May Mirin Explained

May Mirin (1900-1997) was an American photographer who documented life in Mexico.

Biography

May Mirin was born in New York in 1900. She first visited Mexico in 1937, then returned to the country frequently for long periods until the 1980s. There she produced documentary and travel series,[1] contemporaneously with fellow Americans Jasper Wood, Wayne Miller and Canadian Reva Brooks,[2] at a time when pictures by few significant Mexican-born photographers, other than those by Lola and Manuel Alvarez Bravo, were known outside the country.

Mirin's images and writing featured in popular mid-century American photography magazines.[3] [4]

Recognition

In 1955, two of her photographs - one of a candlelit religious devotion in Mexico and a second of a graveyard in New York[5] - were chosen by Edward Steichen for the exhibition The Family of Man that he curated for MoMA, and which toured the world and was seen by over 9 million visitors. She was among the numbers of its participating photographers remembered by Helen Gee as frequenting her Limelight gallery, New York City's first important post-war photography gallery (1954-1961).[6]

Later life

During the 1970s she took up painting and volunteered for the American Museum of Natural History.[7]

Collections

Examples of May Mirin's photographic work are held in the permanent collections of the Museum Folkwang in Essen, MoMA and Clerveaux Castle, Luxembourg.

Notes and References

  1. Travel and Camera, Volume 16 U.S. Camera Publishing Corporation, 1953, p.58
  2. Hopkinson, A. (2001). 'Mediated Worlds': Latin American Photography. Bulletin of Latin American Research, 20(4), 527.
  3. May Mirin "Poetry with a Camera" Classic Photography #5 (Autumn 1957)
  4. Photographers Showplace, v.1, n.2, Dec 1956.
  5. Córdova, Carlos A. “Steichen: Retratos de familia”. Luna Córnea. 23 (2002): 130-137. See also: The Family of Man, created by Edward Steichen, proloque by Carl Sandburg. The Museum of Modern Art (New York, N.Y.) (1983) ISBN 978-0-87070-341-6.
  6. ”I was so happy so many were coming around, some in fact making Limelight their ‘home’; Arthur Lavine, Lew Parrella, Leon Levinstein, May Mirin, Louis Stettner, David Vestal, Hella Hammid, Simpson Kalisher, Morris Jaffe…” Helen Gee (1997) Limelight: a Greenwich Village Photography Gallery and Coffeehouse in the Fifties: A Memoir. Albuquerque: University of New Mexico. .
  7. mentioned in American Museum of Natural History in-house magazine Grapevine Vol XXIX, No.3 as “May Mirin-photographer of merit and Sunday painter”