Marko Paşa Explained

Frequency:Weekly
Founded:1946
Firstdate:25 November 1946
Finaldate:1950
Country:Turkey
Based:Istanbul
Language:Turkish

Marko Paşa (literally Marco Pasha) was a weekly political satire magazine which was in circulation between 1946 and 1950. The magazine was based in Istanbul, Turkey, and subtitled, Political Satire Periodical for the People. It is one of the earliest publications in the country which employed cartoons for class struggle.

History and profile

Marko Paşa was established in 1946 by leading Turkish journalists and authors, namely Aziz Nesin, Sabahattin Ali and Rıfat Ilgaz.[1] [2] Of them Sabahattin Ali was also the owner of Marko Paşa which was financed by the members of the Socialist Party.[3] The founding editor-in-chief of the weekly was Sabahattin Ali who held the post until 1948. The first issue appeared on 25 November 1946, and the magazine was consisted of four pages with 26x41cm size.[3]

The magazine was published on a weekly basis and had a socialist political stance featuring political satire.[1] It was one of the opposition media outlets to the ruling party, Republican People's Party.[1] The magazine was also one of the critics of the United States. Several issues of the magazine was banned, and the editors were often sued because of their drawings and writings.[4] In order to reflect this pressure the cover of the magazine occasionally contained statements like "published when not censored" and "published when writers not in custody".[4] [5] All such tensions between the editors of the magazine and single party government are one of the reasons for the mysterious murder of Sabahattin Ali in 1948.

Marko Paşas first issue sold just 6,000 copies.[6] The circulation raised to 70,000 copies by the sixth issue.[6]

Marko Paşa could survive until 1950 when it was closed down by the court orders, and Aziz Nesin was imprisoned due to his writings in the magazine which criticized the American aid to Turkey.[7]

Legacy

The issues of Marko Paşa were archived under the Chicago Ottoman Microfilms Project initiated by the University of Chicago in 1985.[8]

Notes and References

  1. Efrat E. Aviv. Cartoons in Turkey – From Abdülhamid to Erdoğan. Middle Eastern Studies. 2013. 49. 2. 226,228. 10.1080/00263206.2012.759101 . 23470985 . 146388882 .
  2. Javad Khorsandi. Ahad Mehrvand. "Anonymous Collectivity" and "Sly Civility": Postcolonial Defiance in a Satirical Short Story by Aziz Nesin. GEMA Online Journal of Language Studies. May 2018. 18. 2. 35. 10.17576/gema-2018-1802-03. 54602257 . free.
  3. Özge Mumcu. Hegemony versus Humor: An Analysis of Turkish Polarized Politics Through Press Portrayals 1947-1960. Middle East Technical University. 8,142–145. PhD. May 2020. 11511/45485.
  4. Mahiye Seçil Daǧtaş. 'Down With Some Things!' The Politics of Humour and Humour as Politics in Turkey's Gezi Protests. Etnofoor. 2016. 28. 1. 16. 43823940.
  5. Enis Dinç. On the Limits of Oppositional Humor: The Turkish Political Context. Middle East Journal of Culture and Communication. 2012. 5. 3. 333. 10.1163/18739865-00503012.
  6. Banu İdrisoğlu. Left-Leaning Interpretations of Kemalism within the Scope of Three Journals: Kadro, Markopaşa and Yön. Leiden University. 12,77–78. MA. 2016.
  7. Tuba Ünlü Bilgiç. The Roots of Anti-Americanism in Turkey 1945-1960. Bilig. Winter 2015. 72. 257. 1301-0549.
  8. Laurie Abbott. Report of the Chicago Microfilms Project. Middle East Studies Association Bulletin. July 1991. 37. 25. 1. 10.1017/S0026318400023658. 23060983. 164443556.