Monotype typefaces explained

Monotype typefaces should not be confused with Monospace typefaces.

Monotype fonts were developed by the Monotype company. This name has been used by three firms. Two of them had their roots in "hot metal" or lead type in the printing industry. They did not adapt when the market changed as computer, offset and photographic systems became dominant. These were:

A third firm produces fonts for computer use:

The latter firm is in a sense the successor to the English Monotype factory. It has the rights to the original designs, and later obtained rights to many more designs from other sources. The remains of the production archive and what is left of the machines are at the Type Museum in London, England. There the original matrices can still be accessed and parts of the old machines ordered. The collection itself is the property of the British Science Museum. The survival of the Type Museum was threatened since the building was no longer owned by the Science Museum, and was in a very poor state of repair, and the new owner intended other uses for the property. The Type Museum was closed and all equipment has been stored at the National Archives.[1]

Hot metal

The first two firms mentioned above produced a long list of fonts, which were identified by names and serial numbers. That type design eventually acquired a very good name and the "Monotype" brand was synonymous with high quality and reliability.[2] In their name much typographic research on historical character designs from the early years of typography has been carried out. Many of the letters were produced as "revivals", including characters in Garamond, Baskerville, Bodoni, Bembo, Caslon and many other typefaces.

The major difference between the two firms is that the American fonts do not match the English fonts. Letters with the same name had in most cases a different designer, and their appearance and implementation differ. The identification numbers do not all correspond.

The matrices of the two firms also differ in terms of depth, the image inside the matrix, implementation, and size. For example, the American matrices are shallower by 0.025  mm (0.010   inch), and consequently the interior of American foundry moulds need to be higher to produce characters with a type height of 23.3  mm (0.918   inch). This was one of many measures taken by the two Monotype companies to divide the world market between themselves. For example, the Americans served the Americas and the Canadian markets. The British company, The Monotype Corporation Ltd. in Salfords, had many customers in India, Africa, and Asia. For these countries many non-Latin typefaces were created for printing in Hebrew, Javanese, Sanskrit, Sinhala, Thai, and other languages.

The composition-caster machines of The Monotype Corporation produced ready-to-use composed pages with text consisting of single pieces of type. The machine provided filled lines, justifying them by adding spaces of varying widths. These ending machines were controlled with a paper ribbon. Typing the texts on keyboards was manual work that took much more time than casting. A composition-caster needed the ribbons of at least three separate keyboards. Correction of the final composition was accomplished by simply replacing the moveable type. The lines did not need to be recast, as with Linotype machines.

These composition-casters could produce type in sizes up to 14 point pica or Didot font width. "Large-composition" customized machines and moulds could provide composition up to 36 points. The matrices are correspondingly larger and there is room for only one alphabet in the die case. For this reason one machine-run could not provide composition in both Roman and italic typeface, so additional hand work was required in such cases.

Type for hand-composing was also cast with Monotype machines; all characters up to 36pt, and rules, could be cast on a large-composition machine. Another machine was the "super-caster" or "supra", which could cast single type. After conversion it could also be used to cast any material needed in print shops, including reglettes, ornaments, and similar designs, as well as characters up to 72 points. There were moulds with inserts for sizes 14 to 36 point. For the even larger sizes of 42, 48, 60 and 72 point another type cast was used. The machine had to be reconfigured for each different type requirement.

Unit arrangement

The width of the hot-lead Monotype type is expressed in units of a set. The widest letter in the alphabet, usually the capital "W", was measured in quarter-pica points, a unit being part of this width. The unit width is calculated as follows for a 12-set example.

All character were designed to have widths a whole number of units of the set. 5, 6, 7, 8, 9, 10, up to 18 or even more.

.....

English and American manuals use a different size for the pica: the new-pica = 0.1660 inch. On the European mainland all wedges and tables in the manuals are based on the "old" pica = 0.1667 inch and those wedges can be identified by the extra capital E (= English). That gives small differences in the tables in the various manuals. In practice, however, these differences are so small that they make only little difference when cast with a S5-E wedge or a S5 wedge based on the new-pica. All character are designed to have as width a whole number of units of the set.

So, for instance, A=14, B=13, C=14... a=8, b,d,h,k,n,p,q=10, c=8 ... The list with these widths is called the "unit-arrangement" (UA). Different fonts can have the same UA. In some font designs the unit-arrangement can be different for each point size, for example, with the Lutetia (typeface) and some other fonts of Jan van Krimpen. These UAs are essential for the layout of the matrix case, in which the matrices are sorted into rows by the unit widths. The various "unit-arrangements" have been given numbers.

Long and short descenders

The letters g j p q y ij are descenders. In the italic typefaces f and the "long s" are also descenders.

Many of the older fonts were intended mainly for use in newspaper columns. Times New Roman is a good example, but there were many others. The descenders were kept as short as possible in such fonts so that all the text could be set with the same line spacing. However, for many fonts for luxury productions longer variants of the descenders were also available—the lining would usually need to be adjusted to accommodate them when casting.

Letterpress printing

The design of fonts for letterpress printing needs to be adjusted for this technique. The reason is that the type is printed with some force on the paper, pressing the ink on the type out to the edges of the letter. The center of the character is accordingly printed a bit lighter than the edges. This results in what is called a "bead edge". It is further enhanced because not only the surface of the type get inked, but also the bevels around it, which also contributes to the visual effect of the printed typeface, as can be readily seen with a magnifying glass.[3]

The bead edge and bright centre in print suggest a calligraphic typeface. And with letterpress there is a much wider choice of suitable, often more expensive, paper types that can be printed.

Computer adjustments

After the "hot metal" firms ceased production because of the transition from letterpress to offset printing in more and more printing companies, with Lanston Monotype being the first to do so in America, the font designs needed adjustment for computer use. There is a difference compared with the old hot-metal characters since the fixed relationship between the width of the letters in the unit arrangement is often experienced as a disadvantage. Discussion of this problem has long been going on, for example by Jan van Krimpen.

The design of a lead type cannot be copied without some adjustments since the pressure on lead type during printing presses the ink sideways, and the final appearance of the letter on paper is wider than the surface of the lead character. This extra width is not the same at all places around the character. It depends on the paper surface used, the pressure, the type of press, whether cylinder or platten, and many other factors.

Many digital fonts from the early digital age have this characteristic defect. The metal surface was simply copied, the result being that the color of the printed pages is far too light. In offset or other modern printing techniques, the typeface on the plate and on the printed letter now match much more closely. The use of mostly coated papers with offset types also has an effect. During the type design process all this should be taken into account since simple design drawing of the surface of a lead letter without any adjustment for offset or computer printing will not produce a good result.

List of typefaces

The alphabetical list below refers primarily to the fonts produced by the English "hot metal" Monotype company. The numbers mentioned below are from the English "specimen-blades", four editions of the booklets "Monotype book of information", and some additional information from the London Type Museum.

In the 1960s many Monotype fonts were discontinued. The "patterns" for the originals from which the punches were created, the punches, and the whole stock of remaining matrices were destroyed. The font has disappeared except for the matrices in the possession of various printers. Sample sheets of these fonts are particularly difficult to find and are lacking in many collections.

A small number of American letter designs are added to the list, designated by "Am" and their number. American matrices differ from those in England. American matrices were 0.0025   mm (0.0010   inch) less deeply engraved. Consequently, the American moulds were 0.0025   mm (0.0010   inch) higher internally compared with moulds from the factory in Salfords UK. Consequently, American matrices on an English cast produce a low letter. English matrices on American moulds produce French-height type.

The list of computer letters from Monotype Imaging, Inc. is constantly being modified and can be best consulted on the website of the company.[4]

Latin fonts

A

297: Acier (never released)

319: Acier Grey and White (never released)

481: Albertus Roman

introduction: 1935[5]

display matrices:

size:14pt18pt24pt36pt48pt60pt72pt
line:T.1848T.2363T.3166T.4754T.6418and T.8070T.9680

538: Albertus bold titling Roman

introduction: 1938[6]

display matrices:

size:14pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1533T.1985T.2652T.3255T.3974T.4675T.5358T.6720T.8070

534: Albertus light Roman

introduction: 1940[7]

display matrices, one size: 24pt line .2652

324: Albertus titling Roman (1940 ?)[8]

display matrices:

size:14pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1848T.2363T.3166T.3884T.4754T.5606T.6418T.8070T.9680

__5: Albion Roman

composition matrices UA.2 = 6pt - 12pt[9]

size:6pt8pt10pt12pt
set:6.7589.2511.25
line:M.1235M.1270M.1305M.1360

_42: Albion (No 2) Roman

composition matrices UA.2 = 6.5pt - 12pt[10]

size:6.5pt7.5pt9pt10pt11pt12pt13pt
set:7.75899.7510.511.512.5
line:M.1235M.1238M.1270M.1300M.1320M.1360M.1390

_63: Albion Roman

UA.2 : 6.5 pt - 13pt

size:6pt7D9pt10pt11pt12pt13pt
set:6.57.58.259.759.510.7511.5
line:M.1224M.1250M.1270M.1290M.1320M.1360M.1390

_70: Albion (No 4) Roman

composition matrices: UA.2 : 6.5pt - 13pt[10]

size:6.5pt7.5pt (7D)9pt10pt11pt12pt13pt
set:7.758.59.75101112.2513
line:M.1225M.1243M.1280M.1300M.1327M.1360M.1387

_74: Albion Extended Roman

composition matrices: UA.3: 6D - 13pt[11]

size:6D7D9pt10pt11pt12pt13pt (12D)
set:7.758.59.75101112.2513
line:M.1225M.1240M.1260M.1290M.1320M.1360M.1390

display matrices:

size:14pt18pt22pt24pt30pt36pt42pt48pt60pt72pt
line:T.1533T.1995T.2308T.2640T.3194T.3884T.4576T.5268T.6651T.7930

264: Albion (in 1965 taken out of production)

270: Aldine Bembo (see: Bembo 270)

370: Aldine Bembo Titling (see: Bembo Titling)

491: Anchor (taken out of production, "cancelled")

Only produced for computer use.

555: Angulus Roman/italic

composition matrices: UA.474: only one size available 4.4pt

size:4.5D
set:5.5
line:M.1185

207: Antique Roman/italic (see: 207 Antique Old Style)

307: Antique (in 1965 taken out of production)

composition matrices: U.A. = 70, only: 5.5pt and 7pt[12]

size:5.5pt (5D)7pt (7D)
set:6.258.5
line:.1262.1314

407: Antique (in 1965 taken out of production)

composition matrices: UA = 70[13]

407-9 (8D)9.5 setlining: M.1338

354: Antique (No. 2) (in 1967 taken out of production)

composition matrices: UA = 335[14]

size:8 (8D)10 (10D)12 (12D)
set:10.7513.516
line:M.1348M.1440M.1525

_74: Antique Extended (see Ionic, see: Albion Extended)

153: Antique Extended (see: Albion Extended)

223: Antique Heavy (see: Devonshire Bold)

224: Antique Heavy Condensed (see: Devonshire Bold Condensed)

__9: Antique Latin (see: Latin Antique)

_60: Antique Latin (see: Latin Antique No. 2)

_78: Antique Latin (see: Latin Antique No. 3)

_84: Antique Latin (see: Latin Antique No. 4)

__3: Antique Old Style No. 3 Roman/italic

composition matrices: UA.2 = 6pt - 12pt[15]

size:6pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (11D)
set:6.57.758.59.259.7510.512
line:M.1200M.1240M.1250M.1280M.1300M.1320M.1355

161: Antique Old Style No. 3 Roman/italic

composition matrices: Roman UA.29, italic UA.54, 6pt - 12pt[16]

size:6pt (6D)8pt (8D)9pt (9D)10pt (9D)11pt (10D)12pt (11D)
set:6.588.759.510.511.75
line:M.1220M.1250M.1266M.1294M.1331M.1410

display matrices:

size:14pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1533T.1948T.2640T.3194T.3884T.4576T.5268T.6651T.7930

124: Antique Old Style No. 1 synonyms: Old Style Antique and Series 124 (in 1967 taken out of production)

all descenders available in two versions short- and long-descenders

composition matrices: UA.1, 6pt - 12pt (6pt is missing on older specimen blades)[17]

size:6pt (6D)8pt short desc. op 7pt (7D)8pt (8D)9pt short desc. op 8pt (8D)9pt (9D)10pt (9D)11pt (10D)12pt (12D)
set:6.58.58.59.259.259.7510.511.75
line:M.1200M.1250M.1250M.1280M.1280M.1300M.1320M.1355

207: Antique Old Style Roman/italic

composition matrices: UA.70 = 6.5pt - 10pt[12]

size:6.5pt(6D)7pt8pt10pt
set:7.757.758.7510.5
line:M.1268M.1268M.1314M.1370

No matrices for hot-metal

252: Arrighi Italic (see: Centaur)

238: Ashley Crawford (cancelled in 1967)

display matrices:[18]

size:14pt18pt24pt30pt36pt
line:.1672.2145.2896.3484.4123

279: Ashley Crawford Plain (cancelled in 1967)

display matrices:[19]

size:14pt18pt24pt30pt36pt
line:.1748.2243.2996.3684.4494

574: Ashley Script

display matrices: 14-72 pt[20]

size:14pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1364T.1751T.2338T.2864T.3494T.4106T.4708T.5910T.7090

No matrices for hot-metal

B

178: Barbou Roman/italic

composition matrices: UA.447: 8 - 12pt[21]

size:8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (12D)
set:7.2588.59.2510
line:M.1270M.1295M.1300M.1327M.1360

169: Baskerville Roman/italic

composition matrices: UA.43: 6D - 14pt[22]

size:6pt (6D)7 (7D)8pt (8D)9pt (8D)9.5pt (9D)10pt (9D)11pt (10D)12pt (11D)14pt (14D)
set:6.757.58.2599.51010.751213
line:M.1220M.1235M.1250M.1266M.1291M.1294M.1320M.1360M.1520

large-composition matrices: 14-18pt Roman UA.136, italic UA.141:

22pt: only Roman, 24pt: Roman UA.136, italic UA.150

size:14pt (14D)16pt (16D)18pt (18D)22pt (22D)24pt (24D)
set:1314.515.251921
line:T.1395T.1600T.1672T.2040T.2226

display matrices:

size:14pt16pt18pt20pt22pt24pt30pt36pt42pt48pt60pt72pt
line:T.1395T.1600T.1672T.1853T.2040T.2226T.2780T.3332T.3886T.4440T.5685T.6830

312: Baskerville bold Roman/italic

composition matrices: UA.332: 6D - 14pt[23]

size:6pt (6D)7 (7D)8pt (8D)9pt (8D)9.5pt (9D)10pt (9D)11pt (10D)12pt (11D)14pt (14D)
set:6.757.58.2599.51010.751213
line:M.1220M.1235M.1250M.1266M.1291M.1294M.1320M.1360M.1520

display matrices:

size:14pt18pt24pt30pt36pt48pt60pt72pt
line:T.1395T.1672T.2226T.2784T.3332T.4440T.5685T.6830

313: Baskerville bold (see: 313 Baskerville Semi-Bold)

377: Baskerville Bold Large Face (cancelled in 1967)

display matrices:[24]

size:48pt60pt72pt
line:.4992.6236.7115

376: Baskerville Bold Titling For Newspaper Headings (cancelled in 1965)

large-composition matrices: UA.374: 14pt, 18pt and 24pt cast at 18pt combined in one matrix frame[25]

size:14pt18pt24pt
set:181818
line:.2075.2075.2075

378: Baskerville Bold Titling For Newspaper Headings) (cancelled in 1965)

large-composition matrices: UA.372: 14pt, 18pt and 24pt cast at 18pt combined in one matrix frame[26]

size:14pt18pt24pt
set:181818
line:.2213.2213.2213

380: Baskerville Extra Bold Titling (cancelled in 1967)

display matrices:[27]

size:36pt
line:.3704

312: Baskerville Heavy (see: 312 Baskerville Bold)

313: Baskerville Semi-Bold Roman/italic

composition matrices: UA.332: 6D - 14pt[22]

size:6pt (6D)7 (7D)8pt (8D)9pt (8D)9.5pt (9D)10pt (9D)11pt (10D)12pt (11D)14pt (14D)
set:6.757.58.2599.51010.751213
line:M.1220M.1235M.1250M.1266M.1291M.1294M.1320M.1360M.1520

display matrices:

size:18pt
line:T.1672

381: Baskerville Titling For Newspaper Headings (cancelled in 1965)

large-composition matrices: UA.372: 14pt, 18pt and 24pt cast at 18pt combined in one die case[28]

size:14pt18pt24pt
set:181818
line:.2213.2213.2213

341: Bell Roman/italic

composition matrices: UA.314: 8D - 14pt

size:8pt (8D)9pt (9D)10pt (10D)11pt (11D)12pt (12D)14pt (14D)
set:8.59.510111213.25
line:M.1240M.1267M.1285M.1314M.1335M.1385

display matrices:

size:14pt18pt24pt30pt36pt
line:T.1304T.1711T.2284T.2804T.3424

619: Bell Gothic Roman

composition matrices: UA.445: 6 and 8pt[29]

size:6pt (6D)8pt (8D)
set:79
line:M.1245M.1310

620: Bell Gothic Bold Roman

composition matrices: UA.445: 6 and 8pt[29]

size:6pt (6D)8pt (8D)
set:79
line:M.1245M.1310

270: Bembo Roman/italic

composition matrices: UA.91: 6D - 14pt[30]

variants: alternative numerals: F537, F538, alternative capitals: R 203, M 145, R 224

size:6pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (10D)10.5pt (9D)11pt (10D)12pt (11D)13pt (12D)14pt (14D)
set:6.757.57.58.258.599.510.251111.5
line:M.1237M.1243M.1243M.1270M.1292M.1312M.1322M.1343M.1378M.1444

large-composition matrices: 14pt-24pt

size:14pt (14D)16pt (16D)18pt (18D)24pt (24D)
UA.91163169169
set:11.513.514.519.5
line:T.1344T.1559T.1725T.2302

display matrices:

size:14pt16pt18pt22pt op 24pt24pt30pt36pt48pt60pt72pt
line:T.1344T.1559T.1725T.2104T.2302T.2824T.3444T.4648T.5821T.6980

428: Bembo bold Roman/italic

composition matrices: UA.368: 6D - 14pt[31]

size:6pt (6D)7D op 8p E8pt (8D)9pt (8D)10pt (10D)10.5pt (10D)11pt (10D)12pt (11D)13pt (12D)14pt (14D)
set:6.757.57.58.258.599.510.251111.5
line:M.1237M.1243M.1243M.1270M.1293M.1312M.1322M.1353M.1378M.1444

large-composition matrices: 14pt-18pt

size:16pt (16D)18pt (18D)
UA.399399
set:13.514.5
line:T.1559T.1725

display matrices:

size:24pt30pt36pt48pt
line:T.2302T.2824T.3444T.4648

294: Bembo condensed Italic italic

composition matrices: UA.360: 10pt - 13pt UA.361: 16pt[32]

size:10pt (10D)12pt (12D)13pt (12D)16pt
set:8.510.251113.5
line:M.1292M.1353M.1378M.1559

428: Bembo Heavy (see: 428 Bembo Bold)

509: Bembo semi-bold Roman/italic

composition matrices: UA.91: 5.5pt[33]

size:5.5pt (5.5D)
set:6.5
line:M.1235

370: Bembo titling Roman/italic

display matrices:[33]

size:24pt30pt36pt42pt
line:T.2942T.3614T.4436T.5196

643: Berling Roman/italic (cancelled in 1973)

punches made in cooperation with Berlinska Stilgjuteriet, Lund

composition matrices: UA.495: 6D-12D[34]

size:6D op 7pt8D op 9pt9D op 10pt10D op 11pt11Dop 12pt12D op 13pt
set:6.58.59.2510.2511.512.5
line:M.1237M.1311M.1385M.1385M1459M.1459

644: Berling semi bold Roman

punches made in cooperation with Berlinska Stilgjuteriet, Lund

composition matrices: UA.496: 6D-12D[34]

size:6D op 7pt8D op 9pt9D op 10pt10D op 11pt11Dop 12pt12D op 13pt
set:6.58.59.2510.2511.512.5
line:M.1237M.1311M.1385M.1385M1459M.1459

213: Bernard condensed Roman

display matrices:

size:14pt16D op 18pt20D op 22pt24D op 30pt30pt36D op 36pt42D op 48pt48D op 60pt60D op 72pt72pt
line:T.1671T.2008T.2520T.2984T.3444T.4474T.5249T.6040T.7570T.8550

119: Blado Italic italic (designed to be used with Poliphilus 170)

composition matrices: UA.53: 10pt - 13pt[35]

size:10pt (9D)11pt (10D)12pt (12D)13pt (12D)
set:8.59.2510.7511.5
line:M.1299M.1326M.1374M.1399

large-composition matrices: 16pt = UA.142

size:16pt
set:13.5
line:T.1577

display matrices:

size:24pt
line:T.2352

135: Bodoni Roman/italic (synonym: Bodoni no.3)

composition matrices: UA.1: 6pt-13pt, UA.77: 14pt[36]

variants: long descenders and "Large-Face" in 11pt

size:6pt (6D)6.5 (6D) op 7pica7pt (6D)7.5pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)11pt Large Face12pt (12D)13pt (12D)14pt (14D)
set:6.56.577.757.758.59.510.251111.7512.7513.5
line:M.1164M.1164M.1210M.1238M.1238M.1260M.1279M.1302M.1315M.1347M.1372M.1448

large-composition matrices: 16pt, 18pt, 24pt Roman, UA.425 = 24pt italic

size:16pt (16D)18pt (18D)24pt (24D) Roman24pt italic
UA.777778 425
set:15.5172323
line:T.1551T.1741T.2324T.2324

display matrices:

size:14pt16pt18pt22pt op 24pt24pt30pt36pt42pt48pt60pt72pt
line: T.1356T.1551T.1741T.2122T.2324T.2914T.3470T.4162T.4716T.5823T.7100

254: Bodoni No. 2 (see also: 357 Bodoni No. 2) (cancelled in 1967)

display matrices: 4 sizes[37]

size:18pt24pt30pt36pt
line: T.1708T.2276T.2844T.3404

288: Bodoni No. 1 (cancelled in 1967)

composition matrices: UA.364: 10D-12D-14D[38]

size:10D op 11pica12D op 13pica14D
set:10.2511.512.75
line:M.1280M.1323M.1365

357: Bodoni No. 2 Roman/italic (see: 357 Bodoni Book)

composition matrices: UA.319: 8pt-12pt[39]

size:8pt (8D)9pt (9D)10pt (10D)12pt (12D)
set:899.7511.5
line:M.1277M.1309M.1315M.1366

504: Bodoni No 5 Roman/italic (see: 504 Bodoni 357)

composition matrices: UA.319: 8pt-12pt[40]

size:8pt (8D)9pt (9D)10pt (10D)12pt (12D)
set:899.7511.5
line:M.1282M.1314M.1322M.1372

195: Bodoni Bold Roman

composition matrices: UA.3: 6pt-12pt[41]

size:6pt (6D) 8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (12D)
set:6.57.758.59.510.2511.75
line:M.1164M.1238M.1260M.1279M.1302M.1347

display matrices:

size:14pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1356T.1708T.2276T.2844T.2914T.4024T.4578T.5823T.6962

260: Bodoni Bold Roman/italic, Vette variant for series 135

composition matrices: Roman UA.2 italic UA.143: 6pt-13pt; Roman UA.417, italic UA.143: 14pt[41]

long descenders available and "large face" in 11pt

size:6.5 (6D)7pt (6D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)11pt (10D) "Large Face"12pt (11D)13pt (12D)14pt (14D)
set:6.577.758.59.510.251111.7512.7513.5
line:M.1164M.1210M.1238M.1260M.1279M.1302M.1315M.1340M.1372M.1448

display matrices:

size:14pt16pt18pt22pt24pt op 30pt30pt36pt42pt48pt60pt72pt
line: T.1356T.1551T.1741T.2122T.2324T.2914T.3470T.4162T.4716T.5823T.7100

529: Bodoni Bold Condensed Roman/italic

display matrices:

size:14pt18pt24pt30pt36pt42pt48pt60pt72pt
line: T.1356T.1741T.2324T.2824T.3444T.4046T.4628T.5820T.6980

760: Bodoni Bold Titling Roman

display matrices:[20]

size:72pt
line:T.8490

357: Bodoni Book Roman/italic

composition matrices: UA.319: 8pt-12pt[21]

size:8pt (8D)9pt (9D)10pt (10D)11pt (11D)12pt (12D)
set:899.7510.7511.5
line:M.1277M.1309M.1315M.1345M.1366

260: Bodoni Heavy Roman/italic (see: 260 Bodoni Bold)

529: Bodoni Heavy condensed Roman/italic (see: 529 Bodoni Bold condensed)

120: Bodoni ultra bold Roman/italic

display matrices:

size:14pt18pt24pt30pt3642pt48pt60pt72pt
line: T.1472T.1876T.2502T.3094T.3746T.4436T.5088T.6380T.7660

_53: Bold Face (see: 53 Old Style Bold)

167: Bold Face (see: 167 De Vinne Italic)

366: Bold Face (see: 366 Inflex Bold)

245: Bold Face Italic No. 2 (see: 245 Old Style Bold Italic)

253: Bold Face No. 2 (see: 253 Old Style Bold)

138: Bold Face No. 3 Roman. (cancelled in 1965)

composition matrices: UA.3: 9pt[42]

size: 9pt (9D) set: 8.75 line:M.1330

503: Bold Face (cancelled in 1965)

176: Bold Face Outline (see: 176 Old Style Bold Outline)

253: Bold Face Special Line (see: 253 Old Style Bold)

167: Bold Italic (see: 167 De Vinne Italic series No. 167)

334: Bold (The Times) (see: 334 Times Bold)

345: Bold (The Times) (see: 345 Times Bold)

360: Bold (The Times) (see: 360 Times Bold)

278: Braggadocio Roman

display matrices:[43]

size:18pt24pt3648pt72pt
line: T.1015T.2690T.4024T.5448T.8180

466: Breitkopf romain (cancelled in 1936)

a306: Broadway (Sorts) (cancelled before 1966)

a307: Broadway Engraved (Sorts) (cancelled before 1966)

494: Bruce Rogers (cancelled in 1967)

594: Bruce Rogers Titling (in research)

469: Bulmer Roman/italic

composition matrices: UA.412: 11pt-12pt[44]

size:11pt (10D)12pt (12D)
set:1011.25
line:M.1337M.1345

C

L17: Calendar Figures Roman

L19: Calendar Days Roman

197: Canterbury (cancelled in 1967)

composition matrices: UA.57 = 8-12pt[45]

size:6pt (6D)8pt (8D)10pt (9D)12pt (12D)
set:6.589.7511.5
line:M.1258M.1302M.1400M.1450

display matrices:

size:14pt18pt24pt30pt36pt
line:T.1533T.1948T.2640T.3194T.3884

128: Caslon Roman/italic

composition matrices: UA.57 = 8-12pt[46]

size:8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (11D)13.5pt (14D) op 14pE14pt Large Face (14D)
UA.789101112384
set:7.258.258.759.7511.2512.2513
line:M.1210M.1225M.1270M.1285M.1324M.1360M.1474

large composition: 18pt - 24pt,

size:18pt20pt (20D)24pt Small face (24D)24pt
UA.Roman104160160105
UA.italic153167167152
set:15.75181821.5
line:T.1672T.2088T.2088T.2364

display matrices:

size:14pt18pt24pt30pt (short desc.) op 24pica30pt36pt42pt48pt60pt72pt
line:T.1395T.1672T.2364T.2918T.2918T.3474T.4166T.4988T.6120T.7660

209: Caslon Titling Roman

display matrices:[46]

size:48pt60pt72pt
line:T.4988T.6120T.7660
Castellar

600: Castellar Roman

Title typeface drawn by John Peters in 1957 based on engraved Roman square capitals.[47] [48]

display matrices:[49]

size:24pt30pt36pt48pt60pt72pt
line:T.2986T.3654T.4474T.6038T.7590T.9110

252: Centaur Roman/italic, also known under the name: Arrighi

composition matrices: UA.90 = 6-14pt, UA.322 = 14pt[50]

size:6pt (6D)8pt (8D)9pt (8D)10pt (10D)11pt (11D)12pt (12D)14pt (14D)
set:6.58.258.759.2510.2511.2512.5
line:M.1202M.1252M.1256M.1256M.1286M.1315M.1418

large composition: 14pt - 24pt, UA.165 = Roman, UA.166 = italic

size:14pt (14D)16pt (16D)18pt (18D)22pt (22D)24pt (24D)
set:12.51415.518.521
line:T.1418T.1493T.1675T.2024T.2240

display matrices:

size:14pt16pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1306T.1493T.1675T.2240T.2744T.3344T.3926T.4508T.5640T.6800

352: Centaur Roman/italic

large composition matrices only 18pt[51]

size:18pt (18D) Roman18pt (18D) italic
UA.389166
set:18.2515.5
line:T.1747T.1747

295: Centaur Titling Roman

227: Century No. 2 Roman/italic (see: 227 Century Schoolbook)

211: Century No. 1 Roman (synonym: 211 Modern)

composition matrices UA.1 = 8pt[52]

size:8pt (8D)
set:8.5
line:M.1320

545: Century Bold (cancelled in 1967)

546: Century Bold Extended (cancelled in 1967)

227: Century Schoolbook Roman/italic

composition matrices: UA.369 = 6-14pt, UA.322 = 14pt[53]

size:6pt (6D)7pt (7D)8pt (8D)9pt (9D)10pt (10D)11pt (11D)12pt (12D)14pt (14D)
set:6.757.58.259.251010.7511.7514
line:M.1250M.1280M.1310M.1346M.1375M.1405M.1448M.1655

large composition: 18pt - 20pt only Roman UA.370

size:18pt (18D)20pt (20D) (18pt long desc.)
set:1818
line:T.2015T.2015

477: Century Schoolbook Bold Roman

composition matrices: UA.498 = 6-14pt,[54]

size:6pt (6D)7pt (7D)8pt (8D)9pt (9D)10pt (10D)11pt (11D)12pt (12D)14pt (14D)
set:6.757.58.259.251010.7511.7514
line:M.1250M.1280M.1310M.1346M.1375M.1405M.1448M.1655

650: Century Schoolbook Roman/italic

display matrices:[55]

size:14pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1549T.1950T.2559T.3184T.3874T.4565T.5257T.6640T.8020

651: Century Schoolbook Bold Roman

display matrices:[55]

size:14pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1549T.1950T.2559T.3184T.3874T.4565T.5257T.6640T.8020

display matrices:[56]

size:14pt18pt24pt30pt36pt
line:T.1533T.1948T.2640T.3194T.3884

510: Chatsworth (cancelled in 1965)

At the request of Stephenson and Blake, Sheffield produced for them in one size.

composition matrices: UA.391 = 10pt,[57]

size:10pt (10D)
set:12
line:M.1425

154: Chiswell Old face Roman/italic

display matrices:[56]

size:14pt18pt24pt30pt36pt
line:T.1533T.1948T.2640T.3194T.3884

_12: Clarendon Roman

composition matrices: UA.2 = 5-12pt,[58]

size:5pt (5D)5.5pt (5D)6pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (11D)12pt (12D)
set:5.56.56.57.258.259.259.7510.7512
line:M.1200M.1240M.1258M.1280M.1305M.1330M.1320M.1380M.1385

412: Clarendon No. 2 (cancelled in 1967)

composition matrices: UA.2 = 5-12pt,[59]

size:8pt (8D)9pt (8D)11pt (11D)
set:8.59.2510.5
line:M.1240M.1265M.1320

501: Clarendon Timetable (cancelled in 1967)

157: Clearface Bold Roman/italic

composition matrices: UA.2 = 6-12pt,[60]

size:6pt (6D)8pt (8D)9pt (8D)10pt (10D)11pt (11D)12pt (12D)
set:6.758.259.251010.7511.75
line:M.1220M.1250M.1250M.1294M.1320M.1360

display matrices:

size:14pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1533T.1948T.2640T.3194T.3884T.4576T.5268T.6651T.7930

271: Cloister Bold (cancelled in 1967)

composition matrices: UA.86 = 6-12pt,[61]

size:6pt (6D)8pt (8D)10pt (10D)12pt (12D)
set:6.758.259.7510.75
line:M.1245M.1273M.1285M.1326

272: Cloister Old Style (cancelled in 1967)

composition matrices: UA.89 = 6-12pt,[61]

size:6pt (6D)8pt (8D)10pt (10D)12pt (12D)
set:6.57.758.510
line:M.1236M.1275M.1269M.1316

a395: Cloister Old Style (Sorts) (cancelled before 1966)

165: Cochin Roman/italic

composition matrices: UA.67 = 6D-13pt, UA.174 = 14pt Roman, UA.173 = 14pt italic[62]

size:6D (6D)8pt (8D)10pt (9D)11pt (10D)12pt (11D)13pt (12D)14pt (14D)
set:7.58.510.511.512.2513.2515
line:M.1239M.1254M.1293M.1320M.1360M.1387M.1440

display matrices:

size:14pt18pt24pt30pt36pt
line:T.1440T.1841T.2480T.3056T.3726

225: Colonna Roman

display matrices:[63]

size:18pt24pt36pt
line:T.1585T.2114T.3154

511: Condensa italic

display matrices:[49]

size:18pt24pt30pt
line:T.1948T.2640T.3194

213: Condensed Bold (see: 213 Bernard Condensed)

224; Condensed Heavy Antique (see: 224 Devonshire Bold Condensed)

383: Condensed Heavy Grotesque (see: 383 Grotesque Condensed)

523: Condensed Heavy Grotesque Titling (see: 523 Grotesque Condensed)

419: Condensed Latin (see: 419 Grotesque Condensed Titling)

306: Crossword Puzzle Solutions

composition matrices: 11pt[54]

11pt: 28 matrices, ABCDEFGHIJKLMNOPQRSTUVWXYZ + empty field + shaded area, the matrices were cast on squares, with a flat wedge.

306: Crossword Puzzle Specials

18pt: S 2612 t/m S 2641 = 1 t/m 30, S2727 t/m S2746 = 31-50, S3976 t/m S3986 = 51-61, S2643 = leeg veld, S2611 = gearceerd veld

309: Crossword Squares (cancelled)

_17: Cushing (cancelled in 1967)

composition matrices UA.1 = 6pt - 13pt[64]

size:6D (6D)7pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (11 of 12DD)13pt (12D)
set:6.57.2588.759.2510.251212.5
line:M.1235M.1220M.1245M.1265M.1290M.1323M.1380M.1395

D

326: Daily Mail Modern (cancelled in 1974)

This font was the last design of Giovanni Mardersteig. Charles Malin, the engraver producing the punches for Mardesteig died in 1955. After this event Mardersteig did not want any more new designs. In his opinion punches made with a pantograph were inferior. The character was later adapted for composition casters by Monotype and released in 1957.

592: Dante Roman/italic

composition matrices: UA.441, 6D-14D[65]

size:6D at 7pE7D at 8pE8D at 9pE9D at 10pE10D at 11pE11D at 12pE12D at 13pE13D at 14pE14D at 16pE
set:677.58.258.759.7510.7511.512.75
line:M.1200M.1232M.1245M.1272M.1290M.1322M.1354M.1382M.1533

display matrices

size:18D at 20pE24D at 30pE36D at 36pE48D at 60pE
line:T.1841T.2462T.3684T.4960

682: Dante Semi Bold Roman/italic

composition matrices: UA.504, 6D-14D[65]

size:6D at 7pE7D at 8pE8D at 9pE9D at 10pE10D at 11pE11D at 12pE12D at 13pE14D at 16pE
set:677.58.258.759.7510.7512.75
line:M.1200M.1232M.1245M.1272M.1290M.1322M.1354M.1533

612: Dante Titling Roman

display matrices[66]

size:16D at 18pE20D at 22pE28D at 30pE36D at 36pE
line:T.1677T.2085T.2952T.3764

298: Deutsch Romisch (cancelled in 1970)

composition matrices: UA.303, 6D-12D[67]

size:6D at 7pE8D at 9pE9D at 10pE10D at 11pE12D at 13pE
set:6.75891012
line:M.1243M.1315M.1350M.1390M.1480

286: Deutsch Romisch Bold (cancelled in 1967)

composition matrices: UA.304, 8D-10D[68]

size:8D at 9pE10D at 11pE
set:810
line:M.1315M.1390

131: De Vinne (cancelled in 1967

composition matrices: UA.400, 8pt[69]

size:8pt (8D)12D op 13pE
set:812.25
line:M.1237M.1445

display matrices

size:14pt18pt24pt30pt36pt
line:T.1533T.1938T.2640T.3194T.3884

_21: De Vinne (see: De Vinne Condensed)

_21: De Vinne Condensed (cancelled in 1967)

composition matrices: UA.2 6.5pt - 12 pt[70]

size:6pt (6D)8pt (8D)10pt (9D)12pt (12D)
set:6.589.2511.25
line:M.1230M.1280M.1360M.1435

167: De Vinne Italic (synonym: Bold Italic Series No. 167) (cancelled in 1967)

composition matrices: UA.3 7.5pt - 11 pt[70]

size:7.5pt (7D)8pt (8D)9pt (8D10pt (9D)11pt (10D)
set:888.759.7510.5
line:M.1250M.1250M.1280M.1294M.1320

223: Devonshire Bold (synonym: 223 Heavy Antique (cancelled in 1967)

display matrices[71]

size:42pt48pt
line:T.4576T.5268

224: Devonshire Bold Condensed (synonym: 224 Condensed Heavy Antique) (cancelled in 1967)

display matrices[72]

size:42pt48pt
line:T.4576T.5268

_71: Didot Roman/italic

composition matrices: UA.1 6.5pt - 13pt[73]

size:6.5pt (6D)7.5pt (7D)9pt (8D10pt (9D)11pt (10D)11pt Large face (10D)12pt (11D13pt (12D)
set:7,257.58.759.510.251111.7512.5
line:M.1225M.1240M.1260M.1290M.1320M.1335M.1360M.1390

425: Divina Comedia (destroyed in a bombardment)

436 Dorcherster script

display matrices

size:14pt18pt24pt36pt
line:T.1218T.1565T.2088T.3114

E

107: Egyptian No. 1 Roman

composition matrices: UA.2 = 6-12pt[74]

size:6pt (6D)7pt (7D)8pt (8D)9pt (9D)10pt (10D)11pt (11D)12pt (12D)
set:6.57.257.588.7510.512
line:M.1220M.1220M.1250M.1266M.1291M.1315M.1356

171: Egyptian (synonym: 171 Egyptian Bold) (cancelled in 1967)

composition matrices: UA.39 = 9pt[75]

size:9pt
set:8.5
line:M.1266

173: Egyptian No. 4 Roman

display matrices:

size:14pt18pt24pt30pt36pt
line:T.1533T.1948T.2640T.3194T.3884

129: Egyptian Roman (see: Egyptian Bold nr.1 en: 251)

130: Egyptian (cancelled in 1967)

composition matrices: UA.3 = 8pt[76]

size:8pt
set:8
line:M.1285

162: Egyptian No. 3 (cancelled in 1967)

composition matrices: UA.3 = 8pt[77]

size:6.5pt
set:6.5
line:M.1210

184: Egyptian (see: 184 Ionic No. 3)

241: Egyptian

251: Egyptian (see: Egyptian Condensed)

330: Egyptian (see: Egyptian Bold)

129: Egyptian Bold No. 1 Roman (see: 251)

composition matrices: UA.3 = 8-10pt[78]

size:8pt (8D)9pt (9D)10pt (10D)
set:8.59.2510
line:M.1235M.1257M.1290

171: Egyptian Bold (see: 171 Egyptian) (cancelled in 1967)

330: Egyptian Bold (synonym: 330 Egyptian) (cancelled in 1967)

composition matrices: UA.3 = 6D[79]

size:6D (6D)
set:8
line:M.1285

282: Egyptian Bold Condensed Roman (see: 251) (synonyms: Egyptian Heavy and Heavy Egyptian

composition matrices: UA.313 = 6D[78]

size:6D
set:6.5
line:M.1230

251: Egyptian Condensed Roman

composition matrices: UA.63 = 6.5pt[78]

size:6.5pt (6D)
set:6.5
line:M.1230

112: Egyptian Condensed (cancelled in 1967)

composition matrices: UA.2 = 9pt[80]

size:9
set:8.5
line:M.1270

464: Egyptian Condensed (cancelled in 1967)

composition matrices: UA.130 = 6D-10D[57]

size:6D op 7pE7D op 8pE8D op 9pE9D op 10pE10D op 11pE
set:6.757.758.59.510.75
line:M.1206M.1246M.1278M.1301M.1335

_72: Egyptian Extended Roman

composition matrices: UA.3 = 5-13pt[81]

size:5pt (5D)5.5pt (5D)6pt (6D)6.5pt (6D)7.5pt (7D)9pt (8D)10pt (9D)11pt (10D)12pt (11D)13pt (12D)
set:5.57.257.257.758.59.75101112.2513
line:M.1173M.1220M.1220M.1225M.1240M.1260M.1290M.1320M.1360M.1390

465: Egyptian Extended (bij bombardement vernietigd)

282: Egyptian Heavy Roman (see: 282 Egyptian Bold Condensed)

453: Ehrhardt Roman/italic

composition matrices: UA.397 = 6-14pt[82]

size:6pt (6D)7pt (7D)8pt (8D)9pt (9D)10pt (10D)11pt (11D)12pt (12D)14pt (14D)
set:6.257.257.758.59.25101112.75
line:M.1220M.1255M.1270M.1300M.1320M.1346M.1381M.1520

display matrices:

size:18pt24pt30pt36pt
line:T.1810T.2424T.2987T.3608

563: Ehrhardt (cancelled in 1974)

573: Ehrhardt Semi-Bold Roman/italic

composition matrices: UA.430 = 6-14pt[82]

size:6pt (6D)7pt (7D)8pt (8D)9pt (9D)10pt (10D)11pt (11D)12pt (12D)14pt (14D)
set:6.257.257.758.59.25101112.75
line:M.1220M.1255M.1270M.1300M.1320M.1346M.1381M.1520

display matrices:

size:18pt24pt30pt36pt
line:T.1810T.2424T.2987T.3608

235: Elite Typewriter (see: Typewriter)

composition matrices: UA.28 = 12pt[78]

size:12pt (11D of 12D)
set:13.25
line:M.1302

_19: Elsevir Roman/italic

UA.1 6pt - 12 pt[83] [84]

size:6pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt
set:6.57.2588.759.510.2512
line:M.1210M.1242M.1270M.1290M.1340M.1360M.1415

E-13B

CMC7

407-1

OCR-B

320: Emerson Roman/italic

composition matrices: UA.390 = 8-14pt[85]

size:8pt (8D)10pt (10D)11pt (11D)12pt (12D)14pt (14D)
set:7.58.759.510.2512.25
line:M.1210M.1252M.1270M.1299M.1421

display matrices:

size:18pt24pt
line:T.1693T.2260

400: Emerson (cancelled in 1967)

479: Emerson (destroyed in a bombardment)

452: Emery (cancelled in 1965)

146: Engraver's Titling (see: 146 Engravers' Titling)

146: Engravers' Titling Roman

composition matrices: UA.18 = 6pt, capitals in 4 sizes, that can be combined.[86]

size:6pt (6D)
set:8
line:M.1282

147: Engravers' Titling (see: Engravers' Bold Titling)

147: Engravers' Titling Bold (see: Engravers' Bold Titling)

147: Engravers Bold Titling Roman

composition matrices: UA.18 = 6 and 12pt in 4 sizes that can be combined.[63]

size:6pt (6D)12pt (12D)
set:814.5
line:M.1282M.1420

display matrices: 24 pt in 5 sizes

size:24pt
line:T.3060

F

586: Fabritius Roman

323: Falstaff Roman/italic

composition matrices: UA.347 = 6D-12D[87]

size:6D at 7pE7D at 8pE8D at 9pE9D at 10pE10D at 11pE12D at 13pE
set:10.251213.7515.51720.5
line:M.1245M.1288M.1330M.1373M.1415M.1503

display matrices:

size:14D at 16pE16D at 18pE18D at 20pE20D at 22pE24D at 30pE30D at 36pE36D at 36pE42D at 48pE
line:T.1616T.1838T.2060T.2282T.2756T.3465T.4134T.4849

399: Felix Titling Roman

display matrices:[88]

size:72pt
line:T.7400

514: Fanfare Bold Condensed Italic Titling italic (destroyed in a bombardment)

516: Fanfare Bold Condensed Italic Titling No. 2 italic

554: Festival Titling italic

display matrices:[89]

size:36pt42pt48pt60pt72pt
line:T.4576T.5406T.6098T.7619T.9175

536: Figaro Roman

display matrices:[90]

size:24pt30pt36pt48pt
line:T.2680T.3294T.4014T.5418

626: Figaro Bold (cancelled in 1967)^ Fleet Titling

632: Fleet Titling Roman

display matrices:[20]

size:14pt16pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1622T.1855T.2080T.2780T.3414T.4164T.4906T.5618T.7050T.8470

431: Floriated capitals

display matrices:[91]

size:48pt
line:T.6488

403: Fontana Roman/italic

composition matrices: UA.464 = 8pt-14pt[92]

size:8pt (8D)10pt (10D)11pt (11D)12pt (12D)14pt (14D)
set:7.59.25101112.5
line:M.1233M.1295M.1320M.1352M.1481

large composition matrices:

size:18pt Roman18pt italic24pt Roman
UA.488464488
set:161621.5
line:T.1810T.1810T.2364

437: Fontana bible face Roman/italic

composition matrices: UA.464 = 4.5pt-6pt[82]

size:4.5pt (4D)5pt (5D)6pt (6D)6pt long desc. & asc.on 8pE
set:5.256.257.257.25
line:M.1231M.1271M.1300M.1300

443: Fontana Titling (destroyed in a bombardment)

614: Forte

display matrices:[93]

size:18D at 20pE24D at 30pE36D at 36pE48D at 60pE60D at 72pE72pt
line:T.1984T.2654T.3974T.5360T.6710T.7530

185: Fournier Roman/italic

composition matrices: UA.59 = 8pt-13.5pt[94]

size:8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (11D)13.5pt op 14pE (14D)
set:7.258.258.759.2510.2511.75
line:M.1256M.1280M.1294M.1315M.1345M.1397

large composition matrices: UA. 446

size:14pt (14D)
set:12.25
line:T.1385

185: Fournier Old Face (see: Fournier)

285: Fournier Old Face (Shortened Caps) (see: Fournier Shortened Capitals)

285: Fournier Shortened Capitals Roman/italic (see also: Fournier 185)

composition matrices: UA.59 = 10pt-13.5pt, abridged capitals, for use in conjunction with the lowercase characters of Fournier 185[94]

size:10pt (9D)11pt (10D)12pt (11D)13.5pt op 14pE (14D)
set:8.759.2510.2511.75
line:M.1294M.1315M.1345M.1397

_76: French Face Extended (cancelled in 1967)

composition matrices: UA.1 = 7D-10pt[95]

size:7D at 8pE9pt (8D)10pt (9D)
set:8.259.7510.75
line:M.1250M.1257M.1301

111: French Modern (cancelled in 1967)

composition matrices: UA.1 = 6D-10pt[95]

size:6D op 7pE7D op 8pE9pt (8D)10pt (9D)
set:78.258.59
line:M.1215M.1250M.1270M.1290

_68: French Old Style Roman/italic

composition matrices: UA.1 = 6.5pt-13pt[96]

oid specimen blades show size 7pt and 8pt, later versions: 6.5pt and 7.5pt, set and lining stay the same.

size:6.5pt at 7pE (6D)7pt7.5pt (7D) at 8pE9pt (8D)10pt (9D)11pt (10D)13pt (12D)
set:7.257.257.57.58.259.7510.75
line:M.1215M.1215M.1253M.1253M.1260M.1290M.1320M.1388

109: French Old Style Roman/italic (synonym: French Old Stype no. 2) (cancelled in 1967)

composition matrices: UA.1 = 6.5pt-11pt[97]

size:6.5pt (6D) op 7pE7.5pt (7D) op 8pE9pt (8D)10pt (9D)11pt (10D)
set:6.57.58.259.510.25
line:M.1220M.1250M.1260M.1291M.1315

148: French Old Style No. 3 (cancelled in 1967

composition matrices: UA.1 = 6.5pt[98]

size:6.5pt (6D) op 7pE
set:6.5
line:M.1215

_69: French Old Style Bold Roman/italic

composition matrices: UA.1 = 7pt-13pt[99]

size:7pt (6D)8pt (7D)9pt (8D)10pt (9D)11pt (10D)13pt (12D)
set:7.57.58.759.510.2512.25
line:M.1215M.1253M.1260M.1290M.1320M.1388

_69: French Old Style (Half-Fat) (see: French Old Style Bold)

_44: French Round Face Roman/italic

composition matrices: UA.1 = 6.5pt-13pt[100]

size:6.5pt (6D) at 7pE7.5pt (7D) at 8pE9pt (8D)10pt (9D)11pt (10D)12pt (12D)13pt (12D)
set:7.758.59.75101112.2513
line:M.1225M.1243M.1280M.1300M.1327M.1360M.1387

314: Fredericus Antiqus Roman/italic

composition matrices: UA.1 = 6.5pt-13pt[21]

size:6D at 7pE7D at 8pE10D at 11pE12D at 13pE
set:88.591112.5
line:M.1236M.1268M.1295M.1333M.1380

596: Futura Buchschrift (cancelled in 1960)

G

a313: Gallia (Sorts) (cancelled voor 1966)

156: Garamond Roman/italic

Swash and ligatures for 156

The italic which was designed for this series was found by customers to be much too extreme. Eventually it was decided to design a more modest italic. That was: ' Series 174 '. The extra luxury italic "swash"-capitals continued to be maintained. In old die cases the italic matrices with 156 appearing on them are occasionally to be found, and they are quite popular for present users of Monotype machines.

composition matrices: UA.37 = 6-12pt, UA.99 = 14pt[101]

size:6pt (6D)6.5pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (10D)11pt (10D)12pt (11D)12D14pt (14D)
set:66.75788.759.510.2511.2512.2512.25
line:M.1186M.1200M.1220M.1250M.1268M.1276M.1300M.1338M.1368M.1486

large composition: Roman = UA.114 italic = UA.115

14pt (14D) Roman/italic, 16pt (16D) Roman, 18pt (18D) Roman/italic, 24pt (24D) Roman/italic

size:14pt (14D)16pt (16D)18pt (18D)24pt (24D)
set:12.75141621.5
line:T.1395T.1600T.1810T.2364

display matrices:

size:14pt16pt18pt22pt24pt30pt36pt42pt48pt60pt72pt
line:T.1395T.1600T.1810T.2138T.2364T.2918T.3470T.4166T.4778T.5961T.7240

201: Garamond bold Roman/italic

composition matrices: 6-12pt: Roman = UA.61, italic = UA.315, 14pt = UA.342[53]

size:6pt (6D)6.5pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (10D)11pt (10D)12pt (11D)12D14pt (14D)
set:66.75788.759.510.2511.2512.2514
line:M.1186M.1200M.1223M.1254M.1268M.1285M.1311M.1350M.1380M.1500

large composition: UA.154

18pt (18D) Roman/italic, 24pt (24D) Roman/italic

size:18pt (18D)24pt (24D)
set:1824
line:T.1810T.2364

display matrices:

size:14pt16pt18pt22pt24pt30pt36pt42pt48pt60pt72pt
line:T.1395T.1600T.1810T.2138T.2364T.2918T.3608T.4162T.4854T.5961T.7240

174: Garamond Italic No. 2 italic (the Roman was cancelled before 1966)

composition matrices: UA.42 = 6-12pt, UA.140 = 14pt[102]

size:6pt (6D)6.5pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (10D)11pt (10D)12pt (11D)12D14pt (14D)
set:66.75788.759.510.2511.2512.2512.75
line:M.1186M.1200M.1220M.1250M.1268M.1276M.1300M.1338M.1368M.1486

large composition: UA.140

14pt (14D) Roman/italic, 18pt (18D) Roman/italic, 24pt (24D) Roman/italic

size:14pt (14D)18pt (18D)24pt (24D)
set:12.751621.5
line:T.1395T.1810T.2364

display matrices:

size:14pt16pt18pt22pt24pt30pt36pt42pt48pt60pt72pt
line:T.1395T.1600T.1810T.2138T.2364T.2918T.3470T.4166T.4778T.5961T.7240

201: Garamond Heavy (see: 201 Garamond Bold)

Am. 548: Garamond Bold

Am. 5481: Garamond Bold Italic

Am. 648E: American Garamond (Roman)

Am. 649G: American Garamond Italic

Am. 248: Garamont (Goudy) Roman

Am. 2481: Garamont Italic (Goudy) italic

275: Gill Bold Sans-Serif (see: 275 Gill Sans Bold)

430: Gill Face (destroyed in a bombardment)

442: Gill Ultra Bold (see: 442 Gill Sans Ultra Bold)

433: Gill Moiree Shadow (destroyed in a bombardment)

262: Gill Sans Roman/italic

composition matrices: Roman: UA.82, italic: UA.311 = 5-14pt (S.H. = short descenders)[103]

size:5pt
(5D)		5.5pt at 6pE
(6pt S.H.) (5D)		6pt
(6D)		6D
at 7pE
7pt
(7D)		8pt
(8D)		8D at 9pE
(9pt S.H.)		9pt
(8D)		9D at 10pE
(10pt S.H.)		10pt
(10D)		10D at 11pE
(11pt S.H.)		11pt
(11D)		12pt
(11D)		14pt
(14D)
set:66.56.577.58999.59.510.2510.2511.2512.5
line:M.1198M.1220M.1220M.1235M.1255M.1255M.1285M.1285M.1302M.1302M.1327M.1327M.1360M.1415

large composition: UA.383, Roman 18pt

size:18pt (18D)
set:17
line:T.1841

display matrices:

size:14pt16pt18pt20pt22pt24pt30pt36pt42pt48pt60pt72pt
line:T.1395T.1611T.1841T.2002T.2181T.2480T.2918T.3606T.4162T.4844T.6124T.7270

349: Gill Sans No. 2 Roman/italic

composition matrices: Roman: UA.345 = 5pt[104]

size:5pt (5D)
set:5
line:M.1155

275: Gill Sans Bold Roman/italic

composition matrices: Roman: UA.93 = 5-14pt, italic: UA.302 = 5.5-14pt (S.H. = short descenders)[81]

size:5pt
(5D)		5.5pt at 6pE
(6pt S.H.) (5D)		6pt
(6D)		6D
at 7pE
7pt
(7D)		8pt
(8D)		8D at 9pE
(9pt S.H.)		9pt
(9D)		9D at 10pE
(10pt S.H.)		10pt
(10D)		10D at 11pE
(11pt S.H.)		11pt
(11D)		12pt
(11D)		14pt
(14D)
set:66.56.577.58999.59.510.2510.2511.2512.5
line:M.1198M.1220M.1220M.1235M.1255M.1255M.1285M.1285M.1302M.1302M.1327M.1327M.1360M.1415

large composition: UA.383, Roman 18pt

size:18pt (18D)
set:18
line:T.1841

display matrices:

size:14pt16pt18pt20pt22pt24pt30pt36pt42pt48pt60pt72pt
line:T.1395T.1611T.1841T.2002T.2181T.2480T.2918T.3606T.4162T.4844T.6124T.7270

350: Gill Sans Bold Roman (see: 350 Gill Sans 349)

composition matrices: Roman: UA.346 = 5pt[104]

size:5pt (5D)
set:5
line:M.1155

575: Gill Sans Bold (cancelled in 1967)

343: Gill Sans Bold Condensed Roman

composition matrices: Roman: UA.93 = 5-14pt, italic: UA.302 = 5.5-14pt (S.H. = short descenders)[105]

size:5.5pt at 6pE
(6pt S.H.) (5D)		6pt
(6D)		8pt
(8D)		9pt
(9D)		10pt
(10D)		12pt
(12D)		14pt
(14D)
set:6.56.5899.511.2512.5
line:M.1220M.1220M.1255M.1285M.1302M.1360M.1415

display matrices:

size:14pt16pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1395T.1611T.1841T.2480T.2918T.3606T.4162T.4844T.6124T.7270

373: Gill Sans Bold Condensed Titling No. 1 Roman

display matrices:[49]

size:14pt18pt24pt30pt36pt48pt60pt72pt
line:T.1181T.2363T.3193T.3886T.4714T.6418T.8070T.9680

525: Gill Sans Bold Condensed Titling Roman

display matrices:[106]

size:72pt
line:T.9700

468: Gill Sans Bold Extra Condensed Eoman

display matrices:[20]

size:14pt18pt24pt30pt36pt48pt60pt72pt
line:T.1637T.2086T.2805T.3470T.4160T.5684T.7150T.8552

_L8: Gill Sans Bold Timetable Roman

317: Gill Sans Bold Titling Roman

display matrices:[107]

size:24pt30pt36pt48pt60pt72pt
line:T.3160T.3886T.4744T.6398T.8050T.9660

233: Gill Sans Cameo Roman

display matrices:[49]

size:24pt30pt36pt48pt
line:T.2890T.4344T.5096T.5828

299: Gill Sans Cameo Ruled Roman

display matrices:[49]

size:36pt48pt
line:T.4914T.6528

485: Gill Sans Condensed Roman

composition matrices: Roman: UA.499 = 10-12pt[108]

size:10pt (10D)12pt (12D)
set:8.7510.25
line:M.1302M.1360

display matrices:

size:14pt18pt24pt30pt36pt
line:T.1395T.1841T.2480T.2918T.3606

321: Gill Sans Extra Bold Roman

composition matrices: UA.336 = 6D-12pt[55]

size:6D op 7pE7D op 8pE8pt (8D)10pt (10D)12pt (12D)
set:7889.511.25
line:M.1235M.1270M.1255M.1302M.1360

display matrices:

size:14pt16pt18pt22pt24pt30pt36pt42pt48pt60pt72pt72D op 72pE
line:T.1395T.1581T.1841T.2181T.2480T.2918T.3608T.4162T.4844T.6124T.7270T.8060

526: Gill Sans Extra Bold Titling Roman

display matrices:[21]

size:72pt
line:T.9700

526: Gill Sans Extra Heavy Titling (see: 526 Gill Sans Extra Bold Titling)

362: Gill Sans Light Roman/italic

composition matrices: Roman: UA.82 = 4.5-14pt, italic: UA.311 = 5-14pt[82]

size:4.55pt5.5pt at 6pE6pt6D at 7pE7pt8pt8D at 9pE9pt9D at 10pE10pt10D at 11pE11pt12pt14pt
didot:4D5D5D6D6D7D8D8D9D9D10D10D11D12D14D
set:5.566.56.577.58999.59.510.2510.2511.2512.5
line:M.1239M.1198M.1220M.1220M.1235M.1255M.1255M.1285M.1285M.1302M.1302M.1327M.1327M.1360M.1415

display matrices:

size:14pt16pt18pt20pt22pt24pt30pt36pt42pt48pt60pt72pt
line:T.1395T.1611T.1841T.2002T.2181T.2480T.2918T.3606T.4162T.4844T.6124T.7270

662: Gill Sans Light No. 2 Roman (synonym: Gill Sans Light, see also: Gill Sans 349)

composition matrices: Roman: UA.345 = 5pt[104]

size:5pt (5D)
set:5
line:M.1155

353: Gill Sans Poster Roman

display matrices:[109]

size:66pt op 72pE72pt
line:T.6683T.8030

406: Gill Sans Shadow No. 1 Roman

display matrices:[110]

size:18pt24pt30pt36pt4248pt60pt72pt
line:T.2363T.3160T.3894T.4744T.5596T.6408T.8050T.9660

408: Gill Sans Shadow No. 2 Roman

display matrices:[21]

size:42
line:T.6648

338: Gill Sans Shadow No. 3 Roman

display matrices:[111]

size:72
line:T.7950

290: Gill Sans Shadow Line Roman

display matrices:[105]

size:14pt18pt24pt30pt36pt4248pt60pt72pt
line:T.1395T.1840T.2480T.2918T.3608T.4161T.4854T.6124T.7270

304: Gill Sans Shadow Titling Roman

display matrices:[112]

size:18pt24pt30pt36pt48pt
line:T.2363T.3162T.3884T.4744T.6372

231: Gill Sans Titling Roman

composition matrices: UA.84 = 6pt in 4 sizes, 12pt[78]

size:6pt size 46pt size 36pt size 16pt sizes 3 and 46pt sizes 1 and 312pt
didot6D6D6D6D6D12D
set:7.757.757.757.757.7516
line:M.1365M.1365M.1365M.1365M.1365M.1750

display matrices:

size:14pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1846T.2367T.3162T.3884T.4744T.5562T.6372T.8034T.9700

262: Gill Sans-Serif (see: 262 Gill Sans)

349: Gill Sans-Serif (see: 349 Gill Sans)

353: Gill Sans-Serif (see: 353 Gill Sans Poster)

275: Gill Sans-Serif Bold (see: 275 Gill Sans Bold)

350: Gill Sans-Serif Bold (see: 350 Gill Sans Bold)

343: Gill Sans-Serif Bold Condensed (see: 343 Gill Sans Bold Condensed)

468: Gill Sans-Serif Bold Extra Condensed (see: 465 Gill Sans Bold Extra Condensed)

233: Gill Sans-Serif Cameo (see: 233 Gill Sans Cameo)

299: Gill Sans-Serif Cameo Ruled (see: 299 Gill Sans Cameo Ruled)

373: Gill Sans-Serif Extra Bold Titling (see: 373 Gill Sans Bold Condensed Titling)

321: Gill Sans-Serif Extra Heavy (see: 321 Gill Sans Extra Bold)

485: Gill Sans-Serif Medium Condensed (see: 485 Gill Sans Condensed)

362: Gill Sans-Serif Light (see: 362 Gill Sans Light)

304: Gill Sans-Serif Shadow (see: 304 Gill Sans Shadow Titling)

406: Gill Sans-Serif Shadow No. 1 (see: 406 Gill Sans Shadow No. 1)

408: Gill Sans-Serif Shadow No. 2 (see: 408 Gill Sans Shadow No. 2)

290: Gill Sans-Serif Shadowline (see: 290 Gill Sans Shadow Line)

231: Gill Sans-Serif Titling (see: 231 Gill Sans Titling)

317: Gill Sans-Serif Titling (see: 317 Gill Sans Bold Titling)

338: Gill Sans-Serif Two Colour (see: 338 Gill Sans Shadow No. 3)

442: Gill Sans-Serif Ultra Bold (see: 442 Gill Sans Ultra Bold)

442: Gill Sans Ultra Bold Roman

display matrices:[113]

size:18pt24pt36pt48pt60pt72pt
line:T.1985T.2640T.3974T.5398T.6720T.8060

Alternative characters for 262, 275, 362

103: Gloucester Bold Roman/italic

composition matrices: UA.5 = 6-13.5pt,[114]

size:6pt (6D)7.5pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)11.5pt (11D)12pt (11D)13.5pt (13D)
set:67.257.25899.7510.511.2512.75
line:M.1276M.1323M.1323M.1352M.1400M.1433M.1467M.1500M.1563

display matrices:

size:14pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1533T.1948T.2640T.3194T.3884T.4576T.5268T.6651T.7930

198: Gloucester Bold Condensed Roman

composition matrices: UA.60 = 6-12pt,[115]

size:6pt (6D)8pt (8D)10pt (9D)11pt (10D)12pt (11D)
set:67.258.59.259.75
line:M.1276M.1323M.1400M.1433M.1443

display matrices:

size:14pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1533T.1948T.2640T.3194T.3884T.4576T.5268T.6651T.7930

243: Gloucester Bold Extended Roman

composition matrices: UA.75 = 6-12pt,[20]

size:6pt (6D)8pt (8D)10pt (9D)11pt (10D)12pt (11D)
set:67.2599.7511.25
line:M.1276M.1323M.1400M.1433M.1500

display matrices:

size:14pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1533T.1948T.2640T.3194T.3884T.4576T.5268T.6651T.7930

395: Gloucester Bold Extra Condensed Roman

display matrices: 14-72pt[21]

size:14pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1580T.2015T.2676T.3194T.3884T.4576T.5268T.6651T.7930

160: Gloucester Bold Italic

composition matrices: UA.3 = 6-12pt,[20]

size:6pt (6D)8pt (8D)9pt (8D)10pt (9D)12pt (11D)
set:6.758910.2511.5
line:M.1276M.1323M.1353M.1400M.1500

396: Gloucester Extra Condensed Roman

display matrices: 14-72pt[82]

size:14pt18pt24pt30pt36pt42pt48pt
line:T.1533T.1948T.2640T.3194T.3884T.4576T.5268

_99: Gloucester Old Style Roman/italic

composition matrices: UA.4 = 6-13.5pt,[115]

size:6pt (6D)7.5pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)11.5pt (11D)12pt (11D)13.5pt (13D)
set:67.257.25899.7510.511.2512.75
line:M.1276M.1323M.1323M.1352M.1400M.1433M.1467M.1500M.1563

large composition: 18pt (18D) UA.116, Roman/italic, 24pt (24D) UA.117, Roman/italic

size:18pt (18D)24pt (24D)
set:1621.5
line:T.1984T.2640

display matrices:

size:14pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1533T.1948T.2640T.3194T.3884T.4576T.5268T.6651T.7930

__4: Gothic (synonym: Grotesque Condensed) (cancelled in 1967)

composition matrices UA.1B 6pt - 12pt[116]

size:6pt (6D)8pt (8D)9pt (8D)10pt (9D)12pt (12D)
set:6.588.59.2512
line:M.1220M.1260M.1290M.1320M.1360

269: Goudy Bold Roman/italic

composition matrices: UA.88 = 6-14pt,[117]

size:6pt (6D)8pt (8D)10pt (10D)11pt (10D)12pt (12D)14pt (14D)
set:7.59.251111.7512.7515.5
line:M.1250M.1286M.1362M.1386M.1425M.1620

display matrices:

size:14pt18pt24pt30pt36pt42pt
line:T.1518T.1965T.2590T.3124T.3824T.4427

441: Goudy Bold Roman/italic

composition matrices: UA.382 = 6-12pt,[118]

size:6pt (6D)8pt (8D)10pt (10D)11pt (10D)12pt (12D)
set:6.758.510.2511.2512.25
line:M.1246M.1295M.1370M.1407M.1442

268: Goudy Cataloque Roman/italic

composition matrices: UA.83 = 6-14pt,[94]

size:6pt (6D)8pt (8D)9pt (9D)10pt (10D)12pt (12D)14pt (14D)
set:78.759.2510.251214
line:M.1250M.1294M.1325M.1377M.1447M.1592

display matrices:

size:14pt18pt24pt30pt36pt42pt48pt
line:T.1470T.1980T.2620T.3194T.3884T.4576T.5268

364: Goudy Cataloque Roman/italic

composition matrices: UA.1 = 5-6pt, UA.419 = 7pt-7.75pt,[110]

size:5pt (5D)5,5pt (6D)6pt (6D)7pt (7D)7.75pt op 8pE (8D)
set:5.56.257.758.59.25
line:M.1190M.1208M.1240M.1253M.1282

214: Goudy Extra Bold Roman/italic

composition matrices: UA.88 = 6-14pt,[119]

size:6pt (6D)8pt (8D)8D op 9pE9pt (9D)10pt (10D)12pt (12D)
set:7.5910.2510.2511.513.5
line:M.1237M.1285M.1323M.1323M.1323M.1385

display matrices:

size:14pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1395T.1810T.2502T.3056T.3746T.4406T.5048T.6340T.7550

249: Goudy Modern Roman/italic

composition matrices: UA.87 = 10-12pt,[120]

size:10pt (9D)11pt (10D)12pt (12D)
set:9.251011.25
line:M.1235M.1256M.1290

display matrices:

size:14pt18pt24pt30pt36pt42pt48pt
line:T.1257T.1671T.2226T.2780T.3332T.3886T.4438

291: Goudy Old Style Roman/italic

composition matrices: UA.312 = 6-14pt, long descenders available, Swash capitals in: 42, 60, 72pt[90]

size:6pt (6D)8pt (8D)8pt long desc.10pt 10pt long desc.11pt short desc.11pt 12pt14pt
didot:6D8D9D op 9pE10D11D10D op 11pE11D12D14D
set:6.758.58.510.2510.2511.2511.2512.2515
line:M.1246M.1295M.1295M.1370M.1370M.1407M.1407M.1442M.1630

display matrices:

size:14pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1538T.1948T.2606T.3184T.3874T.4427T.5118T.6364T.7609

292: Goudy Text (gotisch schrift)

composition matrices: UA.339 = 9-12pt, can be combined with 293 Lombardic Capitals[121]

size:9pt (8D)10pt (10D)12pt (12D)
set:7.589.5
line:M.1354M.1356M.1425

display matrices:

size:14pt18pt24pt36pt48pt
line:T.1523T.1939T.2590T.3884T.5268

439: Goudy Titling Roman

533: Gravura Roman (cancelled in 1965)

composition matrices: UA.1 = 12pt[122]

size:12pt (12D)
set:10
line:M.1325

388: Grock Roman

display matrices:[68]

size:24pt36pt48pt
line:T.3160T.4744T.6398

493: Grosvenor Script italic

display matrices:[123]

size:18pt
line:T.1980

_11: Grotesque (see: 11 Grotesque Bold Condensed)

_33: Grotesque (see: 33 Grotesque Condensed)

_51: Grotesque Roman/italic

composition matrices: UA.2 = 6-12pt, UA.124 = 14pt-18pt, UA.125= 24pt[124]

size:6pt (6D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (11D)
set:7.759.510.2511.512.515.5
line:M.1220M.1235M.1265M.1291M.1315M.1444

large composition:

size:14pt (14D)18pt (18D)24pt (24D)
set:141824
line:T.1533T.1984T.2640

display matrices:

size:14pt18pt22pt24pt30pt36pt42pt48pt60pt72pt
line:T.1533T.1948T.2308T.2640T.3194T.3884T.4576T.5268T.6651T.7930

126: Grotesque (see: 126 Grotesque Light No. 1)

215: Grotesque Roman/italic (synonym: Grotesque No. 1)

composition matrices: 5pt = roman UA.421 and intslic UA.429, 6.5pt-13pt = roman UA.65 and italic UA.401[125]

size:5pt (5D)6.5pt (6D)7.5pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)13pt (12D)
set:5.256.757.57.758.59.510.2512.5
line:M.1208M.1265M.1287M.1292M.1322M.1371M.1405M.1495

display matrices:

size:14D at 16pE16D at 18pE18D at 20pE20D at 22pE24D at 30pE30D at 36pE36D at 36pE48D at 60pE60D at 72pE72pt
line:T.1630T.1852T.2076T.2300T.2780T.3565T.4164T.5570T.7040T.7900

216: Grotesque (see: 216 Grotesque Bold)

274: Grotesque (see: 274 Grotesque Light Condensed)

389: Grotesque No. 2 (see: 389 Grotesque Light)

212: Grotesque Roman (cancelled in 1964)

composition matrices: UA.62 = 6.5pt[126]

size:6.5pt at 7pE (6D)
set:7
line:M.1393

_73: Grotesque Bold No. 3 Roman

composition matrices: UA.3 = 6-13pt[127]

size:6pt (6D)6.5pt at 7pE (6D)7.5pt at 8pE (7D) 9pt (8D)10pt (9D)11pt (10D)12pt (12D)13pt (12D)
set:7.257.758.59.75101112.2513
line:M.1211M.1225M.1240M.1260M.1290M.1320M.1360M.1390

_97: Grotesque Bold Roman (in red: withdrawn around 197(?))

composition matrices: UA.2 = 7.7pt[128]

size:7.5pt (7D)
set:9.5
line:M.1262

216: Grotesque Bold No. 2 Roman/italic combines with Series No. 215 Grotesque

composition matrices: 6.5pt-13pt = UA.66[129]

size:5pt (5D)6.5pt (6D)7.5pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)13pt (12D)
set:5.256.757.57.758.59.510.2512.5
line:M.1208M.1265M.1287M.1292M.1322M.1371M.1405M.1495

display matrices:

size:14D at 16pE16D at 18pE18D at 20pE20D at 22pE24D at 30pE30D at 36pE36D at 36pE48D at 60pE60D at 72pE72pt
line:T.1630T.1852T.2076T.2300T.2780T.3565T.4164T.5570T.7040T.7900

680: Grotesque Bold Roman (see: Bell Gothic 619)

composition matrices UA.502 6pt[130]

size:6pt (6D)
set:7
line:M.1245

_11: Grotesque Bold Condensed (cancelled in 1967)

composition matrices: UA-2, 6pt & 9pt (synonym: Grotesque)[131]

_15: Grotesque Bold Condensed No. 2 Roman/italic (synonym: series 15 Sans Serif)

composition matrices Roman: UA.2 = 6pt - 12pt[132]

6pt (6D) with short descenders: 6.5 set line .1225

size:6pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (12D)
set:6.57.7588.751010.7512
line:M.1225M.1255M.1285M.1310M.1355M.1380M.1430

display matrices:

size:14pt18pt24pt30pt36pt
line:T.1533T.1948T.2640T.3194T.3884

365: Grotesque Bold Condensed (synonym: 365 Heavy Narrow Gothic) (cancelled in 1967)

composition matrices UA.333 = 10pt - 12pt[133]

size:10pt (10D)12pt (12D)
set:8.7510.25
line:M.1410M.1490

_81: Grotesque Bold Condensed Roman

composition matrices: UA.2 = 10pt[134]

size:10pt (9D)
set:9.5
line:M.1301

166: Grotesque Bold Condensed No. 4 (synonym: 166 Grotesque Bold Condensed Titling)

composition matrices: UA.403 = 12pt, UA.121 = 14pt[135]

size:12pt (12D)
set:12
line:M.1590

large composition:

size:14pt (14D)
set:14
line:T.1691

display matrices:

size:14pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1671T.2085T.2778T.3470T.4299T.4991T.5821T.7204T.8623

166: Grotesque Bold Condensed Titling Roman (see: 166 Grotesque Bold Condensed No. 4)

527: Grotesque Bold Condensed Titling Roman

display matrices:[136]

size:72pt
line:T.9700

150: Grotesque Bold Extended No. 1 Roman/italic

composition matrices: 6pt-12pt, 7pt and 9pt only italic[137]

size:6pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (11D)
UA. rom:22 . 40 . 404040
UA. curs.309310310310310310130
set: 6.58.751011121314
line:M.1200M.1245M.1280M.1306M.1365M.1395M.1470

large composition:

size:18pt (18D)24pt (24D)
set:19.526
line:T.1948T.2640

display matrices:

size:14pt18pt22pt24pt30pt36pt42pt48pt60pt72pt
line:T.1533T.1948T.2308T.2640T.3194T.3884T.4576T.5268T.6651T.7930

168: Grotesque Bold Extended (cancelled in 1967)

524: Grotesque Bold Titling Roman

display matrices:[138]

size:72pt
line:T.9700

_33: Grotesque Condensed No. 2 Roman

composition matrices: UA.2 = 6pt-13.5pt[139]

size:6pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (11D)13pt (12D)13.5pt (14D)
set: 6.75788.59.259.7511.2511.2512.5
line:M.1255M.1255M.1285M.1315M.1365M.1395M.1455M.1440M.1517

large composition, UA.395 = 22pt :

size:22pt (20D)
set:14
line:T.2350

display matrices:

size:14pt18pt22pt24pt30pt36pt42pt48pt60pt72pt
line:T.1533T.1948T.2308T.2640T.3194T.3884T.4576T.5268T.6651T.7930

318: Grotesque Condensed Roman

composition matrices: UA.388 = 5D, 6pt, UA.300 = 6D-13pt[120]

size:5D at 6pE6pt (6D)6D at 7pE7D at 8pE8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (12D)13pt (12D)
set: 55.255.56.56.757.58.259.2510.2511
line:M.1220M.1248M.1264M.1307M.1328M.1373M.1410M.1459M.1505M.1551

display matrices:

size:14pt18pt24pt30pt36pt48pt
line:T.1544T.1948T.2640T.3332T.4022T.5406

383: Grotesque Condensed No. 4 Roman

composition matrices: UA.341 = 5D-12D[140]

size:6D at 7pE8D at 9pE10D at 11pE12D at 13pE
set: 5678
line:M.1280M.1358M.1410M.1500

display matrices:

size:14D at 16pE18D at 20pE24D at 30pE30D at 36pE36D at 36pE42pt at 48pE48D at 60pE60D at 72pE72pt
line:T.1626T.2074T.2776T.3565T.4164T.4879T.5620T.7030T.7890

__4: Grotesque Condensed (see: Gothic Series No. 4)

383: Grotesque Condensed Heavy (see: 383 Grotesque Condensed)

523: Grotesque Condensed Titling Roman

display matrices:[138]

size:72pt
line:T.9700

215: Grotesque Half Fat (see: 215 Grotesque No. 1)

126: Grotesque Light No. 1 Roman/italic

composition matrices: UA.420/UA.431 = 5pt-5.5pt, UA.64/UA.396 = 6.5pt-13pt[138]

size:5pt (5D)5.5pt (5D)6.5pt (6D)7.5pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)13pt (12D)
set: 5.255.756.757.57.758.59.510.2512.5
line:M.1208M.1231M.1265M.1287M.1292M.1322M.1371M.1405M.1495

display matrices:

size:14D at 16pE18D at 20pE24D at 30pE30D at 36pE36D at 36pE48D at 60pE
line:T.1630T.2076T.2780T.3565T.4164T.5570

389: Grotesque Light (synonym: 389 Grotesque No. 2) (cancelled in 1967)

composition matrices: UA.2 = 8pt-12pt[141]

size:8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (12D)
set: 9.510.2511.2512.515.5
line:M.1235M.1265M.1291M.1315M.1444

274: Grotesque Light Condensed No. 2 Roman

composition matrices: UA.427 =5D, UA.94 = 6D-13pt[142]

size:5D at 6pE6D at 7pE7D at 8pE8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (12D)13pt (12D)
set: 55.56.56.757.58.259.2510.2511
line:M.1220M.1264M.1307M.1328M.1373M.1410M.1459M.1505M.1551

204: Grotesque Light Condensed (synonym: 204 Light face Gothic) (cancelled in 1967)

composition matrices: UA.58 = 12pt[143]

size:12pt (12D)
set: 10.25
line:M.1360

display matrices:

size:14pt18pt
line:T.1395T.1810

405: Grotesque Light Condensed (cancelled in 1967)

405: Grotesque Narrow (see: 405 Grotesque Light Condensed)

177: Grotesque Newspaper Smalls (see: 177 Newspaper Small Ads)

216: Grotesque Fat (see: 216 Grotesque Bold No. 1)

502: Grotesque Timetable (cancelled in 1967)

524: Grotesque Titling (see: 524 Grotesque Bold Titling)

208: Gwendolin (cancelled in 1967)

484: Gustavus Bold (cancelled in 1965)

497: Gustavus Light (cancelled in 1965)

H

531: Haarlemmer Roman (withdrawn in 1967) design: Jan van Krimpen

composition matrices: UA.408 = 14D[144]

size:14D
set:12.75
line:M.1500

_52: Half Fat Modern Mediaeval Roman (synonym: 52 Schurmann Antiqua Halbfette) (withdrawn in 196(?))

composition matrices: UA.5[145]

size:6D op 7pE7D op 8pE9pt (8D)10pt (9D)11pt (10D)12D op 13pE
set:7.7599.259.7510.512.7
line:M.1264M.1307M.1338M.1399M.1425M.1517

595: Headline Bold Roman/italic

composition matrices: UA.443 = 6-14pt[146]

size:6pt (6D)7pt (7D)8pt (8D)9pt (9D)10pt (10D)11pt (11D)12pt (12D)14pt (14D)
set:6.7588.759.7510.7511.7512.7514.75
line:M.1245M.1287M.1320M.1358M.1397M.1431M.1474M.1624

display matrices:

size:14pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1533T.1948T.2640T.3194T.3884T.4576T.5268T.6651T.7930

223: Heavy Antique (see: Devonshire Bold)

282: Heavy Egyptian (see: 282 Egyptian Bold Condensed) (synonym Egyptian Heavy)

365: Heavy Narrow Gothic (see: 365 Grotesque Bold Condensed) (cancelled in 1967)

435: Heavy Shadow French (cancelled in ??)

337: Heavy Small Caps (cancelled in 1974)

765: Helvetica Roman/italic

combines with 766 Helvetica Medium, equivalent with Stempel's Helvetica halbfett, and Linotype Helvetica Bold

composition matrices: UA.508 = 6D-12D[147]

size:6D op 7pE7D op 8pE8D op 9pE9D op 10pE10D op 11pE12D op 13pE
set:77.758.759.7510.7512.75
line:M.1230M.1255M.1290M.1328M.1360M.1430

766: Helvetica Medium Roman/italic

composition matrices: UA.508 = 6D-12D[147]

261: Horley Old Face Heavy (see: 261 Horley Old Style Bold)

188: Horley Old Style (replaced by 199, cancelled in 1965)

199: Horley Old Style Roman/italic

composition matrices: UA.56 = 6-13pt, UA.362 = 14pt[93]

size:6pt (6D)8pt (8D)9pt (9D)10pt (9D)11pt (10D)12pt (12D)13pt (12D)14pt (14D)
set:6.758.259.251010.7511.7512.7513
line:M.1250M.1296M.1328M.1362M.1392M.1435M.1473M.1520

large composition: Roman = UA.367

size:18pt24pt
set:16.622
line:T.1828T.2390

display matrices:

size:14pt18pt24pt30pt36pt
line:T.1422T.1828T.2390T.2944T.3634

261: Horley Old Style Bold Roman/italic

composition matrices: UA.80 = 6-13pt[139]

size:6pt (6D)8pt (8D)9pt (9D)10pt (9D)11pt (10D)12pt (12D)13pt (12D)
set:6.758.259.251010.7511.7512.75
line:M.1250M.1296M.1328M.1362M.1392M.1435M.1473

display matrices:

size:14pt18pt24pt30pt36pt42pt84pt60pt72pt
line:T.1422T.1828T.2390T.2944T.3634T.4276T.4898T.6150T.7380

composition matrices, 12pt, no italic available

Design: Russell Maret, a revival of a typeface cut in 1686 by Peter van Walpengen for Bishop John Fell of Oxford. After 50 years this was in 2020 the first design for a font to cast in composition.[148]

I

101: Imprint Roman/italic

combines with series 310 or 410

composition matrices: UA.4 = 6-12pt, UA.4a = 13.5pt[149]

size:6pt (6D)6.5pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (11D)13.5pt on 14pE
set:77.757.758.59.259.510.2511.7513.25
line:M.1237M.1257M.1257M.1285M.1312M.1300M.1325M.1375M.1440

large composition:

size:16pt (16D)18pt (18D)24pt (24D)
UA.Roman106106107
UA.italicmissing128129
set:161824
line:T.1609T.1810T.2364

display matrices:

size:14pt16pt18pt20pt24pt30pt36pt
line:T.1395T.1609T.1810T.1998T.2364T.2918T.3608

310: Imprint Bold Roman/italic

combines with series 101

composition matrices: UA.98 = 6pt-13.5pt[138]

size:6pt (6D)6.5pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (11D)13.5pt at 14pE
set:77.757.758.59.259.510.2511.7513.25
line:M.1237M.1257M.1257M.1285M.1312M.1300M.1325M.1375M.1440

410: Imprint Bold No. 2 Roman/italic

combines with series 101

composition matrices: 6-13.5pt[150]

size:6pt
(6D)		7pt short desc.
op 6.5pE (6D)		7pt
(7D)		8pt
(8D)		9pt
(8D)		10pt
(9D)		11pt
(10D)		11pt large face
(11D)		12pt
12D)		13.5pt on 14pE
(14D)
UA.Roman348348348348348348348348348
UA.italic76767676767676geen italic7676
set:77.757.758.59.259.510.251111.7513.25
line:M.1237M.1257M.1257M.1285M.1312M.1300M.1325M.1346M.1375M.1440

310: Imprint Heavy No. 1 (see: 310 Imprint Bold)

410: Imprint Heavy No. 2 (see: 410 Imprint Bold)

101: Imprint Old Face (see: 101 Imprint)

190: Imprint Shadow Roman/italic

display matrices[151]

size:60pt72pt
line:T.6237M.7516

462: Indicateur (cancelled in 1967)

366: Inflex Bold Roman

composition matrices: UA.344 = 5pt-9pt, combines with: Series No. 342 Ionic[152]

size:5pt (5D)5.5pt (6D)6pt (6D)7pt (7D)8pt (8D)9pt (9D)
set:5.566.757.58.59.25
line:M.1220M.1242M.1270M.1290M.1327M.1355

503: Inflex Timetable (see: Bold Face)

__6: Ionic (see: 6 Modern no.4) (cancelled in 1967)

265: Ionic No. 1 Roman/italic (cancelled in 1967)

composition matrices: UA.321 = 6pt-6.5pt[153]

size:6pt (6D)6.5pt (6D)
set:77.75
line:M.1237M.1248

342: Ionic No. 2 Roman/italic (see also: 562 Ionic 2-line

composition matrices: UA.317 = 5pt-9pt[74]

size:5pt (5D)5.5pt (6D)6pt (6D)7pt (7D)8pt (8D)9pt (9D)
set:5.566.757.58.59.25
line:M.1220M.1242M.1270M.1290M.1327M.1355

184: Ionic No. 3 Roman (synonym : 184 Egyptian) (cancelled in 1967)

composition matrices: UA.51 = 6pt[67]

size:6pt (6D)
set:6.75
line:M.1255

153: Ionic No. 4 Roman (cancelled in 1967)

composition matrices: UA.1 = 8pt[68]

size:8pt (8D)
set:10.75
line:M.1285

416: Ionic No. 5 Roman/italic (cancelled in 1967)

composition matrices: UA.1 = 7D-8D[154]

size:7D op 8pE8D op 9pE
set:9.259.75
line:M.1266M.1329

451: Ionic No. 6 Roman/italic (cancelled in 1967)

composition matrices: UA.380 = 6pt-7pt[155]

size:6pt (6D)7pt (7D)
set:6.757.5
line:M.1270M.1290

476: Ionic (destroyed in a bombardment)

562: Ionic Two-line Roman only 10 pt high capitals, numbers and signs (see also: 342 Ionic)

composition matrices: UA.317(?) = 5pt,[74]

In a die case combined with series 342-5pt this produces 10pt large initials, to produce advertisements. All can be done in one machine-run.

size:5pt (5D)
set:8.25
line:M.1610

_23: Iroquois Condensed Roman (cancelled in 1964)

UA.2, 8pt, 10pt, 12 pt[68]

size:8pt (8D)10pt (9D)12pt (12D)
set:8.59.7512
line:M.1305M.1390M.1480

108: Italian Old Style Roman/italic

composition matrices: UA.4 = 6pt-13pt[74]

size:6pt (6D)7pt (7D)8pt (8D)9pt (9D)10pt (9D)11pt (10D)12pt (11D)13pt (12D)
set:6.757.58.2599.7510.51213
line:M.1237M.1268M.1286M.1313M.1338M.1364M.1420M.1448

display matrices:

size:14pt18pt24pt30pt36pt
line:T.1533T.1948T.2640T.3194T.3884

149: Italian Old Style Bold Roman

composition matrices: UA.5 = 6pt-13pt[111]

size:6pt (6D)7pt (7D)8pt (8D)9pt (9D)10pt (9D)11pt (10D)12pt (11D)13pt (12D)
set:6.757.588.759.7510.51213
line:M.1237M.1268M.1286M.1313M.1338M.1364M.1420M.1448

display matrices:

size:14pt16pt18pt20pt24pt30pt36pt
line:T.1533T.1737T.1948T.2152T.2640T.3194T.3884

149: Italian Old Style Display (see: 149 Italian Bold Style Bold & Veronese (typeface))

_54: Italic Display (see: 54 Modern Bold Italic)

J

579: Jacno (experimental)

646: Janson (cancelled in 1972)

Am. 401 Janson Roman

Am. 4011 Janson italic

Am. 58 Jenson Old Style[156]

Am. 258 Jenson Condensed

478: Joanna Roman/italic

composition matrices: UA.449 = 8pt-14pt[157]

size:8pt (8D)9pt (9D)10pt (10D)11pt (11D)12pt (12D)14pt (14D)
set:8.59.510111214
line:M.1230M.1260M.1283M.1310M.1340M.1460

display matrices:

size:18pt24pt30pt36pt
line:T.1755T.2364T.2918T.3504

369: Jocunda Roman only capitals, numbers and signs (cancelled in 1967)

display matrices:[12]

size:36pt
line:T.3606

K

311: Kaatskill (cancelled in 1967)

Am:

305: Kino Roman

display matrices:[158]

size:18pt24pt30pt36pt
line:T.1927T.2572T.3154T.3854

593: Klang italic

display matrices:[101]

size:14pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1533T.1948T.2640T.3194T.3884T.4576T.5268T.6651T.7930

L

490: Lamp (cancelled)

__9: Latin Antique Roman

composition matrices: UA-2 (6-13pt) (synonym: Latin Antique)[159]

_60: Latin Antique Roman (synonym: 60 Latin Antique No. 2

composition matrices: UA.2 = 8-12pt[160]

size:8pt (8D)10pt (9D)11pt (10D)12pt (12D)
set:899.7511.25
line:M.1223M.1301M.1323M.1369

_78: Latin Antique Roman

composition matrices: UA.2 = 6-13pt[61]

size:6pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (12D)13pt (12D)
set:7.758.259.259.75101112.2513
line:M.1245M.1240M.1270M.1280M.1301M.1323M.1369M.1388

_84: Latin Antique (cancelled) (synonym: 84 Latin Antique no. 4)

composition matrices: UA.2 = 6-12pt[161]

size:6pt (6D)9pt (8D)11pt (10D)12pt (12D)
set:78.510.2511.75
line:M.1235M.1262M.1323M.1369

419: Latin Condensed Roman

display matrices:[57]

size:24D op 30pE28D op 30pE36D op 36pE48D op 60pE60D op 72pE72pt
line:T.2686T.3182T.4044T.5410T.6800T.7630

164: Latin Wide (cancelled in 1967)

composition matrices: UA.19 = 8pt[162]

size:8pt (8D)
set:7.5
line:M.1250

450: Laudian Old Style Roman/italic

composition matrices: UA.1 = 5.5pt-7.75pt[163]

size:5.5pt (5.5D)7.75pt (8D)
set:6.758.5
line:M.1270M.1282

454: Laudian Old Style (destroyed by bombs)

538: Lectern Missal Roman (see: Missal 393)

348: Leysbourne (cancelled in 1965)

12 pt 10.5 set line.1325 UA.359[164]

505: Light Extra Condensed (see: 505 Placard light Extra Condensed)

204: Light Face Gothic (see: 204 Grotesque Light Condensed)

113: Light Face Plantin (see: 113 Plantin Light)

522: Light Placard Titling (see: 522 Placard Condensed Titling)

475: Light Script (see: 475 Script Light)

284: Littleworth (cancelled in 1967)

UA.=317, composition: 12pt = 10.5 set line.1336, 16pt display matrices line.1557[165]

293: Lombardic Capitals (see: 292 Goudy Text 292)

517: L.P.T.B. Titling (cancelled in 1965)

255: Lutetia Roman/italic

composition matrices Unit arrangements different for each size[166]

size:8D10D12D14D16D20D
UA Roman:334306307308170172
UA italic:334306308308171172
set:7.5810.7511.7513.516.5
line:M.1215M.1276M.1305M.1488M.1488M.1980

display matrices:

size:28D36D48D
line:T.2754T.3554T.4790

M

347: Mardersteig

Never produced, only one proof-set was made for Giovanni Mardersteig himself. The matrices were lost.

496: Matura script

display matrices:[167]

size:18pt24pt30pt36pt42pt48pt
line:T.1841T.2458T.3014T.3674T.4316T.4958

528: Matura scriptorial Capitals (combines with 496 Matura)

display matrices:[167]

size:24pt
line:T.3170

125: Mediaeval Roman (cancelled in 1965)

134: Mediaeval Roman (cancelled in 1965)

136: Mediaeval Roman (cancelled in 1965)

_88: Mediaeval Modern (see: 88 Modern Mediaeval)

_52: Mediaeval Modern Half-Fat (see: 52 Half-Fat Modern Mediaeval) (synonyms: 52 Schurmann Antiqua Halbfette, Half-Fat Modern Mediaeval) (cancelled in 196?)

_67: Mediaeval Old Style (see: 67 Old Style)

397: Menhart Roman/italic

composition matrices: UA.378 = 10D-14[168]

size:10D at 11pE14D at 16pE
set:9.513.5
line:M.1314M.1596

display matrices:

size:18D at 20pE24D at 30pE
line:T.1841T.2536

583: Mercurius Bold Script

display matrices:[169]

size:14D at 16pE18D at 20pE24D at 30pE30D at 36pE36D at 36pE48D at 60pE60D at 72pE72pt
line:T.1556T.1985T.2656T.3405T.3974T.5360T.6720T.7540

336: Missal

393: Missal Roman

448: Missal No. 3

459: Missal No. 4

__1: Modern No. 1 Roman/italic

1901, after a design of Miller & Richards

composition matrices: UA-1 (6-12pt), UA-1a(14pt),[170]

size:6pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (12D)14pt (small face)(14D)
set:6.75788.59.259.7511.2513.5
line:M.1210M.1208M.1237M.1260M.1290M.1310M.1360M.1405

_80: Modern No. 2 (cancelled in 1967)

190?, composition matrices: UA-1,[131]

size:9D (8D)10pt (9D)11pt (10D)12pt (12D)
set:8.759.251011.25
line:M.1257M.1290M.1310M.1369

189: Modern No. 3 Roman/italic

190?, composition matrices: UA-1,[171]

size:6D7D at 8pt8pt (8D)9pt (9D)10pt (9D)11pt (10D)
set:788.59.259.7511.25
line:M.1208M.1237M.1260M.1290M.1310M.1360

__6: Modern No. 4 (cancelled in 1967) (synonym: Ionic)

190?, composition matrices: UA-1,[172]

_95: Modern No. 5 Roman/italic (cancelled in 1967)

composition matrices: UA-1 = 11pt[173]

size:11pt (10D)
set:10.25
line:M.1332

250: Modern No. 6 Roman (synonym: 250 Modern Condensed no.5)

composition matrices: UA.92 = 6.5pt UA=418 = 7D[35]

size:6.5pt (6D)7D op 8pE
set:6.57.5
line:M.1230M.1267

422: Modern No. 7 Roman/italic (cancelled in 1965)

composition matrices: UA.376 = 12 pt[174]

size:12pt (12D)
set:13
line:M.1380

471: Modern No. 8 Roman (cancelled in 1967)

composition matrices: UA.1 8D-10D[175]

size:8D at 9pE9D at 10pE10D at 11pE
set:99.510.5
line:M.1310M.1365M.1380

183: Modern Roman (synonym: 183 Modern no. 6) (cancelled in 1967)

display matrices,[176]

size:18pt
line:T.1948

211: Modern Roman (see: 211 Century no.1)

257: Modern (synonym: 257 Modern Wide)

composition matrices: UA.1[160]

size:10pt (9D)11pt (10D)
set:10.511.25
line:M.1294M.1310

444: Modern (cancelled in 1936)

570: Modern Bold Roman, combines with: Modern Series No. 7

composition matrices: UA.2,[177]

size:6pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (11D)
set:77.758.59.259.7510.512
line:M.1235M.1210M.1235M.1260M.1200M.1310M.1360

_54: Modern Bold Italic italic (synonym: 54 Italic-Display)

composition matrices: UA.3 = 6-12pt[178]

size:6pt (6D)6.5pt (6D)7D8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (12D)
set:6.757.758.58.759.51010.7512.5
line:M.1202M.1216M.1238M.1235M.1257M.1391M.1315M.1363

display matrices:

size:14pt (14D)18pt (18D)
line:T.1395T.1810

263: Modern Cancellation Fount Roman (see: 263 Modern Extended 17)

_13: Modern Condensed No. 1 Roman/italic

composition matrices UA.1 = 6pt[179]

size:6pt (6D)
set:6.5
line:M.1185

_14: Modern Condensed No. 2 Roman/italic

composition matrices: UA.1 = 7 pt[180]

size:7pt (7D)
set:7.25
line:M.1220

_39: Modern Condensed No. 3 Roman/italic

composition matrices: UA.1,[181]

size:6.5pt (6D)7.5pt (7D)9pt (8D)10pt (9D)11pt (10D)13pt (12D)
set:6.57.588.759.511.25
line:M.1225M.1250M.1260M.1290M.1320M.1390

_79: Modern Condensed No. 4 Roman/italic (cancelled in 1965)

composition matrices: UA.1 = 11pt[182]

size:11pt (10D)
set:8.75
line:M.1375

250: Modern Condensed No. 5 Roman

composition matrices: UA.92 = 6.5pt, UA.418 = 7D[35]

size:6.5pt (6D)7D op 8pE
set:6.57.5
line:M.1230M.1267

__7: Modern Extended No. 1 Roman/italic,

1902, some bit wider version of Modern no.1

composition matrices: UA.1 = 6pt-12pt

size:6pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (12D)
set:77.758.59.259.7510.512
line:M.1235M.1210M.1235M.1260M.1290M.1310M.1360

_77: Modern Extended No. 2 Roman/italic (cancelled in 1967)

composition matrices, UA1 = 9pt-11pt[95]

size:9pt (8D)11pt (10D)
set:9.510.5
line:M.1290M.1375

447: Modern Extended No. 3 (cancelled in 1965)

composition matrices, UA1 = 8D-9D[27]

size:8D op 9pE9D op 10pE
set:8.759.5
line:M.1341M.1375

237: Modern French

247: Modern French (cancelled in 1965)

_88: Modern Mediaeval (cancelled in 1964)

_52: Modern Mediaeval (Half-Fat) (see: 52 Half-Fat Modern Mediaeval) (synonyms: 52 Schurmann Antiqua Halbfette, Half-Fat Modern Mediaeval) (cancelled in 196?)

500: Modern Timetable (cancelled in 1967)

179: Modern Titling Roman/italic (synonyms: 179 Titling 179, Titling Italic)

composition matrices: UA.1 = UA.8-12pt[183]

size:8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt (12D
set:8.7510.514.7519.5
line:M.1341M.1455M.1642M.1755

_16: Modern Wide No. 1 Roman/italic

composition matrices: UA.1 = 5pt[184]

size:5pt (5D)
set:6.5
line:M.1240

_18: Modern Wide No. 2 Roman/italic (synonym: Modern Wide)

composition matrices: UA.1 = 6pt[185]

size:6pt (6D)
set:7.75
line:M.1245

_25: Modern Wide No. 3 Roman/italic (synonym: Modern Wide, also referred to as: Romano)

composition matrices UA.2 = 6pt - 12pt[186]

size:9pt (8D)10pt (9D)11pt (10D)12pt (12D)
set:9.2510.251112.5
line:M.1260M.1300M.1318M.1360

_26: Modern Wide No. 4 Roman/italic (synonym: Modern Wide)

composition matrices: UA.1 = 4.5pt-5pt[62]

size:4.5pt op 5pE (5D)5pt (5D)
set:5.55.5
line:M.1173M.1173

_30: Modern Wide No. 5 Roman/italic (synonym: Modern Wide)

composition matrices: UA.1 = 7pt-8pt[187]

size:7pt (7D)8pt (8D)
set:8.259.25
line:M.1240M.1270

_75: Modern Wide No. 6 (synonym: 75 Modern Wide) (cancelled in 1967)

composition matrices: UA.1 = 7Dt[95]

size:7D op 8pE
set:9.5
line:M.1262

257: Modern Wide No. 7 (cancelled in 1967)

composition matrices: UA.1 = 10pt-11pt[188]

size:10pt (9D) 11pt (10D)
set:10.511.25
line:M.1294M.1320

a297: Modernistic (Sorts) (cancelled vóór 1966)

537: Morrison Face (cancelled in 1964)

351: Monoline Script

210: Musical signs

382: Musical signs

N

294: Narrow Bembo Italic (see: 294 Bembo Condensed Italic)

166: Narrow Gothic (see: 166 Grotesque Bold Condensed Titling)

527: Narrow Gothic Titling (see: 527 Grotesque Bold Condensed Titling)

405: Narrow Grotesque (see: 405 Grotesque Light Condensed)

402: Nastaliq (cancelled)

_27: Neo Didot Roman/italic

composition matrices: UA.1 = 6.5-13pt[128]

size:6.5pt (6D)7.5pt (7D)9pt (8D)10pt (10D)11pt (10D)12pt (12D)13pt (12D)
set:7.75899.7510.511.512.5
line:M.1235M.1238M.1270M.1300M.1320M.1360M.1390

_65: Neo Didot Roman/italic

composition matrices: UA.1 = 6.5-13pt[139]

size:6.5pt (6D)7.5pt (7D)9pt (8D)10pt (10D)11pt (10D)12pt (12D)13pt (12D)
set:7.758.59.75101112.2513
line:M.1225M.1240M.1260M.1290M.1320M.1360M.1390

617: New Clarendon Roman/italic combines with: 618 New Clarendon Bold

composition matrices: UA.481 = 6-14pt[189]

size:6pt (6D)8pt (8D)10pt (10D)12pt (12D)14pt (14D)
set:89.7511.751416.5
line:M.1220M.1285M.1318M.1380M.1495

display matrices:

size:14pt16pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1395T.1610T.1805T.2433T.2987T.3608T.4231T.4853T.6098T.7308

618: New Clarendon Bold Roman/italic

composition matrices: UA.481 = 6-14pt

size:6pt (6D)8pt (8D)10pt (10D)12pt (12D)14pt (14D)
set:89.7511.751416.5
line:M.1220M.1285M.1318M.1380M.1495

display matrices:

size:14pt16pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1395T.1610T.1805T.2433T.2987T.3608T.4231T.4853T.6098T.7308

610: New Emerald Bible

606: New Face (cancelled in 1964)

607: New Face Bold (cancelled in 1964)

615: New Grotesque (cancelled in 1974) (apart from "A")

616: New Grotesque Bold (cancelled in 1974) (apart from "A")

666: New Grotesque Light (cancelled in 1967) (apart from "A")

229: News Advertisements (see: Newspaper Small Ads)

177: Newspaper Small Ads (cancelled in 1965)

229: Newspaper Small Ads (cancelled in 1965)

115: Newspaper Smalls Roman (cancelled vóór 1966)

Available matrices: capitals, small capitals and lower case plus double large capitals and numbers.

These four alphabets could be cast in one machine-run, the double capitals overhanging at the bottom, relying on the "high-white" of neighbouring character. These high-blanks were cast from a blank matrix and adapted exactly under the overhanging characters.

composition matrices: UA.30 = 5.5-7pt[160]

size:5.5pt (6D)6pt (6D)7pt (7D)
set:1010.2512.5

163: Newspaper Smalls (cancelled in 1967)

193: Newspaper Smalls (cancelled in 1965)

333: Newspaper Smalls (The Times) (see: Times Newspaper Smalls)

335: Newspaper Smalls (The Times) (see: Times Newspaper Smalls)

O

603 : Octavian Roman/italic

Design: about 1960 by Will Carter and David Kindersley. Used the first time in June 1961 for a text taken from the introduction to Stanley Morison's "The Typographic Book", intended for the members of the "Double Crown Club".

composition matrices: UA.485 = 14pt[118]

size:14pt (14D)
set:11.75
line:M.1500

456: Old English text frakture typeface

composition matrices: UA.318 = 8-12pt[90]

size:8pt (8D)10pt (10D)12pt (12D)
set:8.7510.2512.25
line:M.1321M.1394M.1470

display matrices:

size:14pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.155T.1991T.2660T.3264T.3984T.4686T.5368T.6750T.8090

356: Old English Text frakture typeface (cancelled in 1967)

composition matrices: UA.318 = 8-12pt[90]

size:8pt (8D)10pt (10D)12pt (12D)
set:8.7510.2512.25
line:M.1321M.1394M.1470

456: Old English Text Light (see: 456 Old English Text)

_43: Old Face (see: _43 Scotch Roman No. 3)

_46: Old Face (see: _46 Scotch Roman No. 1)

137: Old Face (see: 137 Scotch Roman No. 2)

154: Old Face (see: 154 Chiswell Old Face)

240: Old Face (cancelled in 1964)

composition matrices: UA.385 = 9pt[190]

size:9pt (9D)
set:9
line:M.1354

159: Old Face Heavy (see: 159 Old Style Bold No. 2)

_20: Old Face (Special) (cancelled in 1967)

UA.6, 6.5pt - 12 pt[191]

size:6.5pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (9D)11pt (10D)12pt
set:6.56.57.2588.759.7511.25
line:M.1196M.1196M.1220M.1240M.1260M.1290M.1350

_45: Old Face Standard (cancelled in 1967)

__2: Old Style No. 2 Roman/italic

UA.1: 6 tot 12 punt, UA.1a: 14pt[192]

size:6pt7pt8pt9pt10pt11pt12pt14pt
set:6.57.758.59.259.7510.51213.25
line:M.1200M.1230M.1230M.1250M.1295M.1315M.1360M.1405

151: Old Style No. 4 Roman/italic

composition matrices: UA.20 = 6-11pt, UA.20a = 12pt, UA.52 = 14pt[193]

size:6pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (10D)11pt (10D)12pt (11D)13.5pt op 14pE (13D)
set:6.57.588.759.510.511.7513.5
line:M.1220M.1250M.1250M.1266M.1294M.1331M.1360M.1405

large composition: Roman = UA.133 italic = UA.358

18pt (18D) Roman/italic, 24Pt (24D) Roman

size:18pt (18D)24pt (24D)
set:1824
line:T.1810T.2364

display matrices:

size:14pt18pt24pt30pt36pt
line:T.1374T.1810T.2364T.2918T.3608

_67: Old Style Roman/italic (cancelled in 1967)

UA.1 = 9-12pt[194]

size:9pt10pt11pt12pt
set:89.510.2512
line:M.1260M.1290M.1320M.1360

104: Old Style Roman/italic(cancelled in 1964)

UA.1 = 11pt[194]

size:11pt
set:11.25
line:M.1355

__3: Old Style Antique (see: __3 Antique Old Style)

124: Old Style Antique (see: 124 Antique Old Style)

161: Old Style Antique (see: 161 Antique Old Style)

232: Old Style Antique Italic (cancelled in 1965)

_53: Old Style Bold No. 1 Roman/italic[195]

composition matrices: UA.3,3a: 53-12 italic, 53-14 & 18 : UA 100, 53-24: UA 101, italic: UA 76

Large composition matrices only available in roman.

corps:5.5pt (6D)6pt (6D)6.5pt (6D)7pt (7D)8pt (7D)9pt (8D)10pt (9D)11pt (10D)12pt (12D)14pt18pt24pt
set:6.756.757.757.758.59.259.5 10.5 1215.519.5 26
line:.1202.1202.1250.1250.1235.1257.1291.1315.1364.1533.1948 .2640

Display-matrijzen:

corps:14pt18pt22pt 24pt30pt36pt
line:.1533.1948.2308.2640.3194.3884

159: Old Style Bold No. 2 Roman

composition matrices: UA.32 = 8-12pt, UA.112 = 14pt[35]

size:8pt (8D)10pt (9D)12pt (12D)14pt (14D)
set:8.7510.7512.2514
line:M.1280M.1414M.1450M.1533

large composition: UA.112

size:14pt (14D)18pt (18D)24pt (24D)
set:141824
line:T.1533T.1948T.2640

display matrices:

size:14pt18pt22pt24pt30pt36pt42pt48pt60pt72pt
line:T.1533T.1948T.2308T.2604T.3194T.3884T.4576T.5268T.6651T.7930

544: Old Style Bold No. 5 Roman

composition matrices: UA.2 = 6-12pt[196]

size:6pt (6D)8pt (8D)10pt (9D)12pt (12D)
set:6.58.59.7512
line:M.1200M.1230M.1295M.1360

253: Old Style Bold (synonym: 253 Bold Face No. 2) (cancelled in 1967)

composition matrices: UA.3 = 8-9pt[98]

size:8pt (8D)9pt (8D)
set:8.59.25
line:M.1285M.1312

245: Old Style Bold Italic italic (synonym: 245 Bold Face Italic No. 2) (cancelled in 1967)

composition matrices: UA.76 = 8-12pt[160]

size:8pt (8D)10pt (9D)12pt (12D)
set:81012.25
line:M.1308M.1385M.1474

176: Old Style Bold Outline Roman

composition matrices: UA.100 = 12pt[160]

size:12pt (12D)
set:12.75
line:M.1450

large composition: UA.100

size:18pt
set:19.5
line:T.1948

display matrices:

size:14pt18pt24pt
line:T.1533T.1948T.2640

__8: Old Style Condensed Roman/italic (cancelled in 1967)

UA.1, = one size only: 10pt (9D) = 9 set, line.1295[95]

size:10pt (9D)
set:9
line:M.1295

_50: Old Style Condensed (cancelled in 1967)

composition matrices: UA.1 = 8-10pt[197]

size:8pt9pt10pt
set:7.58.259
line:M.1240M.1265M.1290

_55: Old Style Italic Display (see: 55 Gloucester Bold Italic)

122: Old Style (Prumyslava) Roman

Onyx

591: Onyx Roman

Onyx was created in 1937 and was inspired by the Stephanie typeface created by Bauer Type Foundry in 1870.[198]

display matrices:[149]

size:14pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1533T.1948T.2640T.3194T.3884T.4576T.5268T.6651T.7930

Am 404): Onyx Roman

652: Opus (cancelled in 1966)

246: Othello Roman capitals

composition matrices: UA.85 = 10pt-12[199]

size:10pt (9D)12pt (11D)
set:1214.5
line:M.1620M.1770

display matrices:

size:14pt18pt24pt30pt36pt
line:T.1868T.2395T.3200T.3934T.4804

248: Othello Shadow (cancelled in 1967)

176: Outline (see: 176 Old Style Bold Outline)

P

429: Palace Script italic

Overhanging character that can only be cast with special moulds.

display matrices:[200]

size:14pt18pt24pt30pt36pt42pt
line:T.1434 T.1871 T.2422 T.3204 T.3554 T.4506

206: Pastonchi Roman/italic

composition matrices: UA.69 = 9-13 pt, UA.175 = 14D.[201]

size:9pt(8D)10pt(9D)11pt13pt(12D)14D (op 16pt)
set:7.758.59.511.7513.5
line:M.1226M.1248M.1276M.1338M.1430

display matrices:

size:14D op 16pt16D op 18pt20D op 22pt24D op 30pt30D op 36pt36D op 36pt
line:T.1430T.1634T.2044T.2452T.3085T.3704

508: Pegasus Roman

display matrices:[176]

size:16pt
line:T.1677

613: Petita script

display matrices

size:14D at 16pt18D at 20pt24D at 30pt30D at 36pt36D at 36pt42D at 38pt48D at 60pt60D at 72pt
line:T.1283T.1642T.2194T.2825T.3274T.3829T.4410T.5520

239: Perpetua Roman/italic

introduction: 1930, design: Eric Gill,

composition matrices UA.96 = 5.5pt - 18pt[202]

size:5.5pt6pt8pt9pt10pt (9D)11pt (10D)12pt (12D)13pt (12D)14pt (14D)
set:7.57.2588.59101111.7513
line:M.1205M.1205M.1221M.1210M.1212M.1237M.1260M.1278M.1380

large-composition matrices: 18pt(18D) 16.5 set line T.1635

display matrices:

size:14pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1380T.1635T.2204T.2744T.3344T.3926T.4508T.5683T.6823

316: Perpetua No. 3 (cancelled in 1967)

registered design No. 751804,

composition matrices: UA.96 = 9pt[203]

size:9pt (9D)
set:10.5
line:M.1305

386: Perpetua No. 2 (cancelled in 1967)

composition matrices: UA.96 = 14pt[204]

size:14pt (14D)
set:13
line:M.1440

461: Perpetua Bold Roman/italic

composition matrices UA.379 = 6pt - 14pt[205]

size:5.5pt6pt8pt9pt10pt (9D)11pt (10D)12pt (12D)13pt (12D)14pt (14D)
set:7.57.2588.59101111.7513
line:M.1205M.1205M.1221M.1210M.1212M.1237M.1260M.1278M.1380

display matrices:

size:14pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1380T.1635T.2204T.2744T.3344T.3926T.4508T.5683T.6823

200: Perpetua Bold Titling Roman

composition matrices: UA. 145 : 12pt(12D) = 11.25 set line.1753

display matrices:

size:14pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1753T.1848T.2371T.3894T.4754T.5606T.6418T.8060T.9680

480: Perpetua Light Titling Roman[206]

display matrices:

size:14pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1730T.2224T.2970T.3644T.4444T.5236T.5998T.7540T.9050

561: Perpetua Semi-Bold (cancelled in 1963)

258: Perpetua Titling Roman

composition matrices: UA. 97 = 10pt - 12pt[20]

size:10pt (10D)11pt (11D)12pt (12D)
set:10.511.512.5
line:M.1546M.1593M.1652

display matrices:

size:14pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1730T.2219T.2950T.3644T.4444T.5236T.5998T.7540T.9050

543: Perpetua Titling (cancelled in 1967)

480: Perpetua Titling Light Face (see: 480 Perpetua Light Titling)

411: Pierre Didot (cancelled in 1965)

composition matrices: UA.375 = 9pt[207]

size:9D at 10pE
set:10
line:M.1234

453: Pitman's i.t.a. (see: Ehrhardt 453)

573: Pitman's i.t.a. (see: Ehrhardt Semi Bold 573)

506: Placard Bold Condensed No. 1 Roman

composition matrices: UA.387 = 6D-12D[151]

size:6D at 7pE7D at 8pE8D at 9pE10D at 11pE12D at 13pE
set:677.759.511.5
line:M.1280M.1330M.1368M.1450M.1540

display matrices:

size:14D at 16pE16D at 18pE20D at 22pE24D at 30pE28D at 30pE36D at 36pE42D at 48pE48D at 60pE
line:T.1728T.1964T.2478T.2996T.3442T.4414T.5179T.5960

515: Placard Bold Condensed No. 2 Roman

display matrices:[208]

size:30pt36pt42pt48pt60pt
line:T.3524 T.4299 T.5066 T.5808 T.7300

568: Placard Condensed Roman (synonym: 568 Placard Medium Condensed)

composition matrices: UA.387 = 6D-12D[151]

size:6D op 7pE 7D op 8pE 8D op 9pE 9D op 10pE 10D op 11pE 12D op 13pE
set:5.566.577.58.75
line:M.1327 M.1380 M.1436 M.1487 M.1543 M.1650

display matrices:

size:14D at 16pE16D at 18pE20D at 22pE24D at 30pE28D at 30pE36D at 36pE42D at 48pE48D at 60pE60D at 72pE72pt
line:T.1806 T.2052 T.2544 T.3076 T.3592 T.4614 T.5409 T.6330 T.7800 T.8760

522: Placard Condensed Roman (see: 522 Placard Condensed Titling)

522: Placard Condensed Titling Roman (synonym: 522 Placard Condensed)

display matrices:[209]

size:72pt
line:T.9700

505: Placard light Extra Condensed Roman

composition matrices: UA.387 = 10D[151]

size:10D op 11pE
set:6
line:M.1540

display matrices:

size:14D at 16pE16D at 18pE20D at 22pE24D at 30pE28D at 30pE36D at 36pE42D at 48pE48D at 60pE
line:T.1860T.2037T.2674T.3236T.3722T.4774T.5589T.6440

568: Placard Medium Condensed (see: 568 Placard Condensed)

110: Plantin Roman/italic

composition matrices: UA.4 = 5.5pt-12pt, UA.4a= 13.5pt, UA.363 = 14pt[210]

pica:5.5pt 6pt 6.5pt 7pt 7.5pt 7.5D 8pt 8pt 9pt 10pt 10pt 10pt 10pt 11pt 11pt 11pt12pt 12pt 13.5pt 14pt
cast:5.5pt 6pt 6.5pt 7pt 7.5pt 8pt 8pt 10pt 9pt 10pt 10pt 12pt 10pt 11pt 11pt 14pt 11pt 12pt 14pt 14pt
didot:6D 6D 6D 7D 7D 7.5D8D 10D 8D 9D 9D 11D 10D 10D 10D14D 11D 11D 14D 14D
spec.short
desc.		short
desc.		short
desc.		long
asc.
&<br />desc.		short
desc.		long
desc.		long
asc.
&<br />desc.		short
desc.		long
asc.
&<br />desc.		short
desc.		Large
Face
set:777.757.758.59.258.58.59.259.59.59.5 9.5 10.25 10.2510.2511.7511.7513.2514
line:M.1237 M.1237 M.1257 M.1257 M.1285M.1312 M.1285 M.1285 M.1312 M.1332M.1332 M.1332 M.1332 M.1360 M.1360M.1360 M.1415 M.1415 M.1465 M.1620

large composition matrices:

size:18pt (18D)18pt (18D) 24pt (24D) 24pt (24D)
UA.106 UA.128 UA.107 UA.129
Roman italic Roman italic
set:18182424
line:T.1948 T.1948 T.2640 T.2640

display matrices:

size:14pt18pt22pt24pt30pt36pt42pt48pt60pt72pt
line:T.1533 T.1948 T.2351 T.2640 T.3194 T.3884 T.4576 T.5268 T.6651 T.7930

194: Plantin Bold Roman/italic

can be combined with: 110 Plantin and 113/773 Plantin light

composition matrices: Roman UA.5 = 6pt-12pt, italic UA.3 = 6pt-12pt, UA.5a= 13.5pt, UA.158/159 = 14pt[211]

pica:6pt 6.5pt 7pt 7.5pt 8pt 9pt 10pt 11pt 12pt 13.5pt 14pt
cast:6pt 6.5pt 7pt 7.5pt 8pt 9pt 10pt 11pt 12pt 14pt 14pt
didot:6D 6D 7D 7D 8D 8D 9D 10D 11D 11D 14D
spec.7pt
short
desc.		short
desc.
set:77.757.758.58.59.259.510.2511.7513.2514
line:M.1237 M.1257 M.1257 M.1285M.1285 M.1312 M.1332M.1360 M.1415 M.1465 M.1620

display matrices:

size:14pt18pt22pt24pt30pt36pt42pt48pt60pt72pt
line:T.1533 T.1948 T.2351 T.2640 T.3194 T.3884 T.4576 T.5268 T.6651 T.7930

287: Plantin Bold (synonym: 287 Plantin Heavy No. 2) (cancelled in 1968)

composition matrices: UA.5 = 6.5pt-7.5pt[61]

size:6.5pt op 7pE 7.5pt op 8pE
set:7 8
line:M.1265M.1308

236: Plantin Bold Condensed Roman/italic

composition matrices: UA.72 = 6pt-14pt[35]

size:6pt (6D) 6.5 at 7pE (6D) 8pt (8D) 9pt (8D)10pt (9D)11pt (10D)12pt (12D)13pt (12D)14pt (14D)
set:77.58.5 9.259.510.2511.7512.514
line:M.1237M.1252M.1285M.1312M.1332M.1360M.1415M.1442M.1620

display matrices:

size:14pt18pt22pt24pt30pt36pt42pt48pt60pt72pt
line:T.1533T.1948T.2351T.2640T.3194T.3884T.4576T.5268T.6651T.7930

289: Plantin Condensed Roman/italic (cancelled in 1967)

composition matrices: UA.4 = 7.5ptt[212]

size:7.5pt op 8pE (7D)
set:8
line:M.1318

194: Plantin Heavy (see: 194 Plantin Bold)

236: Plantin Heavy Condensed (see: 236 Plantin Bold Condensed)

287: Plantin Heavy No. 2 (see: 287 Plantin Bold)

113: Plantin Light Roman/italic

composition matrices: UA.4 = 6pt-12pt[213]

size:6pt (6D) 7pt (7D)8pt (8D) 9pt (8D) 10pt (9D) 11pt (10D) 12pt (12D)12pt op 13pE
didot:6D 7D 8D 8D 9D 10D 12D12D long desc.
set:77.758.5 9.251010.7511.7511.75
line:M.1237M.1257M.1285.1312M.1342M.1370M.1426M.1426

large composition matrices:

size:18pt (18D)18pt (18D) 24pt (24D) 24pt (24D)
UA.106 UA.128 UA.107 UA.129
Roman italic Roman italic
set:18182424
line:T.1948 T.1948 T.2640 T.2640

display matrices:

size:14pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1533T.1948T.2640T.3194T.3884T.4576T.5268T.6651T.7930

773: Plantin Light Roman/italic

113: Plantin Light Face (see: 113 Plantin Light)

composition matrices: UA.4 = 10pt-11pt[211]

The two sizes of Series 773 are alternatives for Series 113, with identical set and lining', for use in combination with Series 194 and 663. Other sizes of Series 113 comply with this.

size:10pt (9D) 11pt (10D)
set:9.510.25
line:M.1322M.1360

281: Plantin Old Style No. 2 (cancelled in 1967)

composition matrices: UA.305 = 9pt-11pt[98]

size:9pt (8D) 11pt (10D)
set:9.511.25
line:M.1330M.1400

663: Plantin Semi Bold Roman/italic

composition matrices: Roman=UA.5, italic= UA.3, 6pt-12pt[211]

size:6pt (6D) 7pt (7D)8pt (8D) 9pt (8D) 10pt (9D) 11pt (10D) 12pt (12D)
set:77.758.5 9.259.510.7511.75
line:M.1237M.1257M.1285M.1312M.1332M.1360M.1414

438: Plantin Titling Roman

display matrices:[214]

size:72pt
line:T.9640

139: Plate Gothic (see: 139 Spartan Light)

140: Plate Gothic (see: 140 Spartan)

141: Plate Gothic (see: 141 Spartan Bold)

142: Plate Gothic (see: 142 Spartan Light Condensed)

143: Plate Gothic (see: 143 Spartan Condensed)

145: Plate Gothic (see: 145 Spartan Wide)

144: Plate Gothic Italic (see: 144 Spartan Italic)

170: Poliphilus Roman

composition matrices: UA.53: 10pt - 13pt, for the italic see: 119 Blado Italic[35]

size:10pt (9D)11pt (10D)12pt (12D)13pt (12D)
set:8.59.2510.7511.5
line:M.1299M.1326M.1374M.1399

large-composition matrices: 16pt = UA.139

size:16pt
set:13.5
line:T.1577

display matrices:

size:24pt
line:T.2352

230: Poliphilus Titling Roman

display matrices in 2 sizes[35]

size:18pt24pt
line:T.2359T.3192

394, Poltawski Roman

composition matrices: UA.156: 6D, 8D, 10D, 12D[215]

size:6D at 7pica8D at 9 pica10D at 11pica12D at 13pica
set:6.58.510.7513
line:M.1206M.1275M.1337M.1405

398: Poltawski Bold Roman

composition matrices: UA.156: 6D, 8D, 10D, 12D[215]

size:6D at 7pica8D at 9 pica10D at 11pica12D at 13pica
set:6.58.510.7513
line:M.1206M.1275M.1337M.1405

532: Prayer Book Face (OUP) (cancelled)

R

371: Rockwell Roman/italic

composition matrices: UA.338 = 6-14pt:[120]

size:6pt (6D) 7D at 8pE 8pt (8D) 9pt (9D) 10pt (10D) 12pt (12D) 14pt (14D)
set:6.7589.510.7512.515.75
line:M.1220M.1256M.1275M.1307M.1340M.1400M.1624

display matrices:

size:14pt18pt22pt24pt30pt36pt42pt48pt60pt72pt
line:T.1533 T.1948 T.2392 T.2640 T.3194 T.3884 T.4576 T.5268 T.6651 T.7930

391: Rockwell Bold Roman/italic

composition matrices: UA.338 = 6-14pt, combines with: 371 Rockwell[120]

size:6pt (6D) 7D at 8pE 8pt (8D) 9pt (9D) 10pt (10D) 12pt (12D) 14pt (14D)
set:6.7588.59.510.7512.515.75
line:M.1220M.1256M.1275M.1307M.1340M.1400M.1624

display matrices:

size:14pt18pt22pt24pt30pt36pt42pt48pt60pt72pt
line:T.1533 T.1948 T.2392 T.2640 T.3194 T.3884 T.4576 T.5268 T.6651 T.7930

359: Rockwell Bold Condensed Roman

composition matrices: UA.411 = 11pt[216]

size:11pt (10D) 11pt (11D)
except.short desc.
set:11.7511.75
line:M.1376M.1376

display matrices:

size:14pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1533 T.1948 T.2640 T.3194 T.3884 T.4576 T.5268 T.6651 T.7930

414: Rockwell Condensed Roman

display matrices:[217]

size:14pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1533 T.1948 T.2640 T.3194 T.3884 T.4576 T.5268 T.6651 T.7930

424: Rockwell Extra Bold Roman

composition matrices: UA.162 = 6-12pt[218]

size:6pt (6D) 8pt (8D) 10pt (10D) 12pt (12D)
set:6.758.510.7512.5
line:M.1220M.1275M.1340M.1400

display matrices:

size:14pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1533 T.1948 T.2640 T.3194 T.3884 T.4576 T.5268 T.6651 T.7930

424: Rockwell Extra Heavy (see: 424 Rockwell Extra Bold)

391: Rockwell Heavy (see: 391 Rockwell Bold)

359: Rockwell Heavy Condensed (see: 359 Rockwell Bold Condensed)

390: Rockwell Light Roman/italic

composition matrices: UA.338 = 6-14pt[120]

size:6pt (6D) 7D op 8pE 8pt (8D) 9pt (9D) 10pt (10D) 12pt (12D) 14pt (14D)
set:6.7588.59.510.7512.515.75
line:M.1220M.1256M.1275M.1307M.1340M.1400M.1624

display matrices:

size:14pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1533 T.1948 T.2640 T.3194 T.3884 T.4576 T.5268 T.6651 T.7930

582: Rockwell Light Condensed (Film Sub-titles) Roman/italic

175: Rockwell Shadow Roman

display matrices:[138]

size:18pt24pt30pt36pt42pt48pt60pt72pt
line:T.2363 T.3144 T.3864 T.4724 T.5566 T.6368 T.8000 T.9600

175: Rockwell Shadow Titling (see: Rockwell Shadow)

458: Romulus Roman/italic

Jan van Krimpen started in 1931 with the design of this typeface, which eventually led to a whole font family. With the permission of the firm Enschede & Sons in Haarlem, "Series 458" was cut in 1936. It was a contemporary font that combined characteristics of many old fonts. The colour is matched to antique characters, but the serifs are almost horizontal and vertical. The font runs quite wide and the color is fairly light. The italic is an experiment: the oblique Roman is of the same width as the Roman.

composition matrices: UA.405 = 8D-14D[219]

size:8Dpt op 9pE 9D op 10pE 10D op 11pE 12D op 13pE 14D op 16pE
set:7.758.5910.7512.75
line:M.1225M.1245M.1264M.1320M.1478

large composition: UA.406

size:16D op 18pE 20D op 14pE
set:16.520.5
line:T.1602T.1994

display matrices:

size:24D at 30pE 28D at 30pE 36D at 36pE 48D at 60pE 60D at 72pE
line:T.2404T.2812T.3584T.4810T.6030

520: Romulus Bold Roman/italic (synonym: 520 Van Krimpen Bold)

composition matrices: UA.405 = 8D-14D[34]

size:8Dpt at 9pE 9D at 10pE 10D at 11pE 12D at 13pE 14D at 16pE
set:7.758.5910.7512.75
line:M.1225M.1245M.1264M.1320M.1478

_10: Ronaldson Roman/italic

composition matrices: UA-1 (6-12pt) (synonym: Ronaldson Old style)[220]

_10: Ronaldson Old Style (see: Ronaldson)

420 : Runic Condensed Roman

S

This font was designed by Jan Tschichold. Characters for hand composing can (still) be ordered from the company D. Stempel AG (foundry) in formerly Frankfurt (now Darmstadt); Linotype matrices were available at Linotype GmbH (Berlin and Frankfurt); and Monotype matrices could be ordered from the Monotype Setzmachinen-Fabrik GMbH (Frankfurt and Berlin). This can still be done at the Type Museum in London, because the "patterns" and punches and production archives survived there.

The shape of the letter was identical for all three systems. Hand-composing type could be mixed with Linotype and Monotype composition rules. The letter had a limited success. There was also criticism: the letter suffered from the combined disadvantages of the three systems. For example: the Roman and italic faces are as wide as those on a Linotype matrix when combined. And Jan van Krimpen had objections to what he considered the too rigid unit-system of Monotype.

669: Sabon Roman/italic

composition matrices: UA.503 8D-12D[74]

size:6D at 7pE 8D at 9pE 9D at 10pE 10D at 11pE 12D at 13pE
set:6.758.59.2510.2512.25
line:M.1237M.1308M.1383M.1383M.1459

693: Sabon Semi-Bold Roman

composition matrices: UA.503 8D-12D[74]

size:6D at 7pE 8D at 9pE 9D at 10pE 10D at 11pE 12D at 13pE
set:6.758.59.2510.2512.25
line:M.1237M.1308M.1383M.1383M.1459

499: Sachsenwald Mager (cancelled in 1965)

_15: Sans-Serif (see: 15 Grotesque Bold Condensed No. 2)

_81: Sans-Serif (see: 81 Grotesque Bold Condensed)

267: Sans-Serif (cancelled in 1965)

318: Sans-Serif Condensed (see: 318 Grotesque Condensed)

186: Schmale Nürnburger Gotisch fraktuur (cancelled in 1965)

display matrices in 6 sizes[221]

size:14D18D20D24D28D36D
line:T.1671T.2054T.2560T.3052T.3524T.4574

_22: Schoeffer (cancelled in 1964)

composition matrices UA.2, 8pt, 10pt, 12 pt[222]

size:8pt (8D)10pt (9D)12pt (12D)
set:89.2511.25
line:M.1270M.1310M.1378

_52: Schurmann Antiqua Halbfette Roman (synonym: 52 Modern Mediaeval (Half-Fat) (cancelled in 1967)

_46: Scotch Roman Roman/italic

composition matrices: UA.1 = 6-12pt[10]

size:6pt at 5.5pE 6pt 7pt 7D at 8pE8pt 9pt at 8pE 9pt 10pt 11pt 12pt
didot:6D6D7D7D8D8D 8D 9D10D12D
bijz. short desc.short desc.
set:7788.58.59.259.251010.7512.25
line:M.1220M.1220M.1250M.1235M.1235M.1257M.1257M.1290M.1320M.1360

137: Scotch Roman Roman/italic

composition matrices: 8-12pt[139]

size:8pt (8D) 9pt (8D) 10pt (9D) 11pt (10D) 12pt (11D)
UA.1314 15 16 17
set:8.25 8.5 9.25 10.25 12.25
line:M.1260M.1262M.12603M.1285M.1362

large composition: UA.144 = Roman, UA.151 = italic

size:14pt (14D) 18pt (18D) 24pt (24D)
special feature no italic available
set:13.51723
line:T.1395T.1810T.2364

display matrices:

size:14pt18pt24pt30pt36pt42pt48pt
line:T.1395T.1810T.2364T.2918T.3608T.4300T.4854

322: Script (see: 322 Script Bold)

574: Script Ashley (see: 574 Ashley Script)

322: Script Bold script

display matrices:[223]

size:14pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1452 T.1863 T.2488 T.3054 T.3724 T.4376 T.4968 T.6300 T.7560

436: Script Dorchester (see: 436 Dorchester Script)

493: Script Grosvenor (see: 493 Grosvenor Script)

475: Script Light

display matrices:[224]

size:24pt
line:T.2488

351: Script Monoline (see: 351 Monoline Script)

429: Script Palace (see: 429 Palace Script)

455: Script Temple (see: 455 Temple Script)

385: Script Wenceslas (see: 385 Wenceslas Script) (cancelled in 196?)

434: Shadow French (cancelled)

234: Shakespeare Titling (cancelled in 1967)

display matrices:[225]

size:36pt
line:T.4434

552: Sheldon

276: Solus Roman (cancelled in 1967)

composition matrices: UA.320 = 12pt-14pt[226]

size:12pt (12D) 14pt (14D)
set:1113
line:M.1310M.1437

display matrices:

size:18pt48pt
line:T.1841 T.4982

368: Solus Bold Roman (cancelled in 1967)

composition matrices: UA.320 = 12pt-14pt

size:11pt (10D)
set:11.5
line:M.1375

368: Solus Heavy (see: Solus Bold)

Imitation of stone inscriptions of chopped capitals: the font contains only capital letters, numbers, and punctuation. Each size has of the capitals four sizes, which can be combined, with the little ones functioning as lower case.

140: Spartan Roman

composition matrices: UA.16 = 6-12pt[128]

size:6pt (6D) 12pt (12D)
set:7 11
line:M.1282 M.1420

large composition: UA.157 = 24pt

size:24pt (24D) 24pt (24D)
sizes: 4 and 5 2 and 3
set:19.5 26
line:T.3060 T.3060

display matrices:

size:24pt
line:T.3060

141: Spartan Bold Roman

composition matrices: UA.18 = 6-12pt[219]

size:6pt (6D) 12pt (12D)
set:7 11
line:M.1282 M.1420

display matrices:

size:24pt
line:T.3060

143: Spartan Condensed Roman

composition matrices: UA.18 = 6-12pt[227]

size:6pt (6D) 12pt (12D)
set:5 9
line:M.1282 M.1420

144: Spartan Italic italic

composition matrices: UA.18 = 6-12pt[227]

size:6pt (6D) 12pt (12D)
set:7 12
line:M.1240 M.1420

139: Spartan Light Roman

composition matrices: UA.18 = 6-12pt[214]

size:6pt (6D) 12pt (12D)
set:7 12
line:M.1282 M.1420

display matrices:

size:24pt
line:T.3060

142: Spartan Light Condensed Roman

composition matrices: UA.18 = 6-12pt[150]

size:6pt (6D) 12pt (12D)
set:7 9
line:M.1282 M.1420

145: Spartan Wide Roman

composition matrices: UA.18 = 6-12pt[224]

size:6pt (6D) 12pt (12D)
set:8.5 12.75
line:M.1282 M.1420

556: Spectrum Roman/italic

This font designed by Jan van Krimpen was originally intended for printing a Bible at the Spectrum publishing house in Utrecht (Netherlands). The project was cancelled. Nevertheless, the font was rather successful. Therefore, in collaboration with Enschede & Sons it was decided to cut the complete series. The font is open and seems fairly robust. The character produces a fairly compact composition.

composition matrices: UA. 428 = 6D-12D[66]

size:6D at 7pE 8D at 9pE 10D at 11pE 12D at 13pE
set:6.257.58.7510.25
line:M.1215 M.1250 M.1297 M.1350

display matrices:

size:14D at 16pE 16D at 18pE 20D at 24pE 24D at 30pE 28D at 30pE 36D at 36pE 48D at 60pE 60D at 72pE
line:T.1454 T.1656 T.2060 T.2483 T.2912 T.3714 T.5000 T.6270

196: Surrey Old Style Roman (cancelled in 1967)

display matrices:[228]

size:14pt 18pt 24pt 30pt 36pt
line:T.1533 T.1948 T.2640 T.3194 T.3884

583: Swing Bold script

display matrices:[228]

size:14pt 18pt 24pt 30pt 36pt
line:T.1301 T.1668 T.2229 T.2724 T.3324

T

455: Temple Script

composition matrices: UA.386 = 10D-12D[229]

size:10D at 11pE 12D at 13pE
set:9.2511.25
line:M.1453M.1549

display matrices:

size:14D at 16pE 16D at 18pE 20D at 22pE 24D at 30pE 28D at 30pE 36D at 36pE 48D at 60pE 60D at 72pE 72pt
line:T.1684T.1916T.2378T.2874T.3362T.4304T.5810T.7280T.8170

355: The Times Hever Titling Roman (synonym: 355 Times Hever Titling)

composition matrices: UA.323 = 9pt-12pt[185]

size:9pt (9D) 10pt (10D) 11pt (11D) 12pt (12D)
set:9101112
line:M.1320M.1357M.1391M.1430

display matrices:

size:14pt18pt24pt30pt
line:T.1510 T.1887 T.2502 T.3056

334: Times Bold Roman/italic

to be used in combination with Times New Roman Series 327

composition matrices: Roman = UA.324, italic = UA 325, 5.5pt-14pt[230]

matrices for long-descenders are available in several sizes

size:5.5pt 6pt 6pt 6D 6.5pt7pt 7pt 7.5pt 7.5pt 8pt 8pt 9pt 9pt 10pt 10pt 11pt 11pt 12pt 12pt 14pt
op:5.5pE 6pE 6.5pE 7pE 6.5pE7pE 7.5pE 7.5pE 8pE 8pE 9pE 9pE 10pE 10pE 11pE11pE 12pE 12pE 14pE 14pE
didot:5D 6D 6D 6D 6D7D) 7D 7D 8D) 8D9D) 8D 10D 10D 11D 10D 12D 12D 14D 14D
special featureslong. desc.7pt short desc. long desc.long desc. long desc. long desc. long desc. long desc. long desc.
set:6.56.756.757.757.257.757.758.258.258.258.25999.759.7510.2510.25121212.75
line:M.1239 M.1239 M.1239 M.1268 M.1250 M.1268 M.1268 M.1286 M.1286 M.1298 M.1298 M.1325 M.1325 M.1338 M.1338 M.1368 M.1368 M.1420 M.1420 M.1470

display matrices:

size:14pt16pt18pt20pt22pt24pt30pt36pt42pt48pt60pt72pt
line:T.1458T.1672 T.1873 T.2150 T.2363 T.2640 T.3194 T.3884 T.4576 T.5268 T.6651 T.7930

345: Times Bold No. 2 Roman (see also: 360 Times Bold)

composition matrices: UA.324 = 5pt-6pt[227]

size:7pt (7D) 9pt (8D) 11pt (10D) 12pt (12D)
set:7.75910.512
line:M.1268 M.1325 M.1368 M.1420

360: Times Bold Roman

composition matrices: UA.324 = 5pt-6pt[227]

size:5pt (5D) 6pt (6D)
set:6.256.75
line:M.1210M.1239

328: Times Bold Titling No. 2 Roman

composition matrices: UA.324 = 5pt-6pt[227]

size:8pt (8D) 9pt (8D) 10pt (10D) 11pt (10D) 12pt (12D)
set:9.2510.2510.2511.513
line:M.1360M.1382M.1410M.1440M.1500

display matrices:

size:14pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1671 T.1948 T.2640 T.3194 T.3884 T.4576 T.5248 T.6651 T.7930

332: Times Bold Titling Roman

display matrices:[231]

size:18pt24pt30pt36pt48pt60pt72pt
line:T.1948 T.2640 T.3194 T.3884 T.5248 T.6651 T.7930

639: Times Cosmoli Titling (cancelled in 1966)

339: Times Extended Titling Roman

composition matrices: UA.327 = 7pt-14pt[232]

size:7pt (7D) 8pt (8D) 9pt (8D) 10pt (10D) 11pt (10D) 12pt (12D) 14pt (14D)
set:8.59.510.251111.7513.2517
line:M.1356M.1360M.1376M.1410M.1440M.1500M.1738

display matrices:

size:14pt16pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1671 T.1921 T.2224 T.2534 T.2918 T.3714 T.4406 T.5008 T.6235 T.7515

569: Times Four-line Mathematics

355: Times Hever Titling (see:355 The Times Hever Titling)

333: Times Newspaper Smalls

335: Times Newspaper Smalls

329: Times Titling Roman

composition matrices: UA.328 = 14pt[89]

size:14pt (14D)
set:15.75
line:M.1500

display matrices:

size:14pt16pt18pt24pt30pt36pt
line:T.1533 T.1707 T.1948 T.2640 T.3194 T.3884

358: Times Titling (cancelled in 1967)

327: Times New Roman Roman/italic

421: Times New Roman Semi-bold Roman/italic

composition matrices: UA.325 = 7pt-14pt[233]

size:6pt (6D) 6.5pt (6D) 7pt (7D) 8pt (8D) 9pt (8D) 10pt (10D) 11pt (11D) 12pt (12D) 14pt (14D)
set:77.58.2599.7510.7511.7512.7514.5
line:M.1245 M.1265 M.1291 M.1310 M.1300 M.1329 M.1358 M.1395 M.1600

display matrices:

size:14pt18pt24pt36pt48pt60pt72pt
line:T.1533 T.1948 T.2640 T.3884 T.5268 T.6651 T.7930

427: Times New Roman Wide Roman/italic

627: Times New Roman Book Roman/italic

Series 627 consist of the special "long-descender" characters and the normal "non-descender" characters of Series 427

composition matrices: UA.327 = 7pt-14pt[234]

size:7.5pt (7D) 10pt (10D) 11pt (11D) 12pt (12D) 14pt (14D) 14D op 16pE
set:7.75910.2511.2512.2513.25
line:M.1267 M.1328 M.1370 M.1405 M.1438 M.1450

large composition: UA.426, 14pt only Roman

size:24pt (24D)
set:21.5
line:T.2230

display matrices:

size:20pt24pt
line:T.1827 T.2230

474: Times New Roman Heavy Book (destroyed in a bombardment)

727: Times New Roman (Light Caps) Roman

827: Times New Roman (French) Roman/italic (see: Times New Roman 727)

alternative matrices for:

small capitals and Roman capitals C G Q R Ç

italic capitals C Q R and lower case g and k

composition matrices: UA.325 = 6pt-12pt[41]

size:6pt (6D) 7pt (7D) 8pt (8D) 9pt (9D) 10pt (10D) 11pt (10D) 12pt (12D)
set:6.757.758.2599.7510.512
line:M.1230M.1268M.1298M.1325M.1338 M.1368 M.1420

179: Titling (see: 179 Modern Titling)

synonyms: 179 Titling Modern No. 1, 179 Titling Italic

180: Titling (see: 180 Victoria Bold Condensed Titling) (synonym: 180 Victoria Bold Condensed)

181: Titling (see: 181 Victoria Condensed Titling)

182: Titling (see: 182 Victoria Titling)

183: Titling (see: 183 Modern)

209: Titling (see: 209 Caslon Titling)

234: Titling (see: 234 Shakespeare Titling)

440: Titling (cancelled in 1965)

522: Titling (see: 522 Placard Condensed Titling)

332: Titling Bold (The Times) (see: 332 Times Bold Titling)

__H: Titling (Caps) Roman

180: Titling Condensed (see: 180 Victoria Bold Condensed Titling)

339: Titling Extended (The Times) (see: 339 Times Extended Titling)

328: Titling Heavy (The Times) (see: 328 Times Bold Titling)

355: Titling Hever (The Times) (see: 355 Times Hever Titling)

179: Titling Italic (cancelled before 1966) (see: 179 Modern Titling)

synonyms: 179 Titling 179 Modern Titling No. 1

179: Titling Modern No. 1 (see: 179 Modern Titling)

synonyms: 179 Titling, 179 Titling Italic

329: Titling (The Times) (see: 329 Times Titling)

325; Tonic-Sol-Fa

629: Traveller Roman

display matrices:[235]

size:30pt36pt42pt48pt60pt72pt
line:T.2918 T.3538 T.4161 T.4715 T.5960 T.7100

226: Treyford

114: Trojan Roman (cancelled in 1967)

composition matrices: UA.81 = 9pt-11pt[236]

size:9pt (8D) 11pt (10D)
set:9.511.25
line:M.1306 M.1370

display matrices:

size:14pt18pt 24pt36pt
line:T.1502 T.1929 T.2576 T.3854

Typewriter is a general style of fonts. All characters are of the same width, or "monospaced"; they are cast with a "flat" wedge. Consequently, all the typewriter font characters are cast with the same die case layout, key banks and wedge. There was more than enough space for all the underlined characters in the die case as well.

Printers used these fonts to print mailings for large companies. The print was made to look like a hand-typed personal letter. The press was covered with previously used, worn paper combined with a thin cloth silk tissue. In this way, the type did not receive equal pressure and ink on the paper. Thus it appeared that the letter was typed by a somewhat inexperienced secretary.

_82: Typewriter No. 1 Roman

composition matrices: UA.28 = 10pt-12pt[92]

Series:82 100 105 235 301 302 344
size:10pt (9D) 12pt (11D) 12pt (12D) 12pt(11D) 10pt (10D) 12pt (11D)12pt (12D)
set:1214.514.513.251214.514.5
line:M.1291 M.1364 M.1550 T.1302 M.1291 M.1364 M.1355

100: Typewriter No. 2 Roman (see: 100 Typewriter 82)

105: Typewriter No. 3 Roman (see: 105 Typewriter 82)

127: Typewriter No. 4 Roman

composition matrices: UA.28 = 8pt-12pt[92]

size:8pt (8D) 10pt (9D) 12pt (12D)
set:101214.5
line:M.1270 M.1296 M.1364

235: Typewriter No. 5 Elite Roman (see: 235 Typewriter 82)

301: Typewriter No. 6 Elite Roman (see: 301 Typewriter 82)

602: Typewriter IBM "Executive" Roman

This font is an exception to the rule: it has character of different widths, "unit values". Therefore, a special wedge was needed to cast it. The keyboard also needed additional equipment: the key bars, a kind of mechanical arrangement to translate the keystrokes on the keyboard into the punches in the ribbon. For the print shop it was a very expensive font to purchase.

Underlined character were cast at 12 pt, with a 2pt wide stripe (Rule R39 2pt)

composition matrices: UA.442 = 14pt[237]

size:14pt (13D)
set:13.5
line:M.1475

_82: Typewriter Underlined Roman

100: Typewriter Underlined Roman

105: Typewriter Underlined Roman

U

120: Ultra Bodoni (see: 120 Bodoni Ultra Bold)

Univers was developed in cooperation with the French type foundry Deberny & Peignot.

It was possible to cast characters in lining with the character bought in France.

693: Univers Bold Roman/italic

composition matrices: UA.486 = 5D-12D, extra &: S16511, S16512, superior: L225,[112]

size:5D at 6pE6D at 7pE7D at 8pE8D at 9pE8.5D at 9pE 9D at 10pE10D at 11pE 11D at 12pE 12D at 13pE
set:77.758.759.510.511.25131415
line:M.1220M.1234M.1265M.1290M.1320M.1350M.1408M.1436M.1468

display matrices:

size:14D at 16pE16D at 18pE18D at 20pE 22D at 24pE 28D at 30pE 36D at 36pE 48D at 60pE
line:T.1587 T.1818T.2048 T.2538 T.3252 T.4024 T.5420

694: Univers Bold Condensed Roman/italic

692: Univers Bold Expanded Roman

composition matrices: UA.491 = 6D-10D, extra &: S16511, superior: L228,[110]

size:6D at 7pE8D at 9pE8.5D at 9pE 9D at 10pE10D at 11pE
set:9.511.7513.7516
line:M.1234M.1290M.1350M.1408

display matrices:

size:12D at 13pE14D at 16pE16D at 18pE18D at 20pE 22D at 24pE 28D at 30pE 36D at 36pE 48D at 60pE
line:T.1356T.1587 T.1818 T.2048 T.2538 T.3252 T.4024 T.5420

696: Univers Extra Bold Roman

composition matrices: UA.484 = 5D-12D, extra &: S16511, S16512, superior: L223, inferior: L255[238]

size:5D at 6pE6D at 7pE7D at 8pE8D at 9pE8.5D at 9pE 9D at 10pE10D at 11pE 11D at 12pE 12D at 13pE
set:77.758.759.510.511.25131415
line:M.1220M.1234M.1265M.1290M.1320M.1350M.1408M.1436M.1468

display matrices:

size:14D at 16pE16D at 18pE18D at 20pE 22D at 24pE 28D at 30pE 36D at 36pE 48D at 60pE
line:T.1587 T.1818 T.2048 T.2538 T.3252 T.4024 T.5420

695: Univers Extra Bold Expanded Roman/italic

composition matrices: UA.491 = 6D-10D, extra &: S16511, superiors: L268,[110]

size:6D at 7pE8D at 9pE8.5D at 9pE 9D at 10pE10D at 11pE
set:9.511.7513.7516
line:M.1234M.1290M.1350M.1408

display matrices:

size:12D at 13pE14D at 16pE16D at 18pE18D at 20pE 22D at 24pE 28D at 30pE 36D at 36pE 48D at 60pE
line:T.1356T.1587 T.1818 T.2048 T.2538 T.3252 T.4024 T.5420

684: Univers Extra Light Extra Condensed Roman/italic

display matrices: extra &: S16511, superior: L292,[211]

size:18D at 20pE 22D at 24pE 28D at 30pE 36D at 36pE 48D at 60pE
line:T.2048 T.2538 T.3252 T.4024 T.5420

685: Univers Light Roman/italic

composition matrices: UA.483 = 6D-12D, extra &: S16511, S16512, superior: L295,[239]

size:6D at 7pE7D at 8pE8D at 9pE8.5D at 9pE 9D at 10pE10D at 11pE 11D at 12pE 12D at 13pE
set:7.758.759.510.511.25131415
line:M.1234M.1265M.1290M.1320M.1350M.1408M.1436M.1468

display matrices:

size:14D at 16pE16D at 18pE18D at 20pE 22D at 24pE 28D at 30pE 36D at 36pE 48D at 60pE
line:T.1587 T.1818 T.2048 T.2538 T.3252 T.4024 T.5420

686: Univers Light Condensed Roman/italic

composition matrices: UA.492 = 5D-12D, extra &: S16511, S16512, superiors: L250,[238]

size:5D at 6pE6D at 7pE7D at 8pE8D at 9pE8.5D at 9pE 9D at 10pE10D at 11pE 11D at 12pE 12D at 13pE
set:5.566.757.2588.59.7510.511.25
line:M.1220M.1234M.1265M.1290M.1320M.1350M.1408M.1436M.1468

display matrices:

size:14D at 16pE16D at 18pE18D at 20pE 22D at 24pE 28D at 30pE 36D at 36pE 48D at 60pE
line:T.1587 T.1818 T.2048 T.2538 T.3252 T.4024 T.5420

687: Univers Light Extra Condensed Roman/italic

composition matrices: UA.501 = 10D-12D, extra &: S16511, superior: L292,[240]

size:10D at 11pE 12D at 13pE
set:78
line:M.1408M.1468

display matrices:

size:14D at 16pE18D at 20pE 22D at 24pE 28D at 30pE 36D at 36pE 48D at 60pE
line:T.1587 T.2048 T.2538 T.3252 T.4024 T.5420

689: Univers Medium Roman/italic

composition matrices: UA.483 = 5D-12D, extra &: S16511, S16512, superiors: L222, inferiors: L254[238]

size:5D at 6pE6D at 7pE7D at 8pE8D at 9pE8.5D at 9pE 10D at 11pE 11D at 12pE 12D at 13pE
set:77.758.759.510.5131415
line:M.1220 M.1234 M.1265 M.1290 M.1320 M.1408 M.1436 M.1468

display matrices:

size:14D at 16pE16D at 18pE18D at 20pE 22D at 24pE 28D at 30pE 36D at 36pE 48D at 60pE
line:T.1587 T.1818 T.2048 T.2538 T.3252 T.4024 T.5420

690: Univers Medium Condensed Roman/italic

composition matrices: UA.484 = 5D-12D, extra &: S16511, S16512, superior: L251[81]

5D was not supplied after 1969

size:5D at 6pE6D at 7pE7D at 8pE8D at 9pE8.5D at 9pE 9D at 10pE10D at 11pE 11D at 12pE 12D at 13pE
set:5(?)66.757.2588.59.7510.511.25
line:M.1220M.1234M.1265M.1290M.1320M.1350M.1408M.1436M.1468

display matrices:

size:14D at 16pE16D at 18pE18D at 20pE 22D at 24pE 28D at 30pE 36D at 36pE 48D at 60pE
line:T.1587 T.1818 T.2048 T.2538 T.3252 T.4024 T.5420

688: Univers Medium Expanded Roman

composition matrices: UA.484 = 6D-10D, extra &: S16511, superior: L266[110]

size:6D at 7pE8D at 9pE9D at 10pE10D at 11pE
set:9.511.7513.7516
line:M.1234M.1290M.1350M.1408

display matrices:

size:12D at 13pE14D at 16pE16D at 18pE18D at 20pE 22D at 24pE 28D at 30pE 36D at 36pE 48D at 60pE
line:T.1365 T.1587 T.1818 T.2048 T.2538 T.3252 T.4024 T.5420

691: Univers Medium Extra Condensed Roman

composition matrices: UA.500 = 8D-12D, extra &: S16511, superior: L263[110]

size:8D at 9pE9D at 10pE10D at 11pE12D at 13pE
set:5.5678
line:M.1290 M.1350 M.1408 M.1460

display matrices:

size:14D at 16pE18D at 20pE 22D at 24pE 28D at 30pE 36D at 36pE 48D at 60pE
line:T.1587 T.2048 T.2538 T.3252 T.4024 T.5420

697: Univers Ultra Bold Expanded Roman

composition matrices: UA.490 = 6D-10D, extra &: S16511, superior: L269[110]

size:6D at 7pE8D at 9pE9D at 10pE10D at 11pE
set:9.511.7513.7516
line:M.1234M.1290M.1350M.1408

display matrices:

size:12D at 13pE14D at 16pE16D at 18pE18D at 20pE 22D at 24pE 28D at 30pE 36D at 36pE 48D at 60pE
line:T.1365 T.1587 T.1818 T.2048 T.2538 T.3252 T.4024 T.5420

V

203: Van Dijck Roman.italic

composition matrices: UA.354 = 7pt-14pt[124]

size:7pt (6D)7pt (7D)8pt (7D)8pt (8D) 10pt op 8D 10pt (10D) 11pt op 9D 11pt (11D) 12pt (12D) 13pt (12D) 14pt (14D)
special featuresshort desc. short desc. short desc. short desc.
set:7.57.5888.758.759.759.75101112
line:M.1235M.1235M.1255M.1255M.1286M.1286M.1310M.1310M.1331M.1462M.1457

large composition: UA.423

size:16pt (16D)18pt (18D)
set:13.2514.75
line:T.1601T.1797

display matrices:

size:16pt18pt24pt30pt36pt
line:T.1601 T.1797 T.2398 T.2944 T.3584

520: Van Krimpen Bold (see: 520 Romulus Bold)

_59: Veronese (cancelled in 1967)

composition matrices: UA.4 = 11pt-12pt[241]

size:11pt (10D) 12pt (12D)
set:10.512
line:M.1364M.1420

large-composition matrices:

size:14pt (14D)18pt (18D) 24pt (24D)
UA. Roman:106106 107
UA. italic:128 128 129
set:141824
line:T.1533 T.1948 T.2640

display matrices:

size:14pt18pt24pt30pt36pt
line:T.1533 T.1948 T.2640 T.3194 T.3884

180: Victoria Bold Condensed Roman (see: 180 Victoria Bold Condensed Titling)

180: Victoria Bold Condensed Titling Roman (synonym: 180 Victoria Bold Condensed)

composition matrices: UA.49 = 10pt-12pt[138]

size:10pt (10D)12pt (12D)
set:8.7510.75
line:M.1420 M.1500

display matrices:

size:14pt18pt24pt30pt36pt
line:T.1671 T.1948 T.2640 T.3194 T.3884

181: Victoria Condensed Titling Roman

composition matrices: UA.50 = 12pt[242]

size:12pt (12D)
set:12.25
line:M.1715

display matrices:

size:14pt18pt24pt30pt36pt
line:T.1809 T.2224 T.2960 T.3608 T.4436

182: Victoria Titling Roman (synonym: 182 Titling)

display matrices:[243]

size:14pt16pt18pt24pt30pt36pt
line:T.1533 T.1809 T.1948 T.2640 T.3194 T.3884

W

374: Walbaum Roman/italic

composition matrices: UA.349 = 6D-12D, UA.351 = 14pt, UA.352 = 14D, UA.353 = 16D[233]

size:6D at 7pE 8D at 9pE 9D at 10pE 10D at 11pE 11D at 12pE 12D at 13pE 14pt (14D)14D at 16pE 16D
set:7.7599.751010.7511.7513.751415
line:M.1227 M.1225 M.1254 M.1277 M.1285 M.1290 M.1533 M.1533 M.1810

display matrices:

size:14pt 16D at 18pE 20D at 22pE 24D at 30pE 30D at 36pE 36D at 36pE 42D at 48pE 48D at 60pE 60D at 72pE 72pt
line:T.1308 T.1740 T.2110 T.2546 T.3355 T.4044 T.4739 T.5450 T.6830 T.7670

674: Walbaum Roman/italic (see: 374 Walbaum)

375: Walbaum Medium Roman/italic

composition matrices: UA.349 = 6D-12D, UA.351 = 14pt, UA.352 = 14D, UA.353 = 16D[233]

size:6D at 7pE 8D at 9pE 9D at 10pE 10D at 11pE 11D at 12pE 12D at 13pE 14pt (14D)14D at 16pE 16D
set:7.7599.751010.7511.7513.751415
line:M.1227 M.1225 M.1254 M.1277 M.1285 M.1290 M.1533 M.1533 M.1810

display matrices:

size:14pt 16D at 18pE 20D at 22pE 24D at 30pE 30D at 36pE 36D at 36pE 42D at 48pE 48D at 60pE 60D at 72pE 72pt
line:T.1308 T.1740 T.2110 T.2546 T.3355 T.4044 T.4739 T.5450 T.6830 T.7670

385: Wenceslas Script (cancelled in 1967)

display matrices:[223]

size:18pt
line:T.1865

Designed by Karel Svolinsky, (11 January 1896, Heiligenberg near Olmütz, Mähren - 16 September 1986, Prague) Czech painter, graphic designer and book illustrator. He studied at the school of arts and crafts in Prague. Later, he taught as a Professor at this University. Svolinsky Antiqua (1925), Wenceslas Script(1933) Grotesk(1943)[244]

One incomplete set survives at the BookArtMuseum, Lodz, Poland[245]

_97: Wide Gothic Roman (see: 97 Grotesque Bold)

164: Wide Latin Roman (see: 164 Latin Wide)

273: Wigan Condensed (cancelled in 1965)

display matrices:[246]

size:18pt
line:T.1945

123: Worcester Old Face (cancelled in 1965)

Fraktur

composition matrices: UA. 5F[247]

size:6D (6.5pt E)8D (9pt E)9D (10pt E)10D (11pt E)12D (13pt E)14
set: 6.75 8.259.25 10 1313.5
line:.1276 .1349.1396.1431 .1530.1533

display matrices:

size:1820D2424D303648D60D
line:.2011 .2382.2724.2880 .3299.4014.5820.7300

display matrices in 6 sizes[221]

size:14D18D20D24D28D36D
line:T.1671T.2054T.2560T.3052T.3524T.4574

display matrices in 7 sizes[248]

size:14D16D20D24D28D36D48D
line:T.1671T.2086T.2620T.3102T.3584T.4654T.6282

Non-Latin-typefaces

Amharic

599: Amharic

composition matrices: 9D-12D[104]

size:9D 12D
set:9.511.75

display matrices: 14D

624: Amharic

composition matrices: 10D[104]

size:10D
set:10

Arabic

409: Arabic (cancelled in 1946. replaced by series 549)

542: Arabic Bold (destroyed in a bombardement)

415: Arabic Display (cancelled in 1950)

549: Arabic Naskh

composition matrices: 8D-18D, for 8D a special mould was needed.[147]

size:8D 10D12D14D 16D18D
set:9.2511.511.511.513.2516.5

display matrices:

size 24D36D48D matrices-holder Xb6SL was needed for casting

589: Arabic Naskh Accented

large composition matrices:[104]

size:20D 24
set:13.516.5

649: Arabic Naskh Bold

composition matrices: 8D-18D[249]

size:8D 10D12D14D 16D18D
set:9.2511.511.511.513.2516.5

display matrices:

size 24D30D36D42D48D54D

559: Arabic Solloss

Display matrices:[250]

size 54D with holder Xb7SL

507: (see: 507 Urdu)

707: (see: 707 Urdu)

721: Farsi

composition matrices: 10D-12D[114]

size:10D12D
set:10.7513

display matrices:

size 18D24D36D48D

Armenian

638: Armanian

composition matrices: 8D-12D[104]

size:8D 10D 12D
set:8.510.2512.5

Bangali

470: Bengali

composition matrices: 8D-12D[251]

size:10pt 12pt 14pt
set:7.5910.25

700: Bengali

composition matrices: 8D-12D[239]

size:10pt 12pt 14pt
set:7.5910.5

701: Bengali Bold

composition matrices: 8D-12D[239]

size:10pt 12pt 14pt
set:7.5910.5

670: Bengali Bold (cancelled in 1967)

Burmese

558: Burmese Light

composition matrices: 12pt-18pt[138]

size:12pt 14pt 16pt18pt
set:910.51212.75

578: Burmese Bold

composition matrices: 12pt-18pt[138]

size:12pt 14pt 18pt
set:910.51212.75

Chinese

633: Chinese (cancelled in 1974)

133: Chu Yin (cancelled in 1967)

Coptic

609: Louvain Coptic

Cyrillic

(Russian, Serbian, Bulgarian and Macedonian)

_42: Albion

composition matrices: 6.5(6D)-13pt(12D)[151]

size:6.5pt (6D)9pt (8D)10pt (9D)11pt (10D)13pt (12D)
cast at:7pE9pE10pE11pE13pE
set:7.7599.7510.512.5
line:M.1235M.1270M.1300M.1320M.1390

_63: Albion

composition matrices: 9(8D)-13pt(12D)[169]

size:9pt (8D)11pt (10D)13pt (12D)
set:8.259.511.5
line:M.1270M.1320M.1390

_70: Albion

composition matrices: 6.5(6D)-13pt(12D)[169]

size:6.5pt (6D)9pt (8D)11pt (10D)13pt (12D)
cast at:7pE9pE11pE13pE
set:7.759.751113
line:M.1225M.1280M.1327M.1387

169: Baskerville (Russian) Roman / italic

composition matrices: 9pt-11pt[169]

size:9pt (8D) 11pt (10D)
line:M.1266 M.1320

display matrices: Roman

size:18pt 24pt 36pt
line:T.1672 T.2226 T.3332

370: Bembo Titling

display matrices: 36pt-42pt[251]

size:36pt 42pt
line:T.4436 T.5196

260: Bodoni Bold Roman / italic

display matrices: 14pt-72pt[252]

size:14pt 18pt 24pt 30pt 36pt 48pt 60pt 72pt
line:T.1356 T.1741 T.2324 T.2914 T.3474 T.4716 T.5823 T.7100

529: Bodoni Bold Condensed

display matrices: 14pt-36pt[168]

size:14pt 18pt 24pt 30pt 36pt
line:T.1356 T.1741 T.2324 T.2914 T.3444

120: Bodoni Ultra Bold (Cyrillic) Roman

display matrices: 14pt-42pt[168]

size:14pt 18pt 24pt 30pt 36pt 42pt
line:T.1472 T.1876 T.2502 T.3094 T.3746 T.4436

_17: Cushing (cancelled in 1967)

_68: French Old Style

composition matrices: 6.5(6D)-13pt(12D)[169]

size:6.5pt (6D)9pt (8D)11pt (10D)13pt (12D)
cast at:7pE9pE11pE13pE
set:7.58.7510.2512.25
line:M.1215M.1260M.1320M.1388

_69: French Old Style Bold

composition matrices: 6.5(6D)-13pt(12D)[169]

size:6.5pt (6D)9pt (8D)11pt (10D)13pt (12D)
cast at:7pE9pE11pE13pE
set:7.58.7510.2512.25
line:M.1215M.1260M.1320M.1388

display matrices:

size:14pt18pt24pt30pt36pt42pt48pt60pt72pt
line:T.1533T.1948T.2640T.3194T.3884T.4576T.5268T.6651T.7930

_44: French Round Face

composition matrices: 6.5pt-13pt[253]

size:6.5pt (6D) 9pt (8D) 11pt (10D) 13pt (12D)
set: 7.75 9.75 11 13
line:M.1237 M.1285 M.1332 M.1415

201: Garamond Bold (Cyrillic Roman

display matrices:[136]

size:18pt 24pt 30pt
line:T.1810 T.2364 T.2918

262: Gill Sans

composition matrices: 6pt-12pt[254]

size:6pt (6D) 8pt (8D) 9pt (9D) 10pt (10D) 11pt (11D) 12pt (12D)
set: 6.5 8 9 9.5 10.25 11.25
line:M.1220 M.1255 M.1285 M.1302 M.1327 M.1360

display matrices:

size:14pt 16pt 20pt 24pt
line:T.1395 T.1611 T.2002 T.2480

275: Gill Sans Bold

composition matrices: 6pt-12pt[254]

size:6pt (6D) 8pt (8D) 9pt (9D) 10pt (10D) 11pt (11D) 12pt (12D)
set: 6.5 8 9 9.5 10.25 11.25
line:M.1220 M.1255 M.1285 M.1302 M.1327 M.1360

display matrices:

size:14pt 16pt 20pt 24pt
line:T.1395 T.1611 T.2002 T.2480

373: Gill Sans Bold Condensed Titling

display matrices:[124]

size:14pt 18pt 24pt 30pt 36pt 48pt
line:T.1811 T.2363 T.3193 T.3886 T.4714 T.6418

233: Gill Sans Cameo Roman

display matrices:[124]

size:24pt
line:T.2890

485: Gill Sans Condensed

display matrices: 14pt-36pt[251]

size:14pt 18pt 24pt 30pt 36pt
line:T.1395 T.1841 T.2480 T.2918 T.3606

362: Gill Sans Light

composition matrices: 6pt-12pt[254]

size:6pt (6D) 8pt (8D) 10pt (9D) 12pt (12D)
set: 6.5 8 9.5 11.25
line:M.1220 M.1255 M.1302 M.1360

display matrices:

size:14pt 16pt 20pt 24pt 30pt 36pt
line:T.1395 T.1611 T.2002 T.2480 T.2918 T.3606

_96: Gothic (cancelled in 1965)

_51: Grotesque

composition matrices: 6pt-12pt[169]

size:6pt (6D) 8pt (8D) 10pt (9D) 12pt (12D)
set: 7.75 9.5 11.5 15.5
line:M.1220 M.1235 M.1291 M.1444

display matrices:

size:14pt 18pt 24pt 30pt 36pt 42pt 48pt
line:T.1533 T.1948 T.2640 T.3194 T.3884 T.4576 T.5268

_97: Grotesque Bold (cancelled in 1967)

_11: Grotesque Bold Condensed (cancelled in 1967)

166: Grotesque Bold Condensed (Cyrillic) Roman (synonym: 166 Grotesque Bold Condensed Titling)

display matrices:[251]

size:14pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt
line:T.1671 T.2085 T.2778 T.3470 T.4299 T.4991 T.5821 T.7204T.8623

166: Grotesque Bold Condensed Titling Roman (see: 166 Grotesque Bold Condensed (Cyrillic))

_33: Grotesque Condensed Roman

composition matrices: 6pt-13pt[169]

size:6pt (6D) 9pt (8D) 11pt (10D) 13pt (12D)
set: 6.75 8.5 9.75 11.5
line:M.1255 M.1315 M.1395 M.1440

display matrices:

size:14pt 18pt 24pt 30pt 36pt 42pt 48pt
line:T.1533 T.1948 T.2640 T.3194 T.3884 T.4576 T.5268

383: Grotesque Condensed Roman

composition matrices: 6pt-13pt[169]

size:6D op 7pE 8D op 9pE 10D op 11pE 12D op 13pE
set: 5 6 7 8
line:M.1280 M.1358 M.1410 M.1500

display matrices:

size:14D at 16pE18D at 20pE24D at 30pE30D at 36pE36D at 36pE48D at 60pE60 at 72pE 72pt
line:T.1626 T.2074 T.2776 T.3565 T.4164 T.5620 T.7030 T.7890

383: Grotesque Condensed

composition matrices: 6D-12D[169]

size:6D at 7pE 8D at 9pE 10D at 11pE 12D at 13pE
set: 5 6 7 8
line:M.1280 M.1358 M.1410 M.1500

display matrices:

size:14D 18D 24D 30D 36D 48D60D op 72pE72pt
line:T.1626 T.2074 T.2776 T.3565 T.4164 T.5620 T.7030T.7890

_39: Modern Condensed

composition matrices: 6.5pt-13pt[253]

size:6.5pt (6D) 9pt (8D) 11pt (10D) 13pt (12D)
set: 6.5 8 9.5 11.5
line:M.1225 M.1260 M.1320 M.1390

_77: Modern Extended (cancelled in 1967)

_75: Modern Wide (cancelled in 1967)

_27: Neo Didot

composition matrices: 6.5pt-13pt[169]

size:6.5pt (6D) 9pt (8D) 10pt (9D) 11pt (10D) 13pt (12D)
set: 7.75 9 9.75 10.5 12.5
line:M.1235 M.1270 M.1300 M.1320 T.1390

506: Placard Bold Condensed

display matrices:[136]

size:14D at 16pE16D at 18pE20D at 22pE24D at 30pE28D at 30pE36D at 36pE42D at 48pE48pt at 60pE
line:T.1728 T.1964 T.2478 T.2996 T.3442 T.4414 T.5179T.5960

515: Placard Bold Condensed

display matrices:[86]

size:36pt48pt 60pt 72pt
line:T.4299 T.5808 T.7300 T.8760

568: Placard Condensed

display matrices:[136]

size:14D op 16pE 16D op 18pE 20D op 22pE 22D op 30pE 28D op 30pE 36D op 36pE 48D op 60pE 60D op 72pE
line:T.1806 T.2052 T.2544 T.3076 T.3592 T.4614 T.6230 T.7800

522: Placard Condensed Titling

display matrices:[124]

size:72pt
line:T.9700

194: Plantin Bold (Russian) Roman

composition matrices: 6pt-12pt[169]

size:6pt (6D) 8pt (8D) 10pt (9D) 12pt (12D)
set: 7 8.5 9.5 11.75
line:M.1237 M.1285 M.1332 M.1415

display matrices:

size:14pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt
line:T.1533 T.1948 T.2640 T.3194 T.3884 T.4576 T.5268 T.6651

113: Plantin Light (Russian) Roman / italic

composition matrices: 6pt-12pt[169]

size:6pt (6D) 8pt (8D) 10pt (9D) 12pt (12D)
set: 7 8.5 10 11.75
line:M.1237 M.1285 M.1342 M.1426

display matrices:

size:14pt 16pt 24pt 30pt 36pt 42pt 48pt 60pt
line:T.1533 T.1948 T.2640 T.3194 T.3884 T.4576 T.5268 T.6651

327: Times New Roman

composition matrices: 6pt-12pt[255]

size:6pt (6D) 7pt (7D) 8pt (8D) 9pt (9D) 10pt (9D) 12pt (12D)
set: 6.75 7.75 8.25 9 9.76 12
line:M.1230 M.1268 M.1298 M.1325 M.1338 M.1420

display matrices:

size:14pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt72pt
line:T.1438 T.1948 T.2640 T.3194 T.3884 T.4576 T.5268 T.6651 T.7930

334: Times Bold

composition matrices: 6pt-12pt[255]

size:6pt (6D) 7pt (7D) 8pt (8D) 9pt (9D) 10pt (9D) 12pt (12D)
set: 6.75 7.75 8.25 9 9.76 12
line:M.1230 M.1268 M.1298 M.1325 M.1338 M.1420

display matrices:

size:14pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt72pt
line:T.1438 T.1948 T.2640 T.3194 T.3884 T.4576 T.5268 T.6651 T.7930

Devenagari

155: Devenagari

composition matrices: 12pt-16pt[256]

size:12pt 14pt 16pt
set: 9 10.5 12

display matrices:

size:20pt 24pt 36pt 48pt

346: Devenagari Bold

composition matrices: 10pt-16pt, voor 10pt is een speciale gietvorm nodig[257]

size:10pt 12pt 14pt 16pt
set: 7.5 9 10.5 12

755: Devenagari Italic

composition matrices: 10pt-16pt[21]

size:10pt 12pt 14pt 16pt
set: 7.5 9 10.5 12

Display matrices 18pt, 24pt, 30pt, 36pt

Gaelic

_24: Gaelic

composition matrices: UA.23: 8pt, 10pt, 12 pt, UA.108: 14 pt, 18pt, UA.109: 24 pt[258]

size: 6pt (6D) 8pt (8D) 10pt (10D) 12pt (12D)
set: 6.25 8.25 9.25 11.25
line: .1200 .1248 .1330 .1387

large composition matrices: UA.108 = 14 pt, 18pt, UA.109 = 24 pt

size: 14pt 18pt 24pt
set: 14 18 24
line: .1533 .1948 2640

display matrices: 14pt - 72pt

size: 14pt 18pt 24pt 30pt 36pt 42pt 48pt 60pt 72pt
line: .1533 .1948 .2640 .3194 .3884 .4576 .5268 .6651 .7930

117: Gaelic (see: 117 Gaelic Sans-Serif)

121: Colum Cille (see: 121 Gaelic Colm Cille)

121: Gaelic Colm Cille

_85: Gaelic Display

117: Gaelic Display (see: 117 Gaelic Sans-Serif)

117: Gaelic Sans Serif

Georgian

539: Georgian Light (cancelled in 1972)

display matrices: 16D[101]

540: Georgian Bold (cancelled in 1972)

display matrices: 24D

587: Georgian

composition matrices: 8D-10D

size:8D 10D
set:8.7510.75

Glagolitic

598: Glagolitic (see also: 597 Old Bulgarian)

composition matrices: 12pt:[251]

size:12pt
set:11.75
line:M.1415

Greek

259: Antigone

composition matrices: UA.432 = 13pt:[240]

size: 13pt (12D)
set:9.25
line:M.1330

672: Gill Sans Bold Upright

is used as "bold" in combination with series 571 & 572

585: Gill Sans Condensed

display matrices:[252]

size:14pt18pt24pt30pt36pt
line:T.1395 T.1841 T.2480 T.2918 T.3606

625: Gill Sans Bold Upright

composition matrices: UA.452 = 8-12pt:[259]

size:8pt (8D)10pt (10D)11pt (11D)12pt (11D)
set:89.510.2511.25
line:M.1255 M.1302 M.1327 M.1360

display matrices:

size:14pt18pt24pt30pt36pt
line:T.1395 T.1841 T.2480 T.2918 T.3606

571: Gill Sans Inclined italic

Is used as italic in combination with series 572 and 672, data similar with Series 572:

572: Gill Sans Upright Roman

composition matrices: UA.451 = 8-12pt:[259]

size:8pt (8D)10pt (10D)11pt (11D)12pt (11D)
set:89.510.2511.25
line:M.1255 M.1302 M.1327 M.1360

display matrices:

size:14pt18pt24pt30pt36pt
line:T.1395 T.1841 T.2480 T.2918 T.3606

473: Greek (cancelled in 1967)

_91: Greek: Inclined

composition matrices: UA.26 = 6-13pt:[260]

size:6pt (6D) 8pt (8D) 9pt (8D) 10pt (9D) 11pt (10D) 13pt (12D)
set:6.758.2599.7510.512.5
line:M.1198 M.1245 M.1270 M.1300 M.1320 M.1390

_92: Greek: Bold Upright (see also: 92 Greek Upright Display)

composition matrices: UA.26 = 6-13pt:[253]

size:6pt (6D) 9pt (8D) 10pt (9D) 11pt (10D) 13pt (12D)
set:6.7599.7510.512.5
line:M.1198 M.1270 M.1300 M.1320 M.1390

472: Greek: Inclined

composition matrices: UA.434 = 8-11pt:[260]

size:8pt (8D) 9pt (9D) 10pt (9D) 11pt (10D)
set:8.59.259.7510.5
line:M.1235 M.1260 M.1290 M.1310

_90: Greek: Upright

composition matrices: UA.26 = 6-13pt:[21]

size:6pt (6D) 8pt (8D) 9pt (8D) 10pt (9D) 11pt (10D) 13pt (12D)
set:7.5899.7510.512.5
line:M.1235 M.1250 M.1270 M.1300 M.1320 M.1390

_92: Greek Upright Display (Synoniem: 92 Greek Bold Upright)

composition matrices: UA.27 = 9-13pt:[259]

size:9pt (8D) 11pt (10D) 13pt (12D)
set:910.512.5
line:M.1270 M.1320 M.1390

683: Grotesque Condensed Upright

display matrices: 14D-36D[168]

size:14D at 16pE 18D at 20pE 24D at 30pE 30D at 36pE 36D at 26pE
line:T.1616 T.2074 T.2776 T.3565 T.4164

718: Grotesque Condensed Upright

display matrices: 14pt-36pt[168]

size:14pt 18pt 24pt 30pt 36pt
line:T.1544 T.1948 T.2640 T.3332 T.4022

486: Heavy Greek (see: 486 Sans-Serif)

192: New Hellenic Greek

composition matrices: UA.73 = 7-12pt:[261]

size:7pt (7D)9pt (8D)10pt (9D) 11pt (10D)12pt (11 of 12D)
set:7.258.759.7510.512
line:M.1225 M.1273 M.1307 M.1332 M.1380

display matrices:

size:18pt
line:T.1807

553: Old Style Bold Inclined

composition matrices: UA.436 = 9-11pt:[262]

size:9pt (9D)11pt (10D)
set:9.2510.5
line:M.1257 M.1315

283: Perpetua (cancelled in 1967)

605: Placard Extra Light Condensed

display matrices: 14D-36D[252]

size:14D at 16pE16D at 18pE24D at 30pE28D at 30pE36D at 16pE
line:T.1860 T.2114 T.3236 T.3722 T.4774

668: Placard Condensed Upright

display matrices: 14D-36D[168]

size:14D at 16pE16D at 18pE20D at 22pE24D at 30pE28D at 30pE36D at 16pE
line:T.1806 T.2052 T.2544 T.3076 T.3592 T.4614

106: Porson

composition matrices: UA.26 = 5.5-12pt:[97]

size:5.5pt (5.5D)8pt (8D)10pt (9D) 11pt (10D)12pt (12D)
set:6.589.7510.512
line:M.1195 M.1250 M.1294 M.1315 M.1356

404: Porson Condensed (cancelled in 1967)

486: Greek: Sans Serif

composition matrices: UA.415 = 8-10pt:[263]

size:8pt (8D)10pt (10D)
set:89.75
line:M.1250 M.1294

739: Spartan Light Upright

Only capitals in 4 sizes, the small sizes are used as lower case with the larger sizes

composition matrices: UA.454 = 6-12pt:[136]

size:6pt (6D) 12pt (11D)
set:711
line:M.1282 M.1420

740: Spartan Upright

Only capitals in 4 sizes, the small sizes are used as lower case with the larger sizes

composition matrices: UA.454 = 6-12pt:[136]

size:6pt (6D) 12pt (11D)
set:711
line:M.1282 M.1420

741: Spartan Bold Upright

Only capitals in 4 sizes, the small sizes are used as lower case with the larger sizes

composition matrices: UA.454 = 6-12pt:[136]

size:6pt (6D) 12pt (11D)
set:712
line:M.1282 M.1420

565: Times Upright

composition matrices: UA.437 = 6-12pt:[264]

size:6pt (6D)7pt (7D)8pt (8D)9pt (8D)10pt (10D)11pt (10D)12pt (12D)
set:6.757.758.2599.7510.512
line:M.1230 M.1268 M.1298 M.1325 M.1338 M.1368M.1420

display matrices:

size:14pt18pt
line:T.1438 T.1948

566: Times Inclined was used as italic with Series 565 Times Upright

composition matrices: UA. 438 = 6pt-12pt, large composition matrices 14pt-18pt, (lining-data more equal)

567: Times Bold Upright

composition matrices: UA.439 = 6-12pt:[264]

size:6pt (6D)8pt (8D)10pt (10D)12pt (12D)
set:6.758.259.7512
line:M.1239 M.1298 M.1338 M.1420

display matrices:

size:14pt18pt24pt30pt36pt
line:T.1458 T.1873 T.2640 T.3194 T.3884

667: Times Bold Inclined

composition matrices: UA.439 = 6-12pt:[264]

size:6pt (6D)8pt (8D)10pt (10D)12pt (12D)
set:6.758.259.7512
line:M.1239 M.1298 M.1338 M.1420

display matrices:

size:14pt18pt24pt30pt36pt
line:T.1458 T.1873 T.2640 T.3194 T.3884

893: Univers Bold Upright

composition matrices: UA.439 = 6-12pt:[108]

size:8D at 9pE9D at 10pE10D at 11pE
set:9.511.2513
line:M.1290 M.1350 M.1408

989: Univers Medium Inclined

composition matrices: UA.439 = 6-12pt:[108]

size:8D at 9pE9D at 10pE10D at 11pE
set:9.511.2513
line:M.1290 M.1350 M.1408

889: Univers Medium Upright

composition matrices: UA.439 = 6-12pt:[108]

size:8D at 9pE9D at 10pE10D at 11pE
set:9.511.2513
line:M.1290 M.1350 M.1408

Gujerathi

460: Gujerathi

composition matrices:[152]

size:10pt 12pt 14pt
set:7.5910.5

518: Gujerathi Bold

composition matrices:[152]

size:10pt 12pt 14pt
set:7.5910.5

display matrices:

size:18pt 24pt 30pt 36pt

704: Gujerathi

composition matrices:[152]

size:10pt 12pt 14pt
set:7.5910.5

Gurmukhi

601: Gurmukhi Bold

composition matrices: 12-16pt:[104]

size:12pt 14pt 16pt
set:910.512

604: Gurmukhi

composition matrices: 12-16pt:[104]

size:12pt 14pt 16pt
set:910.512

604: Gurmukhi Light (see: 604 Gurmukhi)

Hebrew

219: Ashurith (unpointed)

composition matrices: 7-8pt:[230]

size:7pt at 12pE (7D)8pt at 13pE (8D)
set:6.57

487: Gill (cancelled in 1967)

222: Hebrew

composition matrices: 6-8pt:[265]

size:6pt at 9pE (6D) 7pt at 10pE (7D) 8pt at 13pE (8D)
set:777

219: Hebrew Ashurith (see: 219 Ashurith)

221: Hebrew Levenim (see: 221 Levenim)

220: Hebrew Peninim (see: 220 Peninim)

228: Hebrew Rabbinic (see: 228 Rabinnic)

547: Hebrew Schocken No. 1 (cancelled in 1974)

550: Hebrew Schocken No. 2 (cancelled in 1967)

551: Hebrew Schocken No. 3 (cancelled in 1967)

218: Hebrew Sonzino (pointed) (see: 218 Sonzino)

221: Levênim (unpointed)

composition matrices: 7pt:[230]

size:7pt op 9pE (7D)
set:7.25

492: Mayer

488: Mayer Pointed

220: Peninim (unpointed)

composition matrices: 5-7pt:[265]

size:5pt at 8pE 6pt at 9pE 7pt at 11pE
set:55.57.25

display matrices: size: 14pt, 18pt, 24pt

489: Peninim

217: Peninim Pointed

composition matrices: 6-8pt:[230]

size:6pt (6D)7pt 8pt
set:55.57

228: Rabbinic

composition matrices: 11-12pt:[230]

size:11pt (10D)12pt (12D)
set:6.57

218: Sonzino

composition matrices: 9-12pt: extra point-matrices available for 9pt, when cast at 9pt Didot[265]

size:9pt 12pt
set:7.510

display matrices: 18pt point S5469 to S5476 cast at 6 point

Kannada

588: Kannada

composition matrices: 10-16pt:[104]

size:10pt 12pt 14pt 16pt
set:9.7511.513.7515.75

590: Kannada (see: 590 Malayalam)

788: Kannada

787: Kannada Semi-Bold

Malayalam

590: Malayalam (synonym: 590 Kannada)

composition matrices: 10-12pt:[230]

size:8pt10pt 12pt
set:9.7512.514.75

660: Malayalam

composition matrices: 8pt:

size:8pt
set:11

Old Bulgarian

597: Old Bulgarian (see also: 598 Glagolitic)

composition matrices: 10-12pt:[251]

size:10pt (9D)12pt (11D)
set:9.511.75
line: M.1332 M.1415

Oriya

706: Oriya

Sangalese

557: Sangalese

composition matrices: 8-14pt:[235]

size:8pt 10pt12pt 14pt
set:7.759.251113

657: Sangalese Bold

composition matrices: 8-14pt:[235]

size:8pt 10pt12pt 14pt
set:7.759.251113

698: Sangalese Italic

composition matrices: 8-14pt:[239]

size:8pt 10pt12pt
set:7.759.2511

699: Sangalese Bold Italic

composition matrices: 8-14pt:[239]

size:8pt 10pt12pt
set:7.759.2511

Syriac

564: Syriac "Estrangelo"

composition matrices: 8-10pt:[129]

size:8D 10D
set:8.7510.75

Tamil

280: Tamil

composition matrices:[266]

size:8pt 10pt
set:912 15

340: Tamil Bold

composition matrices: 8pt-10pt[267]

size:8pt 10pt
set:12 15

display matrices:

12pt 14pt 18pt 24pt

581: Tamil Bold (cancelled)

340: Tamil Heavy (see: 340 Tamil Bold)

580: Tamil Medium\

composition matrices:[266]

size:8pt 9pt 10pt 11pt 12pt
set:9.75 11 12.5 13.5 14.75

708: Tamil Medium

composition matrices:[268]

size:8pt 9pt 10pt 11pt 12pt14pt
set:9.75 11 12.5 13.5 14.7517

Telugu

426: Telugu (cancelled in 1969)

626: Telugu Medium

composition matrices:[150]

size:12pt
set:12

726: Telugu Bold

Thai

577: Thai

composition matrices:[104]

size:12pt 16pt 18pt
set:9 12 13.5

608: Thai Light

composition matrices:

size:12pt 16pt 18pt
set:8.5 11.5 12.75

611: Thai Bold

composition matrices:

size:12pt 16pt 18pt
set:9 12 13.5

621: Thai Medium

display matrices:[269]

size:24pt 30pt 36pt 48pt

628: Thai Light Italic

composition matrices:[230]

size:16pt 18pt
set:11.5 12.75

Urdu

507: Urdu

composition matrices: 9D-16D[270]

size:9D12D14D16D
cast at:12pE at 12D 16pE at 16D duplex 18pE at 18D duplex 20pE at 20D duplex
set:10.5 13 14.75 17

707: Urdu Bold

composition matrices: 9D-16D[270]

size:9D12D14D16D
cast at:12pE at 12D 16pE at 16D duplex 18pE at 18D duplex 20pE at 20D duplex
set:10.5 13 14.75 17

display matrices:

size:18D24D30D42D54D
cast at:24pE at 24D 30pE at 30D 36pE at 36D 48pE at 48D 60pE at 60D
holder:Xb7SL Xb7SL

External links

the site of David Bolton, with much info on Monotype and letterpress.

The website of the Type Museum in London, where matrices were still produced with the old machines.

Monotype Inc. for digital fonts.

Monotype digital fonts

Notes and References

  1. https://www.typeroom.eu/30-years-after-its-foundation-type-archive-is-no-more 30-years-after-its-foundation-type-archive-is-no-more
  2. Hudy Slinn, Sebastian Carter, Richard Southill: The History of The Monotype Corporation, Printing Historical Society, London, Vanburg Press Woodstock, 2014,
  3. Js. Hermans, ' that's printed... ' but how? , 1961 Intergrafia-series number 17, Edecea Publishing House, Horn
  4. N.N., Specimen book of "Monotype" printing types , The Monotype Corporation LIMITED, 43 Fetter Lane, London EC4, 4 vols
  5. The Monotype Corporation Ltd. specimen-blade 9-61, Albertus 324
  6. The Monotype Corporation Ltd. specimen-blade 9-67, Albertus 481
  7. The Monotype Corporation Ltd. specimen-blade 9-67, Albertus 534
  8. The Monotype Corporation Ltd. specimen-blade 7-56, Albertus 538
  9. The Monotype Corporation Ltd. 12-36
  10. The Monotype Corporation Ltd. 2-61
  11. The Monotype Corporation Ltd. 10-39
  12. The Monotype Corporation Ltd. 5-38
  13. The Monotype Corporation Ltd. specimen blade 6-38
  14. The Monotype Corporation Ltd. specimen blade series No. 354
  15. The Monotype Corporation Ltd. specimen blade 2-70
  16. The Monotype Corporation Ltd. specimen blade 1-77
  17. The Monotype Corporation Ltd. specimen blade 3-40
  18. The Monotype Corporation Ltd. Series no. 238
  19. The Monotype Corporation Ltd. Series no. 279
  20. The Monotype Corporation Ltd. 7-70
  21. The Monotype Corporation Ltd. 4-71
  22. The Monotype Corporation Ltd. 11-73
  23. The Monotype Corporation Ltd. 9-70
  24. The Monotype Corporation Ltd. 1-51 and 11-51
  25. The Monotype Corporation Ltd. series no.376
  26. The Monotype Corporation Ltd. series no.378
  27. The Monotype Corporation Ltd. 10-41
  28. The Monotype Corporation Ltd. series no.381
  29. The Monotype Corporation Ltd. 2-73
  30. The Monotype Corporation Ltd. 3-46 and 3-71
  31. The Monotype Corporation Ltd. 8-59
  32. The Monotype Corporation Ltd. 5-51
  33. The Monotype Corporation Ltd. 5-76
  34. The Monotype Corporation Ltd. 2-65
  35. The Monotype Corporation Ltd. 9-50
  36. The Monotype Corporation Ltd. 1-50 and 7-60
  37. The Monotype Corporation Ltd. 9-37 and 11-50
  38. The Monotype Corporation Ltd. 3-40
  39. The Monotype Corporation Ltd. 3-37 and 10-40
  40. The Monotype Corporation Ltd. 2-60, 4-71 and 10-38
  41. The Monotype Corporation Ltd. 11-76
  42. The Monotype Corporation Ltd. Series No. 138 Bold Face no.3
  43. The Monotype Corporation Ltd. 11-55
  44. The Monotype Corporation Ltd. 5-41
  45. The Monotype Corporation Series no. 197 and 2-57
  46. The Monotype Corporation Ltd. 1-72
  47. https://fonts.com/font/monotype/castellar-mt/story Castellar
  48. https://docs.microsoft.com/en-us/typography/font-list/castellar Castellar font family
  49. The Monotype Corporation Ltd. 5-71
  50. The Monotype Corporation Ltd. 5-67
  51. The Monotype Corporation 5-67 and 12-72
  52. The Monotype Corporation Ltd.5-76
  53. The Monotype Corporation Ltd. 8-71
  54. The Monotype Corporation Ltd. 2-72
  55. The Monotype Corporation Ltd. 9-69
  56. The Monotype Corporation Ltd. 7-68
  57. The Monotype Corporation Ltd. 4-39
  58. The Monotype Corporation specimen blade 3-58
  59. The Monotype Corporation Ltd. series no.412
  60. The Monotype Corporation Ltd. 12-71
  61. The Monotype Corporation Ltd. 9-37
  62. The Monotype Corporation Ltd. 8-55
  63. The Monotype Corporation Ltd. 6-72
  64. The Monotype Corporation Ltd. specimen blade series 17
  65. The Monotype Corporation Ltd. 5-70
  66. The Monotype Corporation Ltd. 3-61
  67. The Monotype Corporation Ltd. 9-40
  68. The Monotype Corporation Ltd. 7-37
  69. The Monotype Corporation Ltd. 8-39
  70. The Monotype Corporation Ltd. specimen blade 3-44
  71. The Monotype Corporation Ltd. Series No. 223
  72. The Monotype Corporation Ltd. 6-38
  73. The Monotype Corporation Ltd. specimen blade 8-68
  74. The Monotype Corporation Ltd. 12-67
  75. The Monotype Corporation Ltd. series no.171
  76. The Monotype Corporation Ltd. series no.130
  77. The Monotype Corporation Ltd. series no.162
  78. The Monotype Corporation Ltd. 10-76
  79. The Monotype Corporation Ltd. Series no 330
  80. The Monotype Corporation Ltd. Series no.112
  81. The Monotype Corporation Ltd. 10-68
  82. The Monotype Corporation Ltd. 2-77
  83. The Monotype Corporation Ltd. specimen blade 10-37
  84. The Monotype Corporation Ltd. specimen blade 10-76
  85. The Monotype Corporation Ltd. 11-86
  86. The Monotype Corporation Ltd. 11-68
  87. The Monotype Corporation Ltd. 2-60
  88. The Monotype Corporation Ltd. 12-57
  89. The Monotype Corporation Ltd. 5-58
  90. The Monotype Corporation Ltd. 8-60
  91. The Monotype Corporation Ltd. 5-56
  92. The Monotype Corporation Ltd. 8-61
  93. The Monotype Corporation Ltd. 4-62
  94. The Monotype Corporation Ltd. 8-68
  95. The Monotype Corporation Ltd. 10-40
  96. The Monotype Corporation Ltd. series No. 68 and 4-56 and 5-40
  97. The Monotype Corporation Ltd. 2-40
  98. The Monotype Corporation Ltd. 6-40
  99. The Monotype Corporation Ltd. Series No. 69 and 6-54
  100. The Monotype Corporation Ltd. 3-52 and 11-86
  101. The Monotype Corporation Ltd. 4-73
  102. The Monotype Corporation Ltd. 12-73
  103. The Monotype Corporation Ltd. 11-70
  104. The Monotype Corporation Ltd. 4-63
  105. The Monotype Corporation Ltd. 3-71
  106. The Monotype Corporation Ltd. 11-71
  107. The Monotype Corporation Ltd. 1-77
  108. The Monotype Corporation Ltd. 7-72
  109. The Monotype Corporation Ltd. 6-70
  110. The Monotype Corporation Ltd. 2-68
  111. The Monotype Corporation Ltd. 1-71
  112. The Monotype Corporation Ltd. 4-70
  113. The Monotype Corporation Ltd. 6-60 and 12-67
  114. The Monotype Corporation Ltd. 3-70
  115. The Monotype Corporation Ltd. 2-70
  116. The Monotype Corporation Ltd. specimen-blade Series No. 4
  117. The Monotype Corporation Ltd. 7-67
  118. The Monotype Corporation Ltd. 7-65
  119. The Monotype Corporation Ltd. 9-58
  120. The Monotype Corporation Ltd. 9-63
  121. The Monotype Corporation Ltd. 8-60 and 10-63
  122. The Monotype Corporation Ltd. 9-41
  123. The Monotype Corporation Ltd. 10-62
  124. The Monotype Corporation Ltd. 4-65
  125. The Monotype Corporation Ltd. 12-63
  126. The Monotype Corporation Ltd. 12-40
  127. The Monotype Corporation Ltd. 11-61 and 12.53
  128. The Monotype Corporation Ltd. 11-61
  129. The Monotype Corporation Ltd. 12-65
  130. The Monotype Corporation Ltd. specimen-blade 2-72
  131. The Monotype Corporation Ltd. specimen-blade 10-40
  132. The Monotype Corporation Ltd. 12-50 and 12-64
  133. The Monotype Corporation Ltd. Series 365
  134. The Monotype Corporation Ltd. 3-69
  135. The Monotype Corporation Ltd. 5-61 and 5-67
  136. The Monotype Corporation Ltd. 6-65
  137. The Monotype Corporation Ltd. 11-60 and 11-63
  138. The Monotype Corporation Ltd. 5-64
  139. The Monotype Corporation Ltd. 9-62
  140. The Monotype Corporation Ltd. 12-64
  141. The Monotype Corporation Ltd. Series No. 389
  142. The Monotype Corporation Ltd. 9-63 and 12-67
  143. The Monotype Corporation Ltd. 12-37
  144. The Monotype Corporation Ltd. 11-40
  145. The Monotype Corporation Ltd. 8-37
  146. The Monotype Corporation Ltd. 2-70, 7-65, 8-65
  147. The Monotype Corporation Ltd. 5-72
  148. Last edition of Matrix
  149. The Monotype Corporation Ltd. 9-60
  150. The Monotype Corporation Ltd. 8-63
  151. The Monotype Corporation Ltd. 6-61
  152. The Monotype Corporation Ltd. 7-71
  153. The Monotype Corporation Ltd. Series No. 265
  154. The Monotype Corporation Ltd. Series No. 416
  155. The Monotype Corporation Ltd. 2-37
  156. Lanton Monotype specimen blade series 58 & 238
  157. The Monotype Corporation Ltd. 3-59
  158. The Monotype Corporation Ltd. Series No. 305
  159. The Monotype Corporation Ltd. specimen-blade 1-50/1-54
  160. The Monotype Corporation Ltd. 4-40
  161. The Monotype Corporation Ltd. 5-40
  162. The Monotype Corporation Ltd. 4-44
  163. The Monotype Corporation Ltd. 4-41
  164. The Monotype Corporation Ltd. series No. 348
  165. The Monotype Corporation Ltd. 7-39
  166. The Monotype Corporation Ltd. 12-52, 3-75
  167. The Monotype Corporation Ltd. 2-62
  168. The Monotype Corporation Ltd. 7-64
  169. The Monotype Corporation Ltd. 5-61
  170. The Monotype Corporation Ltd. specimen-blade 10-47
  171. The Monotype Corporation Ltd. specimen-blade 11-58
  172. The Monotype Corporation Ltd. specimen-blade 1-53
  173. The Monotype Corporation Ltd. 9-38
  174. The Monotype Corporation Ltd. specimen-blade 5-41
  175. The Monotype Corporation Ltd. specimen-blade 9-37
  176. The Monotype Corporation Ltd. 8-40
  177. The Monotype Corporation Ltd. specimen-blade 8-56
  178. The Monotype Corporation Ltd. specimen-blade 5-40
  179. The Monotype Corporation Ltd. specimen-blade 6-38/12-51
  180. The Monotype Corporation Ltd. specimen-blade Series No. 14
  181. The Monotype Corporation Ltd. specimen-blade 8-50
  182. The Monotype Corporation Ltd. specimen-blade 7-40
  183. The Monotype Corporation Ltd. Series No. 179
  184. The Monotype Corporation Ltd. 10-36
  185. The Monotype Corporation Ltd. 7-50
  186. The Monotype Corporation Ltd. 7-50 and 12-36
  187. The Monotype Corporation Ltd. 7-54
  188. The Monotype Corporation Ltd. Series No. 257
  189. The Monotype Corporation Ltd. 6-63
  190. The Monotype Corporation Ltd. 3-38
  191. The Monotype Corporation Ltd. specimen blade 9-37
  192. The Monotype Corporation Ltd. 3-50
  193. The Monotype Corporation Ltd. 12-59
  194. The Monotype Corporation Ltd. 6-39
  195. The Monotype Corporation Ltd. specimen blades 1-50, 12-37
  196. The Monotype Corporation Ltd. 9-46
  197. The Monotype Corporation Ltd. Series No. 50
  198. Onyx font family at Microsoft Typography
  199. The Monotype Corporation Ltd. 7-61
  200. The Monotype Corporation Ltd. 4-60
  201. The Monotype Corporation Ltd. 2-51
  202. The Monotype Corporation Ltd. 3-49
  203. The Monotype Corporation Ltd. 11-38
  204. The Monotype Corporation Ltd. Series No. 386
  205. The Monotype Corporation Ltd. 8-58
  206. The Monotype Corporation Ltd. 4-66
  207. The Monotype Corporation Ltd. 3-52
  208. The Monotype Corporation Ltd. 2-57
  209. The Monotype Corporation Ltd. 4-64 and 12-52
  210. The Monotype Corporation Ltd. 1-70
  211. The Monotype Corporation Ltd. 12-69
  212. The Monotype Corporation Ltd. 1-38
  213. The Monotype Corporation Ltd. 10-49 and 12-69
  214. The Monotype Corporation Ltd. 10-61
  215. The Monotype Corporation Ltd. 5-62
  216. The Monotype Corporation Ltd. 5-60
  217. The Monotype Corporation Ltd. 9-61
  218. The Monotype Corporation Ltd. 1-68
  219. The Monotype Corporation Ltd. 12-61
  220. The Monotype Corporation Ltd. specimen-blade Series 10
  221. The Monotype Corporation Ltd. specimen blade Serie nr. 186
  222. The Monotype Corporation Ltd. specimen blade 7-37
  223. The Monotype Corporation Ltd. 9-51
  224. The Monotype Corporation Ltd. 2-58
  225. The Monotype Corporation Ltd. 7-46
  226. The Monotype Corporation Ltd. 9-39
  227. The Monotype Corporation Ltd. 7-62
  228. The Monotype Corporation Ltd. 6-60
  229. The Monotype Corporation Ltd. 11-64
  230. The Monotype Corporation Ltd. 2-63
  231. The Monotype Corporation Ltd. 3-57
  232. The Monotype Corporation Ltd. 3-58 and 5-61
  233. The Monotype Corporation Ltd. 6-66
  234. The Monotype Corporation Ltd. 3-58
  235. The Monotype Corporation Ltd. 1-64
  236. The Monotype Corporation Ltd. Series No. 114
  237. The Monotype Corporation Ltd. 4-64
  238. The Monotype Corporation Ltd. 10-67
  239. The Monotype Corporation Ltd. 11-67
  240. The Monotype Corporation Ltd. 5-68
  241. The Monotype Corporation Ltd. 6-54
  242. The Monotype Corporation Ltd. 7-61 and 12-64
  243. The Monotype Corporation Ltd. Series No. 182
  244. KlingsporMuseum [www.klingspor-museum.de/KlingsporKuenstler/Schriftdesigner/Svolinsky/KSvolinsky.pdf Karel Svolinski]
  245. Web site: Home. book.art.pl.
  246. The Monotype Corporation Ltd. Series No. 273
  247. The Monotype Corporation Ltd. serie nr. 98
  248. The Monotype Corporation Ltd. specimen blade Serie nr. 187
  249. The Monotype Corporation Ltd. 7-69
  250. The Monotype Corporation Ltd. 11-63
  251. The Monotype Corporation Ltd. 5-65
  252. The Monotype Corporation Ltd. 9-64
  253. The Monotype Corporation Ltd. 4-61
  254. The Monotype Corporation Ltd. 1-61
  255. The Monotype Corporation Ltd. 10-60
  256. The Monotype Corporation Ltd. 1-65
  257. The Monotype Corporation Ltd. 10-75
  258. The Monotype Corporation Ltd. specimen blade 6-41
  259. The Monotype Corporation Ltd. 1-60
  260. The Monotype Corporation Ltd. 2-66
  261. The Monotype Corporation Ltd. Series No. 192 and 11-60
  262. The Monotype Corporation Ltd. 2-69
  263. The Monotype Corporation Ltd. 11-50 and 2-16
  264. The Monotype Corporation Ltd. 1-59
  265. The Monotype Corporation Ltd. 3-63
  266. The Monotype Corporation Ltd. 9-54
  267. The Monotype Corporation Ltd. 1-66
  268. The Monotype Corporation Ltd. 4-74
  269. The Monotype Corporation Ltd. 1-63
  270. The Monotype Corporation Ltd. 5-73

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