Moloch in literature and popular culture explained

The Canaanite god Moloch was the recipient of child sacrifice according to the account of the Hebrew Bible, as well as Greco-Roman historiography on the god of Carthage. Moloch is depicted in John Milton's epic poem Paradise Lost as one of the greatest warriors of the rebel angels, vengeful and militant.

In the 19th century, "Moloch" came to be used allegorically for any idol or cause requiring excessive sacrifice.[1] Bertrand Russell in 1903 used Moloch to describe oppressive religion, and Winston Churchill in his 1948 history The Gathering Storm used "Moloch" as a metaphor for Adolf Hitler's cult of personality.

Allegorical

Part II of Allen Ginsberg's 1955 poem "Howl", "Moloch", is about the state of industrial civilization, Moloch is also the name of an industrial, demonic figure in Fritz Lang's Metropolis, a film that Ginsberg credits with influencing "Howl, Part II".[2]

Moloch (Молох) is a 1999 Russian biographical drama film directed by Alexander Sokurov. It portrays Adolf Hitler living life in an unassuming manner during an abrupt journey to the Bavarian Alps.

Moloch, an opera by Max von Schillings, (premiered December 8, 1906 in Dresden) is about a priest, seeking to teach those oppressed by the Romanas, who becomes frustrated and commits suicide.[3]

Eponymy and other references

Eponym

One who gives, or is supposed to give, his name to a people, place, or institution (OED)

Literature

Comics and anime

Film and TV

Video games

Notes and References

  1. Lives of Victorian political figures: Volume 2, Christine Kinealy, Michael De Nie, Carla King - 2007 "370, L 5: Moloch: in popular mythology, an idol who devours his followers' children".
  2. In Ginsberg;s annotations for the poem (see especially Howl: Original Draft Facsimile, Transcript & Variant Versions).
  3. Book: Burbank, Richard. Twentieth Century Music. New York City, USA. Facts on File Publication, New York City, NY. 1984. 0-87196-464-3. 28. |
  4. Sotala. Kaj. 2017. Superintelligence as a Cause or Cure for Risks of Astronomical Suffering. Informatica. 41. 389–400. https://web.archive.org/web/20200220215810/http://www.informatica.si/index.php/informatica/article/view/1877/1098. 20 February 2020.
  5. Web site: Foley. Walter. ESSAY // Killing Moloch: Early Pandemic Reflections on Sobriety and Transcendence. live. https://web.archive.org/web/20200909014343/https://www.rootquarterly.com/killing-moloch. 9 September 2020. 9 September 2020. RQ. en-US. The rationality blog Slate Star Codex uses the brutal Canaanite god Moloch, depicted in Allen Ginsberg's 'Howl,' as a metaphor for humanity's repeated failure to coordinate toward a better future.
  6. Book: Ord, Toby. The Precipice: Existential Risk and the Future of Humanity. Bloomsbury Publishing. 2020. 978-1-5266-0022-6. London. 1143365836. A second kind of unrecoverable dystopia is a stable civilization that is desired by few (if any) people. It is easy to see how such an outcome could be dystopian, but not immediately obvious how we could arrive at it, or lock it in, if most (or all) people do not want it... Meditations on Moloch is a powerful exploration of such possibilities....
  7. Web site: Anarchy comic . libcom.org . 2020-01-13.
  8. Cf. Juan Antonio Ramírez (2004). Architecture for the Screen: A Critical Study of Set Design. p. 115: "The 'Temple of Moloch,' as recreated for Cabiria (1913), an influential Italian 'super' production of the period. The horrific portal to the temple, a gigantic mouth with shark-like fangs, clearly establishes the voracious character of a merciless, pre-Christian god requiring endless human sacrifice." (online)
  9. Web site: 'Moloch!' clip from Metropolis 1927 . .
  10. Web site: Metropolis: The Moloch Machine .