| Mary Alden | |
| Birth Name: | Mary Maguire Alden |
| Birth Date: | 18 June 1883 |
| Birth Place: | New York City, New York, U.S. |
| Death Place: | Woodland Hills, Los Angeles, California, U.S. |
| Occupation: | Actress |
| Years Active: | 1913–1937 |
Mary Maguire Alden (June 18, 1883 – July 2, 1946) was an American motion picture and stage actress. She was one of the first Broadway actresses to work in Hollywood.
Alden was born in New York City on June 18, 1883. She performed on Broadway in Personal (1907) and The Rule of Three (1914).[1] She worked for the Biograph Company and Pathé Exchange in the first portion of her career. Her most popular role in movies came in The Birth of a Nation directed by D.W. Griffith in 1915. Alden played the role of a mulatto woman in love with a northern politician. The following year she was in Griffith's Intolerance with Mae Marsh, Miriam Cooper, and Vera Lewis. After making Less Than The Dust with Mary Pickford in 1917, she took a temporary leave from motion pictures, acting for a while on the stage. Critics acclaimed Alden's portrayal of the mother, Mrs. Anthon, in The Old Nest (1921) and her characterization of an old lady in The Man With Two Mothers (1922). The latter feature was produced by Sam Goldwyn.
Alden was a prolific motion picture actress throughout the 1920s and into the early 1930s. A sampling of movies in which she had roles are The Plastic Age (1925), The Joy Girl (1927), Ladies of the Mob (1928), and Port of Dreams (1929). The final films she received screen credit for are Hell's House, Rasputin and the Empress, and Strange Interlude, each from 1932.
Alden died at the Motion Picture & Television Country House and Hospital in Woodland Hills, Los Angeles, California in 1946, aged 63 years. This had been her residence for the last four years of her life.[2] Alden was interred in an unmarked grave under her married name of Deangman in Valhalla Memorial Park Cemetery in North Hollywood, California.[3]