| Old Ways | |
| Type: | studio |
| Artist: | Neil Young |
| Cover: | Oldways.jpg |
| Released: | August 12, 1985 |
| Recorded: | January 1983 – April 1985 |
| Studio: |
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| Venue: | The Opry, Austin, Texas |
| Genre: |
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| Length: | 36:43 |
| Label: | Geffen |
| Producer: |
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| Prev Title: | Everybody's Rockin' |
| Prev Year: | 1983 |
| Next Title: | Landing on Water |
| Next Year: | 1986 |
Old Ways is the 15th studio album by Canadian-American musician and singer-songwriter Neil Young, released on August 12, 1985, on Geffen Records.
Young first made an attempt at a country album in the 1980s in January 1983. He recorded several songs at producer David Briggs' Nashville recording studio House of David with longtime collaborators Ben Keith, Tim Drummond, Karl T. Himmel, Spooner Oldham and Rufus Thibodeaux, who had all previously backed Young on Comes a Time from 1978. The songs "Old Ways", "Depression Blues", "California Sunset", "My Boy", "Are There Any More Real Cowboys?" and "Silver and Gold" all date from these sessions. After turning in Trans and the unreleased Island in the Sun in 1982, Young's record label, Geffen, objected to a country album, asking Young for a "rock 'n roll" record, which Young gave them in the form of 1983's Everybody's Rockin'. "Depression Blues" later appeared on Young's Geffen-era compilation Lucky Thirteen, while "Silver and Gold" appeared as the title track of an album in 2000. Young describes this first effort in a June 1988 Rolling Stone interview with James Henke:
In 1984, Young toured with the band from the 1983 sessions. The tour included an appearance on the Austin City Limits TV show and would eventually be chronicled on the live album A Treasure in 2011. Young saw country music and his adopted country music persona as a respite from his then-waning career in rock music, the demands of his record company, and his struggles to record the rock album that would become Landing on Water. He explained to the Melody Makers Adam Sweeting in a September 1985 interview:
Many of the songs on the album reflect a sense of contentment with family life. "Once an Angel" is a tribute to his wife, Pegi while "My Boy" is an ode to his son, Zeke. In a 2020 posting on his Archives website, Young describes "My Boy" as "probably the most soulful recording I have ever made." The outtake "Amber Jean" celebrates the birth of his newborn daughter. Another outtake, "Silver and Gold" also reflects his seeming satisfaction with family life, while "California Sunset" is dedicated to his adopted home.
"The Wayward Wind" is a cover of a 1955 Gogi Grant song that Young remembers, in a version by Frankie Laine, from his childhood in Ontario;[1] the song brings back important memories for him: "I always remember that same stretch of road, the railroad tracks, the whole thing—every time I hear that song, it comes right back. That feeling when you're young and open, you have all these ideas. Real wide view. I dug the song a lot. You can really get lost in it."[2]
"Misfits (Dakota)" offers surreal lyrics about space station astronauts and Muhammad Ali. Young explains how quickly the song came about in a 1985 interview with Adam Sweeting for the Melody Maker: "It only took me a few minutes to write it. I picked up my electric guitar one night in the studio, I was by myself and I turned it up real loud and started playing and, I wrote it just that night."[3]
"Bound for Glory" is a ballad that tells the tale of an affair between a long distance truck driver and a lone hitchhiker. Young recounts in a 1986 interview with Bill Flanagan: "I wrote that one on a little word processor in the back of my bus while I was rolling. I wrote it with a couple of beers and a little smoke. The bus was rolling down the road and I typed it out and I knew the melody in my head already. That's my favorite one on the Old Ways album."[4]
In Spring 1985, Young returned to the studio to record a country music album. During sessions at various Nashville studios, over a dozen new songs were recorded with both his longtime collaborators and local studio musicians as well as Waylon Jennings. The sessions featured many of the musicians from the earlier Harvest and Comes a Time albums. Additionally, Willie Nelson added vocals and guitar to the 1983 recording of "Are There Any More Real Cowboys?" at his Lake Travis recording studio, making the song into a duet. Outtakes from the 1985 sessions include "Amber Jean", "Beautiful Bluebird" and "Let Your Fingers Do the Walking", among others.
"Are There Any More Real Cowboys" was released as a video with Young performing the song as a duet with Willie Nelson.[5]
The partnership with Willie Nelson and Young's delve into the country world would have a lasting impact on the artist's interest in the financial plight of small scale family farmers. Young, Nelson and John Mellencamp would found the Farm Aid organization, performing benefit concerts almost every year in the subsequent decades. Young made plans to release an EP to promote the Farm Aid cause, but the idea was rejected by Geffen Records.[6] Some of the songs from the project were eventually released on A Treasure.
All songs by Neil Young, except where indicated
Recording personnel