"The Music of the Night" (also labelled as just "Music of the Night" and originally labeled as "Married Man") is a major song from the 1986 musical The Phantom of the Opera. The music was written by Andrew Lloyd Webber, with lyrics by Charles Hart and Richard Stilgoe.[1] Initially made famous by Michael Crawford, the actor who originated the role of the Phantom both in the West End and on Broadway,[2] "The Music of the Night" has appeared on many cast recordings of the musical,[3] sold millions of copies worldwide, and has been translated into many languages.
"The Music of the Night" is sung immediately following "The Phantom of the Opera", after the Phantom lures Christine Daaé to his lair beneath the Opera House. He seduces Christine with "his music" of the night, his voice putting her into a type of trance. He sings of his unspoken love for her and urges her to forget the world and life she knew before. The Phantom leads Christine around his lair, eventually pulling back a curtain to reveal a mannequin dressed in a wedding gown resembling Christine. When she approaches it, it suddenly moves, causing her to faint. The Phantom then carries Christine to a bed, where he lays her down and goes on to write his music.
Sarah Brightman declared, at the London Royal Albert Hall concert in 1997,[4] that the song was originally written by Andrew Lloyd Webber for her, the first time he met her. That version had different lyrics and was called "Married Man". The lyrics were later rewritten, and the song was added to The Phantom of the Opera.
A year before The Phantom Of The Opera opened at Her Majesty's Theatre, the original version of the song was performed at Andrew Lloyd Webber's own theatre at Sydmonton, along with the first drafts of the show.[5] The audience were a specially gathered group of Webber's acquaintances. The Phantom was played by Colm Wilkinson.[6] The lyrics were very different from the ones used in the three variations of the song, as lyricist Charles Hart had not yet become involved in the project.
Due to similarities between the song and a recurring melody in Giacomo Puccini's 1910 opera, La fanciulla del West (The Girl of the Golden West), the Puccini estate filed lawsuit against Webber, accusing him of plagiarism. An agreement was settled out of court, and details were not released to the public.[7]
To promote The Phantom of the Opera
The song has also been covered by many artists.
The Music of the Night / Wishing You Were Somehow Here Again | |
Type: | single |
Artist: | Michael Crawford and Sarah Brightman |
Album: | The Phantom of the Opera |
A-Side: | Wishing You Were Somehow Here Again |
Genre: | Stage & Screen |
Label: | Polydor |
Producer: | Andrew Lloyd Webber |
Chronology: | Sarah Brightman |
Prev Title: | All I Ask of You |
Prev Year: | 1986 |
Next Title: | Doretta's Dream |
Next Year: | 1987 |
Polydor released "The Music of the Night" by Michael Crawford and "Wishing You Were Somehow Here Again" by Sarah Brightman as a double A-side single on 9 January 1987.[10] The single was released to promote the musical The Phantom of the Opera. A re-recording of the song was included on Crawford's album With Love / The Phantom Unmasked (1989).
UK 12" Single [POSPX 803][12]
UK Singles (OCC) | 7[13] |
The Music of the Night | |
Cover: | Barbra_Streisand_&_Michael_Crawford-The_Music_of_the_Night.jpg |
Type: | single |
Artist: | Barbra Streisand and Michael Crawford |
Album: | Back to Broadway |
B-Side: | "Children Will Listen" |
Released: | 15 January 1993 |
Genre: |
|
Length: | 5:37 |
Label: | Columbia Records |
Chronology: | Barbra Streisand |
Prev Title: | Speak Low |
Prev Year: | 1993 |
Next Title: | As If We Never Said Goodbye |
Next Year: | 1994 |
In 1993, American singer Barbra Streisand and British actor Michael Crawford released a duet version of "The Music of the Night". It is taken from Streisand's twenty-sixth studio album, Back to Broadway (1993), and peaked at number 54 on the UK Singles Chart. This version was also later included on Crawford's own album A Touch of Music in the Night (1993).
The duet received favorable reviews from music critics. Ron Fell from the Gavin Report declared it as "the year's most triumphant duet".[14] British Lennox Herald wrote, "Familiar song which might be a hit again, given the high profiles of both stars."[15] Pan-European magazine Music & Media said it's "easily the most beautifully executed song" off the Back To Broadway album, adding, "It will hypnotise anyone with a taste for real voices into playing it."[16] A reviewer from People Magazine found that Streisand, "crossing cadenzas with Broadway's first Phantom", Michael Crawford "goes for grandeur instead of intimacy and winds up with grandiosity."[17] The Stage stated that they both are "squeezing the last drop" out of "Music of the Night".[18] Richard Harrington from The Washington Post declared it as "an anthemic duet in which Crawford's warm, theatrical subtlety is overwhelmed by Streisand's undiminishable power (just listen to her attempt to make real the phrase "tremulous and tender")."[19]