| Background: | person |
| Manitas de Plata | |
| Birth Name: | Ricardo Baliardo |
| Birth Date: | 7 August 1921 |
| Birth Place: | Sète, France |
| Death Place: | Montpellier, France |
| Genre: | Flamenco |
| Occupation: | Musician |
| Instrument: | Guitar |
Ricardo Baliardo (7 August 1921 – 5 November 2014), better known as Manitas de Plata ("little hands of silver"), was a Spanish[1] flamenco guitarist of Catalan Gitano descent, born in southern France.[2]
Baliardo was born in a gypsy caravan in Sète, southern France.[2]
Nicknamed Manitas de Plata ("little hands of silver" in Spanish), he agreed to play in public only ten years after the death of Romani-Belgian jazz guitarist and composer Django Reinhardt, in 1953.[3]
Baliardo attained fame in the United States after a photography exhibition in New York, organized by his friend Lucien Clergue. He had recorded his first official album in the chapel of Arles in France in 1963, on the Philips label. It was later re-released in 1967, on the Connoisseur Society label and sold through the Book of the Month Club.[4] This record brought him to the attention of an American audience, where a manager obtained a booking for him to play a concert at Carnegie Hall in New York on 24 November 1965,[5] and on The Ed Sullivan Show the same year. He went on to perform in various venues around the world.[3] [6]
Manitas de Plata was the uncle of Diego, Paco, and Tonino Baliardo, and cousin to Pablo, François (Canut), Patchaï, Nicolas, and André Reyes (the sons of his cousin, flamenco artist José Reyes, with whom he performed as a duo in the 1970s), all current or former members of the Catalan rumba band Gipsy Kings.
De Plata died on 6 November 2014, aged 93, in a retirement home in Montpellier. He had suffered a severe heart attack in April 2013.[7]
One of his recordings earned him a letter from Jean Cocteau, acclaiming him as a creator.[3] Upon hearing him play at Arles in 1964, Pablo Picasso is said to have exclaimed, "that man is of greater worth than I am!" and proceeded to draw on Baliardo's guitar.[3] Australian multi-instrumentalist Chris Freeman, his student in 1971, acknowledged de Plata's influence and teachings.[8] [9]