| Mothership Connection | |
| Type: | studio |
| Artist: | Parliament |
| Cover: | ParliamentMothershipConnection.jpg |
| Released: | December 15, 1975 |
| Recorded: | March–October 1975 [1] |
| Studio: | United Sound, Detroit, Michigan, and Hollywood Sound, Hollywood, California |
| Genre: | |
| Length: | 38:18 |
| Label: | Casablanca /Def Jam |
| Producer: | George Clinton |
| Prev Title: | Chocolate City |
| Prev Year: | 1975 |
| Next Title: | The Clones of Dr. Funkenstein |
| Next Year: | 1976 |
Mothership Connection is the fourth album by American funk band Parliament, released on December 15, 1975 on Casablanca Records. This concept album is often rated among the best Parliament-Funkadelic releases, and was the first to feature horn players Maceo Parker and Fred Wesley, previously of James Brown's backing band the J.B.'s.
Mothership Connection became Parliament's first album to be certified gold and later platinum. It was supported by the hit "Give Up the Funk (Tear the Roof off the Sucker)," the band's first million-selling single. The Library of Congress added the album to the National Recording Registry in 2011, declaring that it "has had an enormous influence on jazz, rock and dance music."[6]
See main article: P-Funk mythology. The album is held together by an outer-space theme. Describing the concept, George Clinton said "We had put black people in situations nobody ever thought they would be in, like the White House. I figured another place you wouldn't think black people would be was in outer space. I was a big fan of Star Trek, so we did a thing with a pimp sitting in a spaceship shaped like a Cadillac, and we did all these James Brown-type grooves, but with street talk and ghetto slang."[7] The album's concept would form the backbone of P-Funk's concert performances during the 1970s, in which a large spaceship prop known as the Mothership would be lowered onto the stage.[8]
BBC Music described the album as a pioneering work of Afrofuturism "set in a future universe where black astronauts interact with alien worlds."[9] Journalist Frasier McAlpine stated: "As a reaction to an increasingly fraught 1970s urban environment in which African-American communities faced the end of the optimism of the civil rights era, this flamboyant imagination (and let's be frank, exceptional funkiness) was both righteous and joyful."[9]
On release, Rolling Stone called the album a "parody of modern funk" and stated that "unlike the Ohio Players or Commodores, the group refuses to play it straight. Instead, Clinton spews his jive, conceived from some cosmic funk vision." Village Voice critic Robert Christgau stated that Clinton "keeps the beat going with nothing but his rap, some weird keyboard, and cymbals for stretches of side one," and described "Give Up the Funk" as "galactic."
Retrospectively, Mothership Connection has been widely acclaimed, and it is typically considered to be one of the best albums by the Parliament-Funkadelic collective. Rolling Stone
The album has received many retrospective accolades, including being named VH1's 55th greatest album of all time. In 2012, it was ranked at number 276 on Rolling Stone magazine's list of the 500 greatest albums of all time; it was featured again on the 2020 edition, at number 363.[10] [11] Vibe listed Mothership Connection in their "Essential Black Rock Recordings" list, and it was included in the 2005 book 1001 Albums You Must Hear Before You Die.
| Chart (1976) | Peak position | |
|---|---|---|
| US Billboard 200 | 13 | |
| US R&B Albums | 4 |