Modern Art – The Best of John Foxx explained

Modern Art - the Best of John Foxx
Type:Compilation album
Artist:John Foxx
Cover:Modern Art John Foxx.jpeg
Released:2001
Genre:New wave, electronic, synthpop
Length:73:04
Label:Music Club
MCCD 454
Producer:John Foxx,
Prev Title:In Mysterious Ways
Prev Year:1985
Next Title:Cathedral Oceans
Next Year:1997

Modern Art - the Best of John Foxx is the title of an 18-track compilation album by British recording artist John Foxx, issued in 2001.

Its issue coincided with the publication of a new album with Louis Gordon "The Pleasures of Electricity" and the re-issue of Foxx's first four solo albums on CD, Metamatic, The Garden, The Golden Section and In Mysterious Ways, all published by Edsel Records. Unlike the previous compilation, Assembly, "Modern Art" is a chronological and fairly straightforward compendium of Foxx's 1980s singles (with the exception of "20th Century" which was a B side) plus a selection of tracks covering musical output since returning to the music scene in 1997. Although the content of the album features output from all of Foxx's musical output to date, including the Cathedral Oceans ambient project, the cover art uses photographs of Foxx from his relatively short Metamatic era.

Track listing

    1. Underpass No-One Driving
  1. Burning Car
    1. 20th Century Miles Away
  2. Europe After The Rain
  3. Dancing Like A Gun
  4. Endlessly
  5. Your Dress
  6. Like A Miracle
  7. Stars On Fire
  8. Enter The Angel
  9. Sunset Rising
  10. The Noise
  11. Nightlife
  12. Shifting City
    1. My Face He's A Liquid

Tracks 1-12: all single edits or remixes. This version of "Endlessly" is the original 1982 single version, not the 1983 version featured on the previous Assembly compilation.

"Nightlife" is stated as being from The Pleasures of Electricity, even though said album had yet to be published.

This version of "Shifting City" is the live in the studio version as appears on the "Subterranean Omnidelic Exotour" album.

The final two tracks are previously unavailable 'bonus' tracks, namely My Face, issued in 1980 as a flexi-disc only with Smash Hits magazine, and an alternative version of the Metamatic track "He's A Liquid", quoted as being the B side to Underpass promo-only 12" single.

External links