Molly Cramer Explained

Molly Cramer
Birth Date:1852 6, df=yes
Birth Place:Hamburg, German Confederation
Death Place:Hamburg, The Third Reich
Nationality:German
Field:Still life paintings of flowers and fruits, landscapes, portraits
Training:Traditional Dutch school
Movement:Impressionism
Works:Goldlack und Primeln ("Wallflowers and primroses"), 1899, Oil on canvas
Patrons:Alfred Lichtwark

Molly Cramer (25 June 1852 – 18 January 1936) was a German flower, landscape and portrait painter. Trained in the old Dutch tradition, she turned to Impressionism in her later years.

Life

Cramer came from a wealthy merchant family in Hamburg. Along with her sister, the painter Helene Cramer, she could begin training as a painter only after her father's death in 1882. Her first teacher was the Hamburg artist Theobald Riefesell, followed by the painters Carl Rodeck and Hinrich Wrage. In 1890, she went to Antwerp to train under Eugène Joors, who taught in the tradition of the Dutch school. She primarily painted floral still lifes with him.

Back in Hamburg, she attracted the attention of the art gallery director Alfred Lichtwark as a painter of flowers and fruit. In line with Lichtwark's intentions, she worked primarily with the local flora rather than reproduce the overly popular, formulaic Makartbouquets (bouquets of artificial or dried flowers used for decoration, popular in Hans Makart's style of interior design).[1]

Cramer exhibited her work at the Palace of Fine Arts and The Woman's Building at the 1893 World's Columbian Exposition in Chicago, Illinois.[2]

From 1898, Cramer turned her attention to new subjects and worked on landscapes and portraits. Her style now became impressionistic. Nevertheless, floral still lifes still remained the focus of her work.

Via Lichtwark Cramer and her sister became acquainted with younger painters in Hamburg such as Ernst Eitner, Arthur Illies, and Paul Kayser, who founded the Hamburg Artists' Club in 1897. Both Cramer sisters exhibited their paintings together with them, but were not part of the Artists' Club.

In return, the Cramers' house became a meeting place for artists and art lovers. In addition, Molly Cramer promoted young artists by buying their works and also funded study tours for Ernst Eitner.

Cramer exhibited her paintings in Moscow, Budapest, London, and Chicago.

Towards the end of her life, she suffered a decline in her standard of living and was forced to sell paintings from her collection. She eventually lived with a younger relative and died on 18 January 1936 in Hamburg. The tombstones of Helene and Molly Cramer are at the Hamburg Ohlsdorf Cemetery in the Garden of Women.

Selected works

See also

References

Notes and References

  1. http://www.kettererkunst.com/dict/makart-stil.shtml Definition of Makart-Stil on the website of the Ketterer Kunst
  2. Web site: Nichols . K. L. . Women's Art at the World's Columbian Fair & Exposition, Chicago 1893. 26 July 2018.