| Meghnath | |
| Birth Date: | 1953 6, df=yes |
| Birth Place: | Bombay, Bombay State (now Mumbai, Maharashtra, India) |
| Nationality: | Indian |
| Occupation: | Director, Producer, Social Activist |
| Years Active: | 1971–present |
| Notable Works: | Naachi Se Baanchi, Iron is Hot, The Hunt, Gadi Lohardaga Mail |
| Children: | 1 |
| Honours: | 59th National Film Awards & 65th National Film Awards |
Meghnath is a filmmaker and activist working in Jharkhand for the last 40 years. He has been with the people’s struggle against destructive development. As a filmmaker, he has tried to document the voice of those sections of people who remain unheard. Meghnath was awarded the prestigious 59th National Film Awards and 65th National Film Awards.
Meghnath was born on 29 June 1953 in Bombay of Bombay State (now Mumbai of Maharashtra). He did his schooling in Bombay and started social work from 1971 in the refugee camps of Bangladesh Liberation War. He started rural development work in National Service Scheme (NSS) under the guidance of Fr Gerard Beckers and worked as a volunteer for students health home, a co-operative health movement of the students with 3 lakhs members. He was elected the Joint Secretary of Health Home for the year 1975 to 1977. Meghnath completed his graduation from St. Xavier's College, Kolkata in 1977 and was the organizer of the highest voluntary Blood Donor in 1977 and 1978. He did his diploma in Social Work from Indian Social Institute, Bangalore in 1980 and came to Palamu district in 1981 to work on the issue of bonded labour in Jharkhand and eventually participated in the peoples struggle of to save the land, water and forest. He was the part of Jharkhand Movement and was the founder member of Jharkhand Coordination Committee (JCC) along with B. P. Keshri, Sanjay Basu Mallick, N. E. Horo, Bishop Nirmal Minj and others. He did a short course on film making from Notredem Communication Centre Patna in 1988 and from CENDIT, New Delhi in 1989. In 1990, he did Film Appreciation Course from FTII, Pune and National Film Archive of India and also became a part of National Alliance of People's Movements (NAPM) and was part of Narmada Bachao Andolan along with Medha Patkar and participated in fasting for 22 days in the banks of Narmada. He has also worked with reputed documentary filmmaker Tapan Bose and Suhasini Mulay in 1989-91 and he started discussion and debate on the pro-people development models in predominately Adivasi Area and was the founder member of Pani Chetna Manch along with members of People's Science Institute. He worked on an alternative irrigation model and was part of making 125 small check dams (Ahar) and pines in Palamu district in 1993-95 under Sukha Mukti Abhiyan.
In 1993, he formed the group AKHRA to work in the field of culture and communication along with others. He was the Guest Faculty of Mass Communication and Journalism department in St. Xavier's College, Ranchi. In the last 40 years of social and cultural work, he has had the opportunity to work and learn from many great people and to name a few they are Fr Gerard Beckers, Debabrata Roy, Mother Teresa, Pannalal Das Gupta, Bishop George Sopien, B. P. Keshri, Tapan Bose, Suhasini Mulay, Satish Bahadur, P. K. Nair, Baba Amte, Sunderlal Bahuguna, Medha Patkar and Ram Dayal Munda. He considers film making as the extension of his social and cultural work. Along with Biju Toppo he has worked in more than 15 films which have received national and international recognition.
| Year | Film | Director | Producer | Editor | Language | Notes |
|---|---|---|---|---|---|---|
| 1996 | Saheed Jo Anjan Rahe | Biju Toppo | AKHRA | Biju Toppo | Hindi | Saheed Jo Anjan Rahe (Unknown Martyrs), is a film about the brutal massacre of the indigenous persons on April 19, 1985, in which a former Member of Parliament named Fr. Anthony Murmu and fourteen others were killed in Banjhi, Sahebganj district of Jharkhand over a minor pond dispute at Banjhi. It is often termed as "Banjhi Massacre".[1] |
| 1997 | Ek Hadsa Aur Bhee | Biju Toppo | AKHRA | Biju Toppo | Hindi | Ek Hadsa Aur Bhee (Yet Another Accident) is a film about a controversial dam incident in August 1997 which took place in Palamu district of Jharkhand. In order to silence the villagers’ protests against the construction of the Kutku-Mandal Dam, the temporary /sluice gate of the dam was shut. Thirty-two nearby villages were submerged overnight in the resulting floods, and approximately 1100 families were affected. Twenty-one people drowned, a large number of animals died and a lot of people’s property and goods were destroyed.[2] |
| 1998 | Jaha Chinti Ladi Hathi Se (Where Ants are Fighting Elephants) | About indigenous peoples’ struggle against bauxite mining. | ||||
| 2000 | Hamare Gaon Me Hamara Raj | Biju Toppo | Biju Toppo | Biju Toppo | Hindi | Hamare Gaon Me Hamara Raj (Tribal Self Rule) is a film on Panchayati Raj Extension in Scheduled Areas Act 1996. The film deals with the Grama Sabha movement. |
| 2003 | Vikas Bandook Ki Nal Se | Biju Toppo and Meghnath | AKHRA | Raja | Hindi | Vikas Bandook Ki Nal Se (Development Flows from the Barrel of the Guns) is a film which presents and examines orchestrated state violence against indigenous and local peoples when they rally and protest against development projects on their lands. Rather than focusing on a single instance, the filmmakers strengthen their thesis by recording examples from all over the country: Orissa, Jharkhand, Madhya Pradesh, Gujarat and Chhattisgarh. In each case, using the local police force, the state has brutalised and killed protestors, often on trumped-up charges of violence. |
| 2004 | From Kalinga to Kashipur | On the people’s struggle against an aluminium factory in Kashipur block of Koraput district in Orissa. | ||||
| 2005 | Kora Rajee | Biju Toppo | Kurukh | Kora Rajee (The land of the diggers) is the first film in Kurukh, a tribal language. The film is on the issue of Adivasi labourers in the tea-garden communities of Assam and Bengal. | ||
| 2007 | Khorar desher joler kotha (Story of water from the land of drought) | On best practices of preservation and use of water in Purulia a drought-prone district of West-Bengal. | ||||
| Power for change | Is on use alternative development in rural Orissa especially on the use of Micro-Hydel power. | |||||
| 2009 | 100 Din Milega Kaam (100 days of work for you) | It is a film on the National Rural Employment Guarantee Act that promises to provide 100 days of work in the rural area and what is the ground reality. | ||||
| 2010 | Loha Garam Hai (Iron is hot) | Biju Toppo and Meghnath | AKHRA | Biju Toppo | Hindi | It is on the issue of the sponge iron industry and its pollution and how people are trying to cope with it. |
| Gadi Lohardaga Mail | Biju Toppo and Meghnath | AKHRA | B. Ajit | Hindi and Jharkhand folk songs | Nostalgic songs on the narrow gauge. Lohardaga passenger train which became history in January 2004. | |
| Ek Ropa Dhan | It is a film on the SRI method of rice cultivation, that explains how productivity can be increased by just changing the process of cultivation. | |||||
| Mukta Gyana Kutir | It is a film on alternative education for tribal girls who were dropout from regular schools. In the remote area of Orissa. | |||||
| 2011 | Sona Gahi Pinjra | Biju Toppo | Kurukh | Sona Gahi Pinjra (The Golden Cage) is a film in Kurukh language which portrays about those people who desire to participate in their village festivals but are deprived because of their job. The film depicts how mobile phone becomes the living link in this situation. | ||
| 2015 | Taking Side | Biju Toppo and Meghnath | Forum of Religious | Biju Toppo and Deepak Bara | Hindi and English | For centuries people have laid down their life taking side with the oppressed. This film is the story of Sr. Valsa John. She was born in Kerala and worked for the Adivasi of Jharkhand. She leads the struggle against coal mining and laid down her life. |
| Accumulated Injustice | Biju Toppo and Meghnath | AKHRA | Biju Toppo | Hindi | Adivasi people’s living condition on the dark side of Rourkela Steel Plant. | |
| The Hunt | Biju Toppo | Rajiv Mehrotra,-Ridhima Mehra and Tulika Srivastava | Deepak Bara | English & Hindi | Today, our Government thinks Maoist is a major threat to internal security. They want to eliminate them from the red corridor as Maoist is a hindrance to secure the mineral resources of these areas for the corporate partners. Tribal who are fighting to save their ancestral land, are branded as Maoist. The Film ‘The Hunt’ explores the lives of the people sandwiched between Maoist and the State. | |
| 2017 | Naachi Se Baanchi (Those who dance will survive) | Biju Toppo and Meghnath | Films Division of India | Amit Bahadur | Hindi | In his lifetime itself Dr Ram DayalMunda has become a symbol of indigenous cultural reawakening.Ram DayalMunda was the leading intellectual who has contributed to Jharkhand movement immensely. Dr Munda has represented Adivasi voices in RajyaShabha and United Nations. He has been awarded Sahitya Academy Award and Padmashree in 2009. He died in September 2011. |
| 2018 | Mundari Srishtikatha | Tuhin Paul | Meghnath | Rupesh | Hindi | Unlike us, our children have missed the opportunity to hear folklore from their elders. Folklore helps and give us dignity and self-esteem and is helpful in building our personality. This is AKHRA's humble effort to narrate the creation of myths. These stories were created thousands of years ago when is science was not as developed as it is today. So we must enjoy them, but always keep a scientific approach to life. |
| Jharia (The Spring) | Biju Toppo | Public Service Broadcasting Trust | Rupesh Sahu | Hindi | It’s a film about an eighty-five-year-old man, Simon Oraon, The Water Man from Jharkhand who has been working relentlessly on water management and environmental protection in the villages of Jharkhand since he was fourteen. | |
| Awards | Awarding body | Film | ||
|---|---|---|---|---|
| 2004 | Travelling Film Southasia (TFSA) | Travelling Film Southasia (TFSA) | Vikas Banook Ki Nal Se (Development Flows from the Barrel of the Guns) | [3] |
| 2005 | Vatavaran Star Award for Best Documentary | CMS Vatavaran | [4] | |
| 2006 | Second Best Documentary Film / Video | Mumbai International Film Festival | Kora Rajee (The land of the diggers) | [5] |
| 2009 | Best Environmental Film Award | Indian Documentary Producers’ Association (IDPA) | Loha Garam Hai (Iron is Hot) | [6] |
| 2010 | 58th National Film Awards | Directorate of Film Festivals | [7] | |
| Silver Medal | Indian Documentary Producers’ Association (IDPA) | Ek Ropa Dhan | [8] | |
| 58th National Film Awards | Directorate of Film Festivals | [9] | ||
| 2011 | Best Short Film Award | International Folk Music Film Festival, Nepal | Gadi Lohardaga Mail | [10] |
| 2015 | Special Jury Award | CMS Vatavaran Environment and Wildlife Film Festival | The Hunt[11] | [12] |
| 2016 | Best Documentary Award | International Documentary and Short Film Festival of Kerala | [13] | |
| International Film Festival of Shimla | [14] | |||
| Cinema of Resistance | SiGNS Festival, Kerala | [15] | ||
| 2017 | Golden Bodhisattva Award | Bodhisattva International Film Festival in Patna | ||
| 2018 | 65th National Film Awards | Directorate of Film Festivals | Naachi se Baanchi | [16] |
| Jury Mention Award | Mumbai International Film Festival | [17] | ||
| Special Jury Documentary | International Film Festival of Shimla | [18] | ||