| Mouthful of Birds | |
| Author: | Samanta Schweblin |
| Language: | Spanish |
| Country: | Argentina |
| Pub Date: | 2009 |
| Border: | yes |
| Genre: | Short Stories |
| Isbn: | 978-0399184628 |
| Media Type: | Hardcover |
| English Pub Date: | 2019 |
| Translator: | Megan McDowell |
| Title Orig: | Pájaros en la boca |
| Pages: | 240 |
| Publisher: | Emecé Editores (Argentina) |
Mouthful of Birds (Spanish: Pájaros en la boca) is a short story collection by Samanta Schweblin. Originally published in Spanish, it was translated into English by Megan McDowell in 2019.[1] [2] The stories feature uncanny plot twists and unexpected endings.
"Olingiris" first appeared in English in a 2010 issue of Granta.[3] In 2017 "The Size of Things" was published in The New Yorker.[4] In 2019 "Toward Happy Civilization" was published in The Atlantic[5] and was read aloud by LeVar Burton for the Stitcher Radio podcast LeVar Burton Reads.[6]
| Story |
|---|
| "Headlights" |
| "Preserves" |
| "Butterflies" |
| "Mouthful of Birds" |
| "Santa Claus Sleeps At Our House" |
| "The Digger" |
| "Irman" |
| "The Test" |
| "Toward Happy Civilization" |
| "Olingiris" |
| "My Brother Walter" |
| "The Merman" |
| "Rage of Pestilence" |
| "Heads Against Concrete" |
| "The Size of Things" |
| "Underground" |
| "Slowing Down" |
| "On the Steppe" |
| "A Great Effort" |
| "The Heavy Suitcase of Benavides" |
Like Schweblin's novel Fever Dream, Mouthful of Birds received enthusiastic reviews.
The Guardian wrote, "Delving into the cryptic depths of the human psyche, this is a highly imaginative and thought-provoking collection."[7] A review in the Los Angeles Review of Books concluded, "One of the greatest effects of Schweblin's writing is the sensation of having a trapdoor kicked open in your own mind — of not knowing this weird space even existed, but of course. There you are."[8]
Book critic Michael Schaub said of the collection: "Mouthful of Birds is a stunning achievement from a writer whose potential is beginning to seem limitless."[9]
Parul Sehgal, writing in The New York Times, noticed a variety of influences in Schweblin's stories, including Jesse Ball, Kelly Link, but, most of all, David Lynch.[10]