| Michael De Jong | |
| Birth Date: | 22 January 1945 |
| Birth Place: | Fontenay-le-Comte, France |
| Death Place: | Dordrecht, Netherlands |
| Instrument: | Vocals, guitar |
| Genre: | Blues, singer songwriter |
| Occupation: | Musician, songwriter |
| Years Active: | 1960–present |
| Label: | Dutch Uncle Music |
| Website: | michaeldejong.com |
Michael De Jong (January 22, 1945 – March 10, 2018) was a Dutch–American blues guitarist and singer songwriter.
In the early days when he played with the Michael De Jong Band there were more influences in his music by Chuck Berry, Buddy Holly, Eddie Cochran, Jimmy Reed, ... relying on 1950s blues and rockabilly. Later he played (mostly solo) sober intimate songs using just a guitar and his hoarse worn out voice. He wrote about his struggle with life, about women ("Gods masterpiece"),[1] love and the decay of society.
De Jong's father, Gerben "Gep" De Jong (1919 – 1994) was a Dutchman who fled the Netherlands during World War II. In France his father married a French Basque woman, that time De Jong was born. After the War, they lived in The Netherlands until the family emigrated to the United States in 1950. (Which is why Michael had no less than three different passports.) From the age of five De Jong grew up in Grand Rapids, Michigan, where he ended up as the foreign outsider. When he was six years old he joined the church choir and he never stopped singing.[2] His first performance was at this age: he sang "Ave Maria" in the boys church choir. In contradiction of this, he spent his ninth birthday in a youth institution for setting his school on fire. The reason for this: in front of his schoolmates he was blamed to be a bad Catholist, because his parents didn't donate enough money to the church. De Jong was caught early, otherwise he would have burned down the church, the vicarage and the monastery as well, he said himself.[3] At the age of thirteen De Jong started playing the guitar without taking any lessons. This happened after seeing a concert of Johnny Cash: "That's what I wanna do."[4] Five years later he started his first band The Nightwalkers, which backed Bobby Bare[5] who shortly thereafter became successful with The All American Boy and the classic Detroit City.
In 1967 he moved to Detroit. There he became a regular guest at the John Sinclair's Ann Arbor Blues Festival. Between 1970 and 1974 he traveled through the US. Finally he ended up in New Orleans. There he played in rather obscure clubs of Bourbon Street almost 7 nights a week for 13 months in a row. Often he was sharing the stage with Professor Longhair and the Neville Brothers. He moved to California in 1975 where he stayed for 10 years in San Francisco. During that time he played with or supportedJerry Garcia, Paul Butterfield, Albert Collins, John Lee Hooker, Maria Muldaur, Country Joe, Charlie Musselwhite, Albert King... and other musical legends. De Jong soon earned the respect of Philip Elwood, the San Francisco Examiners top music critic. Around that time De Jong joined blueslegend Jimmy Reed's band as his guitarist. One day Reed told him: "It ain't how you sing the song boy, it's how you live your life... and if you ain't lived the life, how can you sing the song." After hearing these words De Jong started writing his own songs. It was De Jong who discovered Reed's body after his death in Oakland.
In 1981, De Jong recorded his first album "All Night Long". It was produced by Nick Gravenites (Electric Flag, Janis Joplin) and featured Steve Miller Band members Norton Buffalo & Greg Douglas.
:Review by Mike Joseph, S.F. Chronicle, exact date unknown, 1983:
"Sounds like Bob Seger fronting Dire Straits, but harder. The range here is from country-western ballads to balls-out rockers, and DeJong [sic] and his bandmates show that four-set nights of load rock 'n roll are more than familiar to them."
Three years later he was fed up with the American culture and, making an oath to himself never to come back, he returned to Europe. After travelling through Paris, London and Bremen he settled in Copenhagen, Denmark, from 1985 to 1988 when he "left" Denmark. In fact, after ending up in jail once again, he got kicked out of the country with a prohibition on accessing the country for the next 10 years.[6] Late eighties, early nineties De Jong stayed in Amsterdam, the Netherlands. But he'd enjoyed too much sex, drugs and blues these days and before (quoting De Jong: "I've committed all sins, except of murder."), now he had to pay the price. In 1992 he got the verdict of being HIV-positive. That time he stopped drinking and doing drugs, only by the help of his muse that time. One year later, in 1993, he moved to Dordrecht, where he also died on March 10, 2018.
His first European CD was ""Fugitive Love Songs for Tombstone Records. His first album for Munich Records was 1996's 'Who's Fooling Who'. He recorded seven albums for Munich Records, often in even one take. About the time he recorded "Immaculate Deception" (2000) doctors discovered a tumor on his vocal cords. The tumor was removed by lasering and afterwards he had to start learning to sing again.
Norton Buffalo on harmonica, Greg Douglass on lead guitar, Byron Allred on piano, Doug Killmer on bass, Skip White on drums
Riley Osborne, keyboards (played for Willie Nelson) – Kevin Russell, mandoline (known from The Gourds) – Glen Fukunaga, bass (played for Bob Dylan) – Jon Dee Graham, lap-steel-guitar (known from True Believers) – John Hagen, cello (known from Lyle Lovett's Large Band)
"I never had a lesson in my life. I play what I feel, what I've gone through, what I've seen. I've tried quitting, but I can't."
"... they've killed King, Malcolm X and the Kennedy's . All my heroes are dead. So I sing the blues."
""Maybe I'll never be a commercial success. But I'll touch a lot of people."
