| Mark Relyea | |
| Birth Place: | Albany, New York |
| Education: | Clayton A. Bouton High School |
| Alma Mater: | College of Saint Rose |
| Occupation: | Sound editor, producer |
| Yearsactive: | 1995–present |
Mark Relyea is an American sound editor.[1] [2]
| Year | Title | Credited as | Notes | |
|---|---|---|---|---|
| 1995 | The Grass Harp | Sound assistant | ||
| 1996 | Kingpin | ADR editor | ||
| 1996 | Bullet | ADR assistant | ||
| 1996 | Kounterfeit | ADR supervisor, sound editor | ||
| 1997 | Steel | ADR editor | ||
| 1997 | Dead Tides | ADR supervisor, sound editor | ||
| 1997 | The Bad Pack | ADR supervisor | ||
| 1998 | Shelter | ADR supervisor | ||
| 1998 | Wicked | ADR supervisor | ||
| 1999 | Just the Ticket | ADR supervisor | ||
| 2001 | Choke | Co-sound supervisor | ||
| 2001 | Snipes | Supervising sound editor | ||
| 2003 | High Tension | Sound effects editor | ||
| 2003 | The Last Stop Café | Co-producer | ||
| 2010 | Salt and Silicone | Supervising sound editor | ||
| 2011 | I Melt with You | ADR editor | ||
| 2018 | Cruel Hearts | Executive producer |
| Year | Title | Credited as | Notes | |
|---|---|---|---|---|
| 1995 | Land's End | ADR editor | ||
| 1996 | To Face Her Past | ADR supervisor | ||
| 1997-1999 | Silk Stalkings | Sound supervisor | 24 episodes | |
| 1998-2000 | Sound supervisor | 42 episodes | ||
| 2000 | Cheaters | ADR editor | ||
| 2001 | Definitely Maybe | Supervising sound editor | ||
| 2000-2001 | 18 Wheels of Justice | Sound supervisor | 34 episodes | |
| 2001 | Walking Shadow | Sound supervisor | ||
| 2001 | The Chronicle | Sound supervisor | 8 episodes | |
| 2002 | The X-Files | Sound editor | 10 episodes | |
| 2002 | RFK | Supervising sound editor | ||
| 2003 | Young MacGyver | Supervising sound editor | ||
| 2004 | Harry Green and Eugene | Supervising sound editor | Pilot | |
| 2004 | Wonderfalls | Supervising sound editor | 17 episodes | |
| 2005 | Huff | Sound supervisor | 2 episodes | |
| 2005 | Blind Justice | ADR supervisor | 10 episodes | |
| 2005-2007 | Gilmore Girls | Supervising sound editor | 43 episodes | |
| 2007-2008 | Men in Trees | Supervising sound editor | 14 episodes | |
| 2004-2011 | Entourage | Supervising sound editor | 76 episodes | |
| 2008-2013 | Supervising sound editor | 103 episodes | ||
| 2013-2014 | Hostages | Supervising sound editor | 14 episodes | |
| 2014 | Power | Supervising sound editor | 1 episode | |
| 2012-2014 | The Newsroom | Supervising sound editor | 18 episodes | |
| 2015 | Silicon Valley | Supervising sound editor | 10 episodes | |
| 2015 | Blindspot | Supervising sound editor | 66 episodes | |
| 2015 | Ballers | Supervising sound editor | 14 episodes | |
| 2016-2018 | Shooter | Supervising sound editor | 31 episodes |
| Year | Award | Category | Title | Result | |
|---|---|---|---|---|---|
| 2010 | Golden Reel Award | Best Sound Editing - Short Form Sound Effects and Foley in Television | |||
| 2010 | Golden Reel Award | Best Sound Editing - Short Form Dialogue and ADR in Television | |||
| 2011 | Primetime Emmy Award | Outstanding Sound Editing for a Series | |||
| 2013 | Golden Reel Award | Best Sound Editing - Short Form Dialogue and ADR in Television | The Newsroom | ||
| 2013 | Golden Reel Award | Best Sound Editing - Long Form Dialogue and ADR in Television | The Newsroom | ||
| 2013 | Golden Reel Award | Best Sound Editing - Long Form Sound Effects and Foley in Television | The Newsroom | ||
| 2014 | Golden Reel Award | Best Sound Editing - Short Form Dialogue and ADR in Television | The Newsroom | ||
| 2015 | Golden Reel Award | Best Sound Editing - Short Form Dialogue and ADR in Television | The Newsroom | ||
| 2016 | Golden Reel Award | Best Sound Editing - Short Form Dialogue and ADR in Television | Blindspot | ||
| 2017 | Golden Reel Award | Best Sound Editing - Short Form Dialogue and ADR in Television | Shooter | ||
| 2018 | Golden Reel Award | Outstanding Achievement in Sound Editing - Sound Effects, Foley, Music, Dialogue and ADR for Live Action Broadcast Media Under 30 Minutes | Ballers | ||
| 2018 | Golden Reel Award | Best Sound Editing - Short Form Sound Effects and Foley in Television | Shooter | ||
| 2018 | Primetime Emmy Award | Outstanding Sound Editing For A Comedy Or Drama Series (Half-Hour) And Animation | Ballers | ||
| 2019 | Primetime Emmy Award | Outstanding Sound Editing For A Comedy Or Drama Series (Half-Hour) And Animation | Ballers |