| Mstislav Rostropovich | |
| Native Name: | Мстислав Ростропович |
| Native Name Lang: | ru |
| Birth Name: | Mstislav Leopoldovich Rostropovich |
| Birth Date: | 27 March 1927 |
| Birth Place: | Baku, Azerbaijani SSR, Soviet Union |
| Death Place: | Moscow, Russia |
| Nationality: | Soviet, American, Russian, Swiss |
| Children: | 3; including Elena Rostropovich |
Mstislav Leopoldovich Rostropovich (27 March 192727 April 2007) was a Russian cellist and conductor. In addition to his interpretations and technique, he was well known for both inspiring and commissioning new works, which enlarged the cello repertoire more than any cellist before or since. He inspired and premiered over 100 pieces, forming long-standing friendships and artistic partnerships with composers including Dmitri Shostakovich, Sergei Prokofiev, Henri Dutilleux, Witold Lutosławski, Olivier Messiaen, Luciano Berio, Krzysztof Penderecki, Alfred Schnittke, Norbert Moret, Andreas Makris, Leonard Bernstein, Aram Khachaturian, and Benjamin Britten.
Rostropovich was internationally recognized as a staunch advocate of human rights, and was awarded the 1974 Award of the International League of Human Rights. He was married to the soprano Galina Vishnevskaya and had two daughters, Olga and Elena Rostropovich. He received numerous accolades, including a Polar Music Prize.
Mstislav Rostropovich was born in Baku, Azerbaijan SSR, to parents who had moved from Orenburg in Russia:, a renowned cellist and former student of Pablo Casals,[1] and Sofiya Nikolaevna Fedotova-Rostropovich, a talented pianist. Leopold (1892–1942) was born in Voronezh to, a composer of Polish noble descent with distant Belarusian roots, and Matilda Rostropovich (née Pule) of German and Huguenot descent. The Polish part of his family bore the Bogoria coat of arms, which was located at the family palace in Skotniki. Mstislav's mother Sofiya Fedotova, of Russian descent, was the daughter of musicians and herself a conservatory-trained pianist.[2] Her elder sister, Nadezhda, married cellist Semyon Kozolupov, who was thus Rostropovich's uncle by marriage.[3]
Rostropovich grew up in Baku and spent his youth there. During World War II his family moved back to Orenburg and then in 1943 to Moscow.[4]
At age four, Rostropovich began studying piano with his mother. He began learning the cello at age eight from his father. In 1943, at age 16, he entered the Moscow Conservatory, where he studied cello with his uncle Semyon Kozolupov, piano with Nikolai Kuvshinnikov, and composition with Vissarion Shebalin. His teachers also included Dmitri Shostakovich. In 1945, he came to prominence as a cellist when he won the gold medal in the Soviet Union's first ever competition for young musicians.[1] He graduated from the Conservatory in 1948 and became professor of cello there in 1956.
Rostropovich gave his first cello concert in 1942. He won first prize at the international Music Awards of Prague and Budapest in 1947, 1949 and 1950. In 1950, at age 23, he was awarded what was then considered the highest distinction in the Soviet Union, the Stalin Prize.[5] At that time, Rostropovich was already well known in his country and, while actively pursuing his solo career, taught at the Leningrad Conservatory and the Moscow Conservatory. In 1955, he married Galina Vishnevskaya, a leading soprano at the Bolshoi Theatre.[6]
Rostropovich had working relationships with Soviet composers of the era. In 1949 Sergei Prokofiev wrote his Cello Sonata, Op. 119, for the 22-year-old Rostropovich, who gave the first performance in 1950, with Sviatoslav Richter. Prokofiev also dedicated his Symphony-Concerto to him; this was premiered in 1952. Rostropovich and Dmitry Kabalevsky completed Prokofiev's Cello Concertino after the composer's death. Shostakovich wrote both his first and second cello concertos for Rostropovich, who also gave their first performances.[7]
Rostropovich went on several tours in Western Europe and met several composers, including Benjamin Britten, who dedicated his Cello Sonata, three Solo Suites, and his Cello Symphony to Rostropovich. Rostropovich gave their first performances, and the two had a special affinity; Rostropovich's family described him as "always smiling" when discussing "Ben", and on his deathbed he was said to have expressed no fear as he and Britten would, he believed, be reunited in Heaven.[8]
Britten was also renowned as a pianist and together they recorded, among other works, Schubert's Sonata for Arpeggione and Piano in A minor. His daughter claimed that this recording moved her father to tears of joy even on his deathbed.
Rostropovich also had artistic partnerships with Henri Dutilleux (Tout un monde lointain... for cello and orchestra, Trois strophes sur le nom de Sacher for solo cello),[9] Witold Lutosławski (Cello Concerto, Sacher-Variation for solo cello),[10] Krzysztof Penderecki (cello concerto n°2, Largo for cello and orchestra, Per Slava for solo cello, sextet for piano, clarinet, horn, violin, viola and cello),[11] Luciano Berio (Ritorno degli snovidenia for cello and thirty instruments, Les mots sont allés... for solo cello),[12] and Olivier Messiaen (Concert à quatre for piano, cello, oboe, flute and orchestra).[13]
Rostropovich took private lessons in conducting with Leo Ginzburg,[14] and first conducted in public in Gorky in November 1962, performing the four entractes from Lady Macbeth of the Mtsensk District and Shostakovich's orchestration of Mussorgsky's Songs and Dances of Death with Vishnevskaya singing.[15]
In 1967, at the invitation of the Bolshoi Theatre's director Mikhail Chulaki, he conducted Tchaikovsky's opera Eugene Onegin at the Bolshoi.[16]
Rostropovich played at The Proms on the night of 21 August 1968. He played with the USSR State Symphony Orchestra; it was the orchestra's debut performance at the Proms. The programme featured Czech composer Antonín Dvořák's Cello Concerto in B minor and took place on the same day that the Warsaw Pact invaded Czechoslovakia to end Alexander Dubček's Prague Spring.[17] After the performance, which had been preceded by heckling and demonstrations, the orchestra and soloist were cheered by the Proms audience.[18] Rostropovich stood and held aloft the conductor's score of the Dvořák as a gesture of solidarity for the composer's homeland and the city of Prague.[19]
Rostropovich fought for art without borders, freedom of speech, and democratic values, resulting in harassment from the Soviet regime. An early example was in 1948, when he was a student at the Moscow Conservatory. In response to the 10 February 1948 decree on "formalist" composers, his teacher Dmitri Shostakovich was dismissed from his professorships in Leningrad and Moscow; the 21-year-old Rostropovich quit the conservatory in protest.[20] Rostropovich also smuggled to the West the manuscript of Shostakovich's Symphony No. 13, which set verses by Yevgeny Yevtushenko; the subject of its first movement was the Babi Yar massacre.[21]
In 1970, Rostropovich sheltered Aleksandr Solzhenitsyn, who otherwise would have had nowhere to go, in his own home. His friendship with Solzhenitsyn and support for dissidents led to official disgrace in the early 1970s. As a result, Rostropovich was restricted from foreign touring,[22] as was his wife, Galina Vishnevskaya, and his appearances performing in Moscow were curtailed, as increasingly were his appearances in such major cities as Leningrad and Kiev.[23]
Rostropovich left the Soviet Union in 1974 with his wife and children and settled in the United States. He was banned from touring his homeland with foreign orchestras and, in 1977, the Soviet leadership instructed musicians from the Soviet bloc not to take part in an international competition he had organised.[24] In 1978, Rostropovich was deprived of his Soviet citizenship because of his public opposition to the Soviet Union's restriction of cultural freedom. He did not return to the Soviet Union until 1990.[5]
On December 17, 1988, Rostropovich gave a special concert at Barbican Hall in London, after postponing a trip to India for the 1988 Armenian earthquake relief program. The event was part of an effort called Musicians for Armenia, which was expected to raise more than $450,000 from donations worldwide, including gifts from musicians, concert proceeds and film and recording rights. Prince Charles and the Princess of Wales attended the concert in the sold-out 2,026-seat hall.[25]
On February 7, 1989, a cello concert was organized by the Armenian Relief Society and the Volunteers Technical Assistance (VTA) for the victims of the earthquake. At the concert, Rostropovich played his favorite cello repertoire, including Dvořák's Cello Concerto in B minor; Haydn's cello concerti in C and D; Prokofiev's Symphony-Concerto; and Shostakovich's two cello concerti. The evening raised awareness and helped hundreds of earthquake victims put food on their tables. The concert was held at the Kennedy Center and over 2,300 were in attendance.[26]
From 1977 to 1994, Rostropovich was music director and conductor of the National Symphony Orchestra in Washington, D.C., while still performing with famous musicians such as Martha Argerich, Sviatoslav Richter, and Vladimir Horowitz.[27] He was also the director and founder of the Mstislav Rostropovich Baku International Festival and a regular performer at the Aldeburgh Festival.[28]
His impromptu performance during the fall of the Berlin Wall as events unfolded was reported throughout the world.[29] His Soviet citizenship was restored in 1990. When, in August 1991, news footage was broadcast of tanks in the streets of Moscow, Rostropovich responded with a characteristically brave, impetuous and patriotic gesture: he bought a plane ticket to Japan on a flight that stopped at Moscow, talked his way out of the airport and went to join Boris Yeltsin in the hope that his fame might make some difference to the chance of tanks moving in.[30] Rostropovich supported Yeltsin during the 1993 constitutional crisis and conducted the National Symphony Orchestra in Red Square at the height of the crackdown.[31]
In 1993, he was instrumental in the foundation of the Kronberg Academy and was a patron until his death. He commissioned Rodion Shchedrin to compose the opera Lolita and conducted its premiere in 1994 at the Royal Swedish Opera. Rostropovich received many international awards, including the French Legion of Honor and honorary doctorates from many universities. He was an activist, fighting for freedom of expression in art and politics. An ambassador for the UNESCO, he supported many educational and cultural projects.[32] Rostropovich performed several times in Madrid and was a close friend of Queen Sofía of Spain.
With his wife, Galina Vishnevskaya, he founded the Rostropovich-Vishnevskaya Foundation, a publicly supported nonprofit 501(c)(3) organization based in Washington, D.C., in 1991 to improve the health and future of children in the former Soviet Union. The Rostropovich Home Museum opened on 4 March 2002, in Baku.[33] The couple visited Azerbaijan occasionally. Rostropovich also presented cello master classes at the Azerbaijan State Conservatory. Together they formed a valuable art collection. In September 2007, when it was slated to be sold at auction by Sotheby's in London and dispersed, Russian billionaire Alisher Usmanov stepped forward and negotiated the purchase of all 450 lots to keep the collection intact and bring it to Russia as a memorial to Rostropovich. Christie's reported that the buyer paid a "substantially higher" sum than the £20 million pre-sale estimate[34]
In 2006, he was featured in Alexander Sokurov's documentary Elegy of a life: Rostropovich, Vishnevskaya.[35]
Rostropovich's health declined in 2006, with the Chicago Tribune reporting rumours of unspecified surgery in Geneva and later treatment for an aggravated ulcer. Russian President Vladimir Putin visited Rostropovich to discuss details of a celebration the Kremlin was planning for 27 March 2007, Rostropovich's 80th birthday. Rostropovich attended the celebration but was reportedly in frail health.
Though Rostropovich's last home was in Paris, he maintained residences in Moscow, Saint Petersburg, London, Lausanne, and Jordanville, New York. He was admitted to a Paris hospital at the end of January 2007, but then decided to fly to Moscow, where he had been receiving care.[36] On 6 February 2007 Rostropovich was admitted to a hospital in Moscow. "He is just feeling unwell", Natalya Dolezhale, Rostropovich's secretary in Moscow, said. Asked if there was serious cause for concern about his health, she said: "No, right now there is no cause whatsoever." She refused to specify the nature of his illness. The Kremlin said that Putin had visited him in the hospital, which prompted speculation that he was in serious condition. Dolezhale said the visit was to discuss arrangements for marking Rostropovich's 80th birthday. On 27 March 2007, Putin issued a statement praising Rostropovich.[37] On 7 April 2007, Rostropovich reentered the Blokhin Russian Cancer Research Centre, where he was treated for intestinal cancer. He died on 27 April, aged 80.[38] [39] On 28 April, Rostropovich's body lay in an open casket at the Moscow Conservatory,[40] and was then moved to the Church of Christ the Saviour. Thousands of mourners, including Putin, bade farewell. Spain's Queen Sofia, French first lady Bernadette Chirac and President Ilham Aliyev of Azerbaijan, where Rostropovich was born, as well as Naina Yeltsina, Yeltsin's widow, were among those who attended the funeral on 29 April. Rostropovich was buried in Novodevichy Cemetery.[41]
Rostropovich was a huge influence on the younger generation of cellists. Many have openly acknowledged their debt to his example. In the Daily Telegraph, Julian Lloyd Webber called him "probably the greatest cellist of all time".[42]
Rostropovich either commissioned or was the recipient of compositions by many composers including Dmitri Shostakovich, Sergei Prokofiev, Nikolai Miaskovsky, Benjamin Britten, Henri Dutilleux, Olivier Messiaen, André Jolivet, Witold Lutosławski, Luciano Berio, Krzysztof Penderecki, Leonard Bernstein, Alfred Schnittke, Aram Khachaturian, Astor Piazzolla, Andreas Makris, Sofia Gubaidulina, Arthur Bliss, Colin Matthews and Lopes Graça. His commissions of new works enlarged the cello repertoire more than any previous cellist: he gave the premiere of 117 compositions.
Rostropovich is also well known for his interpretations of standard repertoire works, including Dvořák's Cello Concerto in B minor.
Between 1997 and 2001 he was intimately involved in the development and testing of the BACH.Bow,[43] a curved bow designed by the cellist Michael Bach. In 2001 he invited Bach to present his BACH.Bow to Paris (7th Concours de violoncelle Rostropovitch).[44] In 2011, the city of Moscow announced plans to erect a statue of Rostropovich in a central square;[45] the statue was unveiled in 2012.[46]
He was also a notably generous spirit. Seiji Ozawa relates an anecdote: on hearing of the death of the baby daughter of his friend the sumo wrestler Chiyonofuji, Rostropovich flew unannounced to Tokyo, took a -hour cab ride to Chiyonofuji's house and played his Bach sarabande outside, as his gesture of sympathy - then got back in the taxi and returned to the airport to fly back to Europe.
Rostropovich is included in the Russian-American Chamber of Fame of Congress of Russian Americans, which is dedicated to Russian immigrants who made outstanding contributions to American science or culture.[47]
Rostropovich received about 50 awards during his life, including: