Masahiko Satoh Explained

Masahiko Satoh
Birth Place:Sumida-ku, Tokyo, Japan
Birth Date:6 October 1941
Instrument:Piano
Genre:Jazz
Occupation:Musician, composer, arranger
Years Active:Late 1950s–present
Website:www.mmjp.or.jp/m_satoh/English

is a Japanese jazz pianist, composer and arranger.

Early life

Satoh was born in Tokyo on 6 October 1941.[1] His mother was Setsu and his father, who owned small businesses, was Yoshiaki Satoh. The house that his family moved into in 1944 contained a piano; Masahiko started playing it at the age of five. He began playing the piano professionally at the age of 17,[2] "accompanying singers, magicians and strippers at a cabaret in the Ginza district".

Later life and career

By 1959 Satoh was playing in Georgie Kawaguchi's band, together with alto saxophonist Sadao Watanabe and tenor saxophonist Akira Miyazawa. Satoh graduated from Keio University.[3]

At the age of 26, Satoh moved to the United States to study at the Berklee College of Music. He stayed for two years, during which he read about composing and arranging. He earned money working in a food shop and playing the piano in a hotel. In 1968 he wrote the music for, and conducted, a series of pieces that were combined with dance and performed in New York.[4] After returning to Japan, he recorded Palladium, his first album as leader, and appeared on a Helen Merrill album.

In his early career in the late 1960s and early 1970s, Satoh played in a free, percussive style. Satoh played at the 1971 Berlin Jazz Festival as part of a trio; he used a then-unusual ring modulator to alter the sound. Also in the early 1970s, he recorded with Attila Zoller, Karl Berger, and Albert Mangelsdorff. He wrote the psychedelic music for the 1973 anime film Belladonna of Sadness.[5]

Satoh has written arrangements for recordings led by, among others, Merrill, Kimiko Itoh, and Nancy Wilson. He also arranged for strings and quartet on Art Farmer's 1983 album Maiden Voyage.

In 1990 Satoh formed a large group, named Rantooga, that combined various forms of folk musics from around the world. In the early 1990s he composed music for a choir of 1,000 Buddhist monks. In the early 1990s he was reported as stating that 70% of his time was spent on arranging and composing, and the rest on playing and recording.

Compositions

Satoh has composed for film, television and advertisements. For instance, he made the music of Kanashimi no Belladonna, a film in which the sound is very important ; all the songs of this movie are performed by his wife, Chinatsu Nakayama.

Some of his compositions are influenced by the space in the works of composer Toru Takemitsu. Satoh has also composed for traditional Japanese instruments, including the shakuhachi and biwa.

Discography

An asterisk (*) after the year indicates that it is the year of release.

As leader/co-leader

Year recordedTitleLabelNotes
1969*PalladiumExpressTrio, with Yasuo Arakawa (bass), Masahiko Togashi (drums)
1970HolographyNippon ColumbiaSolo
1970AstroramaLibertyCo-led with Jean-Luc Ponty. Quintet, with Ponty (keyboards, vocals), Yoshiaki Masuo (guitar), Niels-Henning Ørsted Pedersen (bass), Motohiko Hino (drums)
1970Tohowith Yoshiko Goto (vocals), Kiyoshi Sugimoto (guitar), Kunimitsu Inaba (bass), Yasuo Arakawa (bass), Akira Ishikawa (drums)
1970Piano Deluxe AlbumPolydorSolo
1985AmorphismEpic SonyTrio, with Eddie Gomez (bass), Steve Gadd (drums)
1985As If...Nippon ColumbiaTrio, with Eddie Gomez (bass), Steve Gadd (drums)
1988Double ExposureEpic SonyTrio, with Eddie Gomez (bass), Steve Gadd (drums)
1990Lunar CruiseEpic SonyDuo, with Midori Takada (percussion)
1990Randooga: Select Live Under The Sky'90Epic SonyLive at the Yomiuriland open theatre East in July 1990. Special guest: Wayne Shorter.
2002–03Masahiko Plays MasahikoEweSolo piano
2005VoyagesBAJCo-led with Joelle Leandre (bass); in concert
2007NyozegamonOhraiSolo piano
2007Rocking ChairBAJSolo piano
2009Summer NightStudio SongsSolo piano
2010AfterimagesBAJDuo, with Je Chun Park (percussion)
2011Edo GigakuBAJTrio, with Shinichi Kotoh (bass), Hiroshi Murakami (drums)
2011YatagarasuNot TwoCo-led with Peter Brötzmann (alto sax, tenor sax, tárogató, clarinet), Takeo Moriyama (drums); in concert
2013Spring SnowPNLCo-led with Paal Nilssen-Love (drums, percussion); in concert
2013Doushin GigakuBAJTrio, with Shinichi Kotoh (bass), Hiroshi Murakami (drums)
2013SerendipBAJDuo, with Pradeep Ratnayake (sitar)
2017Miku Hatsune sings Osamu Tezuka and Isao TomitaNippon ColumbiaA series of arrangements and remixes of Isao Tomita's compositions for Osamu Tezuka's works sung by Miku Hatsune

As sideman

Year recordedLeaderTitleLabel
1971S'posinStoryville
1973Four Compositions (1973)Denon
1985Mezgo Epic
2003SignatureRed Toucan[6]
2011Long Story ShortTrost
2012 and Paal Nilssen-LoveExtended DuosAudio Graphic

In popular culture

A fictionalized version of Masahiko Satoh appears in Izumi Suzuki's short story "Hey, It's a Love Psychedelic!" as the narrator's love interest.

References

Bibliography

Notes and References

  1. http://www.allmusic.com/artist/masahiko-satoh-mn0001233329 "Masahiko Satoh"
  2. Schofield, John (8 October 1991), "Pianist Infuses Jazz with Japanese Spirit", The Wall Street Journal, p. A20.
  3. Iwanami, Yozo; Sugiyama, Kazunori "Sato, Masahiko". The New Grove Dictionary of Jazz (2nd ed.). Grove Music Online. Oxford Music Online. Oxford University Press. Retrieved 24 February 2015. (Subscription required).
  4. "Library Programs Include Art Talks" (12 May 1968), The New York Times, p. 53.
  5. Brenner, Robert (4 May 2016) "Movie Review: Belladonna of Sadness". Huffington Post.
  6. Shoemaker, Bill (April 2003) "Joelle Leandre/Masahiko Satoh/Yuji Takahashi". JazzTimes.