| Merzbox | |
| Type: | box |
| Artist: | Merzbow |
| Recorded: | December 27, 1979 – March 30, 1997 |
| Genre: | Noise, free improvisation, industrial |
| Label: | Extreme |
| Producer: | Masami Akita |
| Prev Title: | Collapse 12 Floors |
| Prev Year: | 2000 |
| Next Title: | Live at Radio 100 |
| Next Year: | 2000 |
Merzbox is a box set compilation by the Japanese noise musician Merzbow. It consists of 50 CDs spanning Merzbow's career from 1979 to 1997. 30 discs are taken from long out of print releases, while 20 are composed mainly of unreleased material. The box also contains two CD-ROMs, six CD-sized round cards, six round stickers, a poster, a black long-sleeve T-shirt, a medallion, and the Merzbook, all packaged together in a "fetish" black rubber box. It is limited to 1000 numbered copies.[1] [2] A Merzbox Sampler was released in 1997.
The Merzbook, subtitled The Pleasuredome of Noise, is a 132-page hardcover book written by Brett Woodward with over 100 images. It contains an extensive biography, culled from previous interviews and articles, a new interview, and essays by Achim Wollscheid, Jim O'Rourke, Damion Romero, Eugene Thacker, and Jonathan Walker. Masami Akita provides extensive liner notes for each disc. The book was also released separately with the Merzrom included.
The Merzrom is an interactive multimedia CD-ROM, designed by Troy Innocent. A second CD-ROM contains various Extreme press and a catalog. The "Merzdallion" medallion was designed by Marcus Davidson. Art direction and design were by Doriana Corda. Audio mastering was by François Tétaz.
Extreme's original plan was to reissue Collaborative, their only vinyl release, for the label's tenth anniversary. There was then discussion of reissuing other early releases, with talk of a ten disc box, the number was finally set at 50 discs. The Merzbox was originally scheduled for release in late 1997, and available for pre-order, but kept getting delayed until it was finally released in 2000.[3] [4] It was officially launched on June 16, 2000 at Sónar, Barcelona, where Merzbow also performed.
Those who had pre-ordered received a two CD album called Decomposition with remixes of Eugene Thacker and Shane Fahey followed by the original tracks, the Merzbox Sampler, and two posters.[5] These were then made available with purchase of the Merzbox for extra money.
The Merzbox was exhibited at Kunsthalle Wien, Vienna from April 4 to April 7, 2002. Merzbow performed opening and closing concerts. All 60 hours were webcast live.[6]
In December 2002, Georgia Tech's student-run radio station WREK broadcast the entire 50-disc Merzbox without interruption. An article in Creative Loafing described the Merzbow Marathon as "what may be the most obscure and counterintuitive move in the history of radio."
Between the final recordings of the set and its release, Merzbow switched to using a laptop, having first acquired a Macintosh to work on the artwork for the set.[2]
Masami Akita has stated in a 2009 interview that he has enough unreleased material for another 50 CD box.[7] Between 2010 and 2013, he released four 10 box sets of unreleased raw material recorded from 1987 to 1997; Merzbient, Merzphysics, Merzmorphosis, and Duo. 2012 also saw the release of Lowest Music & Arts 1980–1983, a 10 LP box set that included some full-length albums only partially released in the Merzbox. Since 2018, further archival recordings have been released through Japanese label Slowdown Records, including the 60 CD boxset 10×6=60 in 2021.
| OM Electrique | |
| Type: | studio |
| Artist: | Merzbow |
| Recorded: | December 27, 1979 at home |
The first noise recordings of Merzbow. Previously unreleased.
| Metal Acoustic Music | |
| Type: | studio |
| Artist: | Merzbow |
| Recorded: | January 1980 at home |
Earliest Merzbow recording available until the release of the Merzbox.
| Remblandt Assemblage | |
| Type: | studio |
| Artist: | Merzbow |
| Recorded: | 1980 at home |
First work using tape manipulation. Only a few copies distributed.
| Collection Era Vol. 1 | |
| Type: | compilation |
| Artist: | Merzbow |
| Recorded: | 1981 at various locations |
The three Collection Era discs are compiled from the ten volume Collection series. The first five volumes were recorded for Ylem and consist of studio sessions with Kiyoshi Mizutani. However, Ylem went out of business before they could be released. Masami Akita then released them himself and recorded five more at home using previous Collection session recordings mixed with new material and effects.
Note: The contents of CD 5 and CD 6 were switched (5 has eight tracks and 6 has seven), the info below is as it appears in the Merzbook.
| Collection Era Vol. 2 | |
| Type: | compilation |
| Artist: | Merzbow |
| Recorded: | 1981 at various locations |
| Collection Era Vol. 3 | |
| Type: | compilation |
| Artist: | Merzbow |
| Recorded: | 1981–1982 at Lowest Music & Arts |
| Paradoxa Paradoxa | |
| Type: | live |
| Artist: | Merzbow |
| Recorded: | March 22, 1981 at Kid Ailack Art Hall, Tokyo |
The first Merzbow live performance.
| Material Action for 2 Microphones | |
| Type: | studio |
| Artist: | Merzbow |
| Recorded: | July 1981 at Mizutani home studio, Kasai |
"Material Action" was a term for using household objects to make quiet sounds, which were then amplified, inspired by John Cage's "Cartridge Music". The term itself was taken from Otto Muehl. This recording was used as raw material for other works such as Material Action 2 N.A.M.
| Yantra Material Action | |
| Type: | studio |
| Artist: | Merzbow |
| Recorded: | 1981 at various locations |
Originally intended to be the first Merzbow LP, but it went unreleased. Six months later the label then asked again to release the LP, but Akita decided to record new material – which became Material Action 2 N.A.M. Includes reworks of past recordings with added effects and new instrumentation. The liner notes were to have been written by Fred Frith, who heard the tape and liked it.
| Solonoise | |
| Type: | compilation |
| Artist: | Merzbow |
| Recorded: | 1982 at Lowest Music & Arts |
Solonoise means "Solar-Noise", inspired by Georges Bataille's The Solar Anus.
| Expanded Music | |
| Type: | compilation |
| Artist: | Merzbow |
| Recorded: | 1982 at Lowest Music & Arts |
Conceptual works manipulating various inputs using feedback processed audio mixer. Inspired by Stan Brakhage's scratched films.
| Nil Vagina Tape Loops | |
| Type: | compilation |
| Artist: | Merzbow |
| Recorded: | 1982 at Lowest Music & Arts |
Featuring a four track tape recorder found in the street. A different sound was recorded on each track, and then played back randomly.
| Material Action 2 N.A.M | |
| Type: | studio |
| Artist: | Merzbow |
| Recorded: | September–October 1982 at Junktion Music Works, Tokyo |
The first Merzbow LP. The 2 in the title refers to Yantra Material Action, which was meant to be the first LP. Sounds include styrofoam and a typesetting machine (Kiyoshi Mizutani worked at a typesetting company at the time). Includes raw material from Material Action for 2 Microphones.
| Mechanization Takes Command | |
| Type: | studio |
| Artist: | Merzbow |
| Recorded: | 1982–1983 at Merz-bau Studio, Machida and ZSF Produkt Studio, Asagaya |
First release on ZSF Produkt. Akita changed the name of his label since he wanted to release other artists. Featuring the Synare 3, which was later destroyed by Bara on stage in the late 90s.
| Dying Mapa Tapes 1-2 | |
| Type: | studio |
| Artist: | Merzbow |
| Recorded: | March 27–28 and May 5, 1982 at Merz-bau, Tokyo |
Title inspired by the Nyingmapa school of Tibetan Buddhism. Made with different equipment and instruments than other recordings of the same period. Featuring instruments recorded on tape, then slowed down or played backwards.
| Dying Mapa Tapes 2-3 | |
| Type: | studio |
| Artist: | Merzbow |
| Recorded: | March 27–28, 1982 at Merz-bau, Tokyo |
| Agni Hotra | |
| Type: | studio |
| Artist: | Merzbow |
| Recorded: | 1984–1985 at ZSF Produkt, Asagaya |
Originally intended to be the second Merzbow LP, but it went unreleased. Includes outtakes from Ushi-tra, which is from the same period. Loops were included on Loop Panic Limited.
| Pornoise 1kg Vol. 1 | |
| Type: | compilation |
| Artist: | Merzbow |
| Recorded: | December 1984 at ZSF Produkt Studio, Asagaya |
In the 80s Masami Akita had a mail art project called Pornoise, in which he made collages using discarded magazines – in particular pornographic magazines – taken from the trash. These were then sent along with his cassettes, the idea being that his art was like cheap mail order pornography. Pornoise/1kg was released as part of these activities; the 1 kg refers to the total weight of the original package.[8] The voice on "Night Noise White" is taken from the "Halt Tape".
| Pornoise 1kg Vol. 2 | |
| Type: | compilation |
| Artist: | Merzbow |
| Recorded: | December 1984 at ZSF Produkt Studio, Asagaya |
Field recordings on "Dynamite Don Don" include street sounds recorded from a moving bicycle, and a house being demolished across from Akita's apartment.
| Pornoise 1kg Vol. 3 | |
| Type: | compilation |
| Artist: | Merzbow |
| Recorded: | December 1984 at ZSF Produkt Studio, Asagaya |
The voice on "UFO vs British Army" is taken from the "Halt Tape". Some other samples are from horror films.
| Pornoise Extra | |
| Type: | studio |
| Artist: | Merzbow |
| Recorded: | December 1984 at ZSF Produkt Studio, Asagaya |
Additional tracks from the Pornoise 1kg sessions. Original release had different track titles.
| Sadomasochismo / Lampinak | |
| Type: | compilation |
| Artist: | Merzbow |
| Recorded: | 1985 at ZSF Produkt Studio, Asagaya |
Includes unused tracks for Batztoutai with Memorial Gadgets
| Mortegage / Batztoutai Extra | |
| Type: | compilation |
| Artist: | Merzbow |
| Recorded: | November 1984 at ZSF Produkt Studio, Asagaya |
Original recordings for the Batztoutai with Memorial Gadgets album. Includes samples from François Bayle, Conlon Nancarrow, Ivo Malec, Luc Ferrari.
| Enclosure/Libido Economy | |
| Type: | compilation |
| Artist: | Merzbow |
| Recorded: | July 1987, 1988, November 1989 at ZSF Produkt Studio |
First of two cassettes made with raw material from Ecobondage, Vratya Southward being the second.
| Vratya Southward | |
| Type: | studio |
| Artist: | Merzbow |
| Recorded: | 1987 at ZSF Produkt Studio, Asagaya and July 1988 at ZSF Produkt Studio |
Second cassette made with raw material from Ecobondage. "Electric Red Desart" includes a field recording of the festival at the Goryō shrine in Kamakura. Masami Akita posted photos of the procession on his blog in 2010.[9]
| Live in Khabarovsk, CCCP – I'm Proud by Rank of the Workers | |
| Type: | live |
| Artist: | Merzbow |
| Recorded: | March 23–24, 1988 in Khabarovsk, USSR |
First two of three performances. First performance was stopped for being "too wild", so they then played more conventionally. Includes Batztoutai material on backing tape, and Russian radio.
| Storage | |
| Type: | studio |
| Artist: | Merzbow |
| Recorded: | February–April 1988 at ZSF Produkt Studio |
Due to issues with sound quality, the recording was edited for the LP release. The full-length recording is released here for the first time. The working title for the album was War Storage, which is now used for the track titles.
| Fission Dialogue | |
| Type: | studio |
| Artist: | Merzbow |
| Recorded: | 1987–1988 at ZSF Produkt Studio, Asagaya |
Unreleased tracks from Ecobondage and Storage period.
| Collaborative | |
| Type: | studio |
| Artist: | Merzbow + S.B.O.T.H.I. |
| Recorded: | 1988 |
| Producer: | Masami Akita, Achim Wollscheid |
Essay by Jonathan Walker from the original LP is reprinted in the Merzbook.
| Crocidura Dsi Nezumi | |
| Type: | studio |
| Artist: | Merzbow |
| Recorded: | August 1987 and August 1988 at ZSF Produkt Studio |
"Unplugged noise" made using household objects; violin sound is violin bow on plastic cassette case or wood, acoustic guitar is a rubber band, Tibetan trumpet is a toilet paper tube, electrical sounds are made with metal. "Environmental drums" are the floor, gas stove, the spring of a table lamp.
Names are taken from the Latin names of the Dsinezumi shrew, Japanese stoat, and Japanese least weasel. Other titles were inspired by Frank Zappa's song "The Return of the Son of Monster Magnet" and Sun Ra's album Strange Strings.
| KIR Transformation | |
| Type: | live |
| Artist: | Merzbow + Achim Wollscheid |
| Recorded: | 1989 at KIR, Hamburg |
| Producer: | Masami Akita, Achim Wollscheid |
From a concert with Achim Wollscheid: first Merzbow played, then Wollscheid played using a recording of Merzbow's set, then Merzbow and Wollscheid played together.
| SCUM Vol. 1 | |
| Type: | studio |
| Artist: | SCUM |
| Recorded: | May–December 1988 at ZSF Produkt Studio and various rehearsal studios |
SCUM was project to create new works out of previous Merzbow sessions using cut-ups, effects, and mixing. Name taken from the SCUM Manifesto. The track titles influenced by American post-war art. This was last LP record on ZSF Produkt.
| SCUM Vol. 2 | |
| Type: | studio |
| Artist: | SCUM |
| Recorded: | May–December 1988 at ZSF Produkt Studio and various rehearsal studios |
| Severances | |
| Type: | studio |
| Artist: | SCUM |
| Recorded: | July 2, 1989 at ZSF Produkt Studio |
Includes two covers, "Deaf Forever" by Motörhead and the Jimi Hendrix version of "Wild Thing".
| Steel CUM | |
| Type: | studio |
| Artist: | SCUM |
| Recorded: | 1989 at various locations |
The EP on Vertical Records was remixed and released without permission, with the cover made using one of Masami Akita's collages. "But a result of EP was fine. So, I'm agreed. But EP is still bootleg."[2]
| Cloud Cock OO Grand | |
| Type: | studio |
| Artist: | Merzbow |
| Recorded: | October 1989 – January 1990 at ZSF Produkt Studio |
During the European tour in 1989, Masami Akita could only bring simple equipment, and created a new live electronics style, different from his acoustical and tape based studio work, leading to the harsh noise Merzbow became known for in the 1990s. Cloud Cock OO Grand was the first example of this style, Merzbow's first digital recording, and the only CD on ZSF Produkt.
| Newark Hellfire, Live at WFMU, USA | |
| Type: | live |
| Artist: | Merzbow |
| Recorded: | September 23, 1990 at WFMU Studio, New Jersey |
Radio session from Merzbow's first American tour.
| Hannover Cloud | |
| Type: | studio |
| Artist: | Merzbow |
| Recorded: | 1990 at ZSF Produkt Studio |
Features outtakes from Hannover Interruption and Cloud Cock OO Grand. "Rocket Bomber" uses raw materials from Sadomasochismo.
| Stacy Q, Hi-Fi Sweet Leaf | |
| Type: | studio |
| Artist: | Merzbow |
| Recorded: | April–May 1991 at ZSF Produkt Studio |
Originally made as raw material for "Crash for Hi-Fi", "Wing Over", and "Another Crash for High Tide". Includes the use of a scratched Cloud Cock OO Grand CD.
| Music for True Romance Vol. 1 | |
| Type: | studio |
| Artist: | Merzbow |
| Recorded: | May 1992 – 1993 at ZSF Produkt Studio |
Backing tracks made for True Romance, a performance art project with Seido and Bara.
| Brain Ticket Death | |
| Type: | studio |
| Artist: | Merzbow |
| Recorded: | 1993 at ZSF Produkt Studio |
Track 4 samples Brainticket's self-titled song from their album Cottonwoodhill. It's also a reference to Nurse with Wound, who used the same bit on Brained by Falling Masonry.
| Sons of Slash Noise Metal | |
| Type: | studio |
| Artist: | Merzbow |
| Recorded: | 1992, February – March 1993 at ZSF Produkt Studio |
Tracks 1 and 3 were made as raw material for recordings of the same period. Track 2 is a remix of a fragment.
| Exotic Apple | |
| Type: | studio |
| Artist: | Merzbow |
| Recorded: | 1992–1994 at ZSF Produkt Studio |
Includes Arthur Lyman samples. Yuuri Sunohara is a director, producer, model etc. for Kinbiken/Right Brain. "Apple Rock" includes unused material originally made for Flying Testicle.
| Liquid City | |
| Type: | studio |
| Artist: | Merzbow |
| Recorded: | December 1994 – January 1995 at ZSF Produkt Studio |
Originally intended to be part of a CD+CD-ROM called Scatologic Baroque, but it was canceled. The material for the CD-ROM was used for the book Anal Baroque. Part of the "World Trilogy" with Magnesia Nova and Green Wheels. "Liquid City 17-1-95" was recorded on the same day as the Great Hanshin earthquake. "Tiabguls" is a Throbbing Gristle tribute.
| Red Magnesia Pink | |
| Type: | studio |
| Artist: | Merzbow |
| Recorded: | April–August 1995 at ZSF Produkt Studio |
Outtakes from Red 2 Eyes, Magnesia Nova, and Pinkream.
| Marfan Syndrome | |
| Type: | studio |
| Artist: | Merzbow |
| Recorded: | September 1994 – January 1995 at ZSF Produkt Studio |
"Marfan Syndrome for Blue" is Akita's first track to use the EMS synthesiser. Track 2 is a reference to Claes Oldenburg, who creates oversized sculptures of everyday objects, including soft sculptures.
| Rhinogradentia | |
| Type: | studio |
| Artist: | Merzbow |
| Recorded: | 1995–1996 at ZSF Produkt Studio |
Named after a fictitious order of mammals. Masami Akita performed solo twice as Zecken, playing this style.
| Space Mix Travelling Band | |
| Type: | studio |
| Artist: | Merzbow |
| Recorded: | 1994–1997 |
Tracks 1–2 are based on four channel tape: two channels recorded in 1994 and used on tracks of the same period, and two channels of EMS recorded in 1996. Additional EMS and Moog overdub and final mix in 1997.
| Motorond | |
| Type: | live |
| Longtype: | / Studio album |
| Artist: | Merzbow |
| Recorded: | January 1997 at ZSF Produkt Studio and March 30, 1997 at Guilty, Tokyo |
Track 1 was the most recent live performance when the Merzbox was compiled.
| Annihiloscillator | |
| Type: | studio |
| Artist: | Merzbow |
| Recorded: | December 1996 – March 1997 at ZSF Produkt Studio |
Selection of recent tracks when the Merzbox was compiled. Track 3 is a reference to Marguerite Yourcenar's Dark Brain of Piranesi, an essay about Giovanni Battista Piranesi's Carceri prints.