Marcus Venerius Secundio was a Roman impresario who produced plays in Greek and Latin, and a custodian of the temple of Venus at Pompeii.[1] Marcus was a former slave, who, after his manumission, applied himself to organizing theatrical performances. He was a financial success, and improved his social standing and garnered prestige. Marcus lived in the 1st century: he was probably born around the beginning of the Christian era and died a few years before the eruption of Mount Vesuvius in 79. Analysis of his remains suggests that he was about 60 years old when he died.[2] His name occurs in the wax tablet archive of his contemporary, the banker Caecilius Iucundus. The discovery of Marcus having put on performances in Greek is strong evidence that ancient Greek must have been an accessible language, along with classical Latin in ancient Rome.
Marcus' remains were found in early August 2021 in a spacious tomb, which had been opened in mid-July during excavations in the Porta Sarno Necropolis area in Pompeii. At the time, the area where the tomb was found was not yet open to the public. Director Gabriel Zuchtriegel intends eventually to open the area to visitors.[1] Excavations began in July 2021 under the leadership of Llorenç Alspont, professor of Prehistory and Archaeology at the University of Valencia. The remains were discovered by Alspont and archaeologist Luana Toniolo, in collaboration with anthropologist Valeria Amoretti of the Archaeological Park of Pompeii.[3] The team was also joined by two groups of undergraduates organized by ArchaeoSpain.[4] [5]
The tomb consists of a cell of 1.6 x 2.4 metres within a larger enclosure; the facade of the enclosure has traces of murals showing green plants on a blue background. Marcus' skeletal remains, found in the cell, were in good condition. A small part of the scalp had been mummified, with white hair and the left ear still clearly visible. Why part of him was mummified, and whether this is the result of intentional treatment, are questions which require further research.[2] The survival of Marcus' remains is remarkable, since it was the usual practice for Romans to cremate their dead.[2] The enclosure also contained two cremation urns, one belonging to a woman named Novia Amabilis, and various grave goods.[2]
On the pediment of the tomb a marble commemorative plaque was mounted, which briefly describes Marcus and his activities.[6] [7]
The archaeological team of the University of Valencia hypothesize that Marcus was born in Greece. This might explain why he produced theatrical performances in Greek, and might also explain why his remains were not cremated. The Greeks believed that life after death was only possible if the body had been buried.[3]