| Masimba Hwati | |
| Birth Name: | Masimba Hwati |
| Birth Place: | Highfield, Zimbabwe |
| Known For: | Unconventional three-dimensional mixed media sculptures,Experimental sound work and research. |
| Education: | Akademie Der Bildenden Künste, Wien Österreich, Harare Polytechnic University of Michigan |
| Occupation: | Multidisciplinary Artist |
| Footnotes: | Books-Sokunge (As If) Paperback – April 28, 2021by Masimba Hwati (Author), Ryan Chokureva (Interviewer), Baynham Goredema (Designer) |
| Nationality: | Zimbabwean |
Masimba Hwati is an interdisciplinary artist from Zimbabwe, working internationally at the intersections of sculpture, performance, and sound, known for his unconventional three-dimensional mixed media sculptures.[1]
PhD candidate at Akademie der Bildenden künste Hwati graduated from Harare Polytechnic School of Art and Design in 2003 where he majored in Ceramics and Painting.[2] Hwati taught Visual Arts and 3D Art at Harare Polytechnic School of Art and Design.[3] He is a PhD Candidate at Akademie Der Bildenden Künste Wien, Österreich, an MFA from Penny W. Stamps School of Art and Design University of Michigan, Ann Arbor.[4] He was most recently, included in the Montreal Museum of Fine Art's (MMFA) exhibition, Face To Face: From Yesterday to Today, Non-Western Art and Picasso.
In 2015, he was one of three artists, along with Chikonzero Chazunguza and Gareth Nyandoro, selected for Pixels Of Ubuntu/Unhu for the Zimbabwean Pavilion at the 56th Venice Biennale. He is an honorary research fellow at Rhodes University Fine Arts Department in Grahamstown, South Africa.
Hwati explores the transformation and evolution of knowledge systems that are indigenous to his own background whilst experimenting with the symbolism and perceptions attached to cultural objects, expressed as an art movement known as "The Energy of Objects".
Hwati attempts to work from basics, creating his own pigments, and creating objects from basic materials. His works use contemporary and historical themes.[5] He also works extensively with found objects, transfoming existing artifacts into elements of works of art.
Hwati says that he should be able to find at least 35 variations in any given object, but says that often he cannot realize more than ten.[6]
The University of Michigan School of Art wrote about Hwati's 2015 exhibition there:
Zimbabwean multi-disciplinary artist Masimba Hwati examines postcolonial themes by re-appropriating archives and objects and presenting them in new contexts. With an emphasis on sculptural work, Hwati collects historical, culturally imbued items ranging from cars and shoes, to scrap metal and found objects, altering and repositioning them in a contemporary urban setting.[7]Hwati was named amongst 12 "The Ones to Watch" by New African Magazine[8] ahead of the 1-54 Contemporary Art Fair in London at Somerset House.
In 2006 Hwati won the National Art Merit Award, the highest individual art honour in Zimbabwe. He was one of three national representatives who had a showing at the Zimbabwean Pavilion exhibition, Pixels Of Ubuntu/Unhu, at the 56th Venice Biennale.
| Year | Institution | Award | |
|---|---|---|---|
| 2018 | Penny W. Stamps School of Art and Design (MFA First Year Exhibition) | Jean-Paul Slusser Award | |
| 2016 | Cape Town Art Fair | Special Project | |
| 2015 | 56th Venice Biennale | Pixels Of Ubuntu/Unhu | |
| 2006 | National Arts Merit Awards (NAMA)[9] | ||
| 2014 | Research Fellow the Arts of Africa and the Global South search Program Rhodes University Grahamstown South Africa | Associate Artist /Honorary |