Mark Swed Explained
Mark Swed |
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Mark Swed (born) is an American music critic who specializes in classical music.[1] Since 1996 he has been the chief classical music critic of the Los Angeles Times where his writings have made him a two-time finalist for the Pulitzer Prize for Criticism. Prior to his LA Times post, Swed was the chief music critic for the Los Angeles Herald Examiner and The Wall Street Journal, and has contributed other writings to a variety of publications including The Orchestra, an iPad application. He has a particular interest in contemporary classical music.
Life and career
Mark Swed was born and attended the University of California, Berkeley, receiving a Bachelor of Arts in music, and Mills College, receiving a Master of Arts.[1] He was chief music critic at numerous newspapers, including the Los Angeles Herald Examiner, The Wall Street Journal and 7 Days.[1] In addition, he has written other music criticism for a variety of publications,[2] including BBC Music, Gramophone, Musical America, Opera News, Schwann-Opus, Stagebill, The Economist, The New York Times and The New Yorker.[3] Interested in contemporary classical music early on, Swed edited the 20th-century classical music section of The Musical Quarterly from 1992 to 2000.[1] He wrote substantial commentary—described by Grove Music Online as a "book-length text"—for The Orchestra,[2] a well-received iPad application that featured Esa-Pekka Salonen and the Philharmonia Orchestra with autoscrolling and interactive sheet music to numerous orchestral works.[4] He often makes appearances on KCRW, an NPR radio station of Santa Monica College.[1] Since 1996, he has been the chief classical music critic of the Los Angeles Times,[2] succeeding Martin Bernheimer.[5] Swed is currently engaged in writing a biography of the American composer John Cage.[3]
The recipient of numerous awards, Swed received the 1994 ASCAP Deems Taylor Award, as well as a Letter of Distinction from the American Music Center.[1] The Los Angeles Music Center and the Los Angeles Press Club have also recognized his work.[3] He has been a finalist for the Pulitzer Prize for Criticism twice, in 2007 and 2021.[2] The 2007 nomination is described as being "For his passionate music criticism, marked by resonant writing and an ability to give life to the people behind a performance".[6] For his 2021 nomination, the nomination was "for a series of critical essays that broke through the silence of the pandemic to recommend an eclectic array of recordings as entertainment and solace essential to the moment, drawing deep connections to seven centuries of classical music".[7] He is a fellow at The Los Angeles Institute for the Humanities at the USC Dornsife College of Letters, Arts and Sciences of the University of Southern California.[3]
Selected writings
- Book: Swed, Mark . 1989 . Celebrating Twenty Five years 1964–1989 . Music Center of Los Angeles County . Los Angeles . 25427375. none.
Articles
- Swed . Mark . October 1988 . John Cage: A Celebration . . 129 . 1748 . 516–518 . 966687 . 10.2307/966687 . no .
- Swed . Mark . November 1988 . Philip Glass's Operas . . 129 . 1749 . 577–579 . 966783 . 10.2307/966783 . 2 . no .
- Swed . Mark . June 1989 . Schnabel the Composer . . 130 . 1756 . 332–335 . 966028 . 10.2307/966028 . 2 . no .
- Swed . Mark . November 1989 . John Adams . . 130 . 1761 . 662–664 . 1193777 . 10.2307/1193777 . 2 . no .
- Swed . Mark . Spring 1993 . John Cage: September 5, 1912-August 12, 1992 . . 77 . 1 . 132–144 . 10.1093/mq/77.1.132 . 742432 . 2 . no .
- Swed . Mark . Summer 1993 . Editor's Note to Philip Glass's "Akhnaten" . . 77 . 2 . 236–240 . 10.1093/mq/77.2.236 . 742556 . 2 . no .
- Swed . Mark . Spring 1994 . Editor's Introduction to "Synergetic Dynamics in John Cage's "Europeras 1 & 2"" . . 78 . 1 . 127–130 . 10.1093/mq/78.1.127 . 742496 . 2 . no . free .
- Swed . Mark . Summer 1994 . Editor's Introduction . . 78 . 2 . 288–289 . 10.1093/mq/78.2.288 . 742544 . 2 . no .
- Swed . Mark . Summer 1995 . Editor's Introduction . . 79 . 2 . 309–311 . 10.1093/mq/79.2.309 . 742248 . 2 . no .
- Swed . Mark . Spring 1996 . Remembering "Modern Music" . . 80 . 1 . 58–60 . 10.1093/mq/80.1.58 . 742528 . 2 . no .
- News: Swed . Mark . 18 November 2020 . Philip Glass and 'Einstein on the Beach': How one opera changed everything . . 2 . no .
- News: Swed . Mark . 8 February 2022 . Appreciation: How George Crumb became one of America's most surprisingly consequential composers . . 2 . no .
External links
Notes and References
- Encyclopedia: Westover . Jonas . 2001 . . Swed, Mark . . Oxford . 10.1093/gmo/9781561592630.article.A2289537 . 978-1-56159-263-0 . subscription . 27 November 2021 . 27 November 2021 . https://web.archive.org/web/20211127103838/https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-1002289537 . live .
- News: Mark Swed . . 27 November 2021 . 27 November 2021 . https://web.archive.org/web/20211127030645/https://www.latimes.com/people/mark-swed . live .
- Web site: Mark Swed . . 27 November 2021 . 27 November 2021 . https://web.archive.org/web/20211127103839/https://dornsife.usc.edu/cf/laih/fellow-roster.cfm?fellowId=103 . live .
- News: Service . Tom . Tom Service . 7 December 2012 . The Orchestra: a new iPad app that strikes all the right notes . . 17 December 2014 . 17 July 2015 . https://web.archive.org/web/20150717154859/http://www.theguardian.com/music/tomserviceblog/2012/dec/07/the-orchestra-ipad-app-philharmonia . live .
- News: Swed . Mark . 1 October 2019 . Commentary: With withering wit, The Times' irrepressible Martin Bernheimer transformed criticism . . 4 December 2021 .
- Web site: Finalist: Mark Swed of Los Angeles Times . . 27 November 2021 . 27 November 2021 . https://web.archive.org/web/20211127103846/https://www.pulitzer.org/finalists/mark-swed . live .
- Web site: Finalist: Mark Swed of the Los Angeles Times . . 27 November 2021 . 11 October 2021 . https://web.archive.org/web/20211011145811/https://www.pulitzer.org/finalists/mark-swed-los-angeles-times . live .