| P: | fútóu, pútóu |
| Pic: | Prince Zhanghuai's tomb, eunuchs.JPG |
| Piccap: | Eunuchs wearing yuanlingshan and futou, Tang dynasty |
| T: | 襆頭/幞頭 |
| S: | 幞头 |
| Futou/Putou | |
| L: | Scarf head |
| Piccap2: | Wushamao (a type of futou), housed in Shanghai Museum |
Futou (; also pronounced and written as ), also known as and ,[1] was one of the most important forms of Chinese headwear in ancient China with a history of more than one thousand years.[2] The first appeared in Northern Zhou under the reign of Emperor Wu where it became prevalent. It was also commonly worn in the Tang and Song dynasties. The was typically worn by government officials.[3] The was originally turban-like headwear which was tied at the back of its wearer's head, with the two corners going to opposite directions and acting as decorations.[4] From the Sui to the Ming dynasties, the evolved and was developed based on the . The eventually came to assume a variety of shapes and styles.[5] The shape of the worn by the government officials in the Song and Ming dynasties, the latter known as the (烏紗帽), was based on the of the Tang dynasty.
The was also introduced in both Unified Silla and Balhae[6] and continued to be worn by government officials until the late Joseon.[7] The with a (lining) was also introduced back in the Sogdian areas in Central Asia spreading to the Western regions through the Xinjiang region. The with was also introduced in Japan during the Nara period through Prince Shōtaku. Đại Cồ Việt was introduced to the in the late 10th century and adapted various iterations from the Early Lê to the Nguyễn dynasty.[8]
The term (or) means "head scarf" or "head-cloth". According to the by Bi Zhongxun, the original meaning of was to "cover one's head with a black cloth" before the Sui dynasty.
The English term "feet", which is used to describe the hard ribbons used in the, is called .[9]
The refers to a lining used inside the ; it began to be used in 614 AD, and its purpose was to make the look more straight and beautiful in terms of appearance.
There are varying opinions on the origins of the in the literature. According to Chinese scholar Sun Ji in From Futou to Turban (Chinese: c=從幞頭到頭巾|p=Cóng fútóu dào tóujīn|labels=no), the first appeared in the 3rd century AD and was based on the headdress of a northern tribe.
Guzel Maitdinova proposed in 1990 that the may have been developed from hats worn in ancient Central Asia and was brought in by the Turks from Sogdiana to Tokharistan to China, based on information provided by Hsen Kuo, an 11th-century Chinese annalist:[10]
It is also proposed by Yatsenko that the was part of the Chinese male costume.
The origins of the in China can be traced back to the reign of Emperor Wu in Northern Zhou, who had wrapped his head with a with four ribbons, called or ; two of those ribbons were tied at the back and left hanging down, while the other two were tied inversely at the top of the head. According to the, Emperor Wu created the by cutting the .[11] According to ancient texts, Emperor Wu created the to protect the hair of his generals and soldiers in battles.[12]
The first appeared a type of kerchief made by cutting a piece of muslin fabric into the proper size and by attaching four long and wide ribbons at each corner of the fabric like four feet. This was large enough to cover all the hair of its wearer, and when it was worn, a kerchief had to be placed on the top of its wearer's head. Two of these ribbons were tied on the forehead while the other two were tied at the back of the wearer's head and was left hanging down. Prior to the Sui dynasty, the was a black piece of cloth.
Prior to the Song dynasty, the was mostly made of black muslin. In the early Tang, the was a,[13] where all four ribbons were allowed to hang down after being tied. Later on, the early Tang dynasty minister, Ma Zhou, was the first person to use a square kerchief in order to tie a and was also the person who added a lining to shape his making it more beautiful. The lining which was added to the inside of the from the year 614 AD was called ; the was used to make the look more straight and beautiful in terms of appearance. After being cut into the desired shape, the was painted black with lacquer and would then be covered by the . The was made with soft and light tung wood and with other materials such as bamboo strips, timbo, miscanthus, silk, and leather. It was also possible to line the with a mount-shaped item made out of paulownia in the front. The step-by-step process to wear the with was to tie the hair up in a topknot, followed by covering the topknot with the as hard lining, then wrapping the head and the with a black, square-shaped piece of cloth, and finally tying the cloth in the desired style. The with then became the standard form of in the early Tang dynasty. A form of with was a kerchief with two corners attached with two ribbons in opposite directions of each other; the ribbons would then be tied at the back of the wearer's head, allowing the two back ribbons to hang down freely as a form of decoration. With time, the with was further developed, and a ribbon was attached to each corner of the turban to make it more decorative; two ribbons were tied on the top of the head while the back ribbons were tied and were allowed to hang down freely. The with could also have all four ribbons tied at the back of the head and allowed to hang down freely. The , a with a big and forward top, was created by Emperor Zhongzong and became prevalent during his reign when he awarded this type of to his officials. During the reign of Emperor Xuanzong, the, a with a small and round top jinzi became popular around the year 726 AD. Moreover, by adding wire or silk strings inside the added ribbons, the could take different shapes and styles depending on its wearer's liking. However, in the Tang dynasty, only the Emperors could use these hard ribbons; these hard ribbons would be bent upward. The Tang dynasties emperor wore a with two upturned tails until the Five dynasties period. The Tang dynasty emperors also wore the .
| Ruanjiao putou | A typical type of headwear in the Tang dynasty and was an important precursor to the developed in the succeeding dynasties. Sometimes, 2 or 4 narrow and long ribbons were tied to the back of the and were allowed to hang down freely down the back of its wearer | |||
| Zheshang jin, | A type of form of ruanjiao putou which consisted of square-piece of cloth wrap around the head; the two ends of the fabric were then tied at the back at either side of the neck and were then wrapped around the head before being together above the forehead. | |||
| Chuijiao Putou | A black hat with two drooped down wing-like flaps. |
In the Five dynasties period, more styles of were created including the with wide feet which looked like fans or banana leaves which surrounded the front of the head; and the with curved feet which turned upwards before bending downward.
In the Ma Chu, painted silk was used in the . Ma Xifan also wore the horns of a dragon, a with extremely long feet on both sides.
During the Later Jin, Emperor Liu Min used a with long and straight feet which were more than one foot in length; the Song dynasty later kept the tradition of using this style of as a standard. It is also attested in the Song Shi that the had become straight and flat since the Five dynasties period.
The was popular in the Song dynasty, and it was commonly worn all classes of people ranging from commoners to emperors wore . During the Song dynasty, the black muslin, which was mainly used to make the, was replaced by other materials, such as muslin or lacquered muslin. The could also be found with supports made out of wood, and therefore they could look like hats and caps of various styles. Hard ribbons were also used; and all the in this period had hard feet. There were 5 main types of in this period: the (also called) which was worn by people of all social classes (including both the upper and lower classes); the "bent-feet", the, the "upward", and the "downwind" .
According to the Song Shi, the became the national standard form of in the Song dynasty for the emperor and the officials on any occasion, except when they had to take a carriage. The worn by the Song dynasty officials had an extended reclined feet; it was developed by having two hard ribbons made out with iron wire or bamboo strips attached at the back of the . According to the Pedantic Remarks of the Confucians by Yu Yan, this form of might have been developed to prevent the officials from whispering to each other during court audience with the Emperor. On some special occasions (e.g. the imperial court banquets, or the longevity ceremonies held for the royal family), Song court officials would put flowers on their ; this was referred as Flower pinning. The Song emperors would sometimes send fresh flowers or man-made flowers which were exclusive to the use of the imperial court to his courtier; this later become a form of etiquette in the Song dynasty court.It is also recorded in the Song Shi that the upward was used by people (including the Emperor and the officials) when they found themselves in narrow spaces, such as in a carriage.
According to the first volume of the History Narrated at Ease in the section The Etiquette by Wang Dechen (1036 –1116), in the early Song dynasty, a type, called front-folded scarf, was worn by some people. The front-folded scarf was folded and tied at the front region of the head was worn by some people. The back-folded scarf was a type which would be bent backward; it started to be worn after the Shaosheng period (i.e. after 1098 AD). Following the Shaosheng period, there were many changes in the styles of .
There were also other forms of, such as the colourful flower-shaped embedded with gold lines which were sold in market of Dongjing; the curved-feet or the flower-like with feet curved backwards were also worn by some warriors; the long feet was favoured by the musical instrument plays of the imperial music office; the lustreless, and the white crêpe which was worn during funerals.
See also: Fashion in the Liao dynasty. In the Khitan-led Liao dynasty, the Khitans shaved their hair in a style called kunfa and wore light hats made of felt or helmets which were more suitable for their horse riding activities instead of wearing the lacquered ; however the did not disappear in this period and continued to be depicted in the Liao dynasty tomb murals, including the curved leg .
See also: Fashion in the Yuan dynasty. In the Mongol-led Yuan dynasty, the continued to be worn since the Yuan dynasty court followed the Song dynasty standards regarding official costumes:
During the Ming dynasty, a type of was to be worn by government officials as part of the court uniform, called (乌纱帽).[14] resembled the futou used in the early Tang dynasty, but followed the crafting methods of the Song dynasty by using lacquered muslin and wooden or metal frames to cast its shape. The shape of the feet varies depending on the era, with some resembling the curved leaf appearance of the prior dynasties or the straight wing-like feet in the late Ming dynasty.[15] [16] The Ming dynasty also kept the tradition of using straight-feet ; however, by the shape of the worn in the Ming dynasty diverted from that worn in the Song dynasty: the feet became shorter with time and some of these became less than forty centimetres. The forty centimetre long straight-feet, painted linen was worn by both the military and civil officials for official business according to the Ming Shi. The feet of the Ming dynasty straight-feet were not completely straight and had a curved tip which would bend upwards.