Micheal O'Siadhail (Irish: Mícheál Ó Siadhail in Irish pronounced as /ˈmʲiːçaːl̪ˠ oː ˈʃiəlʲ/; born on 12 January 1947) is an Irish poet. Among his awards are The Marten Toonder Prize and The Irish American Culture Institute Prize for Literature.[1]
Micheal O'Siadhail was born into a middle-class Dublin family. His father, a chartered accountant, was born in County Monaghan and worked most of his life in Dublin, and his mother was a Dubliner with roots in County Tipperary. His parents are portrayed in several poems, including "Kinsmen" and "Promise".
From the age of twelve, O'Siadhail was educated at the Jesuit boarding school Clongowes Wood College, an experience he later described in a sequence of poems called "Departure" (The Chosen Garden). At thirteen he first visited the Aran Islands. This pre-industrial society with its large-scale emigration had a profound impact on him. His earlier work reflects this tension between his love of his native Dublin and his emotional involvement with those outlying communities and which features in the sequence "Fists of Stone" (The Chosen Garden).
Micheal O'Siadhail studied at Trinity College Dublin (1964–68) where his teachers included David H. Greene and Máirtín Ó Cadhain. He was elected a Scholar of the College and took a First Class Honours Degree. His circle in Trinity included David McConnell (later professor of genetics), Mary Robinson and David F. Ford (later Regius Professor of Divinity at Cambridge University). O'Siadhail subsequently embarked on a government exchange scholarship and studied folklore and Icelandic at the University of Oslo. He has retained lifelong contacts with Norwegian friends and sees Scandinavian literature as a major influence.
In 1970 he married Bríd Ní Chearbhaill, who was born in Gweedore in County Donegal. She was for most of her life a teacher and later headmistress in an inner-city Dublin primary school until her retirement in 1995 due to Parkinson's disease. She has been a central figure in O'Siadhail's oeuvre, celebrated in the sequence "Rerooting" in The Chosen Garden and in Love Life, which is a meditation on their lifelong relationship. One Crimson Thread travels with the progression of Bríd's Parkinson's Disease. Bríd died on 17 June 2013.
For seventeen years, O'Siadhail worked as an academic; firstly, as a lecturer at Trinity College (1969–73) where he was awarded an MLitt in 1971, and then as a research professor at the Dublin Institute for Advanced Studies. During these years he gave named lectures in Dublin and at Harvard University and Yale University and was a visiting professor at the University of Iceland in 1982. In 1987 he resigned his professorship to devote himself to writing poetry.
He was a member of the Arts Council of the Republic of Ireland (1987–93), of the Advisory Committee on Cultural Relations (1989–97) and was editor of Poetry Ireland Review. He was the founding chairman of ILE (Ireland Literature Exchange). As a founder member of Aosdána (Academy of Distinguished Irish Artists) he is part of a circle of artists and has worked with his friend, the composer Seóirse Bodley, the painters Cecil King and Mick O'Dea, and in 2008 he gave a reading as part of Brian Friel's eightieth birthday celebration.
He represented Ireland at the Poetry Society's European Poetry Festival in London in 1981 and at the Frankfurt Book Fair in 1997. He was writer-in-residence at the Yeats Summer School in 1991 and writer-in-residence at the University of British Columbia in 2002.
In 2018, O'Siadhail was included in The Tablet magazine's ′Fifty Minds That Matter′ – fifty men and women who are ″adding some Catholic salt to the contemporary cultural soup″.
During his years as an academic, O'Siadhail, writing under the Irish spelling of his name, published works on the linguistics of Irish and a textbook for learners of Irish.
David F. Ford points out in Music of Belonging (Carysfort Press, Dublin 2007) how "beside the new architectonics since the move to full-time writing there has also been an alternation between more personal and more public themes".
Ford lists the characteristic themes in O'Siadhail's work which emerge from early on as: "despair, women, love, friendship, trust, language, school, vocation, music city life, science, Irish and other cultures and histories". He adds that "there is a wrestling for meaning, with no easy solutions – both the form and the content are hard-won".
In 1978, O'Siadhail published his first poetry collection The Leap Year (originally written in Irish), which was a meditation on healing and nature set against an urban background. This was followed in 1980 by Rungs of Time (originally in Irish) which in an almost Edda-like style announced many of the characteristic themes that would dominate his work; and in 1982 Belonging (the last of this trio originally written in Irish) emphasized, by its title, relationships as a major theme. There were two more collections which contain a few of his best-known poems, Springnight in 1983 and The Image Wheel in 1985, before he went full-time and began a series of books based on broad themes.
The Chosen Garden, which appeared in 1990, he himself described as "an effort to face my own journey, to comprehend and trace one's own tiny epic". In 1992 he published Hail! Madam Jazz: New and Selected Poems which includes the new sequence The Middle Voice. In 1995 came A Fragile City, which is a meditation in four parts on the theme of trust. Our Double Time, published three years later in 1998, explores the liberation of facing human finitude in a way that allows a greater intensity of living. Then in 2002 The Gossamer Wall was published. It evokes the Holocaust from its origins to its aftermath in a book-length sequence of stark intensity and was shortlisted for the Jewish Quarterly-Wingate Literary Prize. In Love Life in 2005, O'Siadhail reflects on and rejoices in a long marriage. This was followed in 2007 by Globe.