Mistérios | |
Type: | Studio |
Artist: | Wallace Roney |
Cover: | Misterios.jpg |
Released: | 1994 |
Recorded: | 1994 |
Studio: | Power Station and The Hit Factory, New York City |
Genre: | Jazz |
Length: | 58:54 |
Label: | Warner Bros. 9 45641 |
Producer: | Teo Macero, Matt Pierson, Gordon Meltzer |
Chronology: | Wallace Roney |
Prev Title: | Crunchin' |
Prev Year: | 1994 |
Next Title: | The Wallace Roney Quintet |
Next Year: | 1996 |
Mistérios is an album by American jazz trumpeter Wallace Roney, recorded in 1994 and released on the Warner Bros. label.[1]
The AllMusic review by Scott Yanow stated: "Trumpeter Wallace Roney avoids the standard repertoire altogether on this CD, ... but, try as hard as he may, he still sounds like Miles Davis every time he hits a long tone or plays a doubletime passage. Backed by a small orchestra that mostly interprets Gil Goldstein arrangements, Roney is the main soloist throughout this interesting ballad-dominated set".
In The Washington Post, Geoffrey Himes wrote: "Not only was this recording supervised by Davis's old producer, Teo Macero, but it features Evans-like orchestral arrangements by Gil Goldstein, who had transcribed and adapted Evans's charts for Miles Davis & Quincy Jones Live at Montreux ... Because Roney emphasizes feeling over technique, Misterios has the chance to connect with a non-jazz audience as few acoustic jazz albums have since Davis's heyday".[2]
In JazzTimes, David R. Adler noted: "Misterios, his debut for the label, is in many respects a marvelous piece of work—with jazz ensemble and strings interpreting works by Pat Metheny, Jaco Pastorius, Egberto Gismonti and, bizarrely enough, Dolly Parton. The label wanted a cover of a Grammy-winning song, and Roney averted a potential disaster, turning “I Will Always Love You,” the Parton-penned Whitney Houston hit, into a thing of enigmatic beauty, an unabashed valentine to his departed friend and mentor, Miles Davis".[3]