Martha Ramirez-Oropeza Explained
Martha Ramirez-Oropeza (born 1952) is a muralist, painter, theater performer, and researcher known for her work on the pre-Hispanic Nahuatl culture.[1]
Early life and education
Martha Ramirez-Oropeza was born in Delicias, Chihuahua, Mexico and her parents were migrant farmworkers.[2] Due to this, she continuously traveled from Delicias to Colusa, California. She worked with her family in the fields picking prunes at a young age. Her family eventually settled down in Pacoima which is a neighborhood in Los Angeles.[3] She experienced discrimination by a teacher that washed her mouth with soap after speaking Spanish when she was in second grade.[4] These experiences then lead her to partake in the Chicano Movement, a hunger strike for the United Farmworkers Union, creating anti-war posters, and planning and paintings murals.
Ramirez-Oropeza pursued an education at California State University, Northridge.[5] She received her Bachelor of Art from Antioch University in 2008.
Career
Ramirez-Oropeza co-founded the Universidad Nahuatl De Ocotepec, located in Ocotepec, Cuernavaca, Morelos, Mexico. One motivation to co-found this university was resistance to the discrimination she and many have experienced.[6] She has been a coordinator for the university and was a professor teaching Nahuatl philosophy for 13 years. Her scholarly work and art continued in California at the University of California, Los Angeles (UCLA) and Social and Public Art Resource Center. At UCLA, Ramirez-Oropeza teaches courses in Chicano/a Studies and Art.[7]
She is considered an expert on the Day of the Dead ritual because she has dedicated many years to research about it, despite not growing up with the tradition. At SPARC, she is an Artist in Residence, and she partners with SPARC to lead the Day of the Dead Ritual yearly.[8] [9]
She is also a performing arts teacher at Edison Language Elementary.
Art and exhibitions
Ramirez-Oropeza began drawing and creating art at a young age to escape her reality.[4] At the age of 18, she made the decision to move back to Mexico and develop her art.[4] In Mexico, she developed her skills under the guidance of muralist David Alfaro Siquieros.[4] In this apprenticeship, she collaborated with him on the mural Patricios y Patricidas.[4] Ramirez-Oropeza has also collaborated with Chicana muralist Judith Baca in a project titled The World Wall.[4]
Ramirez-Oropeza has painted a variety of murals in both the United States and Mexico. In 2004, she was a recipient of an Award that was funded by the Durfee Foundation.[10]
- "Atzalan-Topialitzi" Mural at the University of Oregon[11]
- Martha painted the mural in 1989 after being reached out by MEChA members from the University of Oregon. The purpose of the mural was to preserve the Chicano Movement history. Martha includes the history of Aztecs, Mestizos, and Chicanos to remind people about the roots of Chicanos.
- "Together Through Two Languages" Mural at Edison Language Academy in Santa Monica, California.[12]
- "Holding on to our Roots" Painting.[13]
- "Tlazolteotl: Creative Force of the Un-Woven" Mural by Martha Ramirez-Oropeza & Patricia Quijano. The mural was part of "The World Wall: A Vision of the World Without Fear" event in Mexico.[14] [15] [16]
- Martha Ramirez-Oropeza collaborated with Patricia Quijano on this mural which was part of an event that Judith Baca invited them to, organized by SPARC. This exhibit is a travel installation mural and both artists painted the mural in 1999, but it was revealed in 2001. The inspiration for the mural was mother earth, because she regenerates and heals everything and everyone. Both artists wrote a poem after finishing the mural that reflected their feelings about it.
Further reading
- "The Toltec I Ching" – Written by Martha Ramirez-Oropeza & William Douglas Horden
- "Huehuepohualli: Counting the Ancestors' Heartbeat" by Martha Ramirez-Oropeza
- "Mikamoxtzin, Little Book of The Day of the Dead Ritual / El Librito del Ritual del Dia de Muertos" – Co-Authors: Martha Ramirez-Oropeza & Alicia Valencia Reyes
Notes and References
- Web site: UCLA International Institute. 2021-11-10. www.international.ucla.edu.
- Ramirez-Oropeza. Martha. "Huehuepohualli: Counting the Ancestors' Heartbeat" by Martha Ramirez Oropeza.
- Web site: 2020-01-16. For Martha Ramirez-Oropeza, Art is a Healing and Transformative Force P.S. ARTS. 2021-11-10. en-US.
- News: Page . Dawn . Una visión mundial de paz . A world vision of peace . es . La Opinión . Los Angeles . 26 May 2004 . 1D . .
- Web site: Martha Ramirez Oropeza — Artist, Philosopher, Teacher. 2021-11-10. martharamirezoropeza.com.
- Leyva. Yolanda Chávez. 2003. In ixtli in yóllotl/ a face and a heart: Listening to the Ancestors. Studies in American Indian Literatures. 15. 3/4. 96–127. 20737216 . 0730-3238.
- Web site: Día de Muertos Book Presentation and Ofrenda. UCLA Chicano Studies Research Center. University of California, Los Angeles. 2015. December 5, 2021.
- Web site: 2021-10-28. Tamales, salt and bread 'bones': How foods are central to Day of the Dead. 2021-11-10. Los Angeles Times. en-US.
- Web site: Dia De Los Muetros 2021. 2021-11-10. SPARCinLA. en-US.
- Web site: Martha Ramirez-Oropeza. 2021-11-10. The Durfee Foundation. en-US.
- Web site: NBC 16. 2017-09-30. University of Oregon unveils mural for Hispanic Heritage Month. 2021-11-10. KMTR.
- Web site: 2020-02-07. Santa Monica School Named One of the Best in California. 2021-11-10. SM Mirror. en-US.
- Web site: Nahuatl Language Program Yale Macmillan Center Newsletters. 2021-11-10. newsletter.macmillan.yale.edu.
- Book: Baca, Judith F.. https://arlenegoldbard.com/wp-content/uploads/2007/11/ccg_chapter_06.pdf. 118. Birth of a Movement. Birth of a Movement 30 Years in the Making of Sites of Public Memory.
- Web site: Mexican Panel. 2021-11-10. SPARCinLA. en-US.
- Web site: Ramirez Oropeza. Martha. 2015. En los andamios del cambio: arte, política y cultura indígena. 2021-11-10. repositorio.unam.mx. es-MX.