| Genre: | Serial drama Speculative fiction |
| Creator: | Michael Green |
| Starring: | Ian McShane Christopher Egan Susanna Thompson Allison Miller Eamonn Walker Sebastian Stan Dylan Baker Wes Studi |
| Composer: | Trevor Morris |
| Country: | United States |
| Language: | English |
| Num Seasons: | 1 |
| Num Episodes: | 13 |
| Executive Producer: | Michael Green Francis Lawrence Erwin Stoff |
| Producer: | Barry M. Berg Margot Lulick |
| Camera: | Single-camera |
| Runtime: | 45 - 48 minutes |
| Network: | NBC |
| Company: | J.A. Green Construction Corp. 3 Arts Entertainment Universal Media Studios |
Kings is an American drama television series created by Michael Green which aired on NBC from March 15 to July 25, 2009. The series' narrative is loosely based on the biblical story of King David, but set in a kingdom that culturally and technologically resembles the present-day United States.
Advance showings received mostly positive critical reviews.[1] The Sunday, March 15, 2009, premiere placed fourth in network television ratings for that evening.[2] [3] After four episodes aired, NBC moved it to a Saturday slot,[4] but only showed one more episode before pulling the series until summer.[5] The remaining seven episodes aired on Saturdays in June and July. However, the network cancelled Kings after failing to find a sufficient audience.[6] [7]
Kings is set in the fictional Kingdom of Gilboa, a modern absolute monarchy. Gilboa is ruled by King Silas Benjamin, who originally formed the United Kingdom two decades before from the three warring countries of Gilboa, Carmel, and Selah. He believes that he has been divinely anointed king, and he often cites the day when a swarm of monarch butterflies once landed on his head in the form of "a living crown" which called upon him to form the Monarchy and Kingdom.
All is not well for Silas. His policies and actions are being manipulated by his queen's brother, William Cross, who holds substantial control over the royal treasury and also appears to be the major stakeholder as CEO/Chairman of Crossgen (which appears to have a large stake in the economy of Gilboa). The heir apparent, Prince Jack, is a closeted homosexual who is constantly reminded that the rules of succession have yet to be set. Silas himself has a secret mistress with whom he has a young son.
Events of the series are set into motion when young David Shepherd, a Gilboan soldier in a war against the Republic of Gath, single-handedly rescues a captive soldier from behind enemy lines and destroys a "Goliath-Class" tank with a shoulder fired missile launcher. The captive soldier is Prince Jack, and David not only becomes an instant star in the national media, but he also earns the gratitude of King Silas, much to the chagrin of the prince.
King Silas brings David into the capital city of Shiloh where he is promoted to captain and then maneuvered into the plum position of military liaison to the media. He soon finds himself in the midst of royal court politics with little initial awareness of the forces acting behind them. He also develops feelings for Silas's daughter, Princess Michelle, which she privately reciprocates.
Queen Rose runs the royal household with an iron fist and does her best to keep the warring factions of the family from destroying the monarchy. She is the one person to whom the King will listen, while he will not hesitate to turn his back on or even order the death penalty for his own children. Queen Rose, in many ways, rules the Kingdom from behind the scenes.
In the pilot episode, David, much like Silas years before, is set upon by a living "crown" of monarch butterflies, as Silas witnesses the event from a discreet distance. Silas has already been told that God no longer supports his reign, and this then implies that David is the divine choice as his successor. This troubles the King so much that he initially plots to have David killed. David, however, soon comes to interpret the appearance of the monarch butterflies as an omen that he is meant to serve King Silas, and the sovereign accepts this, progressively drawing David deeper into his court. Through the series, David and Michelle's romance blossoms, first secretly and then publicly when Michelle informs King Silas. Silas falsely accuses David of being a traitor because David lied to Silas about his relationship with Michelle. During David's imprisonment, Michelle learns that she is pregnant with David's child.
The intervening episodes continue to use symbolism and images to add depth to the basic story line, such as casting shadows in the shape of a cross on David and other characters, historical and biblical stories being intertwined in the plot (David defeating the seemingly invincible Goliath tank), return of a prodigal son (or nephew, in this case), and King Silas making promises and pleas directly to God that are answered, but not always as he had hoped. There also are references to more modern themes, such as the Cold War, encroachment of technology in our lives, companies that perpetuate wars to make money, and national policy being influenced by holding the nation's treasury hostage.
In the two-part finale, William Cross orchestrates a coup with the intention of placing Jack on the throne as his puppet. Silas is shot twice, but survives. Although Silas has framed David for treason, David helps return him to power. Reverend Samuels, Silas' long-time spiritual advisor and confidant, is killed under William's orders but appears in posthumous visions to David, the Princess, and Silas (none of whom is aware that Samuels is dead), confirming to them that God has chosen David to be the next king. David flees to Gath on Samuels' advice, and Michelle is sent into exile to bear his child in secret. Silas declares that he is now God's enemy as dark storm clouds loom above his troubled kingdom.
On November 5, 2007, NBC ordered the two-hour pilot of Kings, the last pilot NBC ordered before the 2007 Writer's Strike. Michael Green (Heroes, Everwood) penned the script and Francis Lawrence (I Am Legend) was set to direct.[15] When Green pitched the series to NBC, he told them: NBC officially ordered the show to series on May 19, 2008.[16] Green planned out the entire first season, which was to consist of 13 episodes.
Kings was also the beneficiary of an unusual advertising arrangement; insurance company Liberty Mutual sponsored Kings with US$5 million.[17] Liberty Mutual had previously approached ABC and CBS about such an arrangement.[17] A report in Forbes magazine said that Liberty Mutual was involved in the show's creative development — including "the right to go over the show's scripts", and even "clean[ing] up dialogue". However, show creator Michael Green denied that Liberty Mutual controlled or censored the show in any way.[18]
The series was filmed partially in New York City at the Brooklyn Museum, on Eastern Parkway and Washington Avenue,[19] Union Theological Seminary on Broadway and 121st St, as well as in and around The Capitale Building in Downtown New York City on Grand Street and Elizabeth Street, and soundstages in Greenpoint, Brooklyn. Filming for the pilot was also done at Hempstead House, part of the former Guggenheim estate at Sands Point Preserve on Long Island.[20] The script for the first episode, "Goliath", was leaked some time prior to broadcast.[21]
NBC did not advertise Kings during its broadcast of the 2009 Super Bowl, although it did advertise several other programs.[22] In interviews with NBC executives, Television Week described a three-phase marketing push on behalf of Kings, and stated that NBC was "going out of its way since November to market Kings to so-called cultural tastemakers, hoping they'll help spread the word to the masses".[23]
Green said that although NBC was editorially supportive of Kings and its religious themes, the network's marketing division shied away from mentioning the drama's biblical roots and themes of faith in advertising:Green also expressed disappointment that Kings was not marketed to religious audiences:Green attributed the decision to avoid mentioning the show's biblical roots in promotion to "fear of reprisal from the religious audience".
The role for King Silas was originally written for Ian McShane, but Green thought that it would be unlikely to get him to play the lead. McShane was sent the script and enjoyed it, and was very open to returning to television after the HBO series Deadwood. "Probably two or three hundred" actors auditioned for the role of David Shepherd, before producers came across Chris Egan, "who was a real find," according to Lawrence.[24] Allison Miller was also cast late in the process, joining Sebastian Stan and Susanna Thompson. Brian Cox joined the series in a recurring role, playing a rival to King Silas.[25] Macaulay Culkin also appeared in a multi-episode arc, playing King Silas's nephew, who was exiled for mysterious reasons.[26] Miguel Ferrer (Crossing Jordan), Michael Stahl-David (The Black Donnellys), and Leslie Bibb (Crossing Jordan) were also cast for multi-episode arcs. Saffron Burrows appeared in one episode as the Angel of Death.
A three-disc DVD set, entitled Kings – The Complete Series, was released on September 29, 2009.[27] The DVD contains deleted scenes from the show's finale; the scenes were cut because they "created intrigue" for a second season, which by that point the producers knew would not be made.
The show garnered a 58 out of 100 on Metacritic, symbolizing "mixed to average" reviews. In contrast, the show gained greater affinity among user based reviews, giving it an 8.7 user score on Metacritic, symbolizing "universal acclaim" reviews.[28] An early review of Green's pilot script called the show "bold, bizarre, fun."[29] NBC pre-released the first four episodes of the series to critics and garnered mostly positive reviews.[30] Edward Douglas of ComingSoon.Net stated that "the writing is sharp and the acting is excellent, as Green has assembled a cast that's almost unprecedented for a television show. Ian McShane is as riveting in the role of King Silas as he was as Al Swearengen, giving the sort of loquacious speeches that he's great at giving."[31] Brian Ford Sullivan of The Futon Critic commented that "Kings is ultimately a show you're either going to dismiss as silly and pretentious or fall in love with because of its silliness and pretentiousness. I find myself in the latter category because I'm always a sucker for swing-for-fences serialized shows like this, especially when it looks ... and feels unlike anything on television right now."[32] In a glowing review of the series' pilot, Heather Havrilesky of Salon.com praised the series' themes, scope, art direction, cinematography and Ian McShane's performance, concluding: "The dialogue is just so artful and poetic, the characters are so appealing, the whole damn package is so original and daring and lovely, that after watching the first four hours, it's impossible not to feel inspired and cheered by the fact that a drama this ambitious and unique could make it onto network TV."[33] Young adult book author Brent Hartinger said, "The new NBC series Kings ... is top-notch television — smart, original, and thoroughly engrossing — and it will end up reshaping the television landscape in much the way fantasy-esque shows such as Lost and Buffy the Vampire Slayer did."[34] However, writing for gay entertainment website AfterElton.com, Hartinger argued that the show "de-gayed" the romantic aspect between David and Jack — David and Jonathan in the biblical telling — as well as turning Jack into a stereotypical villain.
Other reviewers were less positive. In a scathing review, Ray Richmond of The Hollywood Reporter said that Kings "takes an utterly straight-faced and painfully earnest approach to the kind of broad nighttime soap opera that once fueled Dallas and (especially) Dynasty through the 1980s, but to watch something so anal-retentive and full of itself in the new century can't help but play as unintended farce."[35] Nancy deWolf Smith of The Wall Street Journal also compared the series unfavorably to the work of Aaron Spelling, and accused the series of "deadening pretentiousness" and "a failure of imagination".[36] However, many reviewers, while criticizing the drama's stylized dialogue[37] or calling its biblical themes "pretentious", praised Ian McShane's kingly performance and the show's ambitions.
The March 15, 2009, NBC premiere of Kings was watched by 6.47 million viewers in the first hour, and 5.71 million in the second hour. http://www.thetvaddict.com/2009/03/16/tv-ratings-march-15-2009-kings-doesnt-reign-supreme/[3] This was significantly lower than the ratings for NBC's programming on the previous Sunday, a Saturday Night Live clip show and a segment of Celebrity Apprentice. Mediaweek magazine noted that "one year earlier in this block, the second half of a two-hour edition of Dateline and a repeat of Law & Order was considerably stronger at an average 6.3/10 in the overnights."[38] TV.com speculated that NBC underpromoted the show causing the lackluster pilot episode rating.[39]
Due to the unexpectedly rocky start, several media commentators predicted that Kings would be cancelled[40] or have the already-filmed episodes "burned off" on another night, such as Saturday.[41] NBC Entertainment co-chairman Ben Silverman was optimistic about the series' prospects:
However, commentators pointed out that Silverman's remarks about the audience growth were "misleading"[42] and noted that the show cost "$10 million [for] Sunday's two-hour debut and is [costing] another $4 million per episode, an extravagant sum for any show and especially so given the program drew only 6 million viewers overall."[43]
The first hour-long episode of the series was broadcast on March 22, 2009, and endured further degradation in the ratings (1.3 rating /3 share), "down another 19% in the 18–49 demo"[44] and "running a distant fourth among the [four] broadcast net[work]s".[45]
After airing only four episodes, Kings was officially pulled from NBC's Sunday schedule.[4] The remaining episodes were to air on Saturday evening. On its first post-Kings Sunday, NBC aired a two-hour episode of Dateline NBC, enjoying an immediate near-doubling of their Sunday audience (from 3.6 million viewers to 6.4 million viewers).[46] After only one Saturday broadcast, NBC announced that the remaining episodes will air in the summer, from June 13 to July 25.
Michael Green suggested that confused marketing and a weak launch contributed to the show's demise. He also described the move to Saturdays as "the first step of cancellation".[7]
U.S. Nielsen ratings:
| Order | Episode | Rating | Share | Rating/share (18–49) | Viewers (millions) | Rank (Night) | Rank (Timeslot) | Rank (Week) | |
|---|---|---|---|---|---|---|---|---|---|
| 1 & 2 | "Goliath" | 3.9 | 6 | 1.6/4 | 6.07 | 9 | 3 | 55 | |
| 3 | "Prosperity" | 2.9 | 5 | 1.3/2 | 4.60[47] | 13 | 4 | 67 | |
| 4 | "First Night" | 3.0 | 5 | 1.9/3 | 4.51[48] | 13 | 5 | 61 | |
| 5 | "Insurrection" | 2.5 | 4 | 1.1/3 | 3.61[49] | 13 | 4 | 59 | |
| 6 | "Judgment Day" | 1.5 | 3[50] | 0.6/2 | 2.41[51] | 7 | 4 | 64 | |
| 7 | "Brotherhood" | 0.9 | 2 | 0.3/1 | 1.59 | 10 | 4 | 39 | |
| 8 | "The Sabbath Queen" | 1.2 | 3 | 0.5/2 | 1.94 | 11 | 4 | 28 | |
| 9 | "Pilgrimage" | 1.0 | 3 | 0.4/2 | 1.54 | 11 | 4 | 41 | |
| 10 | "Chapter One" | 1.1 | 3 | 0.3/1 | 1.30 | 10 | 4 | 34 | |
| 11 | "Javelin" | 1.2 | 2 | 0.4/2 | 1.64 | 11 | 4 | 36[52] | |
| 12 | "The New King (Part 1)" | 1.0 | 2 | 0.4/2 | 1.57 | 11 | 4 | 38 | |
| 13 | "The New King (Part 2)" | 1.3 | 3 | 0.4/2 | 1.80 | 10 | 3 | 38 |