Marilou Schultz Explained

Marilou Schultz
Birth Date:6 November 1954
Birth Place:Safford, Arizona
Nationality:Navajo Nation, American
Alma Mater:Bachelor and master's degree: Arizona State University
Known For:Data-inspired Navajo weaving
Notable Works:Replica of a Chip (1994)
Movement:Navajo weaving
Relatives:Melissa Cody (Diné), niece

Marilou Schultz (born November 6, 1954) is a Navajo weaver, artist, and educator. She has exhibited her weavings nationally and internationally, including at the documenta 14 in Kassel, Germany.[1]

Schultz is a math teacher as well as an artist, and she is known for her science and data-inspired weavings.[2]

Early life and education

Marilou Schultz was born in Safford, Arizona, on November 6, 1954.[3] She is a citizen of the Navajo Nation and is born to Tabaaha (Water’s Edge Clan) and born for Tsi’naajinii (Black Streak Wood People Clan) and grew up in Leupp, Arizona, on the Navajo Reservation.

At least four generations of her relatives, including her mother and great-great-grandmother, were also weavers.[4] She is the aunt of textile artist Melissa Cody.[5] Her mother is the respected weaver Martha Gorman Schultz. She began learning the craft at the age of seven by watching her mother, and sold her weaved rugs during her childhood and into her college years.[6] [7]

Schultz attended Arizona State University (ASU) and received a bachelor's and master's degree in education, as well as a certificate for teaching mathematics from the Native American Education Leadership Program at ASU.[8]

Teaching career

Schultz is a math teacher in the Mesa Public Schools,[2] [6] and has served as a home-school liaison and coordinator for leadership and support programs for Native American youth.[9]

In the summers, she teaches weaving workshops.[6]

Weaving

Although she began weaving as a means of financial support, her love of the craft has evolved into a method of innovation and sharing her culture with others. She utilizes traditional methods learned from her mother such as plain weave, twill and double twill, and raised outline weavings, though she has also developed unique dyeing techniques with both aniline and natural dyes.[10] [6] Natural dyes that she uses includes cochineal and indigo.[6] She frequently uses wool from Churro sheep raised by her family.[11]

Math and technology–inspired weavings

In 1994, Intel commissioned Schultz to weave "Replica of a Chip," which depicted a Pentium microprocessor, a computer circuit board, and referenced the historical workforce of Navajo women assembling circuit boards at an Intel factory located on a Navajo reservation in New Mexico.[12] [13]

Awards and honors

Schultz has won several awards at the Santa Fe Indian Market, including the Special Award for Excellence in Navajo Weaving in 1994, and the Challenge Award in Non-Traditional Weavings in 1997.[14] She was also awarded a fellowship by the market's organization, SWAIA, in 1994. At the Heard Museum Guild Indian Fair and Market, Schultz received the inaugural Conrad House Innovation Award from the Heard Museum Guild in 2001.[15]

Selected exhibitions

Schultz exhibited at documenta 14 in Kassel, Germany. She has also shown internationally in U.S. Embassies.[6]

Curators Velma Kee Craig (Diné), Natalia Miles (Diné/Akimel O'otham/Apache), and Ninabah Winton (Diné) featured Schultz's work in the Heard Museum's traveling survey of contemporary Navajo weaving, Color Riot!. This exhibition began at the Heard Museum in Phoenix, and traveling to venues nationwide, including the Montclair Art Museum in New Jersey[16] and the Museum of Fine Arts, St. Petersburg in Florida.

Replica of a Chip was included in a 2024 exhibition, Woven Histories: Textiles and Modern Abstraction at the National Gallery of Art.[17]

Notes and References

  1. Web site: Marilou Schultz . documenta 14 . 6 July 2024.
  2. Web site: Intel and AISES: A History of Engagement . Winds of Change . July 23, 2020 . 6 July 2024 . American Indian Science and Engineering Society.
  3. March 22, 2003 . Marilou Schultz . Canku Ota (Many Paths) . 83 . Canku Ota.
  4. Book: Changing Hands: Art Without Reservation . Merrell Publishers Limited . 2002 . 978-1-85894-186-8 . McFadden . David Revere . London . 20 . Taubman . Ellen Napiura.
  5. News: Brown . Patricia Leigh . 2024-04-18 . A Millennial Weaver Carries a Centuries-Old Craft Forward . 2024-06-12 . The New York Times . en-US . 0362-4331.
  6. Web site: Marilou Schultz . 2024-06-12 . Art in Embassies: U.S. Department of State . en-US.
  7. Book: Schaaf, Gregory . American Indian Textiles: 2,000 Artist Biographies, c. 1800-Present . CIAC Press . Internet Archive . 2001 . 978-0-9666948-4-0 . Santa Fe . 212.
  8. 1978 . The Bulletin Board . Journal of American Indian Education . 18 . 1 . 30–32 . 24397262 . 0021-8731.
  9. News: Box . Andrea . October 20, 1993 . Schools participate in Indian celebration . June 12, 2024 . Arizona Republic . 208.
  10. Web site: Walker . Mary . 2012-03-20 . Back to the Heard: Spinning and Design Lessons with Martha and Marilou Schultz . 2024-06-12 . Weaving in Beauty . en-US.
  11. News: Thorson . Alice . March 2, 2014 . Tradition Meets Modern World . June 12, 2024 . The Kansas City Star . D6.
  12. News: Smee . Sebastian . 2024-05-03 . Review Why textiles are all the rage in the art world right now . 2024-06-12 . Washington Post . en-US . 0190-8286.
  13. McMaster . Gerald . October 2017 . Under Indigenous Eyes . Art in America . 105 . 9 . 64–71 . Academic Search Complete.
  14. News: August 23, 1997 . 76th Indian Market Awards Announced by Category . June 12, 2024 . Albuquerque Journal . 103.
  15. Web site: Conrad House Innovation Award . 2024-06-24 . heardguild.org.
  16. Web site: Color Riot! How Color Changed Navajo Textiles . Montclair Art Museum . 6 July 2024 . 2021.
  17. Web site: Woven Histories: Textiles and Modern Abstraction . 2024-06-12 . www.nga.gov.