The Lizard | |
Native Name: | مارمولک |
Director: | Kamal Tabrizi |
Producer: | Manouchehr Mohammadi |
Starring: |
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Music: | Mohammad Reza Aligholi |
Cinematography: | Hamid Khozui Abyaneh |
Editing: | Hossein Zandbaf |
Studio: | Faradis |
Distributor: | Farabi Cinema Foundation (World-wide) Faradis (World-wide) ICA Projects (UK) Barian Entertainment Ltd. (Non-US) Honar Aval (World-wide) |
Runtime: | 115 minutes |
Country: | Iran |
Language: | Persian |
The Lizard (Persian: مارمولک|Marmoulak), is an 2004 Iranian comedy drama film directed by Kamal Tabrizi, written by Peyman Ghasem Khani and starring Parviz Parastui as Reza "the lizard" Mesghali, a small-time thief. This is the first Iranian film that satirised the mullahs. The story of this film is an adaptation of the films "We're No Angels" and "The Pilgrim". The film satirizes the clergy, religion, Iranian society, and life in general. A copy of The Lizard with English subtitles is widely available online.
Reza Mesghaly, known as Reza the Lizard, is a thief known in criminal circles for his ability to bare-handedly climb all walls (from which he derives his name, "the Lizard", or "Marmoulak" in Persian). At the very beginning of the film, he is arrested and charged with armed robbery, a crime that is revealed near the ending of the film, he did not commit. Nonetheless, he is sentenced to life in prison, and is met at the jailhouse by a strict warden, who says that his intention is to "make a person out of prisoners"; thus they will be led into heaven; "by force," if necessary.
Reza is very restless at the prison, to the point where he steals medicine from the infirmary in order to attempt suicide. He is unable to go through with the act, however, and is stopped by his cellmate, who in the course of fighting with Reza causes the medicine bottle to break and cut open his arm. Reza is sent to the hospital to recover, where he meets a cleric, also staying in the hospital, also by the name of Reza. During his stay, the two become friends, and Reza Marmoulak overcomes his dislike of the Islamic clergy to accept the cleric (akhoond) after he is told a profound statement which stays with him for the rest of the film - "There are as many ways to reach God as there are people in the world."
Before he is discharged back into the prison, Reza Marmoulak wears the cleric's clothing with the cleric's hint, and impersonating him, is able to escape the prison and contact one of his friends, who tells him to go to a small border village and contact a man who will give him a fake passport to cross the border with. In the meantime, the warden is informed that Reza has escaped, and seeing this as a personal blemish on his record, pursues the criminal to the border village. Arriving by train at the village, Reza is taken in by the villagers who mistake him as the new cleric who was supposed to join their mosque.
The remainder of the film documents Reza's attempts to get in contact with the criminal underworld to obtain his false passport, while the police pursue him at the behest of the warden; and all along Reza tries to avoid tipping off the villagers to his actions. In the course of this, he becomes something of a hero in the eyes of the villagers, who misinterpret his attempts to track down his false passport as his visiting the homes of poor people and giving them charity. These actions continue to draw the praise of the villagers, convincing those who have abandoned faith in their religion to come to the mosque once again to hear the sermons of Reza Marmoulak, most of which are derived from his brief contact with the cleric in the prison's hospital.
At the end of the film, Reza is finally tracked down by the warden, and on the night of a religious celebration at the mosque, he is arrested, without the villagers noticing. He hands over his robes to a small boy who had watched him over the course of the entire film, possibly the only person in the village who had guessed his identity all along, and goes peacefully with the warden and the police officer back to the prison in Tehran. As they are entering the car, the officer attempts to handcuff Reza, an attempt stopped by the warden and followed by his famous line, "That's not needed anymore".
The film ends with a shot inside the mosque, now being finally full of eager worshippers because of Reza. The police car leaves for Tehran, and it is not clear if Reza is in the car. Then, we see the worshipers in the mosque turn toward someone entering the mosque, as you would turn to welcome a cleric. This frame is frozen, and the same words spoken by the cleric in the hospital and the most important message of the film are heard for one last time; this time expressing Reza's destiny:"There are as many ways to reach God as there are people in the world." The police officer who had come to arrest him was the same one who has told him in the beginning that he needed “a diet for his mind.”
This film was released 2 months after production was complete. The director had problems getting the movie released as many clerics found the movie offensive. The movie was released during Nowruz holidays in Iran, and had a very short, but successful run. Due to its controversial story, the film was taken down after about 3 weeks. The illegal version was released shortly afterwards and the people of Iran saw it. The film was broadcast many times by illegal networks in Iran. After 17 years, the film was licensed in Iran and is now legal.[1] Supreme leader Ali Khamenei has stated that he was opposed to banning the film and urged religious scholars not to take offense to the film. Director of the film Kamal Tabrizi also stated in an interview that Ali Khamenei supported him in the production of the film.[2]
Year | Award | Category | Recipient | Result |
---|---|---|---|---|
2004 | 22nd Fajr Film Festival | Best Actor in a Leading Role | Parviz Parastui | |
Best Screenplay | Peyman GhasemKhani |
In 2014, Turkish television channel ATV began airing a mini-series based on The Lizard.