,[9] with the reopening of the Cappella in 1951, whose materials (printed sacred music in modern editions) are today in the Church of San Francesco,[10] but above all with the activities of the secular composers who most influenced the musical possessions of Prato the 20th century. Dante Nuti,[11] Giovanni Castagnoli,[12] and especially Luciano Bettarini, one of the most important musicians of the 20th century, worked in Prato.[13] What they left behind is preserved in the Historic Diocesan Archive and in great part, in their personal collections at the Music School «Giuseppe Verdi», which possesses also the enormous collections, of recordings and music, of some Pratese collectionists.[14] [15]

In 1969, the «Guido Monaco» Choir founded their children’s choir, and promoted of a competition for the citizens in which music by Nino Rota was also performed. Today this is preserved in the archive of the choir. Books dedicated to musical subjects (some of which come from the antique cappella of the 16th century) are in Roncioniana Library,[16] in the Teatro Metastasio,[17] and in the Salvi Cristiani Collection at the State Archive.[18]

List of musical collections

References

  1. Stefania Gitto, Il Centro Documentazione Musicale della Toscana: prime riflessioni dell'attività di ricognizione, in «Fonti Musicali Toscane», 20 (2015), Lucca, LIM, 2015, pp. 157-174.
  2. Web site: Cathedral's Archive of the Chapter. CeDoMus. (it)
  3. Web site: Historical Diocesan Archive. CeDoMus. (it)
  4. Web site: Parishes' Diocesan Archive. CeDoMus. (it)
  5. Web site: Cicognini Archive. CeDoMus. (it)
  6. Web site: Chiti Collection. CeDoMus. (it)
  7. Web site: Page of the choir's music collection. CeDoMus. (it)
  8. Web site: Attilio Ciardi Collection. CeDoMus. (it)
  9. Web site: Guasti Collection. CeDoMus. (it)
  10. Web site: Modern Collection of the restored music chappell. CeDoMus. (it)
  11. Web site: Attilio and Dante Nuti Collections. CeDoMus. (it)
  12. Web site: Castagnoli Collection. CeDoMus. (it)
  13. Web site: Bettarini Collection. CeDoMus. (it)
  14. Web site: Silenzi Collection. CeDoMus. (it)
  15. Web site: Carraresi Collection. CeDoMus. (it)
  16. Web site: Roncioniana Library Music Collections. CeDoMus. (it)
  17. Web site: Teatro Metastasio Music Collections. CeDoMus. (it)
  18. Web site: Salvi Cristiani Archive. CeDoMus. (it)
  19. Web site: Page of the collection. Official website of the School.
  20. Web site: Page of the collection. Official website of the School.
  21. Web site: Page of the collection. Official website of the School.
  22. Web site: Page of the Children's Choir. CeDoMus. (it)

External links

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