| Ja Kanji: | 未来少年コナン |
| Ja Romaji: | Mirai Shōnen Konan |
| Type: | tv series |
| Director: | Hayao Miyazaki |
| Music: | Shin’ichirō Ikebe |
| Studio: | Nippon Animation |
| Network: | NHK General TV |
| First: | April 4, 1978 |
| Last: | October 31, 1978 |
| Episodes: | 26 |
| Episode List: | List of Future Boy Conan episodes |
| Type: | film |
| Director: | Hajime Sato |
| Producer: | Juichi Honbashi |
| Music: | Fujiji Fujiji |
| Studio: | Nippon Animation |
| Released: | September 15, 1979 |
| Runtime: | 122 minutes |
| Type: | film |
| The Big Giant Robot's Resurrection | |
| Director: | Hayao Miyazaki |
| Music: | Shin’ichirō Ikebe |
| Studio: | Nippon Animation |
| Released: | March 11, 1984 |
| Runtime: | 49 minutes |
| Type: | tv series |
| Future Boy Conan II: Taiga Adventure | |
| Director: | Keiji Hayakawa |
| Music: | Gorō Oumi |
| Studio: | Nippon Animation |
| Network: | TBS |
| First: | October 16, 1999 |
| Last: | April 1, 2000 |
| Episodes: | 24 |
, also known as Conan, The Boy in Future, is a Japanese post-apocalyptic science fiction anime series. It is an adaptation of American science-fiction writer Alexander Key's 1970 novel The Incredible Tide. It was broadcast for twenty-six episodes on NHK General TV between April and October 1978.
A spin-off series, Future Boy Conan II: Taiga Adventure aired for twenty-four episodes on TBS from October 1999 to April 2000.
The story begins in July 2008, during a time when mankind is faced with the threat of extinction. A devastating war fought with ultra-magnetic weapons far greater than anything seen earlier brings about a post-apocalyptic world, resulting in several earthquakes and tsunamis. The Earth is thrown off its axis, its crust rocked by massive movements, and the continents are torn completely apart and sink deep below the sea.
An attempt by a group of people to flee to outer space failed, with their spaceships being forced back on Earth and crashing on a small desert and dry island. Although initially desperate, the survivors discover that the crash landing has opened a freshwater well, and gradually life returns to the island. The crew members of the spaceship gradually settle on what they call 'Remnant Island' and they lead a simple and happy life as an extended family. A new baby, Conan, is eventually born within the community in October 2016.
Year after year the older survivors die off in their isolation and unaware of the sort of humanity beyond the small island, until the only people left are Conan and his adoptive grandfather. One day Conan finds on the beach a young girl named Lana, the first stranger and person of his own age whom he had ever known. Lana was raised on another surviving island called High Harbor, where a simple society has re-developed in close contact with the nature. She has ended up on Conan's island while trying to escape from abduction by the crew of the Barracuda, a sailing ship from the leftover of the old world, Industria. Industria is in desperate need of energy, having barely managed to continue its highly industrialized economy through careful husbandry of a backup nuclear reactor, and devolving into a caste-based dystopia. The main resource of highly concentrated orbital-based solar power has become unavailable after the disappearance of Lana's grandfather, Dr. Lao, who has gone into hiding after the war in order to avoid further military usage of his research: a power that could rebuild the world, but which was also the weapon that brought humanity to the brink of apocalypse during the last conflict.
Soon another crew from Industria manages to locate Lana. In the altercation, Conan's grandfather is killed and the boy is initially abandoned alone on the now-desert island. He decides to take his chances with the unknown ocean on a simple raft, in order to try and save his new friend Lana. In his journey he first meets another young boy, Jimsy, who grew up in semi-feral status on yet another island, where the Barracuda makes regular trips in order to acquire plastic rubbish to be converted back into oil at the Industria facilities. The rubbish is mined by the impoverished and still war-traumatized local population, in exchange for simple trinkets, alcoholic beverages and surrogate cigarettes.
Conan and Jimsy soon begin to socialize and also decide to raid the ship, respectively to save Lana and to steal its goods. The attempt fails and they are punished and forced into labor by the captain. The group is eventually brought to Industria and separated and reunited again various times, as the situation on that island further degenerates due to further natural disasters and the deteriorating social fabric, turning more and more into a dictatorship under the Director. Over the course of the story, he is the only irredeemable figure, devoid of any scruples and ever greedy for power at any cost. All the other characters, including the minor ones, develop significantly in response to events and in particular after being exposed to the selfless example of Conan. A pure love story also develops with Lana.[1] [2] After multiple separations and various challenges, the group eventually locates Dr. Lao, restores access to solar power just in time to salvage another ship and evacuate Industria just before another cataclysmic earthquake, and finally destroys the super-weapon which the Director was trying to deploy in order to maintain his hegemony over High Harbour and all the other remaining lands. As the last legacy of the society responsible for the apocalypse dies off, nature continues its recovery process, new families are founded, and the younger, still innocent but now more mature Lana and Conan set sail to build a new world that keeps only the positive aspects of the past.
Spanning a total of 26 episodes, the series was produced by Nippon Animation and featured the directorial debut of Hayao Miyazaki, who also contributed to character designs and storyboards. Other future prominent anime creators like Isao Takahata (storyboards, directing) and Yoshiyuki Tomino (storyboards) also worked on the series.
Nippon Animation originally presented NHK with several proposals. At first a different story was favored, but eventually, The Incredible Tide novel was chosen.[4]
There was a preparation time of three months for the layout. Six months passed between the start of the key animation work and the airing of the first episode. Although a stock of eight episodes was already produced by that time, the show still went behind schedule.[2] According to Miyazaki it "took [them] from ten days to two weeks to produce a single episode" and that if "NHK hadn't inserted a special program in there as a padding, it probably would have turned into a real wreck of a series. If we hadn't been working for NHK, we never could have pulled Conan off."[2]
The staff was happy to work on a more upbeat story after 3000 Leagues in Search of Mother.[2]
In a 1983 interview with Yōkō Tomizawa from Animage, Miyazaki stated that he only worked on the show under the condition that he was allowed to change the story. He disliked the pessimistic world view of the original story, feeling it was a reflection of Alexander Key's own fears and insecurities. He wanted a story aimed at children to be more optimistic, stating "[e]ven if someone's lost all hope for the future, I think it is incredibly stupid to go around stressing this to children. Emphasize it to adults if you have to, but there's no need to do so to children. It would be better to simply not say anything at all."[2]
Miyazaki further made an effort to distance himself from the notion of High Harbor representing North America and Industria representing the Soviet Union. In order to do this, he even considered making the setting more Japanese. For example, in his version of the story, the people of High Harbor would grow rice instead of wheat and eat using chopsticks. But this "would have led to all sorts of other problems", so he eventually dropped the idea.[2]
One scene of Jimsy smoking cigarettes was removed by NHK before the airing of the episode.[2] Miyazaki admitted that he put "way too much of [his] own feelings into episode eight", specifically the underwater "kiss" scene. He had grown fonder of Lana by episode 5 and 6 and "realized that [the show] incorporated the exact same story line of a manga [he] had created back in [his] student days" to the point where even the shots were arranged in the same way.[2]
Future Boy Conan first aired across Japan on the NHK TV network between April 4 and October 31, 1978. It has been regularly broadcast across Japan on the anime satellite television network Animax, who have also later translated and dubbed the series into English for broadcast across its respective English-language networks in Southeast Asia and South Asia, under the title Conan, The Boy in Future.
A compilation film of the series was released in theaters on September 15, 1979, and shown together with Yakyū-kyō no Uta: Kita no Ōkami, Minami no Tora film.
A compilation film of the last three episodes of the series, Future Boy Conan: The Big Giant Robot's Resurrection was released in theaters on March 11, 1984, and shown together with Witch Era. It was released the same day as Nausicaa of the Valley of the Wind.
On July 8, 2021, GKIDS licensed the TV series with a new English dub and a 4K restoration.[5] GKIDS released a four-disc Blu-Ray set of the complete series on November 16, 2021, alongside a digital release.[6] On September 28, 2021, Anime Limited announced they got the license for the series for the UK. Anime Limited released the show in a two part collector's edition set with Part 1 released on June 27 and Part 2 on July 25, 2022, on Blu-Ray and 4K UHD, making it the first 4K release of the series anywhere in the world.[7]
A video game version of the series by Telenet Japan was released in 1992 on NEC's PC Engine console. The game was released on the Super CD-ROM² format and was only available in Japan. On October 20, 1995, another game titled Conan, The Boy in Future: Digital Library (未来少年コナンノデジタルライブラリー), was exclusively released on the 3DO, and was developed by Bandai Visual and published by Emotion Digital Software. The game also is exclusive in Japan, and is extremely rare. Two clips of the Intersound, Inc pilot English dub appeared in the game. Another video game adaptation of the series was released for the PlayStation 2 home console on August 25, 2005, only in Japan.
In 2005, a pachinko game titled Future Boy Conan was released. In January 2011, NewGin announced another pachinko game titled .[8] A pachislot game titled Future Boy Conan was also released the same year.
In a 1983 interview with Yōko Yomizawa, Hayao Miyazaki acknowledged that ratings for the show had not been very good, noting that episode 25 had received the highest rating at 14 percent.[2]
In her 1999 book Hayao Miyazaki: Master of Japanese Animation, Helen McCarthy identifies Conan as a "seminal" work and recognizes themes and story elements in this production which Miyazaki would continue to explore throughout his career. McCarthy also notes continuity in the development of the characters and their plight throughout Miyazaki's work. She sees Lana and Conan as precedents for his later heroines and characters, and mentions, among others, Sheeta's rescue by Pazu, from Miyazaki's 1986 animated feature film Castle in the Sky, as an example.[9] In 2013, anime director Kenji Kamiyama, most known for the series, cited the series among the 15 best anime of all time.[10]
Future Boy Conan appears, renamed and redrawn to avoid copyright issues, in the anime series Keep Your Hands Off Eizouken!, in which it is the foundation of the main character's love of anime, central to the story.[11]
The show was very popular in the Arab world and still is today. The dubbing was performed by Arab Audio and Video Center, which was based in Kuwait. The cast included a number of Kuwaiti TV stars such as Jassim Al-Nabhan, Ali Al-Mufidi and others. Conan's name was changed to Adnan, Lana's was changed to Leena, and Jimsy's was changed to Abbsi so that they could have names similar to Arabic names.[12] Unlike most Arabic dubs of anime, Future Boy Conan has retained most of its plot details without any altering.
is a spin-off centered around a boy named Taiga and his adventure in the world of magical artifacts known as OOPArts. The central OOPArt, known as, is a giant living statue, and it is on its path to bring forth doom to the world as it collects other OOPArts and becomes more powerful.[13]