| Michael von Graffenried | |
| Birth Date: | 7 May 1957 |
| Birth Place: | Bern, Switzerland |
| Nationality: | Swiss |
| Field: | Photography |
| Works: | Inside Algeria |
Michael von Graffenried (born 1957)[1] is a Swiss photographer living and working between Paris, Brooklyn NY and Switzerland.
He started working as a photojournalist in 1978,[2] travelling the world for numerous publications. Today he works on long-term projects using different kinds of media to showcase his artwork, such as open-air campaigns on public billboards and films. His work has appeared in numerous international magazines and newspapers, including The New York Times, Time, Newsweek, Life, Paris Match, Le Monde, GEO, Stern and El Pais. With his films, videos, photos, and also as a guest, he has contributed to many television programs in Europe. He has exhibited widely in Switzerland and France, as well as in New York City, Algiers, Hong Kong and Beirut.
He first became known in Switzerland for work focused on his hometown, including the Swiss Parliament, where his pictures of members of parliament looking sleepy, or caught in unflattering poses, assured him a reputation for insolence. The American photography critic Vicki Goldberg wrote about his use of humor in The New York Times and drew comparisons with Robert Frank and René Burri.[3]
It was his work on Algeria, which made his reputation internationally. For ten years, he regularly traveled the country, which was plagued by civil war, and took pictures with an old panoramic camera held at waist height, operating it without using the viewfinder. His panoramic work, which has become his signature, has been the subject of several books and an exhibition at La Villette in Paris in 1998, before being presented in Algiers in 2000. He also produced the movie War Without Images – Algeria, I Know That You Know, with the director Mohammed Soudani. The documentary film sees him go in search of Algerians he had photographed during the civil war. In 2002, the film was presented at the Locarno International Film Festival.
Von Graffenried originally worked for the printed press, where he was able to have strong control over the use of his pictures. To justify the trust placed in him by his photographic subjects and to maintain his independence and integrity, he has always refused to join a news agency or publishing company.
He then shifted to a more conceptual approach to his photography, erecting large format, panoramic versions of his work on billboards in major Swiss cities: CocaineLove on (illegal) drugs, and Eye on Africa (Cameroon). The curator and interviewer Hans-Ulrich Obrist commented on Graffenried's method of working with the old panoramic Widelux, saying that his body becomes the camera and that his photographs do not have an Inside or Outside anymore. The viewer is Immersed.[4]
Graffenried does not hesitate to use his fame to express his political views. He was an outspoken supporter of the "NO" vote during the Swiss minaret referendum, the popular initiative approved by a majority of voters on 29 November 2009. The minaret ban is now part of the Constitution.
Between 2006 and 2021 he made a portrait of New Bern, a little town in North Carolina, USA which was founded by his ancestor Christoph von Graffenried. His series, Our Town, named after the American play by Thornton Wilder is a both a document of a community and a call for increased integration and understanding at a decisive moment in American history.[1]
In 2014, he joined the team who created sept.info, a Swiss online news site. Here, he instigated the publication of a weekly printed magazine, cut in the exact shape of an iPad. This allowed readers to place the magazine inside their iPad, where they could then choose to either read their printed copy or the sept.info online content on screen. He was the art director of sept.info until 2015. Many of his photographer friends participated in this publishing experience.
Von Graffenried's photographs are held in the following permanent collections: