| Meghe Dhaka Tara | |
| Director: | Kamaleshwar Mukherjee |
| Producer: | Shree Venkatesh Films |
| Story: | Kamaleswar Mukherjee |
| Screenplay: | Kamaleswar Mukherjee |
| Starring: | Saswata Chatterjee Ananya Chatterjee Abir Chatterjee Rahul Banerjee Joydeep Mukherjee Abhijit Guha Ritwik Chakrabarty Anindya Bose Mumtaz Sorcar Bidipta Chakrabarty Subhasish Mukhopadhyay Biswajit Chakraborty Debpratim Dasgupta Anirban Guha |
| Music: | Debojyoti Mishra Salil Chowdhury Rabindranath Tagore |
| Cinematography: | Soumik Haldar |
| Editing: | Rabiranjan Moitra |
| Studio: | Shree Venkatesh Films |
| Runtime: | 2 hours 32 minutes |
| Country: | India |
| Language: | Bengali |
Meghe Dhaka Tara (;in Bengali pronounced as /meːɡʱeː ɖʱaːkaː taːra/) is a 2013 Indian Bengali film directed by Kamaleswar Mukherjee and made under Shree Venkatesh Films banners. The film is inspired from the life and works of Bengali film director Ritwik Ghatak.[1] [2] The entire film is in black and white except the last scene which has been shot in colour.[3] [4] In this film Saswata Chatterjee plays the character of Nilkantha Bagchi and Ananya Chatterjee plays the role of Durga, Nilkantha's wife. The film was released on 14 June 2013. Besides giving an account of Ghatak's life, the film also depicts the socio-political environment of contemporary West Bengal during the Tebhaga and Naxalite movements.
Anandabazar Patrika, after a special screening of the film in November 2012, wrote in their review that this film had potential to become a "classic" film. The acting of Saswata Chatterjee as Nilkantha Bagchi was widely appreciated too.
The story of the film starts in 1969 and deals with Ritwik Ghatak's time spent in a mental asylum. It shows Nilkantha being admitted to mental asylum under the supervision of Doctor S. P. Mukherjee. S. P. Mukherjee learns that the Prime Minister of India knows Nilkantha and is fond of his works and may request the hospital authority to take special care of him. In the hospital, a police officer sees Nilkantha and tells Doctor Mukherjee that he is a wasted drunkard. Another patient of hospital mocks Nilkantha as a "disgraced intellectual". Even while he was undergoing treatment in the hospitals, he writes a play and stages it with other asylum patients.
The film shows how Durga (Nilkantha's wife) wants to leave him saying "separation is essential". Nilkantha witnessed partition of Bengal and its devastating effect and in his youth became attracted towards communism. Throughout the film, Nilkantha's mental agony, struggles, inner contradictions, disappointments as well as financial troubles faced by him are shown. He clearly tells, it is not possible for him to make entertaining or commercial films. During a discussion, Nilkantha asks Doctor Mukherjee that should a man perform mujra at a time when the society is burning? He also tells Doctor Mukherjee that he is a "people's artist" and that is his job.
The film also shows the atmosphere of Bengal during Tebhaga and Naxalite movements. A scene has been shown in the film where a book named "How to be a good communist?" is burning. This scene symbolises Ghatak's dissatisfaction with India's communist politics. When Durga tells Nilkantha that they don't have a single rupee to run the family, Nilkantha readily replies, it is not money but it is one's work which will remain forever.
Director Kamaleswar Mukherjee wanted to pay tribute to film-maker Ritwik Ghatak and decided to make this film which is a fictional account of a filmmaker's life and the filmmaker's character is inspired by Ritwik Ghatak's life and works. He told, he got inspiration from all of Ghatak's works and his life, Ghatak's Meghe Dhaka Tara (1960)[5] was one of them. This film was Mukherjee's second films as a director after Uro Chithi which was a box-office failure.[6] At first the film was named Jwala (meaning, "pain" or "agony").[7] About the title of the film Mukherjee told, despite being a film director Ghatk's life was capped with clouds which creates a connection between Ghatak and Nilkantha, the protagonist of the film.
Mukherjee used the following books to do the research works for the film—
The entire film is in black and white except the last scene which has been shot in colour. The scene is the film's climax too. The film was shot in Kolkata and Purulia. Some of the most important scenes of the film were shot in Purulia including a long rain scene where Ghatak too shot his last film Jukti Takko Aar Gappo. Kamaleswar Mukherjee found the local people of Purulia enthusiastic and helpful.[8] Some of the rehearsals were organized at Kolkata's Muktangan theatre.
Film's director Kamaleswar Mukherjee told in an interview– "Neither is my film Ritwik's biopic nor is it a remake of his legendary film. It tells a story in a completely new style and has no similarity with the original. I'm inspired by all of Ghatak's works and his life; "MDT" is just one of them. The audience will realize this once they watch my film."
Saswata Chatterjee described the film as a "dream project" and told his experiences during the shooting were incredible. He also told that he was amazed to see the amount of research works Kamaleswar Mukherjee did to direct this film.[9]
Saswata Chatterjee portrayed Nilkantha's character in the film. Kamaleswar Mukherjee told in an interview that Saswata was their first choice for this role as he felt "Apu da"[10] was perfect to portray the character created by Ghatak. Mahendra Soni, one of the producers of the film, later told if Saswata had denied playing the character then they would have asked Kamaleswar Mukherjee to act the role himself as they knew Mukherjee had a theatre background and is a good actor too.
After playing the role of Bob Biswas in the film Kahaani Saswata received many similar offers, but he did not want to repeat his performance of Bob. When the offer of this film's protagonist role came to him he accepted. Chatterjee had already worked with film's director Kamaleswar Mukherjee before.[11] In an interview Chatterjee told that he tried and shed some bodyweight to fit in the character of Nilkantha. He told, he watched a lot of Ghatak's films and documentaries to understand his body language.
Chatterjee told in an interview that during the shooting he became so involved with his character that he even faced difficulties to talk to his wife Mohua at that time.[12]
Ananya Chatterjee played the role of Durga, Nilkantha's wife. In the film Jukti Takko Aar Gappo too the name of Nilkantha's wife character was Durga. Kamaleswar Mukherjee selected Chatterjee to portray this role for her acting skill and Mukherjee found a type of seriousness in her expressions which were needed for the role. To prepare for this role, Chatterjee used to read the script of the film over and over again. She also used to spend time to understand Durga's feelings towards Nilkantha.[13]
Abir Chattejee played the role of psychiatrist Doctor S. P. Mukherjee. Doctor Mukherjee tries to find out Nilkantha's confusion.[14] This was an important character in the film. Ananya Chatterjee later told in a light mode— "actually, in this film, Abir is like Saswata’s wife because they are together in most of the scenes."
The music of the film was composed by Debojyoti Mishra.
The film is released on 14 June 2013 in Kolkata with English subtitles.[18] In an interview given in August 2012, Kamaleswar Mukherjee expected that the film would release in mid-October of that year, but the release got delayed because the production house of the film wanted to send it in different international film festivals first. The film was attempted to be sent at Cannes Film Festival and it was screened at Berlin International Film Festival. The film created much excitement before its release.
After a special screening of the film in Kolkata, Anandabazar Patrika published a review in their newspaper on 28 November 2012. In that review, the making of the film was widely appreciated and the film was tagged as an "authentic period film". The review highly praised Saswata Chatterjee's acting as Nilkantha and gave it "letter marks". They also felt Saswata Chatterjee's portrayal of Nilkantha was better than his previous popular character Bob Biswas of Kahaani. The review predicted that this film had the potential to become a "cult" or "classic" film in future.[19]
After watching this film in a closed preview, Bengali film director Raj Chakraborty cancelled editing works of his own film for that day. Raj Chakraborty later told— "how could I do editing works of my own film on a day in which I saw a film like Meghe Dhaka Tara? I did not want to commit such a mistake!" He also told that he was even ready to work as an assistant director to Kamaleswar Mukherjee who made such a film.
After watching the film, Shrikant Mohta of Shree Venkatesh Films felt this was the best film made under their banners.
The film received positive reviews from reviewers and critics. The Times of India commented in their review, though Ghatak's personal life was well-known, Mukherjee's fictional retelling of his life was interesting. They found the script of the film well-researched and the real-life characters like Bijon Bhattacharya, Sobha Sen, Supriya Devi were woven neatly. They stated, using color in only the last few scenes was a masterstroke.[20]
Bengali newspaper Anandabazar Patrika widely appreciated the making of the film and gave it 8 out of 10 and commented Kamaleshwar Mukherjee should have come to film direction much earlier.[21]