Misses | |
Type: | compilation |
Artist: | Joni Mitchell |
Cover: | Misses album.jpg |
Border: | yes |
Released: | October 29, 1996 |
Recorded: | 1969–1994 |
Genre: | Folk, folk jazz, electronica |
Length: | 67:00 |
Label: | Reprise |
Producer: | Joni Mitchell, Larry Klein, Mike Shipley |
Prev Title: | Hits |
Prev Year: | 1996 |
Next Title: | Taming the Tiger |
Next Year: | 1998 |
Misses is a 1996 compilation album by Canadian singer-songwriter Joni Mitchell. The selections, chosen by Mitchell herself, concentrate on her lesser known, more experimental work, including jazz influenced recordings from the late 1970s and electronic music from the 1980s. Mitchell also designed the album cover, which features her bending down in front of the camera.[1] The album is a companion to Hits, issued on the same day. Mitchell agreed to a request from her record company to release a greatest hits album on the condition that she also be allowed to release Misses. There were also plans to release a Misses 2 but were rejected by the label when suggested by Mitchell.[2] [3]
Cyndi Lauper nominated Misses as one of her all-time favourite albums, singling out "A Case of You".[4] The best known song on Misses, "A Case of You" has been covered by Tori Amos, k.d. lang and Prince, among others.
Reprise Records had approached Mitchell in plans to release a compilation album of her material, but initially rejected the idea as she believed the compilation would damage her sales of future releases. In 1996, she however agreed to this plan if she was able to release Hits alongside an album of lesser-known songs, which became Misses.
Julie Larson, Reprise director of A&R, concurs. "Initially, Geffen and Elektra were a little hesitant, but they came to an agreement . . . It was challenging getting the deals finalized and locating the masters. This was time consuming." Liner notes for the two compilations were being developed, but were shelved because Mitchell found there was "too much pain involved" whilst writing them.
A sequel album to Misses was conceptualized by Mitchell but it was rejected by the label for unknown reasons.[5]
All songs were written by Joni Mitchell, except where indicated.