| Marie-Anne Leroudier | |
| Birth Name: | Marie-Anne Amélie Haug |
| Birth Date: | 28 November 1838 |
| Birth Place: | Belfort, France |
| Baptised: | 26 April 1908 |
| Death Date: | 26 April 1908 |
| Death Place: | Lyon, France |
| Alma Mater: | Saint-Charles des Brotteaux school |
| Known For: | embroidery |
| Notable Works: | Series of panels inspired by the French: Douze mois grotesques of Claude Audran III |
| Awards: |
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| Memorials: | Rue Marie-Anne-Leroudier in Lyon |
Marie-Anne Leroudier (née Haug; 28 November 1838 – 26 April 1908) was a French embroiderer who received awards at several international expositions. Some of her works were hung in the Paris Opera, while others were held by the Lateran Museum in Rome and the Textile Arts Museum in Lyon. A street in the latter city bears her name.
Marie-Anne Amélie Haug was born in Belfort, 1838.[1] She trained at the Saint-Charles des Brotteaux school, where her intelligence was recognized and stood out for her aptitude for needlework.
In 1862, she married the draftsman Jean Leroudier, who worked on the Joseph-Albert Henry[2] house, and enrolled in the drawing classes of Clothilde Alliod, director of the drawing course for women, annexed to the École des Beaux-Arts.[3] Two years after her marriage, Leroudier set up an embroidery workshop specializing in the restoration of old fabrics which ensured her reputation with French and foreign collectors.
From 1867, Leroudier participated in all the major international decorative arts events and was awarded an honorable mention at the Exposition Universelle (1867, Paris) as a collaborator of the Lamy et Giraud house of Lyon.[4] At the Lyon International Exhibition of 1872, she obtained a bronze medal as well as two bronze medals in Paris. At the Decorative Arts Exhibition in Lyon in 1884, she received the gold medal,[5] and in 1885, another gold medal earned her the highest award granted to embroidery at the Exposition Universelle d'Anvers. At the Exposition Universelle (1889, Paris), she won a gold medal with the series of panels inspired by the French: Douze mois grotesques of Claude Audran III. In 1893, one of Leroudier's creations was exhibited in Chicago during the World's Columbian Exposition.[6] In 1888, the Lyon municipality created a municipal embroidery course in collaboration with Leroudier's eldest daughter Jeanne-Marie, wife of Jean-Pierre Guillermet. In 1892, Leroudier published a book, French: La Broderie artistique (The Artistic Embroidery).
Among Leroudier's most remarkable works are the hangings for the Paris Opera, embroidered furnishings for Parisian houses (Krieger, Fourdinois) or Marseille (Blanqui), creative costumes for the Worth house, as well as court dresses and coats for the Queen of Greece and the Empress of Russia. Leroudier made religious vestments offered by the Roman Catholic Archdiocese of Lyon to Pope Pius IX in 1869 (cope, chasuble, stole, maniple, and chalice veil, all held in the Lateran Museum in Rome) and to Pope Leo XIII (chasuble). Several embroidered pieces reproduce famous paintings including Crucifixion by Anthony van Dyck. Several of Leroudier's works are kept at the Textile Arts Museum in Lyon, received by purchase or donation.[7] [8]
Leroudier was a valuable collaborator of Alexis Carrel. When the latter was still a young doctor, Leroudier welcomed him each evening at her home where he mastered embroidery, applying the technique to surgical sutures of blood vessels.[9] [10]
Marie-Anne Leroudier died in Lyon, 1908.[11]
The rue Marie-Anne-Leroudier in the 1st arrondissement of Lyon is named in her honour.[12]