| Masoud Jafari Jozani | |
| Native Name: | مسعود جعفری جوزانی |
| Native Name Lang: | fa |
| Birth Date: | 9 December 1948 |
| Birth Place: | Malayer, Pahlavi Iran |
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Masoud Jafari Jozani (; in Persian pronounced as /mæsʔuːd dʒæfæɾiː dʒozɒːniː/, born 9 December 1948) is an Iranian film director, screenwriter and producer. He has received an award for the best short film at the Fajr International Film Festival.[1] In the Wind's Eye is one of Jafari Jozani's most notable works, which he directed and wrote. This TV series In the Wind's Eye was the first Iranian film to be shot in the United States since the Iranian Revolution (1979) and one of the most expensive films in the history of Iran, with a budget of $12 million.[2] [3] [4] [5]
Jozani, Iranian cinema's enduring face,[6] is a post-revolutionary cinema pioneer who introduced Iranian post-revolutionary cinema to international festivals with his debut film, Frosty Roads. He was recognized as a bridge between East and West cinema in 1987 and 1988, when he attended many international film festivals, including the Berlin International Film Festival, the Montreal World Film Festival, the Hawaii International Film Festival, and the Hong Kong International Film Festival. Jozani teaching cinema and graphics in the United States (with a lifetime teaching license), teaching at Iranian universities, and managing the Jozan Film Institute.[7]
Masoud Jafari Jozani was born 9 December 1948 in Malayer, Hamadan province, Pahlavi Iran.
Jozani received an M.A. degree in cinema from the San Francisco State University (1977). He began his cinematic career as a scriptwriter and director of short films.[8]
Towards Freedom by Jozani is considered the first political documentary in Iran, played on 10 February 1980 by the Islamic Republic of Iran Broadcasting.[9] Masoud Jafari Jozani founded the IRIB's animation section and produced some animated films.[10]
In 1984, Jozani, by making the short film Speak to Me, produced by the Institute for the Intellectual Development of Children and Young Adults, managed to get the honorary diploma for best short film from the third Fajr International Film Festival.
See main article: Frosty Roads. In 1984, Jafari Jozani was made his debut feature film in his birthplace. Frosty Roads was one of the best-selling films of the first decade of the revolution, and it is valued for its visual structure as much as its substance. The only professional and well-known member of this film was Ali Nassirian. This film opened the path for Hamid Jebeli, Turaj Mansuri, Mahmoud Clari, Alireza Raisian, and Shapur Pouramin to break into the professional film industry.
, is the story of a confrontation between tradition and modernity, which won the Crystal Simorgh for Best Screenplay in the fifth Fajr International Film Festival. The killing of one British creates a deadly confrontation between two Bakhtiari leaders, starring Ezzatolah Entezami and Ali Nassirian, making it the most important and most important durable of Jozani's works. Also participated in many international festivals, such as the 11th Montreal World Film Festival (Canada) in 1988, and was appreciated.
See main article: Eye of the Hurricane (1989 film). His next movie was Eye of the Hurricane, which had a larger production than The Stone Lion. It was again a compelling story about the presence of foreigners in Iran during World War II.
After the cultural developments of 1992–2002, he attended to the youth's problems by making the film Maturity and received awards in the 18th Fajr International Film Festival.
See main article: In the Wind's Eye.
He spent most of the 2002–2012 writing and directing the TV series In the Wind's Eye (a 44 piece TV series of 50 minutes each) shown on IRIB TV1, which was a must-see program on TV and told the story of Iran from the Mirza Kuchik Khan's uprising to the Iran–Iraq War. The script was written in two years by Masoud Jafari Jozani.[11]
This historical TV series In the Wind's Eye was telling three historical periods: the first was the end of the Qajar Iran and beginning of the Pahlavi dynasty, the second was World War II and a special time after the revolution which was after the Battle of Khorramshahr.[12] Making this series with 480 locations in over 10 other cities and provinces was one of the biggest television productions.[13]
The feature film Iran Burger, Jozani's only comedy made, with the help of a local and folkloric atmosphere, and a script is written in situation comedy, was made into a high selling, fun, and respectable film.
His other film was Behind the Wall of Silence which is focused on Aids and was made with the help of the people's organizations, was invited by the 61st conference of women (CSW), and was supposed to be shown on 20 March 2017 with the presence of the main characters in the gathering at non-governmental organizations (NGO) and people-centered institutions in support of the mothers and children suffering from HIV/AIDS in the Headquarters of the United Nations in New York in the US was due to the United States president, Donald Trump's discrimination and racist decision of not giving visas to the people of this movie to go to the United Nations and attend the main UN conference and was canceled.[14] [15]
In 2020, he began making the film Paradise of Criminals, which also deals with the events of the nationalization of the oil industry.[16] [17]
Masoud Jafari Jozani still has a head filled with ideas and great Iranian characters. Although his three scripts: Ya'qub ibn al-Layth, Pourya-ye Vali, and Cyrus the Great have passed the first stages of production, for various reasons, they have not been completed.
The script is based on the life of Howard Baskerville, who was an American teacher in the American Memorial School in Tabriz who was killed during the Persian constitutional revolution and in an attempt to break the siege Tabriz. Masoud Jafari Jozani wrote this script in 1995, and the Hozeh Honari purchased it the same year. Then, in 1998, Masoud Jafari Jozani and Shahriar Rohani were bought it from the Hozeh Honari, and Ebtekar publishing published it.[18]
In the years afterward, Masoud Jafari Jozani has signed contracts with American and Canadian film studios to produce the Baskerville film in Iran. Still, each failed for some reason, except for the most recent agreement signed with the association searching for a common ground, which even obtained official permission from the Ministry of Culture and Islamic Guidance to produce the film. According to the American newspaper Le Figaro, an American producer decided to use Brad Pitt as Howard Baskerville; However, for whatever reason, the film was never made. Finally, the American and Iranian Screenwriters Association in the United States and Canada registered the Baskerville scripts titled after Masoud Jafari Jozani and Mohammad Mehdi Dadgoo.[19]
In 2005 Masoud Jafari Jozani was informed that an Iranian filmmaker based in the United States announced that he was planning to travel to Turkey to make Baskerville. Jozani reacted to the media and announced that he was filing a lawsuit for stealing works of art in Iran and the United States.[20]
In 2010 Massoud Jafari Jozani, after obtaining a filming license in the United States, decided to make the TV series Baskerville. He tries to make this TV series with the financial assistance of the Iranian and American companies, But it did not work out.[21] [22]
Masoud Jafari Jozani wrote the screenplay of Cyrus the Great in the style of an adapted screenplay based on the life story of Cyrus the Great with the researcher Fathullah Jafari Jozani and Abdul Karim Younesi.
The character of Cyrus is highly significant in terms of historical and national standing. Still, big powers without history and culture are attempting to deny Iran's position in the world, so the construction of this project was on the agenda.[23]
Ali Moallem, one of the producers, introduced Masoud Jafari Jozani as the director. After the death of Ali Moallem, Masoud Jafari Jozani handed over the script to the investors. Before that, he covered the project costs with his capital. The project started after concluding a contract with foreign investors but stopped for some reason.[24]
Masoud Jafari Jozani was going to make a TV series about Nasir al-Din al-Tusi after the TV series In the Wind's Eye for Simafilm. Still, unfortunately Khawaja Nasir al-Din al-Tusi did not get made.[25]
Masoud Jafari Jozani wrote the script for Pourya-ye Vali for a TV series in five seasons (52 episodes of 50 min). Although the contract for this series was signed in 2013 by the Islamic Republic of Iran Broadcasting, it was not produced due to a change in management of IRIB, and Finally, Anapana Publishing published it.[26] [27]
Fathollah Jafari Jozani and Doctor Abdulkarim Yunesi, the researchers of this script, used over 30 books, including Jami' al-tawarikh, Tarikh-i Jahangushay, and The Cambridge History of Iran.[28]
The life story of Pahlavān Mahmoud, more commonly known as Pouryā-ye Vali, begins in 1219 when the Mongolians assaulted Iran. Between 1270 and 1283, Iranian manufacturers were treated as slaves by the Mongol rulers and compelled to build weapons for them. Rural subjects who couldn't pay their taxes for themselves and their families were sold. During this time, Pouria-ye Vali was able to bring together liberals and fighters by organizing and building traditional sporting halls known as Zurkhaneh.[29]
The other historical characters of this script we may mention are Saadi Shirazi, Ubayd Zakani, Nasir al-Din al-Tusi, Rashid al-Din Hamadani, and the wrestling champion File Hamedani.[30] [31]
Masoud Jafari Jozani and the Farabi Cinema Foundation concluded the contract for Ya'qub ibn al-Layth. Ya'qub ibn al-Layth's screenplay about the founder of the Saffarid dynasty in Sistan and his chivalry, simple life, and his role in history in uniting the Iranian people.[32]
Ya'qub ibn al-Layth al-Saffar was a young Ayyār who was under the influence of Rostam's stories, decided to help the poor and oppressed people with the help of the small group of young Ayyars that had gathered around him and in the opinion of the people of Sistan became a legendary champion.[33] The script will be aired on the Home Video.[34]
Jafari Jozani has mentioned this point in one of his interviews that:
"Unfortunately, our children know more about Robin Hood than Ya'gub Al-Layth while he is one of the historical figures who has founded Ayyār-i and Futuwwa in Iran and teaches the youth how a better life is possible."[35]
| Writing date | Title | Publication date | Publisher | Notes | |
|---|---|---|---|---|---|
| 1970 | Black Nanny | ||||
| 1970–71 | Stories Have Become Sorrows | ||||
| 1971 | Resalat | ||||
| 1976 | Remember the Flight | ||||
| 1977 | Caged | ||||
| 1978 | The Conception | ||||
| 1981 | Billy | ||||
| 1983 | Broken Image | ||||
| 1983 | The Escape | ||||
| 1988 | The Stone Lion | ||||
| 1988 | The Highest peak | 1988 | Ghamous monthly | ||
| 1989 | Eye of the Hurricane | ||||
| 1989 | Shadow of Imagination | 1991 | Najva | [36] | |
| 1990 | A Man, A Bear | 1982 | Rowzaneh | [37] | |
| 1991 | Baskerville | 2000 | Ebtekar | [38] | |
| 1994 | Bashir | 1994 | Sorush magazine | ||
| 1995 | Barkooleh | ||||
| 1995 | The Heart and Dagger | ||||
| 1996 | Storm's nest | ||||
| 1997 | Al-Jahad | ||||
| 1999 | Khawaja Nasir al-Din al-Tusi | ||||
| 2000 | Maturity | ||||
| 2001 | Her Eyes | ||||
| 2002 | Beyond the Wall | ||||
| 2003 | Iran Burger | 2016 | Anapana | [39] | |
| 2004 | In the Wind's Eye | 2009 | Sorush | [40] | |
| 2004 | Raisons selling Boy | ||||
| 2010 | Pourya-ye Vali | 2018 | Anapana | [41] | |
| 2012 | Cyrus the Great | 2016 | Trita | [42] | |
| 2015 | A Tale of Love | ||||
| 2017 | Behind the Wall of Silence | 2019 | Anapana | [43] | |
| 2020 | Criminals Heaven | [44] | |||
| 2021 | Ya'qub ibn al-Layth | [45] |
Kevin Thomas, a journalist of the Los Angeles Times newspaper, in an article entitled "Iran's 'Man, a Bear' Finds Humor, Heart" wrote about the movie A Man and a Bear directed by Masoud Jafari Jozani, published on 12 July 1996, issue of Los Angeles Times:[80]
"Once past an awkward start, Masoud Jafari Jozani's "A Man, a Bear" emerges as a courageous satirical allegory on authoritarianism and hardship in contemporary Iran.""Yet, along with its outspokenness, "A Man, a Bear" is also a warm, endearing and often very funny film."
Ben Walters published a report entitled "First Iranian film shot in US since 1979 gets under way" in The Guardian on 1 September 2009:
Production is to begin on the first Iranian film shot in the US since the Islamic Revolution. In the Wind's Eye, directed by veteran filmmaker Masoud Jafari Jozani, is also reported to have the highest-ever budget for an Iranian film at $12m (£7.3m).[81]
Variety, the oldest and most prestigious magazine in world cinema, in a report on 8 September 2009 entitled "Open door policy: L.A. lures Iran crew" examined the production of the series In the Wind's Eye and stated at the beginning of its report:[82]
As the American public was riveted by the spectacle of riot police suppressing the massive demonstrations disputing the results of Iran's June 12 election, one crack appeared in the wall between the two countries. Surprisingly, Iranian helmer Masoud Jafari Jozani managed to secure visas for members of his cast and crew to travel to and film in the U.S. — the first Iranian production to do so since the 1979 Islamic Revolution.
Indiewire, a film industry and review website, wrote in a report on the production of the series In the Wind's Eye entitled "Jafari project the first Iranian production filming in the U.S. since the Islamic Revolution in 1979":[83]
Based on a 52-hour epic television series that took four years to produce and recently began airing on Iranian television, "Dar Chashme Bad", production has begun in Los Angeles on a companion feature film, "In The Wind's Eye". Following three generations of Iranians from 1920 through 1981, with an overall budget of $12 million, the project will be the longest running and most expensive production in that country's film industry's history. It is also the first Iranian production filmed in the US since the revolution in 1979. Veteran filmmaker, Masoud Jafari Jozani, has written and directed each episode of the series, as well as the screenplay for the feature film, which will be released in theatres in Iran.
James Reinl, A reporter from the United States, wrote in a report entitled "Iranian movie cameras roll in US" about the permission to shoot In the Wind's Eye in the National newspaper on 14 September 2009:[84]
As Washington and Tehran perform a diplomatic dance over Iran's suspected nuclear weapons programme, one group of Iranian filmmakers has benefited from the apparent thaw in relations between the long-standing enemies. Masoud Jafari Jozani, an Iranian director, secured a dozen visas to enter the United States and film a movie. "This would have been unheard of a year ago," said Jozani, who is filming In the Wind's Eye in California. He described his Iranian crew as the first such group of film-makers granted entry to the United States since the Islamic Revolution in 1979.