| Michael Bierut | |
| Birth Date: | 29 August 1957 |
| Birth Place: | Cleveland, Ohio, U.S. |
| Education: | University of Cincinnati College of Design, Architecture, Art, and Planning |
| Spouse: | Dorothy Kresz |
| Occupation: | Graphic designer |
| Employer: | Pentagram |
Michael Bierut (born 1957) is a graphic designer, design critic and educator, who has been a partner at design firm Pentagram since 1990. He designed the logo for Hillary Clinton's 2016 presidential campaign.
Michael Bierut was born in 1957 in Cleveland, Ohio.[1] His family lived in Garfield Heights and he attended Saturday morning classes at the Cleveland Museum of Art where he developed his drawing skills.[2] The family moved to the suburb Parma in 1967, and he attended Normandy High School, graduating in 1975.[3] [4] [5]
In the ninth grade, Bierut created his first poster for a school play and wanted to create things with purpose. He also enjoyed album cover art and discovered the book Graphic Design Manual by Armin Hofmann and Milton Glaser: Graphic Design. He studied graphic design at the University of Cincinnati's College of Design, Architecture, Art and Planning (DAAP) as a result of these influences. While in school, he interned for Chris Pullman, an AIGA medalist, at a Boston public television station, WGBH. Michael Bierut graduated in 1980 from DAAP with a bachelors of science in graphic design and moved to New York City to work for Massimo Vignelli.[6]
After graduation, Bierut began working for Vignelli Associates in New York. The studio at that time didn't have a computer or fax machine and Bierut was responsible for hand creating mechanical boards. He credits his youthful exuberance in staying up late for the progress he made as a designer while working for Vignelli. He also learned that people don't always read a company's printed materials and strives to create engaging work that people want to read. He worked at the studio for 10 years, eventually becoming vice president.
In 1990, Bierut became a partner in the New York office of Pentagram after a discussion with partner Woody Pirtle.[7] At Pentagram, he has championed the democratization of design to make his design work easily digestable to the viewer. Bierut's frequent incorporation of the Helvetica font, known for its legibility and ubiquity, has become a symbol of his projects at Pentagram.
At Pentagram, Bierut has had numerous clients such as Alliance for Downtown New York, Benetton, the Council of Fashion Designers of America, Alfred A. Knopf, the Walt Disney Company, Mohawk Paper Mills, MillerCoors, the Toy Industry Association, Princeton University, Yale School of Architecture, New York University, the Fashion Institute of Technology, the Brooklyn Academy of Music, the Museum of Sex, and the New York Jets. Michael Bierut has done projects like I Want To Take You Higher, an exhibition on the psychedelic era for the Rock and Roll Hall of Fame, and has served as a design consultant to United Airlines. In 2006, he developed a new signage and identity for the expanded Morgan Library Museum. He has also developed the environmental graphics for the New York Times building, designed for Phillip Johnson's Glass House, and redesigned the magazine The Atlantic. Along with that, he has created marketing strategies for William Jefferson Clinton Foundation and developed a new brand strategy and packaging for Saks Fifth Avenue.[8]
Prior to the 2016 Presidential election, he worked with two Pentagram designers to create the logo for Hillary Clinton's campaign, emphasizing its simplicity and boldness to make it memorable.[9] [10] Upon the release of the design, many designers, journalists, and constituents were critical of it but as the campaign released its customizable aspects it was better received, like after the landmark LGBT civil rights case Obergefell v. Hodges it was swathed in rainbow colors. He later recommended former student Jennifer Kinon as the campaign's design director.[11]
In 1993, he became a lecturer in graphic design at the Yale School of Art and was later appointed senior critic.[12] In 2016, he joined the Yale School of Management to integrate design thinking into the program.[13]
In 2003, Bierut co-founded Design Observer with Jessica Helfand, Rick Poynor, and William Drenttel, an online publication featuring news, features, and essays on design, urbanism, innovation and pop culture. His influence extends beyond design circles and his commentary can be found on public radio, appearing on “Studio 360” with Kurt Andersen. Dwell also works with him for design book recommendations and Fast Company asks for his opinions on corporate branding, and he writes articles on design for the New York Times.
Bierut also has a long-running history with Design Indaba where he spoke at 2005, 2010 and 2015 conference.
Bierut's work is in permanent collections in around the world the Museum of Modern Art (MoMA) and the Cooper Hewitt, Smithsonian Design Museum in New York; the Library of Congress in Washington, DC; the San Francisco Museum of Modern Art (SFMOMA); the Denver Art Museum; the Museum für Kunst und Gewerbe Hamburg, Germany; and the Museum of Design, Zürich, Switzerland."[14]
From 1988 to 1990, Michael Bierut served as president of the New York Chapter of the American Institute of Graphic Arts (AIGA)[15] and was president of AIGA National from 1998 to 2001. He is presently serving as director of both Architectural League of New York and New Yorkers for Parks. Bierut in 1989 was elected to the Alliance Graphique Internationale, and in 2003, he was named to the Art Directors Club Hall of Fame. He received highest honor in the profession in 2006, the AIGA medal, which recognizes his illustrious achievements and contributions to the field. In 2008, he received the Design Mind Award that was presented by the Cooper-Hewitt, National Design Museum, Smithsonian Institution.[8] In 2015, he was awarded Masters Series Award by the School of Visual Arts and received his first comprehensive retrospective of his work.[16]