The Monday Night War[1] [2] [3] [4] or the Monday Night Wars, was an era of mainstream televised American professional wrestling, from September 4, 1995 to March 26, 2001, in which the World Wrestling Federation's (WWF; now WWE) Monday Night Raw (later Raw Is War) and World Championship Wrestling's (WCW) Monday Nitro were broadcast opposite each other in a battle for Nielsen ratings each week. It largely overlapped with the Attitude Era, a period in which the WWF used the term "WWF Attitude" to describe its programming from November 9, 1997 to May 6, 2002.
The rating war was part of a larger overall struggle between the WWF and WCW, originating in personal animosity between respective owners Vince McMahon and Ted Turner. The rivalry steadily escalated throughout the 1990s to include the use of cutthroat tactics and the defections of employees between the two promotions. Throughout the war, the WWF and WCW would both adopt different concepts and narrative techniques. Meanwhile, both companies would establish both formal and informal partnerships with Extreme Championship Wrestling (ECW), with ECW performers either appearing on WWF and WCW shows while still under contract, or outright leaving ECW to work for one of the other two companies.
While WCW was the dominant promotion for much of the mid-1990s, a variety of factors coalesced to turn the tide in the WWF's favor at the end of the decade, including a radical rebranding of their formerly family-friendly product into highly sexualized and violent shows geared towards older teens and adults. WCW ultimately ran into financial difficulties as a result of the amount of money they had promised wrestlers during a hiring binge in the early and middle part of the decade, which had been aimed at acquiring large portions of the WWF's talent roster. Behind the scenes, executives who had longed to see WCW removed from the Turner organization were eventually able to see it come to fruition after Turner Broadcasting's merger with Time Warner and their merger with America Online (AOL). With Turner no longer in control, corporate executives of the combined AOL Time Warner sold WCW's assets. Despite efforts to salvage the company, it was ultimately sold to McMahon, ending the Monday Night War.
In retrospect, wrestling commentators have come to see the Monday Night War as a golden age of professional wrestling, along with the 1940s–1950s and 1980s booms, with the competition between the WWF and WCW bringing out their best quality product both in terms of creativity and the performances of their wrestlers.
The Monday Night War largely sprang from a rivalry between WWF owner Vince McMahon and WCW owner Ted Turner, dating back to an incident in the 1980s known as Black Saturday, when McMahon acquired a monopoly on all nationally televised wrestling broadcasts by purchasing a stake in Georgia Championship Wrestling (GCW), whose flagship show aired on WTBS, Turner's own superstation based in Atlanta, Georgia. Turner, displeased with McMahon's handling of programming on his network, pressured McMahon into selling his time slot to Jim Crockett Promotions, another wrestling promotion. As wrestling began to grow in popularity in the early 1990s, McMahon's World Wrestling Federation (WWF; now WWE) and Turner's World Championship Wrestling (WCW) – and, as a result, their programming – became a venue through which the business feud could continue, with each company working to drive the other out of business.
WCW dominated the ratings through much of the mid-1990s, as Turner's financial resources allowed the company to purchase the services of numerous high-profile WWF performers, including Hulk Hogan and Randy Savage. The company also drew casual fans' attention by filming events at popular tourist venues such as Disney's Hollywood Studios, and reached out to Mexican and Japanese wrestling fans through its cruiserweight division, which featured wrestlers from a diverse array of ethnic and racial backgrounds competing in matches featuring styles of wrestling popular in Latin America and Asia. Under the auspices of Eric Bischoff, WCW introduced a new, complex metastory involving the defection of multiple wrestlers to a rival organization called the New World Order (nWo). McMahon's controversial treatment of Bret Hart in an incident known as the Montreal Screwjob immediately precipitated Hart's departure from the WWF to WCW, alienating a large segment of the WWF's fanbase at the same time WCW came to employ virtually all of the established wrestling stars then in competition.
Throughout the late 1990s, the WWF began to rise in popularity after it rebranded itself as a more adult-themed, sexualized and violent product, a period in the company's history now referred to as the Attitude Era. The shift in programming helped lead the company to achieve mainstream success similar to the 1980s professional wrestling boom. Concurrently, many WWF performers became crossover successes: during this period The Rock would become very popular and then would embark on a successful acting career, while Mick Foley published a New York Times-bestselling autobiography; Stone Cold Steve Austin quickly became the company's most popular star and its flagship performer, and would be featured in mainstream media all over the U.S., from Nash Bridges to Dilbert. The heightened profiles of WWF wrestlers helped to draw the attention of both new and casual wrestling fans to the company's programming.
In the late 1990s, WCW's ratings began to suffer as fans grew tired of the nWo storyline, which many viewers perceived as having been allowed to go on for too long. Fans also responded negatively to several gimmicks intended to reinvigorate interest in the promotion, including the introduction of actor David Arquette as WCW World Heavyweight Champion. The company was able to briefly reinvigorate itself after the introduction of Bill Goldberg (known monymously as Goldberg), who was presented as an unbeatable force who won matches within a matter of minutes or even seconds. Goldberg quickly rose to stardom within the organization and became a crossover star similar to the WWF's performers, with appearances in commercials and music videos. However, a controversial backstage decision to end his winning streak, followed quickly by an anticlimactic match involving Kevin Nash and Hollywood Hogan – now known as the Fingerpoke of Doom – effectively killed WCW's credibility in the eyes of many fans, and the company was never able to recreate the initial level of popularity that it had enjoyed in the middle of the decade.[5] Simultaneously, WCW experienced financial woes due to the amount of money it had promised wrestlers in their contracts in the early and mid 1990s. The company was ultimately unable to sustain itself while paying wrestlers their contracted salaries, and it went up for sale. The war ended with the sale of WCW's assets by its parent company, AOL Time Warner, to the WWF.
Television had been a significant part of professional wrestling presentation in the United States for decades, but after the 1950s it had been relegated to local stations as the national networks ceased airing it. Many local programmers turned to professional wrestling as a means to fill out their schedules, as it was relatively inexpensive to produce but drew high ratings. This reinforced the then-accepted organization of professional wrestling, which were consisted of a patchwork of territorial promotions aimed at – and broadcast to – local audiences, without a centralized, national promotion, though most territories were members of a common sanctioning body of championship titles, the National Wrestling Alliance (NWA).
As cable television arose in the 1970s, local stations were often retransmitted to new markets as superstations. When Atlanta television station WTCG (later WTBS, then WPCH) became a superstation in the late 1970s, Georgia Championship Wrestling (GCW), an NWA member which aired on the station, reached a national audience. GCW's television show, hosted by Gordon Solie, was recorded in one of WTBS's studios at 1050 Techwood Drive in downtown Atlanta. Shows were taped before a small live, in-studio audience, as were most professional wrestling television shows of the period. They featured wrestling matches, plus melodramatic monologues and inter-character confrontations, similar to the programming offered by other territories, including the Northeast-based WWF. GCW's show, which aired on Saturday evenings, was complemented by a Sunday evening edition. Jim Barnett, Jack and Gerald Brisco had major stakes in the organization, while Ole Anderson was head booker and was in charge of operations. In 1982, in order to appear less regional in scope, the television show was renamed World Championship Wrestling, a name Barnett had used for promoting shows in Australia in the 1970s.
In 1983, the WWF started its own cable show called WWF All American Wrestling, airing Sunday mornings on the USA Network. Later that year, the WWF debuted a second cable show, also on USA, called Tuesday Night Titans (TNT), a late-night talk show spoof hosted by WWF owner Vince McMahon and Lord Alfred Hayes.
While still running steadily, Barnett and the Briscos sold their entire stock in GCW (including the television deal) to McMahon, and on July 14, 1984 (otherwise known as "Black Saturday"), the WWF took over GCW. With this move, McMahon controlled all nationally televised wrestling in the U.S. However, the WWF's show on WTBS was a ratings disaster, as GCW fans, disliking the cartoonish characters and storylines of the WWF, simply stopped watching. Two weeks after Black Saturday, WTBS debuted the show of a successor promotion to GCW created by holdout shareholders, Championship Wrestling from Georgia, albeit on early Saturday mornings.
Moreover, despite originally promising to produce original programming for the WTBS time slot in Atlanta, McMahon chose instead to provide only a clip show for WTBS, featuring highlights from other WWF programming as well as matches from house shows at Madison Square Garden, Boston Garden and other major arenas. This format would eventually be the cornerstone of the WWF Prime Time Wrestling (PTW) program. In May 1985, McMahon sold the WTBS time slot to another Southern-based and NWA-affiliated wrestling company, Jim Crockett Promotions (JCP), under heavy pressure from station owner Ted Turner, who was unhappy with the declining ratings. This set up a rivalry between McMahon and Turner that would continue for sixteen years.
That same year, PTW replaced TNT on USA Network, which expanded to two hours the format of the WWF's WTBS program. The most-remembered Prime Time format featured Bobby Heenan and Gorilla Monsoon introducing taped matches and analyzing them afterward, with Monsoon taking a neutral/babyface position and Heenan unashamedly cheering on the heels. The chemistry between Monsoon and Heenan made this show popular with fans for many years despite the fact it was not considered one of the WWF's "primary" shows for most of its history, and many other wrestling programs attempted to copy this formula, with varying degrees of success.
See also: Monday Night Raw debut episode. During a span of five months between November 1987 and March 1988, a bitter event-scheduling war broke out between McMahon and Jim Crockett, Jr., the owner of JCP. Throughout the 1980s, Crockett had steadily bought out other NWA-affiliated promotions in an attempt to make his organization a national one similar to the WWF. As a result, the term "NWA" became virtually synonymous with JCP. On Thanksgiving night 1987, McMahon's WWF aired Survivor Series on pay-per-view (PPV) against the NWA's Starrcade, which Crockett marketed as the NWA's answer to WrestleMania. However, many cable companies could only offer one live PPV event at a time. The WWF then threatened that any cable company that chose not to carry Survivor Series would not carry any WWF PPV events sixty days before and twenty-one days after the show. Therefore, the WWF PPV was cleared 10–1 over Starrcade, as only three cable companies opted to remain loyal to their contract with Crockett.
After this incident, the PPV industry warned McMahon not to schedule PPV events simultaneously with the NWA again. However, McMahon was still not willing to fully cooperate with Crockett. On January 24, 1988, another scheduling conflict took place between the WWF and NWA: the NWA presented the Bunkhouse Stampede on PPV, while WWF aired the Royal Rumble for free on the USA Network. Later that year, with WWF's WrestleMania IV around the corner, Crockett decided to use McMahon's own tactics against him, developing his own PPV-caliber event and airing it for free on WTBS opposite WrestleMania. The result was the Clash of the Champions I. On March 27, 1988 – the same night as WrestleMania IV – the first Clash of the Champions aired. This show made Sting a star after he wrestled NWA World Heavyweight Champion Ric Flair to a 45-minute draw. The NWA repeated the practice again the following year, with a Clash coinciding with WWF's WrestleMania V. Although the main event of the Clash saw NWA World Heavyweight Champion Ricky Steamboat defeat Flair in a best-of-three-falls match that lasted for almost an hour, ratings and attendance for the event fell well below expectations compared to WrestleMania V. Thus, the practice of conflicting major events would cease for six years.
By 1988, Crockett's acquisition spree had severely drained his coffers. As a result, he was forced to sell his company to Turner, through a subsidiary named Universal Wrestling Corporation, who wanted to retain the steady, strong ratings of the JCP wrestling programs. Turner named the company World Championship Wrestling (WCW) after the flagship television show; it remained affiliated with the NWA until 1993.
As 1993 began, PTW was struggling in the ratings and was canceled by USA Network. The show that succeeded it, Monday Night Raw, changed how wrestling on cable television would be presented. The WWF decided that it should use its cable time as a showcase for original matches and storylines that would serve as the major build-up to the quarterly pay-per-view broadcasts.
The original Raw broke new ground in televised professional wrestling. Traditionally, wrestling shows were taped on sound stages with small audiences or at large arena shows. The Raw formula was very different than that of Prime Time Wrestling: instead of taped matches, with studio voice overs and taped chat, Raw was a show shot to a live audience, with storylines unfolding as they happened. The first episode featured Sean Mooney reporting from the streets of New York City and interviews by Bobby Heenan, Yokozuna defeating Koko B. Ware, The Steiner Brothers defeating The Executioners; WWF Intercontinental Champion Shawn Michaels defeating Max Moon; and The Undertaker defeating Damien Demento. The show also featured an interview with Razor Ramon.
Raw originated from the Grand Ballroom at the Manhattan Center, a New York City theater, and aired live each week. The combination of an intimate venue and live action proved highly successful. However, the weekly live schedule became a financial drain on the WWF, and the company began taping shows; sometimes up to a month's worth of shows were taped at a time.
In the same year as the premiere of Raw, WCW promoted former commentator and American Wrestling Association (AWA) announcer/sales associate Eric Bischoff to the position of Executive Vice President. During Bischoff's first year at the top of WCW, bookers Ole Anderson and Dusty Rhodes concocted cartoonish, unbelievable and poorly built-up storylines that were poorly received by fans, such as "Lost in Cleveland," a storyline in which Cactus Jack developed amnesia and disappeared in Cleveland, Ohio; the White Castle of Fear, a match between Sting and Vader themed around B movies meant to promote SuperBrawl III; and tongue-in-cheek, short beach-party movies used as promotional videos for Beach Blast. Anderson and Rhodes' booking style was generally in line with the lighthearted, morally uncomplicated narrative that had been popular in 1980s wrestling, but which was generally looked upon with growing disdain by younger wrestling fans.
In February 1993, longtime NWA stalwart Ric Flair returned to WCW after an eighteen-month WWF tenure, but since Flair was constrained by a no-compete clause from his WWF contract, WCW gave him a talk show segment on its programming called A Flair for the Gold. At Slamboree 1993, WCW reunited the Four Horsemen with Flair, Arn Anderson and Paul Roma. Ole Anderson was part of the group as an advisor but made only one appearance on A Flair for the Gold. A Flair for Gold would eventually play host to one of the most infamous incidents of 1990s wrestling: On a live Clash of the Champions XXIV building up the Fall Brawl pay-per-view, WCW decided to introduce a "mystery partner" for the babyfaces, a masked man known as The Shockmaster. The Shockmaster was supposed to crash through a fake wall and intimidate the heels. However, he tripped through the wall, fell on live television and briefly knocked off his helmet. The incident would be talked about for years to come in the burgeoning internet wrestling culture, and, along with WWF's Gobbledy Gooker, "Shockmaster" became wrestling parlance for an exceptionally poorly executed idea.
That same year, WCW began taping matches months in advance for syndicated programming like WCW WorldWide at the Disney/MGM Studios which would become known as the "Disney tapings". The Disney tapings would ultimately prove disastrous to the company's reputation, largely due to WCW's underestimation of growing internet culture: because the events were recorded weeks, and sometimes months, in advance, fans in attendance had time to disseminate the results not only to wrestling magazines but also online. Seating at the events was also partially contingent upon wearing merchandise promoting different wrestlers, and audience members being made to respond on-cue to particular in-ring events. This was regarded as a major breach of kayfabe at the time and ultimately led to WCW's departure from the NWA in September 1993.
By the end of the year, WCW decided to once again base the promotion around Ric Flair. The decision was largely made out of necessity: The company had intended to place heavy emphasis on Sid Vicious, but he was involved in a legitimate altercation with fellow wrestler Arn Anderson while on tour in England. A heated argument between the men escalated into a physical altercation, which culminated in them stabbing one another with a pair of scissors. Because Sid's attack on Anderson was more violent, and because of Arn Anderson's close relationship with Ole Anderson, the decision was made to fire Sid. Sid's departure resulted in a further problem for the company: As he had been scheduled to defeat Big Van Vader for the WCW World Heavyweight Championship at Starrcade 1993, several weeks worth of Disney Tapings had been filmed with Sid as the champion, with the intention not to air it until the following year. Sid's departure from the company meant that hours worth of footage had suddenly become worthless.
In 1994, Bischoff took a more aggressive stance in his capacity as vice president. He declared open war on the WWF and aggressively recruited high-profile former WWF wrestlers such as Hulk Hogan and Randy Savage, using Turner's funds. Because of their high profiles, Hogan and Savage were able to demand – and get – several concessions not usually allowed to wrestlers at the time. Notably, the men negotiated total creative control over their characters, in addition to multiyear, multimillion-dollar contracts at a time when many top wrestlers were only receiving around $1 million a year. Bischoff's concessions to Hogan and Savage would set a precedent for WCW's hiring process that would prove problematic in later years: As Bischoff began to aggressively pursue rival talent for jobs with WCW, performers—aware of the deals Hogan and Savage had been given—began to demand similar contracts, ultimately causing wrestlers' salaries to soar out of control. Concurrent with Hogan's arrival in WCW, he and Bischoff formed a close, real-life friendship that would afford Hogan a degree of influence over the day-to-day operations of the company.
WCW's first major pay-per-view event since Hogan's hiring, Bash at the Beach, saw Hogan defeat Ric Flair for the WCW World Heavyweight Championship. The match was a reworking of a long-teased but never realized feud between the men while they were still working for the WWF: An intended main event match between them at WrestleMania VIII was changed to Hogan vs. Sid and Flair vs Savage, and the rivalry was never realized. Bischoff's attempt to deliver a "dream match" never produced by the WWF paid off, and the PPV drew a disproportionately high buy rate by the company's standards.
Extreme Championship Wrestling (ECW) had its origins in 1991 as the Tri-State Wrestling Alliance, owned by Joel Goodhart.[6] In 1992, Goodhart sold his share of the company to his partner, Tod Gordon, who renamed the promotion Eastern Championship Wrestling. When Eastern Championship Wrestling was founded, it was a member of the NWA, and "Hot Stuff" Eddie Gilbert[7] was its head booker. After a falling-out with Gordon, Gilbert was replaced in September 1993 by Paul Heyman (known on television as Paul E. Dangerously), who had just left WCW and was looking for a new challenge. In contrast to professional wrestling of the time, which was marketed more towards families, Eastern Championship Wrestling was geared more toward adults and fans who craved a more athletic and violent wrestling product. Its eventual successor, Extreme Championship Wrestling, aimed its product at males between 18 and 35, breaking a few taboos in professional wrestling such as blading. Heyman saw ECW as the professional wrestling equivalent to the grunge music movement of the early 1990s, and focused on taking the company in a new direction.[8]
In 1994, Jim Crockett Jr.'s non-compete agreement with Turner, to whom he had sold in 1988, expired and he decided to start promoting with the NWA again. Crockett went to Gordon and asked him to hold a tournament for the NWA World Heavyweight Championship, in ECW's home city of Philadelphia on August 27, 1994. NWA President Dennis Coralluzzo alleged that Crockett and Gordon were attempting to monopolize the title,[9] and stated Crockett did not have the NWA board's approval, which resulted in Coralluzzo personally overseeing the tournament. Gordon took offense at Coralluzzo for his power plays and began contemplating a plan to secede ECW from the NWA in a controversial and public manner that would attract attention to ECW and insult the NWA organization. Gordon and Heyman planned to have Shane Douglas, who was scheduled to face 2 Cold Scorpio in the tournament finals, throw down the NWA World Heavyweight Championship upon winning it as an act of defiance.[10] [11]
Heyman pitched the plan to Douglas, noting that the only negative would be that NWA traditionalists would just see them as traitors to tradition. Additionally, there was animosity between Douglas and Coralluzzo, who had publicly criticized Douglas and advised NWA-affiliated bookers not to schedule him for shows, as he believed Douglas was a "bad risk" and had the tendency to not appear at shows he was scheduled to wrestle at.[10] Douglas ultimately decided to go through with Gordon and Heyman's plan, inspired by his father's motto of "doing right by the people that do right by you". He threw down the NWA World Heavyweight Championship, stating that he did not want to be champion of a "dead promotion". He then raised the Eastern Championship Wrestling title and declared it to be a world heavyweight championship, calling it the only real world title left in professional wrestling. When recalling this event years later, Paul Heyman stated the following:
With this event, Eastern Championship Wrestling seceded from the NWA and became Extreme Championship Wrestling. The revamped promotion's unorthodox style and controversial storylines made it popular among fans in the 18- to 35-year-old male demographic. It showcased many different styles of professional wrestling, popularizing hardcore wrestling matches as well as lucha libre and Japanese wrestling styles. ECW was promoted as counterculture and a grittier alternative to multimillion-dollar organizations such as the WWF and WCW.
See also: WCW Monday Nitro debut episode. Monday Nitro premiered on September 4, 1995 as an hour-long weekly show, and Bischoff was instrumental in the launching of the show. During their mid-1995 meeting, Turner asked Bischoff how WCW could compete with the WWF. Bischoff, not expecting Turner to comply, said that the only way would be a prime-time slot on a weekday night, possibly up against the WWF's flagship show Monday Night Raw. Surprisingly for Bischoff, Turner granted him one live hour on TNT every Monday night, which specifically overlapped with Raw. This format expanded to two live hours in May 1996 and later three. Bischoff himself was initially the host; he handled the second hour along with Bobby Heenan and former NFL football player Steve "Mongo" McMichael, with Tony Schiavone and Larry Zbyszko hosting the first. Other co-hosts included Mike Tenay (usually for matches involving cruiserweights or international stars), Scott Hudson, and Mark Madden.
The initial broadcast of Nitro also featured the return of Lex Luger to WCW. Luger had worked for the company from 1987 to 1992, when it was still affiliated with the NWA, before joining the WWF the following year. WCW's coup of obtaining Luger was significant for several reasons. Because Nitro was live at the time, premiering major stars on the show would signal to the fans the amount of excitement the broadcasts would contain. Secondly, Luger had just come off a successful run in the WWF and was one of the company's top stars. In fact, he had been in line to get the WWF World Heavyweight Championship (he had had several previous title matches), and worked a WWF house show the night before. Since nobody but Bischoff and Luger's good friend Sting knew that Luger would return to WCW, the shock value generated by his appearance was great. Thirdly, Luger's defection created speculation among fans as to which other big-name stars would "jump ship". Notably, Luger would be followed by former WWF Women's Champion Alundra Blayze, who appeared with the WWF Women's Championship belt on the December 18, 1995, edition of Nitro and insulted her former employers before throwing the belt in the garbage.
Raw and Nitro traded wins in the "Monday Night War" early on, but WWE has conceded that by December 1995 "WCW had the advantage over WWE in the storied Monday Night War."[12] Nitro began airing a weekly segment entitled Where the Big Boys Play! composed of stock footage of matches featuring current WWF wrestlers who had started their careers as jobbers in WCW, all of which ended in the WWF wrestler suffering a humiliating loss. Bischoff also began to give away the results of Raw matches on Nitro, as Raw was usually taped a week prior to airing. These moves prompted retaliatory tactics by the WWF; in January 1996, Raw began airing skits before and after commercial breaks entitled Billionaire Ted's Wrasslin' Warroom, depicting parodies of Ted Turner ("Billionaire Ted"), Hulk Hogan ("The Huckster"), "Macho Man" Randy Savage ("The Nacho Man"), and "Mean" Gene Okerlund ("Scheme Gene"). While the material involving Hogan and Savage usually poked fun at their old ages, the skits aimed at Turner were decidedly more inflammatory in nature and contained material that could have been considered slanderous. Although Turner himself reportedly found the sketches amusing,[13] the sketches stopped airing on the USA Network at the request of network president Kay Koplovitz,[14] and were ended permanently in a short presented before WrestleMania XII, which killed off all the characters.
WrestleMania XII also began a brief turning point for the WWF, after which Raw would overtake Nitro for two consecutive months. The event saw the return of 1980s fan favorite "Rowdy" Roddy Piper, who made a face turn to fight Goldust. Another 1980s fan favorite returning that evening was The Ultimate Warrior, who would go on to enjoy a brief revival in popularity. The main event, a heavily promoted ironman match between Shawn Michaels and Bret Hart, lasted for more than an hour.[15]
In April 1996, two of the WWF's top performers, Kevin Nash (Diesel) and Scott Hall (Razor Ramon), signed contracts with WCW. Prior to their departure, the men had been part of The Kliq, a tight-knit affiliation of wrestlers in the WWF whose backstage influence allowed them to wield an enormous amount of power over the direction of the company. The group, composed of Nash, Hall, Shawn Michaels, Hunter Hearst Helmsley (later known as Triple H) and Sean Waltman (1-2-3 Kid), often used their influence to advance one another's careers, and in some instances harm or ruin the careers of performers who displeased them. Accounts varied as to the reason for Nash and Hall's departure: Whereas wrestling analysts speculated that their contracts had been allowed to expire in order to break the Kliq's influence within the company, the WWF's official stance was that they could not match WCW's contract offer. On May 19, 1996, in their last WWF match before leaving for WCW, Nash and Hall were involved in a highly publicized incident at Madison Square Garden dubbed "The Curtain Call", in which four members of The Kliq (Nash, Hall, Michaels, Helmsley) broke character in the ring after their match to say goodbye to Nash and Hall (Waltman was in drug rehab and did not appear at the event). Michaels and Hall were playing babyface characters, while Nash and Helmsley were playing heel characters, and the four of them embracing saw an explicit breaking of kayfabe. Though the incident was not televised, it was nonetheless recorded by fans who had smuggled cameras and camcorders into the event, and photos and videos were widely disseminated on the internet. The incident marked one of the first times that pro wrestlers had so flagrantly broken character in front of an audience, and forced both the WWF and WCW to begin acknowledging fans' growing awareness of the backstage happenings of their respective companies. The Curtain Call would go on to influence the narrative course both companies took by encouraging WCW, and later the WWF, to blur the lines of fantasy and reality in wrestling, incorporating wrestlers' real names and details of their lives into their character's stories.
On the Memorial Day 1996 edition of Nitro, Scott Hall interrupted a match and, apparently out of character, challenged the wrestlers of WCW to a fight against him and unnamed companions. Though Hall was employed by WCW, the storyline took advantage of fans' knowledge of the Curtain Call incident by insinuating that Hall's departure from the WWF had been a ruse and that he was, in fact, staging an "invasion" of WCW on behalf of the WWF.
Two weeks later, a second WWF defector, Kevin Nash (who had wrestled as Diesel), appeared on Nitro. Hall and Nash were dubbed "The Outsiders", and would show up unexpectedly during Nitro broadcasts, usually jumping wrestlers backstage, distracting wrestlers by standing in the entranceways of arenas or walking around in the audience. A week later, they announced the forthcoming appearance of a mysterious third member of their group. At Bash at the Beach, Hall and Nash were scheduled to team with their mystery partner against Lex Luger, Randy Savage, and Sting. At the onset of the match, Hall and Nash came out without a third man, telling Okerlund that he was "in the building", but that they did not need him yet. Shortly into the match, a Stinger Splash resulted in Luger being crushed behind Nash and being taken away on a stretcher, turning the match into The Outsiders vs. Sting and Savage.
Hall and Nash were in control of the match when Hulk Hogan came to the ring. After standing off with them, he attacked Savage, showing himself to be the Outsiders' mysterious third man and thus turning heel. In a post-match interview, Hogan christened his alliance with Hall and Nash as the New World Order (nWo). Hogan's statements, which broke with his earlier face persona, inspired enough vitriol in the audience that they began to pelt the ring with debris: a wayward beer bottle broke Okerlund's nose, and one fan jumped the security railing and attempted to attack Hogan.
The following evening on Nitro, most of WCW's top stars gave faux indignant interviews, expressing their feelings of betrayal and disappointment with Hogan's actions. The ensuing storyline, in which the nWo waged a campaign of anarchy against WCW, blurred the lines between reality and scripted entertainment, a unique presentation that acknowledged fans' growing awareness of backstage wrestling politics and kayfabe. WCW and the nWo continued to grow in popularity, and for the next 84 consecutive weeks Nitro beat Raw in the ratings.
At the outset of the storyline, the WWF filed a lawsuit against WCW, alleging that WCW was illegally representing the nWo as a WWF affiliate and that Hall's persona was too close to his "Razor Ramon" character (itself a parody of Al Pacino's character in Scarface), to which the WWF retained the rights. WCW countered that in June, Hall and Nash had emphatically stated on-camera that they were no longer WWF employees, and that Hall's current persona was, in fact, a reworking of his previous WCW character, The Diamond Studd. The lawsuit dragged on for several years, culminating in the WWF agreeing to drop the suit in exchange for the right to bid on WCW properties should they ever come up for liquidation.
Raw, and the WWF in general, was considered to be at a creative nadir before Nitro started. Into the early 1990s, the WWF had continued the creative formula that had given the company success in the 1980s: clear-cut face vs. heel storylines, colorful wrestlers with themed gimmicks, and alluring female valets who nonetheless maintained a "PG-13" level of sex appeal. Although the formula had been popular during the MTV-fueled "rock n' Wrestling" era of the 1980s, fans in the 1990s began to gravitate towards more morally ambiguous characters, wrestlers whose personas were more grounded in reality, and metafiction storylines that acknowledged their awareness of backstage politics via the use of the Internet. With the introduction of the nWo, the June 10, 1996, episode of Raw would be the last rating victory for the WWF for nearly two years.[15]
On the November 4, 1996, episode of Raw, the WWF aired a storyline involving Stone Cold Steve Austin and Brian Pillman, two former friends who were feuding with each other. In a series of vignettes broadcast from Pillman's real-life home in Newport, Kentucky, Pillman – supposedly debilitated following an attack by Austin – vowed to protect himself and his wife with the help of a group of friends should Austin appear. At the end of the evening, the final vignette depicted Austin breaking into Pillman's home, prompting Pillman to pull a gun on Austin, and the feed being "interrupted" in the ensuing chaos, with Vince McMahon (serving as a commentator) stating that he had been informed of "a couple explosions". When the feed resumed, Austin was shown being dragged out of Pillman's house as Pillman screamed, "That son of a bitch has got this coming! Let him go! I'm going to kill that son of a bitch! Get out of the fucking way!", with none of the profanity censored.
The angle polarized fans and shocked the USA Network, which was not accustomed to airing a program with the profanity and level of violence presented in the vignettes. Although the WWF (and Pillman himself) were forced to issue apologies to avoid Raw being canceled for breach of contract, the ensuing discussion of the incident in the fan community generated the most attention the WWF had received since the beginning of the Monday Night War. This prompted the WWF creative team to begin looking into the idea of more adult-oriented storylines and characters and mimicking WCW's metafiction elements. On February 3, 1997, Monday Night Raw changed to a two-hour format. In an attempt to break the momentum of Nitro, WWF entered into a cross-promotional agreement with ECW. Raw commentator Jerry Lawler insulted and "challenged" ECW on the show's February 17 episode, and in the weeks to come, several ECW wrestlers appeared on Raw in a story arc similar to the nWo storyline playing out in WCW, with the WWF pursuing the "renegade" ECW. On March 10, 1997, Raw was officially renamed Raw Is War in reference to the ongoing rating battle.
Throughout the 1990s, Bret Hart had been arguably the most popular wrestler on the WWF roster since winning the WWF Championship from Ric Flair in 1992, and one of the few performers to remain steadfastly loyal to the company through its numerous changes. After losing the title to Shawn Michaels at WrestleMania XII, Hart took a hiatus from the WWF, returning in late 1996 at the Survivor Series soon after signing a 20-year WWF contract. Despite hesitation, Hart agreed to turn heel at WrestleMania 13, becoming an anti-US, pro-Canadian character who would deride the morals of US wrestling fans in increasingly cheering for heel wrestlers, which later expanded into more political anti-US remarks. Though Hart became strongly disliked in the United States, this had no effect on his popularity in Canada or Western Europe where he remained a babyface. Hart's heel turn in the US after WrestleMania 13 while remaining a face in Canada and Western Europe was another example of breaking new ground. From the point of view of Hart and the Canadian/European wrestling fans, it was the US wrestling fans that were the bad guys and whose morals had changed for the worse compared to previous years. Hart's feud against the aggressive, morally ambiguous yet patriotic Stone Cold Steve Austin, would dominate WWF storylines through most of 1997. During the year, as part of Hart's anti-US angle and his feud with Austin, Hart allied with his brother Owen Hart, his brothers-in-law The British Bulldog and Jim "The Anvil" Neidhart, and with close Hart family friend Brian Pillman, to form the new Hart Foundation.
Upon being told by Vince McMahon on September 22, 1997, that the WWF's current financial situation precluded the company from fulfilling his 20-year contract, Hart signed a contract with WCW in October 1997. At the time, Hart was the WWF Champion, and wanted to part ways with the WWF amicably, and had agreed to vacate the title following a farewell speech on the November 10, 1997 broadcast of Raw Is War in Ottawa, Ontario, Canada, which would take place one day after the 1997 Survivor Series in Montreal. Although McMahon agreed to the arrangement, he later decided to renege on the deal and have Hart unwittingly lose the title at Survivor Series, to real-life rival Shawn Michaels. The incident, which took place in Hart's home country of Canada, became known as the Montreal Screwjob.
The incident severely demoralized the WWF roster, shaking wrestlers' faith in McMahon and resulting in a near strike the following evening, with Mick Foley (Mankind) actually going on strike for one day. Bret Hart's two brothers-in-law, the British Bulldog and Neidhart left with Hart for WCW, although Neidhart made one more appearance on Raw Is War as a quid pro quo before leaving, where Neidhart was beaten up by D-Generation X. Hart himself (who punched McMahon in the dressing room following the match in Montreal) prevented a mass strike by asking his former co-workers not to risk their careers for his sake. Bret's brother, Owen, also attempted to quit the WWF, citing a knee injury but was unable to get out of his contract. Owen Hart remained with the WWF until his controversial death at Over the Edge on May 23, 1999.[16] [17] [18]
Rick Rude, a wrestler who had been popular amongst both fans and his fellow wrestlers during the 1980s and 1990s, who had recently made a comeback in the WWF and was one of the on-screen founding members of D-Generation X, left the WWF a week after the Montreal Screwjob, and followed Hart to WCW. As Rude was being paid by the WWF on an appearance-by-appearance basis, no extant contract prevented him from leaving the WWF without prior notice. Rude appeared on both the WWF's Raw Is War and WCW's Monday Nitro on November 17, 1997. A mustachioed Rude appeared on Nitro, which was live, and proceeded to criticize Vince McMahon, Shawn Michaels, DX, and the WWF, calling the WWF the "Titanic", thereby calling it a "sinking ship".[19] An hour later on Raw Is War (which had been taped six days earlier), Rude then appeared with the full beard that he had been sporting during his last few weeks in the WWF, making Rude the only performer to appear on both Nitro and Raw on the same evening until the last night of the ratings wars.[19] [20] On top of this, Rude also appeared on ECW's Hardcore TV during that weekend (November 14–16 as the show was syndicated differently depending on the market). Rude made many appearances with ECW during 1997, including during the period when he was in the WWF as a part of DX, as the WWF and ECW often co-operated in terms of talent.
Bret Hart's departure from the WWF would ultimately turn the tide of the "Monday Night War." With Hart now on the WCW roster, Nitro boasted the most well-known names in wrestling; WCW had also been highlighting new talent, with up-and-coming stars such as Chris Jericho, Eddie Guerrero, and Rey Mysterio, Jr. forming the company's new cruiserweight division. As many of the cruiserweights incorporated elements of lucha libre into their performances, the division also helped WCW take advantage of the popularity of wrestling amongst Hispanic, Latin American, and Asian fans. As few WWF performers at the time utilized the type of aerial techniques found in lucha libre, the cruiserweight division and the acrobatic performances of its wrestlers helped not only to draw in new viewers to WCW, but also helped the organization reach out to fans who were used to seeing such feats in wrestling performances in their native countries.
WCW's Starrcade pay-per-view in Washington, D.C. drew WCW's highest buyrate to that date, including the highly anticipated main-event of Hollywood Hogan vs. Sting, a match that fans had been waiting to see since Sting first appeared as the leader of an anti-nWo faction a year before. However, the anticlimactic end of the match proved unpopular: Bret Hart made his WCW debut by accusing the referee of corruption, declaring himself the referee, and then awarding the belt to Sting, only for it to be stripped moments later on a technicality. As many fans had waited for a decisive victory of one faction over the other, the convoluted sequence of events was seen as a way to artificially extend the storyline without allowing it to come to an organic conclusion, beginning a sharp decline in the popularity of the nWo angle amongst fans.
Throughout 1997, Raw Is War began to become more and more controversial, and despite the company not getting any rating victories, the WWF gradually began receiving significantly more acclaim. Storyline elements included racist graffiti targeted at the Nation of Domination (a stable loosely based on the Nation of Islam), drinking beer on camera by Stone Cold Steve Austin, and emphasizing the sexuality of valets Sunny, Sable, and Marlena. These women began appearing on-camera in increasingly revealing clothing and in swimsuit and lingerie-oriented spreads in the WWF's Raw magazine, a lad mag designed as an alternative to the family-friendly WWF Magazine and a competitor to the likewise family-friendly WCW Magazine. Although these elements helped to garner the WWF more attention than it had enjoyed in the wake of the nWo storyline, the injury of Steve Austin at the SummerSlam pay-per-view, which put him out of action for three months, proved to be a severe blow to Raw Is Wars popularity.
Despite losing to Nitro week after week, Raw Is War rallied in the ratings when it introduced its new "WWF Attitude" concept, in which the family-friendly and clear-cut face vs. heel dynamic of the 1980s to mid 1990s was jettisoned in favor of morally ambiguous wrestlers and adult-oriented, often heavily sexualized storylines. The concept was spearheaded by McMahon along with head WWF writer Vince Russo, who changed the way wrestling television was written and constructed. Russo's booking style was often referred to as "Crash TV". Matches were shortened in favor of story-building backstage vignettes, with an emphasis on shock factor. Like WCW's nWo storyline, the WWF began to blur the line between real life and kayfabe: Vince McMahon, taking advantage of fans' genuine dislike for him following the Montreal Screwjob, recast himself as the evil Mr. McMahon, a corrupt businessman who despised his own fans and valued sycophancy over talent. This presentation both mimicked Nitro's "Anything can happen" atmosphere, and acknowledged the growing phenomenon of "smarks," wrestling fans who used the Internet to gain a wide base of knowledge on the real-life, backstage workings of the industry. In February 1998, media tycoon Barry Diller would also finalize his purchase of the USA Network.[21] Shaun Assael and Mike Mooneyham's book Sex, Lies Headlocks:The Real Story of Vince McMahon and World Wrestling Entertainment stated that "the terrain shifted completely under everyone's feet" following Diller's purchase of the USA Network, which began in October 1997.[22] It was also acknowledged that Diller's purchase of the USA Network gave sympathetic USA Network executive Bonnie Hammer more say regarding the WWF's status at the USA Network and that previous USA Network managing head Kay Koplovitz, who resigned from the network after Diller took over her Chairman and CEO posts on April 9, 1998,[23] [24] was in fact planning to remove WWF programming from the USA Network prior to the purchase.[25] On April 13, 1998, Raw defeated Nitro in the ratings for the first time since 1996.[26]
Stone Cold Steve Austin would start to become extremely popular with the WWF's fanbase during 1997, and would often receive the best fan response of the night; despite playing a heel character, many fans would start to see him as more of an anti-hero. During this time, many wrestlers' personas were retooled, and wrestlers who had been growing in popularity were given pushes, often with dark or morally ambiguous alterations to their characters: The Rock, who had failed as a babyface character named Rocky Maivia—a naive young athlete trying to live up to the athletic legacies of his grandfather and father—was recast as an arrogant jock who spouted catch phrases. Shawn Michaels, Triple H, and Chyna formed D-Generation X (DX), a rule-breaking, frat boy-themed stable of wrestlers who laced their vignettes with sexual innuendo and lewd gestures. Although an injury would cause Michaels to take a four-year hiatus from wrestling, the stable soared in popularity under the leadership of Triple H, who added the New Age Outlaws and Sean Waltman to the group's ranks. Waltman, who was a member of the nWo, had recently left WCW after wrestling there for a year and a half as Syxx (having been fired while recovering from an injury), and returned to the WWF as X-Pac. The Undertaker, then one of the company's longest-serving performers, had his gimmick changed for the first time in his career with the company during the Attitude Era: having performed from 1990 to 1998 as a revenant, his persona was first changed to a pseudo-Satanic cult leader in 1999, then to a "bad ass" biker persona in 2000. One of the few performers to have his gimmick changed to a lighter, sympathetic, more traditional face persona was Mick Foley, who had been wrestling as the psychotic heel Mankind. Over several weeks, Foley engaged in a series of out-of-character shoot interviews documenting his career, the toll it had taken on his body and his marriage, and his youthful ambitions of being a popular wrestler with a hippie persona named Dude Love. The interviews proved immensely successful with fans, and Foley's popularity soared. Foley began alternating characters, variously appearing as Mankind (whose character was tweaked from an insane asylum inmate to essentially Foley in a mask), Dude Love, and his former persona of Cactus Jack, an old western outlaw. The publication of the first of what proved to be a three-volume Foley autobiography, , helped Foley and the company achieve mainstream success outside of wrestling circles as the book rose to #1 on The New York Times Best Seller List.
The night after the highly praised WrestleMania XIV, McMahon began a feud with fan-favorite Stone Cold Steve Austin. The rivalry, which was cast as a battle between blue collar redneck Austin and white collar executive McMahon, became one of the defining storylines of the Attitude Era, as each engaged in ever-escalating acts of sabotage and violence against the other. Austin's popularity would skyrocket even more with the company's fan base during this time. On April 13, 1998, an advertised Austin vs. McMahon main event was enough for Raw Is War to finally beat Nitro in the ratings for the first time in nearly two years. Two weeks later, the WWF taunted WCW's slipping ratings by sending members of DX to Norfolk Scope in Norfolk, Virginia in an attempt to crash a live taping of Nitro. The WWF was taping Raw Is War at the nearby Hampton Coliseum in Hampton, Virginia. Earlier in the day, Triple H and other wrestlers appeared outside the arena in military fatigues, challenging Eric Bischoff to come out and face them. The event was videotaped by a WWF camera crew for inclusion on Raw. Raw Is Wars ratings began to rise steadily, bringing the "Attitude Era" to its highest point.
Hoping to counter the McMahon/Austin feud, WCW divided the nWo into the Hollywood Hogan-led heel "nWo Hollywood" faction and the Kevin Nash-led face "nWo Wolfpac" faction. Although the Wolfpack proved popular with fans, the overall nWo storyline began to grow stale. As with the culmination of the Sting/Hogan match, fans grew tired of the lack of any kind of resolution, as many matches between the groups simply ended in disqualifications when other members jumped into the ring to interfere, leading to all-out brawls. Ted Turner decided to expand the brand by introducing a second weekly program WCW Thunder, on his TBS channel. The introduction of Thunder troubled Eric Bischoff, who warned Turner that a second weekly program could potentially result in fan burnout, as viewing both programs would require five hours of viewing time a week.
WCW attempted to regain ratings supremacy by marketing ex-NFL player Bill Goldberg as an invincible monster with a record-breaking streak of 173 consecutive wins. Goldberg proved to be very popular with the fans and enjoyed some crossover success in mainstream popular culture. On July 6, 1998, airing from the Georgia Dome in Atlanta, Georgia, Nitro defeated Raw Is War in the ratings when Goldberg pinned Hollywood Hogan to win the WCW World Heavyweight Championship. The match drew a 6.91 rating for the quarter-hour, the highest rating recorded in the rating war up to that time and over 5 million viewers.[27] However, the decision to stage the match on live cable television was questioned backstage at WCW: several employees felt that the match should have been the highlight of a pay-per-view, where it could have generated more revenue. Vince McMahon himself questioned the wisdom of the decision, likewise confused why his competitor would fail to make a move that could have so greatly benefitted the company.
On August 10, 1998, WCW regained the lead for six weeks. During this time WCW brought in The Ultimate Warrior, now known as The Warrior, and then later reformed the Four Horsemen for Ric Flair's television return. WCW's final victory in the Monday Night War came on October 26, following the previous night's Halloween Havoc pay-per-view. The episode included a repeat airing of the Halloween Havoc WCW World Heavyweight Championship match between Diamond Dallas Page and Goldberg after the original airing exceeded the scheduled 3-hour running time and subscribers lost the feed at 11 p.m. EST.
In the fall of 1998, The Rock's popularity led to a main event lead babyface push, pitting him against Mr. McMahon in the build up to Survivor Series, leading to one of the biggest swerves in WWF history with The Rock turning heel and aligning with Mr. McMahon to form The Corporation upon winning the WWF Championship against Mankind.
Prior to this, the WWF's Austin/McMahon and WCW's Goldberg/nWo storylines would have each company trade victories. The Rock's leap into megastar status and subsequent feud with Mankind would give the WWF the lead, nearly doubling WWF ratings and PPV buys entering 1999.
After winning the World War 3 battle royal in November 1998, with the help of Scott Hall and his stun gun, Kevin Nash ended Goldberg's 173–0 winning streak and won the WCW World Heavyweight Championship at Starrcade the following month.
As 1999 began, both shows were consistently getting 5.0 or higher Nielsen ratings and over ten million people tuned in to watch Raw Is War and Nitro every week. Wrestling gained newfound popularity, as wrestlers made the mainstream media, appearing on magazine covers like Entertainment Weekly and TV Guide, and appearing in commercials. By November 1998, however, the momentum would be in the WWF's favor for the remainder of the war. On January 4, 1999, Nitro broadcast live once again from the Georgia Dome. In the second of three hours, Eric Bischoff, who had learned of the results of the taped Raw Is War that was set to air that night, ordered commentator Tony Schiavone to make the following statement: