Marianne Schmidl Explained

Marianne Schmidl (3 August 1890 in Berchtesgaden – April 1942 in the Izbica Ghetto) was the first woman to graduate with a doctorate in ethnology from the University of Vienna.[1] An Austrian ethnologist, teacher, librarian and art collector, Schmidl was plundered and murdered in the Holocaust by the Nazis because of her Jewish origins.

Family and education

Marianne Schmidl's mother, Maria Elisabeth Luise Friedmann (1858–1934), lived in Munich, and worked for the writer Paul Heyse. Schmidl's great-grandfather was the painter Friedrich von Olivier, a close friend of Julius Schnorr von Carolsfeld, and her great-granduncles were the brothers Heinrich Olivier and Ferdinand Olivier, who were also artistically active. Her father, Josef Bernhard Schmidl (1852–1916), of Jewish origin, was a court lawyer from Vienna and a social democrat.[2] Shortly before the marriage on 23 July 1889, which was vehemently rejected by the Friedmann family, he converted to Protestantism. The Jewish background of her father would prove fateful for Schmidl when the Nazis came to power.

Marianne was the oldest of two sisters in Berchtesgaden, where the family-owned a holiday home. However, she grew up in Vienna and received the best possible education for girls at the time. From 1905 to 1909 she attended the progressive “Black Forest School” of the pedagogue and salonière Eugenie Schwarzwald.

From 1910, Schmidl studied mathematics and theoretical physics at the University of Vienna.[3] In the winter semester of 1913–14, however, she switched to ethnology as a major, anthropology and prehistoric archeology as a minor.[4] Shortly before that she had joined the Association for Austrian Folklore and had worked out a folklore topic for the first time with “Flax growing and flax processing in Umhausen”. Michael Haberlandt and Rudolf Pöch were among her teachers. In 1916 she was the first woman to receive her doctorate.[5] [6]

Working life

Marianne Schmidl first worked at the Berlin Museum of Ethnology. From autumn 1917 she worked under Theodor Koch-Grünberg at the Linden Museum in Stuttgart as an “assistant for African questions”. After a stint at the Grand Ducal Museum for Art and Applied Arts in Weimar, Marianne Schmidl was unable to find an adequate job for a long time. Michael Haberlandt later asked whether “the two characteristics female and Jewish were an obstacle to filling a position within ethnology”. From March 1921 she worked at the Austrian National Library, with a permanent civil servant position from 1924, as a lecturer for anthropology, science, mathematics and medicine. In addition, she continued her scientific research in the field of African cultural history, specializing in particular in basket weaving. From 1926 she worked on a research project on African handicrafts at the Museum für Völkerkunde in Vienna, which was financed by the Saxon Research Institute for Ethnology in Leipzig. In the course of this, she researched ethnographic museums in Switzerland, France, England, Belgium, Germany and Italy and published numerous scholarly works.[7] [8]

Nazi persecution and deportation

After Austria's Anschluss or "annexation" to the Nazi German Reich in 1938, Marianne Schmidl was declared Jewish because her father was Jewish, even though she considered herself to be Christian.[9] She was forced out of her job, and thrown into poverty by the special taxes Nazis inflicted on Jews in order to take their property.[10] Schmidl was forced to sell her family's artworks but was unable to flee. In April 1942, she was deported to the Izbica ghetto in Poland and from there presumably to the Belzec or Sobibor concentration camps.[11]

Her last sign of life was in May 1942. The circumstances and exact date of her death are unknown, and she was not declared dead until May 1950.[12]

Art collection and its restitution

Marianne Schmidl is remembered today not only as Austria's first Ph.D. in ethnology,[13] but also because – in the course of the principles for the restitution of looted art formulated at the 1998 Washington Conference – she was the original owner of many drawings by the brothers Olivier and Julius Schnorr von Carolsfeld could be made out.

After her mother's death in 1934, she inherited the entire family collection of drawings by the Olivier brothers and Schnorr von Carolsfeld. After the "Anschluss" of Austria in 1938, Schmidl was forced to submit a property declaration on 30 September 1938 for her art collection on which the Nazi imposed special taxes. The special taxes for Jews, the repayment of the funding for their research, and the reduced salary collectively left Maria Schmidl with no choice but to sell the collection of drawings.[14]

Her non-Jewish brother-in-law, Karl Wolf, brought the lot to the Viennese dealer Christian Nebehay, who in turn passed them on to the Leipzig action house C. G. Boerner.

On 28 April 1939, 19 sheets belonging to Schmidl were auctioned anonymously as “Collection W” (today identified as “Collection Wolf”).

The Albertina in Vienna restituted 8 sheets by Friedrich Olivier to the family's heirs in 2013.

In 2014, two more drawings by Olivier from the Kupferstichkabinett in Berlin in 2015 two sheets from the Kupferstichkabinett in Dresden were restituted.[15]

In 2016 A Branch with Shriveled Leaves' which had been sold under duress by Schmidl in Austria in 1939, was restituted by the National Gallery of Art.[16] The NGA had acquired the drawing as part of the Wolfgang Ratjen collection.[17]

In 2019 a drawing by Friedrich and another by Ferdinand Olivier were restituted from the Lenbachhaus in Munich.[18]

Publications (selection)

Literature

See also

External links

Notes and References

  1. Web site: Staatliche Museen zu Berlin. Restitution of two works from the Kupferstichkabinett. 20 April 2021. www.smb.museum. en. Dr. Marianne Schmidl was born in 1890 in Berchtesgarden and grew up in Vienna. After becoming the first woman to graduate with a doctorate in Ethnology from the University of Vienna, she worked initially in various ethnology museums, including the Museum für Völkerkunde in Berlin. In 1921 she became a librarian at the Austrian Nationalbibliothek, where she worked until 1938. On 1st October of that year, she was forced into early retirement because her father was of Jewish origin. Deprived of almost all means of financial support by this and other forms of persecution, and by the special levies imposed on Jews by the Nazi regime, she was obliged to sell the artworks which had been in her family for generations. In April 1942 she was deported to the ghetto of Izbica, in the Krasnystaw district of the province of Lublin, Poland.
  2. Web site: 20 April 2021. National Gallery of Art Returns World War II-Era Duress-Sale Drawing to Heirs. live. https://web.archive.org/web/20210420140743/https://www.nga.gov/press/2016/schmidl.html. 20 April 2021. 20 April 2021. Marianne Schmidl was the daughter of Josef Schmidl (1852–1916) and Maria Schmidl née Friedmann (1858–1934). A Viennese lawyer, Josef was born Jewish but converted to Christianity in 1889; Maria was Christian. Maria was the granddaughter of the artist Friedrich Olivier and Franziska Heller; Franziska's sister was married to the artist Julius Schnorr von Carolsfeld. Thus Marianne Schmidl was Olivier's great-granddaughter, and the great-grandniece of Julius Schnorr von Carolsfeld..
  3. Web site: National Gallery of Art Returns World War II-Era Duress-Sale Drawing to Heirs. live. https://web.archive.org/web/20210420140743/https://www.nga.gov/press/2016/schmidl.html. 20 April 2021. 20 April 2021. www.nga.gov. In 1910, despite the prejudices against women being admitted to university, Marianne enrolled to study physics and mathematics. In 1913 she switched courses to anthropology and ethnology and developed what was to become a lifelong fascination with Africa. Her research was based on the extensive collections of German and Austrian ethnological museums and culminated in the 1915 publication of her doctoral thesis "Numbers and Counting in Africa," making her the first woman to receive a doctorate in ethnology from the University of Vienna..
  4. Web site: 8 April 2020. Wer war Marianne Schmidl?. Who was Marianne Schmidl?. 23 March 2021. lenbachhaus.de. de.
  5. Web site: Geisenhainer. Katja. Marianne Schmidl (1890–1942). 23 March 2021. nomadit.co.uk. en.
  6. Web site: Stein der Erinnerungfür Marianne Schmidl.
  7. Web site: Schmidl, Marianne Lexikon der österreichischen Provenienzforschung. live. https://web.archive.org/web/20210420142359if_/https://www.biographien.ac.at/oebl/oebl_S/Schmidl_Marianne_1890_1945.xml. 20 April 2021. 23 March 2021. www.lexikon-provenienzforschung.org. b 1910 stud. sie an der Univ. Wien Mathematik und Physik, u. a. bei F. Exner (s. d.) sowie Wilhelm Wirtinger, ab 1913 Ethnographie, Anthropol., Urgeschichte sowie Volkskde., v. a. bei R. Pöch, M. Hoernes und M. Haberlandt (alle s. d.); 1916 Dr. phil. Noch während ihrer Stud.Zeitein Jahr Volontärin am Österr. Mus. für Volkskde., arbeitete sie 1916/17 an der Afrikan. Abt. des Mus. für Länder- und Völkerkde, in Berlin, 1917–20 als Ass. am Lindenmus. in Stuttgart, nach der durch eine Personalreduktion bedingten Entlassung am Mus. für Kunst und Kunstgewerbe in Weimar. 1921 trat sie als Hospitantin in den Dienst der Österr. Nationalbibl., wurde in den Beamtenstand übernommen und 1938 zum Staatsbibliothekar 1. Kl. ernannt, noch im selben Jahr aber, schon lange schwer zuckerkrank, pensioniert. Im April 1942 wurde sie in das Lager Izbica (Polen) deportiert, von wo aus sie einen Monat später letzte Nachricht gab. Aus der von Pöch aufgebauten Anthropolog.-ethnograph. Schule hervorgegangen, wurde sie als erste Frau Österr. in ihrer Disziplin prom. und erwarb sich, seit 1914 Mitgl. der Anthropolog. Ges. in Wien, die Wertschätzung ihres Lehrers, der ihr einen Tl. seines wiss. Nachlasses anvertraute. Publizist. widmete sie sich schon in ihrer Stud.Zeit der Volks-, später yornehml. der Völkerkde. und betreute dieses Fach neben anderen wiss. Sparten als Referentin an der Österr. Nationalbibl. 1929 beschloß sie gem. mit Walter Hirschberg und Robert Routil die Begründung eines Afrika-Archivs, ein Gedanke, der im Folgejahr mit der Wr. Arbeitsgemeinschaft für Afrikan. Kulturgeschichte Verwirklichung fand, in deren Rahmen als Erg. zu der in Wien herrschenden Kulturkreislehre die Erarbeitung von Stammesgeschichten erfolgen sollte..
  8. Web site: Dokumentation. Österreichisches Biographisches Lexikon und biographische. 2003. Schmidl (Schmiedl), (Theresie) Marianne. 20 April 2021. ISBN 978-3-7001-3213-4. de.
  9. News: U.S. National Gallery returns art to heir of Holocaust victim. 23 March 2021. Haaretz. https://web.archive.org/web/20201030014907/https://www.haaretz.com/world-news/americas/u-s-national-gallery-returns-art-to-heir-of-holocaust-victim-1.5426870. 30 October 2020. en.
  10. Web site: National Gallery of Art. National Gallery of Art Returns World War II-Era Duress-Sale Drawing to Heirs. 20 April 2021. www.nga.gov. With the German annexation of Austria in March 1938, public employees were required to submit proof of their Aryan descent. On June 25, 1938, Marianne was informed that at the conclusion of her medical leave she would no longer be allowed to work at the library because of her Jewish heritage. On September 30, 1938, Marianne Schmidl submitted the required registration of her assets—Vermögensanmeldung—on which she listed the value of her "metal, jewelry, luxury items, art and collections." In October she submitted the estimated value of her half of the house she shared with her brother-in-law, Dr. Karl Wolf, husband of her deceased sister Franziska (1891–1925), for which she would be taxed. Throughout 1938 and 1939 Schmidl fought through official channels the various Jewish taxes and her loss of work..
  11. News: U.S. National Gallery returns art to heir of Holocaust victim. 23 March 2021. Haaretz. https://web.archive.org/web/20201030014907/https://www.haaretz.com/world-news/americas/u-s-national-gallery-returns-art-to-heir-of-holocaust-victim-1.5426870. 30 October 2020. en.
  12. Web site: 19 August 2016. National Gallery of Art Returns World War II-Era Duress-Sale Drawing to Heirs. 2022-01-23. National Gallery of Art. She was declared dead in May 1950..
  13. Web site: Geisenhainer. Katja. Marianne Schmidl (1890–1942). 20 April 2021. nomadit.co.uk. en. The paper offers an introduction to the life and work of one of the earliest professional female anthropologists in Germany and Austria, M Schmidl, and her attempts to find her place among scientists as a woman with Jewish ancestors and without a permanent position in an ethnological institution..
  14. Web site: Wer war Marianne Schmidl?. 23 March 2021. www.lenbachhaus.de. de.
  15. Web site: Berlin. Staatliche Museen zu. Restitution of two works from the Kupferstichkabinett . 23 March 2021. www.smb.museum. en.
  16. Web site: National Gallery of Art Returns World War II-Era Duress-Sale Drawing to Heirs. live. https://web.archive.org/web/20190815072427/https://www.nga.gov/press/2016/schmidl.html. 15 August 2019. 23 March 2021. www.nga.gov. In the sale held on April 28, 1939, the Schmidl collection was sold anonymously as "Collection W." Records from Boerner confirm that the pseudonym was for Marianne's brother-in-law, Dr. Karl Wolf of Vienna. In the spring of 1942 Marianne Schmidl was deported to Izbica, Poland, along with more than 5,000 Viennese Jews. Izbica was a holding point for the concentration camp Belzec..
  17. Web site: Restituted German Romantic drawing for sale at Berlin auction in November. live. https://web.archive.org/web/20211013015317/https://www.antiquestradegazette.com/news/2016/restituted-german-romantic-drawing-for-sale-at-berlin-auction-in-november/. 13 October 2021. 13 October 2021. www.antiquestradegazette.com.
  18. Web site: Lenbachhaus – Restitution zweier Zeichnungen. 23 March 2021. www.lenbachhaus.de. de.

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