Mathia (film) explained
| Mathia |
| Director: | Joseph Pulinthanath |
| Producer: | Fr. KJ Joseph |
| Screenplay: | Joseph Pulinthanath |
| Music: | Abhijit Basu |
| Cinematography: | Sunil Lucas[1] |
| Editing: | Sunil Lucas |
| Distributor: | Don Bosco Sampari Pictures[2] |
| Runtime: | 132 minutes |
| Country: | India |
| Language: | Kokborok |
| Production Companies: | Don Bosco Sampari Picture[3] |
Mathia is a 2004 Indian Kokborok-language full-length feature film. It is written and directed by Joseph Pulinthanath and stars Meena Debbarma, Jayanta Jamatia and Amulya Jamaita.[4]
Synopsis
In a remote village of Tripura, a group of youth goes for cultivating huk(Jhum), singing along. They come across a house of a woman who is accused of being a Swkal(Witch). The villagers treat her in an unfriendly manner, forcing her to live in isolation outside the village, until a young man named Banthu from the same group falls in love with her, who had a view different from the society. He doesn't believe in societal stigma and superstitions such as a witch living among the people. Following his belief, he tries convincing that it is not Kwchwngti who is responsible for people dying natural deaths or deaths due to induced circumstances. However, Kwchwngti is framed by the villagers for all the misfortune that the village was confronted with. Thereafter, men are commissioned several times by the Choudhury of the village to kill Kwchwngti, who fled with Banthu from the village to a safe place. It was Banthu's rationale and love for her that saved her in the end from being buried alive by the villagers as a custom punishment for being a Swkal.[5] [6]
Reception
Critical analysis
- In his seminal research, film scholar and filmmaker, Aloy Deb Barma referred to Pulinthanath's Mathia as a significant contribution to the constitution of an indigenous cinematic voice as the film addressed not just the issue of tribal language, but also that of mainstream Indian cinema's skewed and distorted portrayal of the indigenous communities of the Northeast India. The film, despite its technical drawbacks, has been positively received in the International Film and Television Festival of Neipoklanow, Poland for its realistic depiction of the culture and heritage of the tribal community in Tripura. The film is regarded as the first feature film of Tripura in Kokborok-language to receive critical acclaim.[7]
- Anil Sarkar, a minister in the Tripura Government, stated, "Mathia has not only taken the Kokborok language to the international arena, but has made the people of the state proud". Jitendra Choudhuri, another minister in the Tripura Government, praised it as a "daring and welcome contribution to social change".[8]
Awards
- Best feature film award at the international film festival held in Warsaw from May 19 to 25, 2003. Mathia had been awarded the first prize in the feature film category for its "realistic depiction of the culture and heritage of a community in India".[9]
Soundtrack
| Sl no. | Song | Singer | length | link |
|---|
| 1 | Phaibaidi Joto Bayarok | Jayanta Jamatia | 4:30 | YouTube |
| 2 | Khorang Khwlaike | Biswantah Debbarma & Manodevi Jamatia | 3:20 | YouTube |
|
Release
Mathia had its first official screening in an international cinema conference organised by Roopkala Kendra, an Indo-Italian project at Nandan, West Bengal in February 2003.[10] It was also screened at the "International Film and Television Festival of Neipoklanow", Poland on May 21, 2003.
Notes and References
- Web site: Mathia becomes first Kokborok film to bag International Award. 3 June 2003. india.com. 17 April 2018.
- Web site: Asian Award-winning Kokborok Film 'Yarwng' to open Indian Panorama. 28 October 2008. wordpress.com. 17 April 2018.
- Web site: MATHIA (2004). https://web.archive.org/web/20180411175810/http://www.bfi.org.uk/films-tv-people/4ce2b8963580f. dead. 11 April 2018. bfi.org.uk. 17 April 2018.
- Web site: Mathia (2004). https://web.archive.org/web/20180411175810/http://www.bfi.org.uk/films-tv-people/4ce2b8963580f. dead. 11 April 2018.
- Book: Deb Barma . Aloy . CINEMA AS ART & POPULAR CULTURE IN TRIPURA: An Introduction . Debroy . Prajapita . . 2022 . 978-81-958995-0-0 .
- Matta . Mara . 2016 . Multilingualism and Indigenous Cinema in Northeast India: The Case of Kokborok Language Films . The Multilingual Screen . 10.5040/9781501302848.ch-017.
- Deb Barma . Aloy . 2024-07-01 . Talking Back through Peripheral Visions and Negotiating Identity: Kokborok and Bengali Films and Music Videos in Tripura . Journal of Film and Video . en . 76 . 2 . 33–48 . 10.5406/19346018.76.2.05 . 0742-4671.
- Matta . Mara . 2016 . Multilingualism and Indigenous Cinema in Northeast India: The Case of Kokborok Language Films . The Multilingual Screen . 10.5040/9781501302848.ch-017.
- Web site: Mathia bags first prize in international film fest - Times of India . 2022-08-31 . The Times of India .
- Web site: Polish award for Kokborok film - Mathia named best feature film for depicting witchhunting . 2022-08-31 . www.telegraphindia.com.
