| Micah | |
| Author: | Laurell K. Hamilton |
| Cover Artist: | Cover design by Judith Myrello, cover art by Craig White |
| Country: | United States |
| Language: | English |
| Series: | Anita Blake: Vampire Hunter |
| Genre: | Horror, mystery, erotic |
| Publisher: | Jove Books (Jove edition) |
| Release Date: | 2006 (Jove edition) |
| Media Type: | |
| Pages: | 288 (Berkley edition) |
| Isbn: | 0-515-14087-2 |
| Isbn Note: | (Berkley edition) |
| Congress: | CPB Box no. 2450 vol. 12 |
| Oclc: | 64021233 |
Micah is a horror/mystery/erotica novel by American writer Laurell K. Hamilton, the thirteenth book in the Anita Blake: Vampire Hunter series.
Micah apparently takes place approximately one month after the events of Incubus Dreams. Tammy Reynolds, one of the characters in the series, is four months pregnant in Incubus Dreams and five months pregnant in Micah). As usual, Anita must juggle several problems simultaneously.
First, in her role as an animator, Anita must travel to Philadelphia on short notice to substitute for Larry Kirkland, who must remain in St. Louis because of complications in his wife Tammy's pregnancy. Although the assignment—reanimating a recently deceased federal witness in order to testify in an organized crime investigation—initially seems routine, Anita quickly begins to suspect that there is more to the case than she and Larry have been told.
Second, Anita continues to deal with her various personal problems, in this case her relationship with Micah, who accompanies her on the trip. Anita must come to terms with Micah's decision to reserve a nice hotel room for the two of them without telling her, and must help Micah get over two of the defining problems in his life: first, the trauma narrowly surviving a wereleopard attack that left several members of his family dead; and second, the trauma of accidentally harming a previous girlfriend during sex, due to his unusually large penis.
Third, Anita continues wrestle with her recent increase in power, first attempting to deal with the ardeur, a metaphysical effect that causes Anita to need to have sex every few hours, and second, wrestling with the vast increase in her own powers as a necromancer, which are now so powerful that her attempt to raise a single person threatens to raise every corpse in the cemetery. As usual, Anita is able largely to resolve each of these problems by the end of the novella.
The initial plot point—the animation—is not resolved until the very end of the novella. Although Anita initially wrestles with her increase in power, she is ultimately able to confine her power to a single corpse, raising only the witness, Emmett Leroy Rose. However, Anita then learns that although Rose technically died of a heart attack, the heart attack itself occurred after the defense lawyer in the investigation, Arthur Salvia, framed Rose for murder. Rose therefore considers Salvia his murderer and will not rest until he has killed Salvia. In the ensuing fracas, Anita is knocked unconscious, and Salvia is killed.
With regard to Anita's personal problems, she and Micah make some progress. Anita decides to accept that Micah surprised her with the romantic hotel, and listens to him share the traumas of almost being eaten alive by a wereleopard and of being rejected by various women. Anita sympathizes with Micah's survivor's guilt, and, in a conversation very similar to her conversation with Richard in Incubus Dreams, explains to Micah that some women do not like well-endowed men, but other women, such as Anita, do.
Incubus Dreams features the following major characters.
Recurring characters include:
Non-recurring characters include:
The death toll in Micah includes: Arthur Salvia and a salesman die in this novel's timeline. Other deaths are mentioned that happened in the past, however. The zombie took care of Salvia, after Salvia tried to hire someone to take care of the animator who would raise the zombie.
A March 26, 2006 review in the Boston Globe was largely negative, writing "To be fair, this may not have been the best place to jump into a series, but we were not impressed. Hamilton no doubt appeals to romance and erotica lovers, but it does not take long for the clichés and the constant droning about sex to become tiresome."[1]