| Melmoth | |
| Publisher: | Aardvark-Vanaheim |
| Issues: | 11 |
| Series: | Cerebus |
| Origpublication: | Cerebus |
| Origissues: | 139–150 |
| Origlanguage: | English |
| Origisbn: | 0-919359-10-8 |
| Creators: | Dave Sim Gerhard |
| Previssue: | Jaka's Story |
| Nextissue: | Mothers & Daughters |
| Us: | n |
Melmoth is the fifth novel in Canadian cartoonist Dave Sim's Cerebus comic book series. It follows Oscar (a caricature of Oscar Wilde) in his last days leading up until his death, while Cerebus sits catatonic, clutching the doll of Jaka, the woman he loves but believes has been killed.
The novel was collected as the sixth paperback "phonebook" collection in the series in October 1991.
After Jaka, Rick and Oscar's arrest (and Pud's death), Cerebus returns to the Lower City, where he uses a gold coin to buy room and board at Dino's for the rest of his life. There he sits near-comatose for most of the rest of the story, gripping Jaka's doll Missy.
Oscar has become ill.
There were also brief appearances by numerous characters from the series, including the Roach, Mick & Keef, Posey and others.
At this point, according to Gerhard, Sim and Gerhard had "an unspoken understanding" when it came the backgroundsSim would occasionally make suggestions (such as the white fog that surrounded Cerebus at times to reflect his emotional state), but for the most part Gerhard was left to decide on how to handle the backgrounds himself. The building designs were based on what Gerhard could find in library architecture books. He couldn't find anything specific about the doctor's office or Wilde's final resting place, aside from Wilde's "famous last line" ("My wallpaper and I are fighting a duel to the death. One or the other of us has to go.")[1] [2] [3] [4] [5] [6] [7] indicating that the "wallpaper had to be really ugly." He drew inspiration from Barry Windsor Smith for the series covers.
The story was originally serialized in Cerebus #139–150. The issues were further numbered Melmoth Zero (Cerebus #139, October 1990) through Melmoth Eleven (Cerebus #150, September 1991), although this numbering is not acknowledged in the collection.
The collection appeared in October 1991. It included an 11-page text section with reproductions of letters from The Collected Letters of Oscar Wilde that Sim used as the basis for the Wilde portions of the story, showing the changes he made to make them fit into the fictional world of Estarcion, plus annotations. The first printing, October 1991, was a signed (by both Dave Sim and Gerhard) and numbered (out of 410) by hand on the inside title page. No volume number was printed on the spine until later printings.