| Mario Levrero | |
| Birth Name: | Jorge Mario Varlotta Levrero |
| Birth Date: | 23 January 1940 |
| Birth Place: | Montevideo, Uruguay |
| Occupation: | Author |
Jorge Mario Varlotta Levrero (23 January 1940 - 30 August 2004), better known as Mario Levrero, was a Uruguayan author. He authored nearly 20 novels as well as writing articles, columns, comic books and crosswords.[1] His work is said to be influenced by Franz Kafka, Lewis Carroll and surrealism.[2] [3] [4] Throughout his life he shunned publicity and was difficult with interviewers. Regardless, he became a cult figure in Uruguay and Argentina.[5]
His writing was often branded as science fiction or genre fiction, a categorisation he strongly rejected. Critics have commented on the both sinister and humorous nature of his work.
Levrero was born in Montevideo in 1940 to an Italian-Uruguayan family. He stopped attending school at age 14 due to a heart murmur and instead spent his time in bed, reading and listening to tango music.Having never finished school, he claimed that attending a tango club was his university. In his twenties, he ran a secondhand bookshop with a friend and was briefly a member of the Communist Party of Uruguay's youth wing. His first short stories were published in science fiction magazines in Buenos Aires.In 1966, Levrero wrote his first novel La ciudad (The City). He claimed the book was his attempt to "translate Kafka into Uruguayan". Published in 1970, the novel became part of what he described as an "involuntary trilogy" along with Paris (1980) and El lugar (1982). By the 1980s, Levrero was gaining more mainstream recognition after receiving an award for his novella Desplazamientos.
Levrero received a Guggenheim Grant in 2000 to finish work on a project he had begun in 1984 that he called La novela luminosa.[6] Intended to be an account of a transcendental experience, the posthumously published work ended up as a composite of a diary detailing failed attempts at writing the novel and unedited chapters of the incomplete novel. It is widely regarded as his masterpiece.
Levrero died in Montevideo in 2004.
Levrero's work has inspired Latin American writers such as Rodolfo Fogwill, César Aira and Alejandro Zambra.[7]