| Maryse Alberti | |
| Birth Date: | 10 March 1954[1] |
| Birth Place: | Langon, France |
| Children: | 1 |
| Occupation: | Cinematographer |
Maryse Alberti (born 10 March 1954) is a French cinematographer who mainly works in the United States on independent fiction films and vérité, observational documentaries.[2] Alberti has won awards from the Sundance Film Festival and the Spirit Awards. She was the first contemporary female cinematographer featured on the cover of American Cinematographer for her work on the Todd Haynes-directed Velvet Goldmine (1998).
Alberti was born in Langon, France. At the age of 19 in 1973, Alberti traveled to New York City planning to see Jimi Hendrix in concert, but only discovered of his death after her arrival. Instead of returning to France, she hitchhiked around the US for three years before she settled in New York City.[3] There, she began a job as an au pair before turning to film.[4]
In a podcast interview with Movie Geeks United!, Alberti states that she never attended film school. [5] She first landed in the film industry as a still photographer for porn films. In 1982, after having worked on enough film sets and getting to know people within the industry, she persuaded the filmmakers of the small punk film-noir film Vortex (1982) to let her be an assistant to the cinematographer. At the time, she had known nothing about film-making and was trained by the film's cinematographer, Steven Fierberg.
Alberti began her cinematography career working for the film company, Apparatus, run by short-film director Christine Vachon. The first full-length documentary she shot was Stephanie Black's H-2 Worker (1990). She won her first Sundance Film Festival award as a cinematographer for this film. She secured her career after being hired for Todd Haynes' controversial pseudo-documentary feature film Poison (1991). [6]
The cinematographer is most famous for shooting both feature films and small 16mm documentaries- her favourite camera being an Aaton 16 mm camera. She has voiced that her favourite genre of film is documentary because she finds there is "always an adventure [and] a lesson" with this medium and she enjoys learning how to use simple tools and work with small groups of people.
Alberti's first big budget film was Haynes' Velvet Goldmine (1998) with a spending allowance of $8 million. Working on this film also consisted of her first time having to use a camera operator.
In June 2006, Alberti traveled to Germany to film portions of the FIFA World Cup for scenes to be shown in Michael Apted's soccer documentary The Power of the Game (2007).
A more recent work includes Darren Aronofsky's wrestling drama, The Wrestler (2008), starring Mickey Rourke. Aronofsky hired Alberti as the cinematographer due to her documentary background. Prior to working on this film, Alberti had no knowledge or experience with wrestling so she would study the sport by attending wrestling matches with members of the crew every Saturday night for a period of time. She revealed that viewing the sport in person was helpful to see the world of wrestling. The director and her decided on a "naturalist look"; her aim was to "make [the film style] work for the drama of the film and keep it as natural as possible" in order to let the viewer feel like they were in a "real [wrestling] place". Important film elements, styles, and techniques were decided between Alberti and the director including an aspect ratio of 2.4:1 in order to capture the wrestling ring, fans, and the arena which they decided were very valuable to the sport. Alberti also used a handheld camera for the action scenes and shot in 16mm film to, as she states in an interview with MovieMaker, "[embrace] a slightly grainy, edgier look". She used the Arriflex 416 camera and Kodak Vision3 500T color negative film 7219. [7]
In 2013, her photography series called The Pool Series was featured in the gallery 'Show Room' located in Brooklyn, New York. Alberti has stated that she could not see what she was photographing and could "only anticipate what the next fragment of time might look like" and thus aimed to create an "artistic anticipation".[8]
Alberti has discussed that being a woman in a field of work that mainly consists of men has not hindered her career and success. In an interview with the Los Angeles Times, she mentions that in the beginning of her career crew members would tease her for being a petite woman working a physically demanding job. In response, she would reply with "The little lady doesn't carry the big lights. She points and the big guys carry the lights".
| Year | Title | Director | Notes | |
|---|---|---|---|---|
| 1988 | Cause and Effect | Susan Delson | ||
| 1989 | The Way of the Wicked | Christine Vachon | ||
| 1996 | The Dutch Master | Susan Seidelman | Segment of Tales of Erotica | |
| Dear Diary | David Frankel | |||
| 2001 | Here | Brendan Donovan | ||
| 2002 | Gasp | |||
| 2005 | Hidden Inside Mountains | Laurie Anderson | ||
| 2006 | A Journey That Wasn't | Pierre Huyghe | ||
| 2016 | Mr. Robot Virtual Reality Experience | Sam Esmail |
| Year | Title | Director | Notes | |
|---|---|---|---|---|
| 1990 | The Golden Boat | Raúl Ruiz | ||
| 1991 | Poison | Todd Haynes | ||
| 1992 | Zebrahead | Anthony Drazan | ||
| 1993 | I Am a Sex Addict | Vikram Jayanti John Powers | ||
| Deadfall | Christopher Coppola | |||
| Mob Stories | Marc Levin | |||
| 1995 | Give a Damn Again | Adam Isidore | With Robert Levi and Kramer Morgenthau | |
| 1996 | I Love You, I Love You Not | Billy Hopkins | ||
| 1997 | Stag | Gavin Wilding | ||
| 1998 | Happiness | Todd Solondz | ||
| Velvet Goldmine | Todd Haynes | |||
| 2000 | Joe Gould's Secret | Stanley Tucci | ||
| Twilight: Los Angeles | Marc Levin | With Joan Churchill | ||
| 2001 | Tape | Richard Linklater | ||
| Get Over It | Tommy O'Haver | |||
| 2002 | The Guys | Jim Simpson | ||
| 2004 | We Don't Live Here Anymore | John Curran | ||
| 2008 | The Onion Movie | James Kleiner | ||
| The Wrestler | Darren Aronofsky | |||
| 2010 | Stone | John Curran | ||
| QC Notorious | Robert Agro-Melina | |||
| 2015 | The Visit | M. Night Shyamalan | ||
| Freeheld | Peter Sollett | |||
| Creed | Ryan Coogler | |||
| 2016 | Collateral Beauty | David Frankel | ||
| 2017 | Chappaquiddick | John Curran | ||
| 2019 | The Kitchen | Andrea Berloff | ||
| 2020 | Hillbilly Elegy | Ron Howard | ||
| 2021 | A Journal for Jordan | Denzel Washington | ||
| 2022 | Jerry & Marge Go Large | David Frankel | ||
| 2023 | The Burial | Maggie Betts |
TV series
| Year | Title | Director | Notes | |
|---|---|---|---|---|
| 1988 | American Playhouse | Calvin Skaggs | Episode "Journey Into Genius" | |
| 1998 | Sex and the City | Alison Maclean | Episodes "Models and Mortals" and "Valley of the Twenty-Something Guys" | |
| 2006 | Great Performances | Phil Bertelsen | Episode "Dance in America: Beyond the Steps - Alvin Ailey American Dance Theater" | |
| 2022 | Inventing Anna | David Frankel Tom Verica | Episodes "Life of a VIP" and "The Devil Wore Anna" (With David Franco) |
TV movies
| Year | Title | Director |
|---|---|---|
| 1993 | Dottie Gets Spanked | Todd Haynes |
| 2018 | My Dinner with Hervé | Sacha Gervasi |
Film
| Year | Title | Director | Notes |
|---|---|---|---|
| 1990 | H-2 Worker | Stephanie Black | With Tom Sigel |
| 1991 | All Our Children with Bill Moyers | Tom Casciato | |
| 1992 | Incident at Oglala | Michael Apted | |
| Confessions of a Suburban Girl | Susan Seidelman | ||
| In Women's Hands | Rachel Field Juan Mandelbaum | ||
| 1994 | The Heart of the Matter | Amber Hollibaugh Gini Reticker | |
| Moving the Mountain | Michael Apted | ||
| 1995 | Crumb | Terry Zwigoff | |
| She Lives to Ride | Alice Stone | ||
| Harlem Diary: Nine Voices of Resilience | Jonathan Stack | ||
| 1996 | When We Were Kings | Leon Gast | With Paul Goldsmith, Kevin Keating, Albert Maysles and Roderick Young |
| 1997 | Inspirations | Michael Apted | With Amnon Zlayet |
| 1999 | Me & Isaac Newton | ||
| 2001 | James Ellroy's Feast of Death | Vikram Jayanti | |
| 2003 | |||
| 2007 | Taxi to the Dark Side | Alex Gibney | With Greg Andracke |
| The Power of the Game | Michael Apted | ||
| 2008 | Alex Gibney | ||
| Finishing Heaven | Mark Mann | With Liz Dory and Boaz Freund | |
| The Agony and Ecstasy of Phil Spector | Vikram Jayanti | ||
| 2010 | Casino Jack and the United States of Money | Alex Gibney | |
| My Trip to Al-Qaeda | |||
| 2011 | Apache 8 | Sande Zeig | |
| Biba! One Island, 879 Votes | Ben Bloodwell | ||
| 2012 | West of Memphis | Amy J. Berg | With Ronan Killeen |
| Love, Marilyn | Liz Garbus | ||
| Dear Governor Cuomo | Jon Bowermaster Alex Gibney Natalie Merchant | With Ronan Killeen | |
| 2013 | Alex Gibney | ||
| 2014 | Bending the Light | Michael Apted | |
| Mr. Dynemite: The Rise of James Brown | Alex Gibney | With Antonio Rossi | |
TV movies
| Year | Title | Director | Notes | |
|---|---|---|---|---|
| 1992 | Minimum Wages: The New Economy | Tom Casciato | ||
| 2004 | Rape in a Small Town: The Florence Holway Story | Jeffrey Chapman | With Ken Van Sant | |
| 2006 | All Aboard! Rosie's Family Cruise | Shari Cookson | With Beth Wichterich and Sandra Chandler | |
| The Human Behavior Experiments | Alex Gibney | With Mira Chang, Adam Feinstein, Richard Neill and Jon Shenk | ||
| Beyond the Steps: Alvin Ailey American Dance | Phil Bertelsen | With John Foster | ||
| The New Medicine | Muffie Meyer | |||
| 2007 | In God's Name | Jules and Gédéon Naudet | ||
| 2014 | A Good Job: Stories of the FDNY | Liz Garbus |
TV series
| Year | Title | Director | Notes | |
|---|---|---|---|---|
| 2005 | Independent Lens | Alex Gibney | Segment | |
| American Masters | Martin Scorsese | Segment No Direction Home | ||
| 2010 | Truth in Motion: The US Ski Team's Road to Vancouver | Brett Morgen | TV short | |
| 2014 | John Leguizamo's Ghetto Klown | Fisher Stevens | TV special | |
| 30 for 30 | Alex Gibney | Episode "Fields of Fear" | ||
| 2014-2016 | Years of Living Dangerously | 7 episodes | ||
| 2018 | Dirty Money | Alex Gibney | Episode "Hard NOX" |
Miniseries
| Year | Title | Director | Notes | |
|---|---|---|---|---|
| 2013 | History of the Eagles | Alison Ellwood | With Samuel Painter | |
| 2016 | Cooked | Alex Gibney | Episode "Fire" | |
| 2022 | The Andy Warhol Diaries | Andrew Rossi |